• Review: "...21’s eloquence is visual, and it is a very real eloquence. The character of Roberto Clemente is nearly hugged to death in this particular portrayal: he’s virtuous and charming and earnest and respectful to elders, and thus kind of dull. But the world around him is alive, and Santiago’s expressive (and occasionally, bracingly expressionistic) approach to portraying Clemente’s wild athletic genius ensures that it remains thrillingly present. Santiago’s art is impressively mutable and subtle, with the early scenes in Carolina in particular and the off-field action in general drawn with a clean, evocative realism and the baseball action shading towards the comics-y abstract.... [A] fitting and vital tribute." – David Roth, Los Angeles Review of Books
• Review: "If you're onboard for the third installment of something so purposefully vile as Prison Pit, you know what you're getting into. You're not going to be shocked by violence and gore, but you're still going to have a great time... We get a collection of creatures and monsters beating the shit out of each other in the most juvenile way possible, but Johnny Ryan does such a handsome job of designing these creatures to be as ugly and awful as possible. It's an ugliness that you see in the margins of your seventh-grade notebook when you were drawing pictures of horrible things because this was the only thing that could excite you during social studies or whatever, and it's exciting to look at because you never know what you're going to see next." – Geoffrey Lapid, Death-Ray Ozone
Today is the day that Major League Baseball honors the late great Roberto Clemente by naming the winner of the Roberto Clemente Award, given each year to the MLB player who best exemplifies Clemente's legacy of athletic and humanitarian achievements, which you can read all about in Wilfred Santiago's beautiful and universally acclaimed graphic biography 21: The Story of Roberto Clemente. We still have the book available with a limited-edition signed bookplate for no extra charge, so get your copy now!
• Convention sketches inspired by song lyrics is a pretty great idea, and an Atlanta comic fan named Erich collects them and posts them on his blog. Above: Lisa Leavenworth + Mudhoney by Peter Bagge (hat tip: CBR)
Wilfred signed these plates back in May when he was visiting Seattle and we promptly misplaced them (whoops), so if you ordered the book from us between May 4 and now, let us know and we'll be happy to send you one.
• Review: "Celluloid is a challenging work, not so much in how it is read, but in how it pushes at the boundaries of what we call a graphic novel and what we consider erotica.... Considered as a visual ode to the erotic imagination, Celluloid is a powerful work of grace and deviance in its explorations. McKean has crafted a new grammar for comic book storytelling, bringing the printed page as close to a live performance as possible while still using the graphic narrative form to accomplish what no other medium can." – Greg Baldino, Rain Taxi
• Review: "The story of baseball great Roberto Clemente is now in graphic novel form. After reading it, I would recommend it to everyone, especially to young readers. I plan to have my son read it one day, because Clemente's tale is an interesting one. The official title of the graphic novel is 21: The Story of Roberto Clemente. It chronicles the former Pittsburgh Pirates' life growing up in Puerto Rico, his great baseball career, his humanitarian missions and tragic end to his life on Sept. 18, 1972. ...Clemente remains a bit of a mystery to those who never saw him play, but Santiago's graphic novel brings Clemente to life in glorious fashion, and is not be missed." – Mark Podolski, The News-Herald
• Review: "Murder By High Tide is by a the terrific French cartoonist Maurice Tilleux (a new discovery for me). Republished by Fantagraphics, this edition features two Gil Jordan detective stories. The artwork is amazing and Tilleux is clearly a master of the 'comic-dynamic' style... I really hope Fantagraphics makes a habit of reproducing these types of stories for an English-speaking market!" – Alexis E. Fajardo (Kid Beowulf)
• Profile: Italian blog Coca Colla has an art-packed survey of the work of Dave Cooper — even if you don't read Italian (or can't be bothered to autotranslate) there's tons of eye candy to ogle
• Review: "Whether you want to take a stroll down mammary lane with grandpa or are searching for new pomo tattoo ideas, this omnibus look at the various gagsters that brought their pens and inks to the pages of Humorama's various digests from 1938 until the sexual revolution will give you a window into your sexual soul that you didn't know existed and will finally gives rest to the lie that sex was invented in the 60s.... Whether gag panels or slice of life renderings, this is a loving look back at all the dead trees that wound up hidden in the back of sock drawers of the greatest generation as some of the greatest fantasies of all time got them through several wars. Fun stuff in delightful overdrive." – Chris Spector, Midwest Record
• Review: "I love Santiago’s style and his depiction of Clemente’s childhood in Puerto Rico ... Santiago really captures the feeling of listening to a ball game on a hot summer day, and his story is rich and complex, if flawed. I’m glad I read ." – Brigid Alverson, Robot 6
• Plug: "If you tend to think of Mickey Mouse as nothing more than a bland corporate spokesman, prepare to be both fascinated and delighted by the incredible comic strip adventures of the 30’s by Floyd Gottfredson, collected for the first time in Mickey Mouse: Race To Death Valley, the first volume of hopefully the entire run. Get it! Now!" – Ken Plume, FRED
• Plug:The Beat's Torsten Adair looks forward to Jack Jackson's American History: Los Tejanos & Lost Cause, coming early next year: "Remember all that fuss about R. Crumb’s Genesis? Jack Jackson was doing that sort of thing back in the 1990s. Doing it so well, that the Texas Historical Association awarded him a lifetime fellowship. He produced one of the first underground comics in 1964, and co-founded Rip Off Press. He deserves more attention and recognition from comics fans and historians, and I hope this book does that."
