#1, You'll Never Know, Book 1: A Good and Decent Man by C. Tyler: "A mash-up of family portrait, generational analysis, autobiography and scrapbook, this book was not only the most emotionally powerful work of the year, it was the most attractively designed. The first part of what will likely be Tyler’s masterwork."
#6, Like a Dog by Zak Sally: "This was a stunningly honest account and collection of early work by one of the most underrated cartoonists working today. While the collected early issues of Recidivist ranged from interesting to astounding, it was Sally’s frank and emotional essay following the collection that really struck me as a statement of purpose — not just as an artist, but as a person."
#10, Tales Designed to Thrizzle Vol. 1 by Michael Kupperman: "The first collection from Kupperman’s surprising hit really helped spread the word about his unique and delightfully warped genius as a gagsmith and artist."
#15, Sublife Vol. 2 by John Pham: "This one-man anthology featured Pham fully harnessing every aspect of his skills as a writer and artist. His use of color dominated and provided a sort of visual through-line for his different narratives. Pham alternately pushed the reader away and then pulled them in, depending on the story, a tension that made this his most successful work to date."
And #17, Ho! by Ivan Brunetti: "It’s fascinating to see the two directions Brunetti was headed in with regard to these gags. First, his gags became ever-more boundary pushing, but always in service to the punchline. Second, his line became more and more simplified to the point of nearly geometric simplicity: squares, circles and triangles wound up creating most of his characters by the end of the book."
• List:Paul Gravett names The Best of 2009: Classic Comic Reprints. At #6, it's The Brinkley Girls: The Best of Nell Brinkley's Cartoons 1913-1940: "Trina [Robbins] follows up her thorough biography of Brinkley with this oversized collection of Sunday 'comics,' often more like ravishing illustrated romantic yarns of big hair, clothes and emotions, but stunning to linger over and revealing in their period mood and concerns. In their time, Brinkley’s spirited, vivacious females were as iconic and inspirational in early 20th century America as the famous Gibson Girls before her. They truly deserve this gorgeous commemoration."
• List: On the annual Fun Fifty countdown at Bully Says: Comics Oughta Be Fun!, at #15, Tales Designed to Thrizzle Vol. 1 by Michael Kupperman: "Without hyperbole, Thrizzle is simply the funniest, most guffaw-out-loud comic book they're going to have to pry out of your cold, dead hands when you die laughing. ... Thrizzle's stuffed from front cover to impressive back page blurbs with Kupperman's splendiferous pulps-meet-woodblock-print artwork and lunatic stories, it's one of those rare humor books that actually is downright hilarious."
• Reviews: Nick Gazin of Vice (link NSFW) weighs in on a number of titles:
"I love Unlovable. Take that, book title. ... Unlovable 2 is a fun and funny read all the way through. ... Girls are gonna like this book and dudes are gonna like this book. It’ll remind you of how stupid you were and also of suburban sadness and realizing that your high school crush will probably never love you back."
"[High Soft Lisp] is incredible... The world in this book is one I wouldn’t want to live in but I can’t stop thinking about the story of Fritz."
"...[Almost Silent] is a really good book and Jason is a strong cartoonist. He does a lot with his simple-but-well-drawn characters and little to no dialogue. ... For $25 you get a nice sampler of what Jason can do. This is entirely worth owning."
• Review: "The Definitive Prince Valiant Companion is the indispensable guide to the strip and a must have for its legions of fans new and old. Fantagraphics has been re-printing these original strips in chronological order in beautiful hardcover volumes and this guide makes the perfect complement. ... No matter how long you’ve been a Prince Valiant fan…one year or seventy years, you’re certain to find this book informative and entertaining. Fantagraphics has produced another spectacular book! Grade A" – Tim Janson, The Gouverneur Times
• Review: "Similar to Charles Addams and Gahan Wilson, Jason relies on the humorous side of horror in these mostly wordless tales. ... Throughout the sublime Almost Silent, Jason examines traditional relationships and social norms via a deliciously warped lens, quite probably one constructed by Dr. Frankenstein himself." – Rick Klaw, The SF Site: Nexus Graphica (spoiler alert!)
