Carol Tyler brought some amazing collectibles to sell, including copies of You'll Never Know Book 1 signed by her dad (the "Good and Decent Man" himself) and a copy of the Twisted Sisters compilation signed by every contributor:
Brother Mario made a surprise appearance with the rest of the Hernandez clan for their Love and Rockets signing on Friday morning, which I only managed to capture with my crummy, crummy cameraphone.
Moto Hagio was joined for the second half of her signing by Carol Tyler, who brought flowers swiped from outside the convention hall.
Andrei Molotiu and Stephen DeStefano made their first Comic-Con signing appearances with us. Andrei, though best known for his work with abstract comics, is also a whiz with the representational sketch, as he proved in my sketchbook. Stephen obliged another fan with a 'Mazing Man sketch.
I missed getting any actual photos of Johnny Ryan & Esther Pearl Watson during their Friday signing, but here's their whiteboard sign-in. Esther's is particularly funny if you know the secret symbolic code from Unlovable.
Friday's final signing was a special treat as Blake Bell was joined by Wendy Everett, daughter of Bill Everett, subject of Blake's new book (and an almost-immediate con sell-out) Fire & Water.
• Review: "Saving the best for last, there’s Blazing Combat, an amazing collection of the stories from the short-lived cutting-edge mid-1960s Warren Publications series. ... They’re all written by the outstanding Archie Goodwin, with a few assists, which for most fans would be reason enough to buy this comic all by itself. But then you throw in some of the most amazing art, all of it sharply and expertly reproduced, and you’ve got some real dynamite here. ... And there’s fantastic bonus features... If all that doesn’t sell you on this as a must-buy, then you may need professional help." – Tom McLean, Bags and Boards
• Interview: Andrea Queirolo of Conversazioni sul Fumetto has a twopart Q&A with Paul Hornschemeier: "Both of my parents have degrees in Philosophy, and I’ve always been sort of a lonely kid, so I think spending lots of time thinking about things just came naturally to me as a child, for better or worse (probably for worse). Over-thinking things was something I could never get rid of, so I decided to go ahead and get a Bachelor’s Degree in it."
• Education:Ellen Forney will be teaching summer comics courses for teens and adults at Cornish College in Seattle — see her blog for more info and enrollment links
• Review: "Many books have been written about World War I, but few can truly worm their way into your head like Jacques Tardi’s It Was the War of the Trenches. … The tales here are devastating and heartbreaking, and often disturbing, but readers will nonetheless have a hard time putting it down." – Holly Scudero, Sacramento Book Review
• Review: "Perhaps there is something in Charlie Brown, that the longer I read his adventures, the more I become a fatalist. I look at the history of Europe and I know that there are frequent periods of relative peace, such as the past 60 years in Poland. And since they are rare, sooner or later they can suddenly end." – Konrad Hildebrand, Motyw Drogi (translated from Polish)
• Review: "This, then, was my introduction to the idiosyncratic and fantastically imagined worlds of Jaime and Gilbert Hernandez. ... While the stories and art of each Hernandez brother is unique, they shine extra bright by being juxtaposed, one to the other. Altogether: these rambling, lingering tales are bewitching." – Anna Clark, Isak
• Review: "...[In A Mess of Everything, Miss] Lasko-Gross covers the usual Holden Caulfield territory with brevity and an eye for detail. Her cartooning is very expressive and the book is coloured in subdued wash-like tones of brown, grey and blue that enhance the emotional impact of her cringe-worthy struggles for independence and individuality." – Bryan Munn, Sequential
• Plug: "[Roberta] Gregory is the cartoonist responsible for the comic series Naughty Bits, which is one of the best comic series I've ever read. Seriously, Life's a Bitch is one of my favorite comics ever. It's basically a biography of one normal — albeit kinda hateful — woman, and it's insightful, funny, and true." – Paul Constant, The Stranger (previewing an event on Saturday that, alas, we didn't know about in advance)
• Reviewer:Laura Warholic author Alexander Theroux looks at a new biography of Jack London for The Wall Street Journal: "Readers can be pardoned for thinking it seems not improbable that London, given the chance, would punch Mr. Haley in the nose."