• Review: "Originally appearing from 1958 to 1960, these insouciant, stylish, and thrilling dramas should appeal to readers of all ages. If they don't hook a whole new batch of bande dessinée fans, France needs to take back the Statue of Liberty in a huff.... Both stories zip by with nary a dull patch. Confections lacking in gravitas, they nevertheless own the supreme virtues of lightness and panache. Tillieux's art is always easy on the eye.... If Spielberg is looking for a second franchise after Tintin, he couldn't go wrong with Gil Jordan." – Paul Di Filippo, The Barnes & Noble Review
• Review: "Thanks to well known translator Matt Thorn, this volume is a very smooth read. I don’t often comment on such things, but Thorn took great care in interpreting and presenting this book, and it pays off in a very pleasing flow of text. The art is also quite lovely, very simplistic, and flows well from panel to panel. The color pages in the beginning have a beautiful, water color look to them. Fantagraphics has put out a gorgeous hardcover book with Wandering Son." – Kristin Bomba, ComicAttack.net
• Review: "Fantagraphics’ The Pin-Up Art of Humorama collects hundreds of racy cartoons from the once-ubiquitous tasteless humor mag.... The Fantagraphics edition, edited by Alex Chun and Jacob Covey, 'remasters' these toons with a two-color treatment that really captures the graphic feel of the mouldering pulps that still grace the ends of yard-sale tables in cities across America. It must be said that none of these are very funny, but they’re often quite beautiful and nostalgic." – Cory Doctorow, Boing Boing
• Review: "Every once in a while, a book comes along that is simply spectacular. This collection of [Mickey Mouse] comic strips by Floyd Gottfredson is a perfect example of how to present, analyze and reconstruct subject matter that is viewed differently today. The series editors (David Gerstein and Gary Groth) pull no punches in discussing why Mickey was carrying a gun or the use of slang that is noticeably offensive by today's standards. This is a wonderful vehicle for presenting historically accurate art. Other companies should take notice.... This is a stunning work. The historical presentation is flawless, as is the artwork." – George Taylor, Imaginerding
• Review: "[In Celluloid], McKean is attempting to subvert hardened notions of both comics and pornography. It's a book that gets the blood racing just as it raises questions that just won't go away about the nature of art, porn, and the male gaze.... By painting an erotic sequence with a surrealist's brush, McKean reveals the raw sexual current that underscores all pornography." – Peter Bebergal, Bookslut
• Review: "An unapologetically hard-core hardcover, Celluloid follows a young woman’s sexual epiphany... and feels almost like a silent, erotic Alice’s Adventures in Wonderland, with the White Rabbit and the rabbit-hole replaced by an ancient movie camera and a doorway to…somewhere else. By itself, typically, McKean’s technical mastery (beginning with pen and ink and finishing with photography) steals the breath away; ditto his visual motifs — involving fruit, say, or eyes. A bravura performance, Celluloid (which ends, by the way, with signal wit) constitutes an astounding fusion of the Dionysiac and the Apolline, in Nietzschean terms, and less invites reading than demands rereading." – Bryan A. Hollerbach, PLAYBACK:stl
• Review: "In the oneiric power of his work as a writer/artist, Jim Woodring enjoys few rivals in contemporary comics... Within the first ten pages of Congress of the Animals, calamity literally descends on poor Frank in the form of a wood-boxed croquet set. In the next ten, our bucktoothed, bobtail boyo suffers both a labor dispute and a credit crisis, and thereafter, in the U.S. in 2011, it should come as no surprise that things fast go from bad to worse; just for starters, Frank has to enter the working world. Ameliorating all of his tribulations, at least from readers’ vantage, are his creator’s nonpareil pen and undulant line — a quivery visual seduction courtesy of Higgins. Moreover, by the finale, Frank’s [spoiler redacted – Ed.] — so the little guy ain’t doin’ too bad, y’know?" – Bryan A. Hollerbach, PLAYBACK:stl
