• Review: "The saga of Roberto Clemente is well known to baseball fans yet it has been given new life in this stunning graphic novel [21: The Story of Roberto Clemente]... Santiago's panels have a sharp, cinematic feel and the compositions and framing give the readers a better sense of how dynamic and explosive the game is than any baseball movie. The wonder of this book is that it will appeal to kids and adults alike. Even non baseball fans will fall under its spell. The national pastime has been virtually untouched by the graphic novel genre but if Santiago's effort is any indication, the marriage of subject and form is nothing short of a grand slam. Santiago has set the bar high, though, and we'll be all the richer if anyone can approach the artistry and emotional resonance of this memorable book." – Alex Belth, Sports Illustrated
• Interview:Wilfred Santiago talks with Sketch Maven about his career and creating 21: "After the previous graphic novel, In My Darkest Hour, I wanted to do a biography. There were many reasons why Clemente was chosen. The richness, purpose-driven life, the inspirational life story are a few among many factors. The relevance of Clemente’s story to a youngster of today also came to mind. Roberto was a great and famous baseball player, and the baseball was a challenging aspect to the story. But, it was great to explore the sport in a comic book format."
• Review: "One of my favorite presents from last year’s holiday season was Fantagraphics’ Usagi Yojimbo: The Special Edition... The Dragon Bellow Conspiracy... rivals just about any epic fantasy (novel or film) in the last 25 years for its narrative complexity and powerful action sequences. [...] Reading these stories will help you understand why, when we talk about the success stories of independent comics publishing, Usagi Yojimbo should be one of the first titles that gets mentioned." – Ron Hogan, Beatrice
• Review: "Crane’s work is highly, emotionally charged, but in a quiet way. Illustrated in a lush, enveloping, greytone, 'Vicissitude' has a Film-Noir quality that adds an air of mystery to this story of melancholy and rotting love. It is so engaging and enthralling that its ending is jarring. 'Freeze Out,' the Simon & Jack tale, is fantastic. It’s all-ages comic book magic. Reading it made me feel like a kid again, reading stories of adventure, fantasy, and magic for the first time on my own. If there were any doubts about Crane’s prodigious talent, Uptight #3 is the spell to dispel those doubts. [Grade] A+" – Leroy Douresseaux, Comic Book Bin
• Profile: The Toronto Star's Vit Wagner on the work and career of Joe Sacco: "'The drive is there,' says Sacco. 'I have a desire to go there and see things and talk to people. It’s invigorating and exciting. But my work involves a slower process. It takes me time to report. I like to sink into the situation. But beyond that, it takes a long time to write and draw my stuff, especially the drawing. You can report that there are 200,000 people in Tahrir Square, but if you want to draw the scene it takes a lot of effort.'"
• Interview:Sequential's David Hains talks to Joe Sacco: "I find more than half of my readers are from schools, in classes where they read my work. People have been to the regions and they’ll see, oh this medium has taken this on, I’ll pick that up. It’s sort of more book people than comics people. Although some of those are the same people, and thank God."
"Described as a Spanish Dick Tracy on steroids, the titular cabbie here is involved in a hunt for his father's stolen coffin, which contains his full inheritance. Art Spiegelman wrote the introduction, so we're not talking warmed-over liver."
"Wilson drew these linked one-pagers in the National Lampoon throughout the 1970s. His hero in a hunting cap is Everykid, who braves the daily awfulness of a child's world: school irrelevancies, getting sick, strange old relatives, department store Santas, going to camp, and death, for starters. No monsters and ghoulies — just real-life quimsies. Don't you wish you could have seen Gahan Wilson comics when you were a kid?"
"What a lavish show-and-tell: a DVD of nonprint media appearances of Krazy Kat, including videos of a 1921 'jazz pantomime' ballet and rare animated cartoons, plus two booklets collecting drawings, designs, strips, and background relating to Krazy in music and dance. [...] Clearly a shining star for popular culture and film collections."
The biographical 21: The Story of Roberto Clemente is a human drama of courage, faith and dignity, inspired by the life of baseball star Roberto Clemente.
No other baseball player dominated the 1960s like Roberto Clemente and no other Latin American player achieved his numbers. Born in 1924 in Puerto Rico, Clemente excelled in track and field and loved baseball. By the age of 17 he was playing in the PR Winter league. Spotted by the big-league scouts because of his hitting, fielding, and throwing abilities, he joined the Pittsburgh Pirates in 1954. A fierce competitor, within two seasons he was hitting above .300 consistently. He played like a man possessed, fielding superbly, unleashing his rifle arm, and hitting in clutch situations. Despite his aesthetic brilliance, he faced prejudice throughout his career and was given his due only after his unexpected and tragic death in a 1972 plane crash.
Although baseball was his obsession, Clemente never lost sight of his dreams and his greater responsibilities outside the game. This sense of urgency is what came to define him beyond that of a grand athlete. His eventual success and accompanying celebrity gave him the opportunity to engage his conscience in public life. He died when his plane went down in the Caribbean Sea on a relief mission to earthquake-torn Nicaragua that he personally directed.
21 chronicles Clemente’s life from his early days growing up in rural Puerto Rico, the highlights of his career (including the 1960s World Series where he helped the Pirates win its first victory in 33 years, and his 3000th hit in 1972 during the last official at-bat of his life) as well as his private life and public mission off the field.
After his death, Major League Baseball declared September 18 to be “Roberto Clemente Day,” and in 1999, Pittsburgh’s Sixth Street Bridge was renamed the Roberto Clemente Bridge in honor of the greatest Latino ballplayer in history.