• Review: "I can’t think of a better single volume of what the period style of fast looked like in practice than last year’s Supermen! anthology. Yes, there’s an added winnowing by genre but that just sharpens the sense of the reductive visual and narrative requirements that were standard for the hot new gravy train that hit the business." – Rich Kreiner, "Yearlong Best of the Year," The Comics Journal
• Review: "As a whole, I like Abstract Comics a lot. I’d say that it works like a good art exhibition, or at least an exhibition unburdened by obligations to teach history, one in which multiple formal and aesthetic connections are there but not shouted out, rather left to be discovered (or not) by the strolling viewer according to his or her inclinations." – Charles Hatfield, Thought Balloonists
• Plug: "[Steven] Weissman's work is very often like a brain-damaged Charles Schulz... His newest book, Chocolate Cheeks, raises the stakes in a really dramatic way. I think this might be his last book in this series, but it goes out with a doozy of a book." – Paul Constant, The Stranger
• Plug: "Matt’s response to my squeeing over the announced May, 2010 publication date of Tales Designed to Thrizzle #6: 'Yes, as there were so many plots unresolved in the last issue. Who won, blimps or holes??'" – TofuPunk.com (I don't know who Matt is – ed.)
• Plug: "With new work by the likes of Johnny Ryan, Max Andersson, Sam Henderson, Stephane Blanquet, Doug Allen, Michael Kupperman, Mack White, and Jeremy Onsmith, Hotwire 3 is certain to deliver the psychic jolt it promises." – Richard Cowdry, Love the Line
• Plug: "Since Beatriz 'Penny Century' Garcia is my favorite Love & Rockets' Locas, I'm very excited to see the advance solicitation for the new soft cover Penny Century... In my opinion, the soft cover collected volumes are the best way to read Love & Rockets. They are the easiest way to follow the reading order, and with the cheap price of $18.99, you can't find a better launching point for one of the most regarded independent comics of all time. " – The Star Clipper Blog
• Analysis:Abstract Comics contributor Derik Badman posts an in-depth email discussion between himself and critic Craig Fischer about the book
• Interview:The Daily Yomiuri's Tom Baker talks Usagi Yojimbo with Stan Sakai: "I think the first few years I really tried to make him cute and cuddly like a stuffed animal, whereas the stories tended to [take] a more dramatic turn. So I think the character has changed. Most of it's unconscious on my part." (via The Comics Reporter )
• Interview: In an interview with The Beat's Michael Fiffe, artist Mark Badger talks about his participation in Abstract Comics: The Anthology: "It came out of nowhere. It was absolutely stunning."
• Plug: "New from Fantagraphics Books, Newave! The Underground Mini Comix of the 1980s. At 888 pages this is a substantial collection of the comix art of the New Wave mini-comix movement. Largely inspired by the Underground Comix movement of the 60s & 70s, these artists produced hand-made mini-comix for the pure joy of creating uncensored self-expression without the appeasement and quench of profit motivation." – Skip Williamson
The first Online Commentary & Diversions of the new year might be the longest one ever, so let's get to it:
• List/Review/Interview: As part of The Comics Reporter 's unique series of critical discussions on notable comics of the decade, Tom Spurgeon talks to Tucker Stone about Kevin Huizenga's Ganges: "That's the thing about Ganges #3 that makes it a unique comic -- it cannot be told in another medium and work. How are you going to write that down, that aspect of Glenn chasing his own thoughts and memories about completely personal, mundane life aspects, without drawing the character swimming around in his own head?" Elsewhere, Sean T. Collins responds to some of Stone's points
• List:Robot 6 lists The 30 Most Important Comics of the Decade. In part one, Safe Area Gorazde by Joe Sacco is at #19 ("What's more, it showed that comics could handle not only tough subject matters, but deal with timely, true-life subjects in a hard-hitting, journalistic fashion"). In part two, The Complete Peanuts is at #15 ("If you believe, as I do, that we are living in the Golden Age of Reprints, chances are The Complete Peanuts is your Exhibit A")
• List:Newsarama's J. Caleb Mozzocco names his top 10 comics of the year, with The Red Monkey Double Happiness Book by Joe Daly at #8: "...[W]hat he delivers in the two stories collected in this book are unlike anything else I’ve seen in popular comics."