• Review: "LikeWeathercraft, this new work [Congress of the Animals] is completely silent, showcasing Woodring's amazing talent to convey a story without a word, with seemingly little effort. It's just an eye-popping visual feast of amazing illustrations in this crazy world where Woodring can put whatever he wants on the page, to a stunning end result." – Dave Ferraro, Comics-and-More (via the SPX Tumblr)
• Review: "How wrong I was to underestimate the powerful storytelling medium of the emerging graphic novel platform, especially when masterfully rendered by an author and artist as remarkably talented as Santiago. I expected an exciting visual presentation, and was not disappointed, as Santiago’s heavy-lined, representational graphic style was, in turn whimsical, arresting, quirky, and most of all, emotional. But I wasn’t prepared for the wonderfully passionate portrayal of the human side of Clemente’s legendary journey from Puerto Rico into baseball immortality.... Captivating, revealing, and dramatic, 21 accomplished through art, creative use of informed imagination, and pure passion, far more than I thought possible from a graphic novel. I believe I now have a more complete picture of Roberto Clemente, but not of his statistics, or even his style of play, or of his place in baseball history. I have a truer sense of his heart." – Mark W. Schraf, Spitball
Gracie: Charlie Brown! He's the one who thinks, "Life is going bad... I'm an awful person... Nothing good ever happens to me..." Dad: Would you be friends with him? Gracie: I would. I love him. My love for him goes to the ceiling of a skyscraper. But nothing good ever happens to him ever. Once he won a race -- that's probably the only thing he's ever won. And the prize was 5 free haircuts... Dad: Ha! Gracie: He's only got a twist of hair in front. And he's like, "Five free hair cuts? I don't have much hair to cut! And even if I did... my dad is a barber!" Dad: Poor Charlie Brown. Gracie: Yeah, nothing good ever happens to him. He's always getting teased for his perfectly round head.
• Interview:The Comics Reporter's Tom Spurgeon talks with Stan Sakai: "Usagi was first published 27 years ago, and that time I just concentrated on the next story. It was around maybe... I would say with book four, The Dragon Bellow Conspiracy. That was the first major storyline. It took maybe 10 issues or something, I'm not exactly sure. Maybe eight issues.... Before then, I was thinking, 'Usagi's going to be canceled any month.' [laughter] 'I can't spend too much time devoting myself to a long storyline.' But once I did that and got over that hurdle, that's when I realized that hey, this could go on for a long time."
• List:The Hooded Utilitarian begins revealing the top 10 results in their International Best Comics Poll, with Walt Kelly's Pogo coming in at #8
• Plug: "A trip to the comics shop yesterday netted me a copy of Drew Weing’s Set to Sea. It’s pure indulgence, because I have already read the story online, but Fantagraphics’ small, almost jewel-like presentation is really beautiful. Weing tells his story one panel at a time, and each panel could be framed as a work of art in itself, so having it in a book, without the clutter of the web, is a worthy investment." – Brigid Alverson, Robot 6
• Scene:Comic Book Resources' Marlan Harris gives a recap of our 35th Anniversary panel at Comic-Con — unfortunately it contains several factual errors, some of which I have endeavored to correct in the comments thread
Register and Login to receive full member benefits, including members-only special offers, commenting privileges on Flog! The Fantagraphics Blog, newsletters and special announcements via email, and stuff we haven't even thought of yet. Membership is free and spam-free, so Sign Up Today!