Wilfred Santiago captures the grit of Clemente’s rise from his impoverished Puerto Rican childhood, to the majesty of his performance on the field, to his fundamental decency as a human being in a drawing style that combines realistic attention to detail and expressive cartooning.
"Wilfred Santiago's 21 is brilliant and beautiful, challenging and lyrical ... which seems exactly right, as Roberto Clemente was all those things and more." – Rob Neyer, ESPN.com
"A kaleidoscopic look at the life of the great Clemente. Santiago's artwork is superb and the depth of his passion for the subject and incredible preparation comes through on every page." – Steven Goldman, author of Forging Genius: The Making of Casey Stengel and editor of Baseball Prospectus
"I'll admit, being a baseball player often feels like a comic book experience: the costumes, the origins, the battles for great victories and inspiration it conjures in our fellow man. This book captures the essence of one of our sport's greatest heroes, and it does so in a way that engages the imaginations as much as it reveals the heart, ink, color, style, and character; I can think of no better way to share a tale of a true legend." – Dirk Hayhurst, Toronto Blue Jays pitcher and author of The Bullpen Gospels
(As a reminder, we have a full portfolio of Facebook pages for ourselves and various related artists and projects, as well as other social networking destinations where you can connect with us, links to all of which can be found here.)
• Review: "[21: The Story of Roberto Clemente] is a reverent, yet sometimes playful look at the man and what he had to go through to get where he did. [...] The scenes with the various family members remind me a bit of what Gilbert Hernandez gets up to in Love and Rockets, that same sort of close-knit relationship thing. [...] Santiago’s art is cartoonish, yet expressionistic and appealingly loose. [...] He does a great job, and even the best of the best often have trouble with this, of drawing baseball players that actually look like baseball players — at bat, in the field, running, catching the ball. [...] He really captures the action of the game very well, and it’s kinda hard to describe — it’s really some daredevil storytelling at times." – Johnny Bacardi, Popdose
• Review: "After reading the first volume of Fantagraphics excellent reprinting of Hal Foster’s creation [Prince Valiant], I’m surprised at the life within this antique. It’s no surprise that the art is beautiful. Foster’s figures have a fine, illustrated detail — rarely seen on the comics page — but they’re full of energy as they joust, dive and play at swords." – James Seidler, Ape Mind Transcripts
• Profile: "[Special Exits] was fueled by Farmer's personal outrage at the unacceptable treatment of her elderly parents at the hands of medical and nursing home establishments. And she'll pooh-pooh the idea that making the book was psychological therapy of any sort. 'It was in no way cathartic. It was really, really depressing,' she told me any number of times. This is classic Joyce Farmer, drawing, writing, and satirizing taboo and socially risky subjects." – Kathleen Vanesian, Phoenix New Times
• Interview: Leah Berkenwald of Jewesses with Attitude (the blog of the Jewish Women's Archive) talks to Miss Lasko-Gross about her participation in the Graphic Details exhibit: "Q: How does your Jewish identity influence your work? L-G: I don't know that it does, but in the auto-bio game having a genetic predisposition to being a neurotic mess doesn't hurt." (Via Heeb)
• Review: "Watch your step as we spiral further down the rabbit hole in the second volume in the King of the Flies trilogy, entitled The Origin of the World. [...] The unease that once crept through the residential basements now spreads vulture wings and takes flight. Volume 2 justifies the previous paranoia and displays it in full view... The Origin of the World's plots coil and ceaselessly shift; the characters tasting and testing one another with serpentine instincts. When the whole thing threatens to surrender under its bleakness, the last page morphs to resemble something akin to hope if the reader squints just right." – Alex Carr, Omnivoracious
• Review: "There is perhaps no better medium to capture the life of Roberto Clemente than graphic novel. After all his skill set when it came to playing the game of baseball was almost superhuman, highlighted by a throwing arm that would surely make the son of Jor-El jealous. As such, it is no surprise then that illustrator/author Wilfred Santiago’s 21 — The Story of Roberto Clemente is a must read for anyone awed by the beauty of the sport. […] This graphic novel seeks to give a proper sense of wonder and the fantastic to a player whose tragic ending is often a stark reminder or our own mortality. At that it succeeds terrifically." – Andy Smith, Bugs & Cranks
• Review: "Where Chris Ware draws a billion tiny boxes to retain his feces, [Johnny] Ryan draws borders mostly so the sewage will have something to overflow. In Prison Pit each body is a busted toilet whose stagnant water births some mangled abortion dragging its placenta over the edge of the porcelain to flop wetly on the cold tiles. [...] The protagonist fights ladydactyls, giant eye creatures, robots, toothy monsters wearing Nazi death-hosen, and his own mutinous oozing hand. But really his main enemy is Ryan himself, the artist as diabolous ex machina, squatting over his creation to spew an endless stream of venomous diarrhea." – Noah Berlatsky, The Hooded Utilitarian
• Interview:Robot 6's Chris Mautner writes: "Freeway is an impressive book from an underrated talent and I was happy for the opportunity to talk to [Mark] Kalesniko about the book and his working methods." A bit from Mark: "I used for inspiration the movie Slaughterhouse Five and how the main character, unstuck in time, bounced back and forth though out his life. Also the miniseries Singing Detective where the main character is bedridden with a skin disease and suffers from hallucinations and flashbacks. I also thought that the reader would relate to this because many of us have been stuck in traffic jams or other places where we can’t move but our mind is free to wander."
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