We are exceedingly pleased to report that Fantagraphics publications and artists received a record 18 nominations for the 2010 Eisner Awards. To celebrate, we're offering these titles at 18% off for a limited time! Click here for the full sale selection. (Sale is valid for online and phone orders only.) Winners will be announced at a ceremony on Friday, July 23, 2010 at Comic-Con International in San Diego. Congratulations to all the nominees! Fantagraphics' nominations are as follows:
• Best Adaptation from Another Work: West Coast Blues, by Jean-Patrick Manchette, adapted by Jacques Tardi • Best U.S. Edition of International Material: West Coast Blues, by Jean-Patrick Manchette, adapted by Jacques Tardi
• Review: "Reading this book was like unearthing a trunkload of old baby pictures… if the babies in question would eventually grow up to become Mad Magazine and Rat Fink. ...[L]ike a Buddy Holly song on an oldies station or WWII-era tattoo flash, some art just stands the test of time and becomes classic. Basil Wolverton’s Culture Corner is a one-of-a-kind work and definitely falls into that category. [Grade: A]" – Chad Derdowski, Mania
• Review: "For some time now, Norwegian cartoonist Jason has been on my shortlist of recommended artists for the uninitiated. ... The next question, naturally, is: which Jason book to start with? Almost Silent... fits the bill perfectly. ... This is the output of an artist with a clear vision who is truly at the top of his game. ... Beautifully bound and reasonably priced, you’re not going to find a much better entry point into the world of contemporary graphic novels than Almost Silent." – Brian Heater, The Daily Cross Hatch
• Review: "...The Last Lonely Saturday [is] pretty much the best love story in comics form I've ever come across. ... It's an intelligent, moving, beautiful, terrific little comic." – Sean T. Collins (we linked to this previously when it ran on The Savage Critics but it's worth re-running)
• Review: "Here’s a book that was initially attractive as an intriguing, if intellectual, curiosity, only to reveal itself in short order as a continually fascinating experience. ... I hope this volume, despite its killer commercial potential, will inspire a second. ...Abstract Comics is the most surprising book of the year." – Rich Kreiner, "Yearlong Best of the Year," The Comics Journal
• Interview:Mr. Media's Bob Andelman talks to Monte Schulz about This Side of Jordan: "My dad read the book before he died. He liked Rascal a lot — 'He's such a funny little guy.' He used to tell me I was raising the level of art in the family." Listen via the embedded player above or at this link, or download the MP3
Win big in today's Online Commentary & Diversions:
• List:Only the Cinema's Ed Howard begins counting down The Best Comics of the Decade: part 1 includes Michael Kupperman's Tales Designed to Thrizzle at #52 ("...absurd scenarios proliferate throughout each issue of Kupperman's series, as he follows each loony premise through to its (il)logical end result. He's a versatile stylist as well..."), Eleanor Davis's Mome stories at #51 ("The short stories of Eleanor Davis draw on myth and horror to craft succinct, mysteriously moving little parables, like Grimm fairy tales where the "monsters" are almost always infused with pathos and feeling"), Eightball #23 by Daniel Clowes at #47 ("a self-contained epic in miniature, poking at superhero archetypes, with their ideas about 'responsibility' and 'right,' in order to tell a quiet, maudlin story of loneliness and self-isolation"), and Abstract Comics: The Anthology at #42 ("What's best about the book is how open its territory ultimately is, how much room it leaves for artists to come up with their own ideas about abstraction and sequence. It is a truly groundbreaking book that points the way towards a whole new conception of comics and challenges readers and artists alike to explore this new area.")
