Coming in late February/early March, Messages in a Bottle collects the best work by Bernard Krigstein, a singular draftsman and one of the most graphically sophisticated comics illustrators of all time, whose too-brief career in the 1940s and '50s included work for EC and Atlas Comics. For those who have been awaiting a new edition of our long-out-of-print B. Krigstein: Comics, this book contains every story from that volume plus several more. It is our great privilege to have had a number of these stories specially recolored by the great Marie Severin; the remainder have been painstakingly restored from the original comic books by acclaimed editor Greg Sadowski. Read a free 22-page excerpt with 3 complete stories, and pre-order a copy, right here.

As the final embers of the Yule log die down, that wad of Christmas cash is starting to feel mighty warm in your pocket, isn't it? We're here to help you avoid unsightly burn holes in your pants and get what you really wanted for Christmas by offering 20% OFF everything on our website (including our already-discounted clearance items and gift sets) Wednesday, December 26 through Saturday, December 29, 2012! Just use the coupon code FANTACLAUS when you check out and you'll receive 20% off everything in your order. (If you prefer to shop by phone, just mention this offer when you call — 1-800-657-1100 or 206-524-1967 outside the U.S., 9 AM to 5 PM Monday-Friday.) 20/20 Club members get a double-shot discount of 36%, so join up if you haven't already.

Need some suggestions?

In a classic mood? Blast off with Basil Wolverton's Spacehawk. Start your EC Comics Library collection with Harvey Kurtzman and Wallace Wood volumes. Stay in the Christmas spirit with Ernie Bushmiller's Nancy and Carl Barks's Donald Duck.

Thinking contemporary? Catch up with the Hernandez Brothers' latest Love and Rockets. Prepare for the President's second term with Steven Weissman's Barack Hussein Obama. Sail the bloody seas with Chris Wright's Blacklung. Meet the Great Emancipator in Noah Van Sciver's The Hypo. Take a chance on Lilli Carré's Heads or Tails — either way you win.

And that's less than 1% of our catalog! Shop shop shop!

As with every year we've been diligently compiling our books' appearances on end-of-year lists and for your browsing and shopping reference we have created a handy page of 2012 Critics' Picks, listing books that are being chosen by critics, fellow artists, readers and other comics professionals as the Best of 2012. (See also the 2008, 2009, 2010, and 2011 lists — these lists can also be found under "Award Winners" in our "Browse Shop" navigation tab.) This page will continue expanding as the year winds down and into the new year and more lists are announced.

If you're a critic, blogger, pundit and/or enthusiast who's putting together your own Best of 2012 list and need to be reminded which of your favorite Fantagraphics titles were released this year (and there's a lot of them), by all means use our complete and up-to-date 2012 Releases section as your guide. (Note that this list includes multipacks which may contain previous years' releases.)

The Comics Journal #302
edited by Mike Dean & Kristy Valenti; Gary Groth, Executive Editor

672-page black & white/color 7" x 8.5" softcover
ISBN: 978-1-60699-603-4

Ships in: February 2013 (subject to change) — Pre-Order Now

The newly formatted, 600+ page Comics Journal proved a resounding success with 2011’s edition. 2012’s Volume 302 is sure to prove just as essential and exciting to comics readers worldwide.

This edition’s cover feature is a long, intimate interview-portrait with and of Maurice Sendak, the greatest and most successful children’s book author of the 20th — and 21st — century, the author of Where the Wild Things Are, In the Night Kitchen, Outside Over There, Higglety Piggelty Pop, and the illustrator of works by Herman Melville, Leo Tolstoy, and Randall Jarrell. In his longest published interview (and one of the last before his death in 2012), Sendak looks back over a career spanning over 60 years and talks to Gary Groth about art, life, and death (especially death), how his childhood, his parents, and his siblings affected his art and outlook, his search for meaning — and also, on the lighter side, about his love (and hate) of movies. And his unbridled comments on the political leadership of the previous decade have already garnered national media attention and controversy.

Sharing equal billing in this issue's flip-book format: Kim Thompson conducts a career-spanning interview with French graphic novel pioneer Jacques Tardi. The two explore the Eisner Award-winner’s genre-spanning oeuvre comprising historical fiction, action-adventure, crime-thriller, “icepunk” and more, focusing on Tardi's working methods (with step by step illustration), collaborations and other media (such as film and animation), and his fascination with World War I. Plus, Matthias Wivel examines Tardi's adaptation of Léo Malet's 120, Rue de la Gare.

Also in this issue, Art Spiegelman conducts a wide-ranging aesthetic colloquy on classic kids’ comics (Carl Barks’s Donald Duck, John Stanley’s Little Lulu, Sheldon Mayer’s Sugar and Spike, and many more) with a group of comics critics and historians. Bob Levin provides a revelatory investigation of the twisted history of the "Keep on Truckin’" litigation and a fascinating biographical portrait of R. Crumb’s lawyer, Albert Morse. Warren Bernard writes a ground-breaking historical investigation of the 1954 Senate Subcommittee Hearing on Juvenile Delinquency. R.C. Harvey looks at Bill Hume's Babysan and Donald Phelps examines Percy Crosby's Skippy. And a tribute to the late Dylan Williams from his peers and the artists he published.

Plus: “How to Draw Buz Sawyer” by renowned newspaper cartoonist Roy Crane (and a previously unpublished interview), a new comic by Joe Sacco and one by Lewis Trondheim in English for the first time, Tim Kreider on Chester Brown, Tom Crippen on Mort Weisinger and Superman, Rich Kreiner on "difficult comics," and a visual gallery of and commentary on proto-comics.

The Comics Journal has been for 37 years the world’s foremost critical magazine about comics. It is now more vital than ever, a gigantic print compendium of critiques, interviews, and comics.

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If you are a fan of Significant Objects the book, you will want this lovely and delightful print now being offered through 20x200: "Significant Objects" by artist Kate Bingaman-Burt, created in association with the Significant Objects project with proceeds benefitting Girls Write Now. Available framed for easy gift-giving to the significant persons in your life.

This week's comic shop shipment is slated to include the following new titles. Read on to see what comics-blog commentators and web-savvy comic shops are saying about them (more to be added as they appear), check out our previews at the links, and contact your local shop to confirm availability.

"Oh man, so much great stuff to splurge on this week. Let's start withSpacehawk, Basil Wolverton's fabulous, fantabulous astronaut superhero from the alleged Golden Age. Lots of bizarre aliens and shifty-eyed villains in this one. Then there's the second volume of Ernie Bushmiller'sNancy (which I praised... the other week), and the second volume of Walt Kelly's Pogo Possum, Bona Fide Balderdash." – Chris Mautner, Robot 6

Nancy Likes Christmas: Complete Dailies 1946-1948
by Ernie Bushmiller

336-page black & white 8.5" x 8.5" flexibound softcover • $26.99
ISBN: 978-1-60699-599-0

"...Nancy Likes Christmas: Complete Dailies 1946-1948, for the all of us in all of us." – Joe McCulloch, The Comics Journal

"Thor's pick of the week" – Midtown Comics

"It's a great book...a perfect book. In an ideal world, this is what you'd find in hotel rooms instead of Gideon Bibles. This is far better than what the world deserves...well, I deserve it, at any rate — I'm not sure about the rest of you. But you should get a copy anyway." – Mike Sterling

Pogo - The Complete Syndicated Comic Strips Vol. 2: "Bona Fide Balderdash"
by Walt Kelly

356-page black & white/color 11.25" x 9.25" hardcover • $39.99
ISBN: 978-1-60699-584-6

Pogo - The Complete Syndicated Comic Strips Vol. 1-2 Box Set
by Walt Kelly

664-page black & white/color 11.5" x 9.5" x 3" two-volume slipcased hardcover set • $69.99
ISBN: 978-1-60699-629-4

"As is so often the case, my splurge would be from Fantagraphics: The second volume of Pogo: The Complete Syndicated Comic Strips, a steal at $39.99. I’m old enough to remember when Pogo ran in the Sunday paper, although I never understood it then. Later on, I picked up some of the paperbacks and really came to appreciate Walt Kelly’s sense of humor. I’d love to read them all." – Brigid Alverson, Robot 6

"Pogo certainly belongs on any informed list of the top 5 newspaper comic strips of all time. The artwork is stunning, the pacing is fast, the characters simply come alive on the page; the plot-lines are crazy and labyrinthine and above all hilarious. The dialog is pitch perfect – even the lettering ads to the strips characterizations and somehow, along the way, you will learn quite a bit about potent political satire especially as the specter of McCarthyism weighed down on life in 1950s America. The comics really are that good and Fantagraphics does the Kelly oeuvre proud with beautiful production values and insightful introductory material. Buy this book – or put it on your Christmas wish list." – Heroes Aren't Hard to Find "Staff Picks"

"Fans of lush cartooning and wordplay... — not really exclusive tribes there — can satiate themselves with Pogo - The Complete Syndicated Comic Strips Vol. 2: "Bona Fide Balderdash", which I'm told ain't malarkey." – Joe McCulloch, The Comics Journal 