• Reviews: "Manchette’s brand of punk noir bears an existential, leftist tinge, with traces of Ballardian anomie. ... Opening Tardi’s adaptation [of West Coast Blues], one is quickly reassured by the faithfulness to the original novel. ... Tardi seems to have read Manchette’s mind when it came to visualizing the characters, scenery and action of the novel.... [and] his superior drafting skills are always in service to a tight rendering of the real world, from trains to forests to city streets. ... Turning to Tardi ‘s earlier work, You Are There, scripted by Forest..., we encounter a looser, sketchier style, admirably suited to the baggy-pants, fabulistic story and exhibiting similarities to the work of such artists as Moebius, Rick Geary, Aubrey Beardsley and Edward Gorey. Outbursts of calculated surrealism complement his unswerving attention to the quotidian. The beautiful and sensitive architectural renderings, as well as shots of nature — fields, a lake, birds, trees — contrast with the goofiness of our protagonist to good effect. ... Forest’s 1979 tale exudes a fin de Sixties, fey whimsicality. Think The Mouse That Roared crossed with Gormenghast and The Prisoner. Beckett-like soliloquies and Pinteresque dialogue round out the ambiance." – Paul Di Filippo, The Barnes & Noble Review
• Review: "This generous volume reprints Maakies strips beginning early in this decade. ... As such, [Drinky Crow's Maakies] Treasury really does represent an overflowing bounty of absolutely primo Millionaire and stands as an invaluable, one–stop companion to Pre-Millennial Maakies for devotees. Newcomers, however, should understand that their sense of humor will be expanded, pulled… actually, think of a medieval rack where subjects were strapped in and stretched to shocking, heretofore inconceivable lengths." – Rich Kreiner, The Comics Journal
• Review: "Jason is a painfully good comic creator – the man has a phenomenal knowledge of pacing, a sense of humour that’s darker than Darth Vader in a mine at midnight and deceptively simple figurework that says a shitload with very little. The stories collected in Low Moon are mostly full of that black, black humour. ... If you’re not reading Jason’s stuff, then you don’t really like comics, because this shit is as pure as it gets." – Bob Temuka, The Tearoom of Despair
• List: At The Comics Journal, the back half of Rob Clough's Top 50 Comics of 2009 includes:
#29, The Complete Peanuts 1971-1972 by Charles Schulz: "Twenty-two years into his run on this strip, Schulz was still at his peak even as Peanuts was moving into a new phase."
#31, Mome Vol. 14: "The most consistently excellent anthology in comics, issue after issue."
#39, Uptight #3 (misidentified as #2) by Jordan Crane: "Both [stories] were perfectly suited for this lo-fi yet gorgeously designed comic..."
#43, The Red Monkey Double Happiness Book by Joe Daly: "Daly didn’t create just a story or a set of characters, but an entire community for readers to wander around in and become comfortable with. Equal parts Tintin and The Big Lebowski, this was a stoner detective story, with all sorts of absurd events popping up in everyday life and eventually making a kind of sense."
#46, Everybody Is Stupid Except for Me by Peter Bagge: "This is Bagge-as-Mencken, trenchantly tearing apart stupid ideas from both the left and the right and doing it while actually going out into the field, gathering facts, and talking to people. His hyper-expressive style was a perfect fit for his over-the-top political commentary."
And finally, #50, Love and Rockets: New Stories #2 by Gilbert & Jaime Hernandez: "Jaime’s conclusion to 'Ti-Girls Adventures' managed to combine rip-snorting action and compelling character work. Gilbert’s 'Hypnotwist' was both a callback to his New Love-style weirdness and yet another entry in his 'pulp movie' adaptations. ...[I]t’s clear both brothers were having such a good time following their impulses."
• Review: "Abstract Comics: The title is, in itself, a manifesto. It makes official the existence of these strange objects that some will reject as a contradiction in terms: 'abstract comics.' ... In the abstract comics gathered by Molotiu, sequential ordering produces nothing on the order of a story; but solidarity between the panels is established (in more or less convincing and seducing fashions) in another mode — plastic, rhythmic and so to speak musical. Personally, I do not refuse to make a place for these creations in the field of comics, because I wish that field to be as open and as diversified in its expressions as possible, without excluding anything a priori. Nevertheless, I still note that they have closer affinities with the operating modes of contemporary art that with the ordinary ambitions of drawn literatures." – Thierry Groensteen, Neuvieme Art (excerpt and translation by Andrei Molotiu at the Abstract Comics Blog)
• Review: "Perhaps the best adjective I could employ to describe Castle Waiting would be 'homey.' It’s all about the pleasures of home and the relief of being amongst family who accept you, even if they don’t happen to be related to you or even entirely human. ... Taken on the surface, it’s a perfectly cozy and enjoyable story. If one decides to delve more deeply, themes of tolerance and equality can be found gently at work, though by no means do they take precedence over the characters. Lest all of this sound a bit too quaintly domestic, let me assure you that the story is also quite funny." – Michelle Smith, Soliloquy in Blue