Spacehawk
by Basil Wolverton

272-page full-color 9.25" x 13" flexibound softcover • $39.99
ISBN: 978-1-60699-550-1

"I picked up Fantagraphics’ Spacehawk Halloween mini-comic this year and selfishly did not give it to a Trick or Treater, because I loved how strange and awesome Basil Wolverton’s pulpy space comic is. That’s why I’m splurging on the full Spacehawk collection ($39.99) this week." – Michael May, Robot 6

"All who hungered for an enormous 9.25" x 13" color softcover compiling the entirety of Basil Wolverton's Spacehawk will have their fill in this latecoming Best of 2012 Reprint Project, I'm not kidding." – Joe McCulloch, The Comics Journal

"Excitement couldn't be higher!" – Bergen Street Comics

We sometimes lose track of things in our mail-order warehouse, and then someone notices them and says "hey, what's the deal with these?" When the item in question is a bunch of bookplates signed by Robert Crumb, it's kind of a big deal.

These bookplates were originally made for our exclusive signed hardcover editions of The Complete Crumb Comics and the R. Crumb Sketchbook series. The hardcovers are mostly long sold out and out of print, but we don't want these leftovers to go to waste, so we are now offering them with the softcovers as well, for an additional $30 a pop. We have them for nearly every in-print volume of both series, and for all of the volumes that are out of print. You can buy them separately, but in that case it's limit one of each per customer, so we're limiting it to phone orders for separate sales. If ordering from our website, just choose the desired option when adding each book to your shopping cart.

As you can see, the plate for each book is a unique design (not all plates are shown here). Some are numbered, but some are not; we can't guarantee a number on yours. They are limited in edition and quantity, so don't miss out.

Classic adventures await you on the first Saturday in May, a.k.a. one of the funnest days of the year! We are pleased to present Hal Foster's Prince Valiant for Free Comic Book Day on May 4, 2013.

This full-color comic collects two Prince Valiant stories from Hal Foster's 1950 peak: "Home Again," in which Val, Aleta, and newborn baby Prince Arn enjoy an eventful ocean journey back to Thule; and “The Challenge,” in which another knight's unwelcome advances on Aleta result in a classic duel with Valiant!

We're in the midst of assembling our Fall 2013-Winter 2014 season, and while there's still lots of stuff we're keeping under our collective hat for now (we've barely just revealed our Spring-Summer 2013 season, for pete's sake), some other stuff has been leaking out here and there... like this forthcoming book from Paul Hornschemeier, Artists Authors Thinkers Directors, collecting his sketchbook portraits from his Daily Forlorn blog. Pictures of smart people for smart people! Did excitement for this book cause yesterday's catastrophic Tumblr outage? We may never know.

The Grammar of Rock: Art and Artlessness in 20th Century Pop Lyrics
by Alexander Theroux

352-page 6.25" x 9.25" hardcover • $28.99
ISBN: 978-1-60699-616-4

Ships in: January 2013 (subject to change) – Pre-Order Now

National Book Award nominee, critic and one of America’s least compromising satirists, Alexander Theroux takes a comprehensive look at the colorful language of pop lyrics and the realm of rock music in general in The Grammar of Rock: silly song titles; maddening instrumentals; shrieking divas; clunker lines; the worst (and best) songs ever written; geniuses of the art; movie stars who should never have raised their voice in song but who were too shameless to refuse a mic; and the excesses of awful Christmas recordings. Praising (and critiquing) the gems of lyricists both highbrow and low, Theroux does due reverence to classic word-masters like Ira Gershwin, Jimmy Van Heusen, Cole Porter, and Sammy Cahn, lyricists as diverse as Hank Williams, Buck Ram, the Moody Blues, and Randy Newman, Dylan and the Beatles, of course, and more outré ones like the Sex Pistols, the Clash, Patti Smith, the Fall (even Ghostface Killah), but he considers stupid rhymes, as well — nonsense lyrics, chop logic, the uses and abuses of irony, country music macho, verbal howlers, how voices sound alike and why, and much more.

In a way that no one else has ever done, with his usual encyclopedic insights into the state of the modern lyric, Theroux focuses on the state of language — the power of words and the nature of syntax — in The Grammar of Rock. He analyzes its assaults on listeners’ impulses by investigating singers’ styles, pondering illogical lunacies in lyrics, and deconstructing the nature of diction and presentation in the language. This is that rare book of discernment and probing wit (and not exclusively one that is a critical defense of quality) that positively evaluates the very nature of a pop song, and why one over another has an effect on the listener.

20-page excerpt (download 614 KB PDF):

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