• List: Joe McCulloch of Jog - The Blog prefaces his Top Ten Comics of 2009 list with a "Top Five Caveats of 2009" list of reprinted or unread comics which includes Supermen! The First Wave of Comic Book Heroes 1936-1941: ("Supermen!excited me... for suggesting a burning, manic soul of superhero comics, a reckless freedom differentiated from pulp writing and feature films by gnarled visual style while set apart from newspaper strips by virtue of a restless hunger to entertain quick and hard. It felt like the start of a future, and the comedown only hit when I realized I enjoyed it more than any new superhero comic of 2009") and The Squirrel Machine by Hans Rickheit. On the Top Ten list proper: West Coast Blues by Tardi & Manchette at #8 ("Teeming with fleshy characters prone to bleeding and puking, rippled with burn lines of existential dismay, the story keenly exploits how the thrills promised by bloody adventure outside the law segue into the terror of governmental systems failing to protect their cozy consumer citizens") and Prison Pit: Book 1 by Johnny Ryan at #4 ("as visceral and gory as fantasy throwdowns get, while remaining almost contemplative in its plain-paneled studies of bodily movement").
• List: Patrick Montfort, blogging at Articulate Nerd, names his Favorite Comics of 2009: at #10, West Coast Blues by Tardi & Manchette ("A masterfully constructed crime story with an unlikeable protagonist caught in an unlikely circumstance, this very French graphic novel is superior to anything I've seen in the genre from an American cartoonist"); at #9, Abstract Comics: The Anthology ("Handsomely designed and smartly edited... one of the year's most unique releases... thrilling"); at #8, Prison Pit: Book 1 by Johnny Ryan ("Refreshingly devoid of any literary or artistic pretensions, this first of what I hope will be many, many volumes nevertheless comes across as somehow one of the smartest and well crafted books of the year"); at #7, The Complete Peanuts 1971-1972 and The Complete Peanuts 1973-1974 by Charles M. Schulz ("Really strong stuff here, including the 'Charlie Brown wears a sack on his head to summer camp' sequence, surely the 'Poison River' of Peanuts"); and at #2, The Squirrel Machine by Hans Rickheit ("Reminiscent of the best work of David Lynch, there are a lot of powerful themes humming just beneath the surface of the creepy and dreamlike narrative. This one hit hard, and I can't wait to read it again. Really, really impressive")
• List: Cartoonist David Lasky's Best Graphic Novels of the Decade include Safe Area Gorazde by Joe Sacco at #8 ("More haunting and harrowing than any TV news report on the subject") and The Frank Book by Jim Woodring at #10 ("Jim Woodring's cartoon animal, Frank, learns about life (the hard way) in an odd, visually lush, surreal world")
• List:Newsarama's Henry Chamberlain names the comics he was most intrigued by in 2009, including The Squirrel Machine by Hans Rickheit ("Hans Rickheit has been producing work like this for years and he has perfected a certain haunted and exquisite comics style. Take it from me, this story of two very strange brothers is the real deal.")
• List: Matthew Price of The Oklahoman names his top 10 graphic novels of the decade, with Joe Sacco's Safe Area Gorazde at #9 ("Joe Sacco's nonfiction account of the war in Bosnia was among the best ever examples of graphic novel journalism.")
• List: Edward Kaye of Hypergeek selects The Best Graphic Novels of 2009, including Low Moon by Jason ("At times both bleak and humorous, these beautifully absurd stories will leave you as speechless as one of Jason’s silent characters."), Love and Rockets: New Stories #2 by the Hernandez Brothers ("Los Bros. Hernandez continue to blaze trails with their originality, and the comic industry is better for it. This essential collection should be on every fan’s shelf."), Luba by Gilbert Hernandez ("It’s an astounding collection of stories about family, life, love, and heartbreak... [W]hen you read all of these powerful tales together in one place, you realise that Beto has created an epic here, unrivaled in its scale and depth. Words fail to express just how wonderful this collection is."), Everybody Is Stupid Except for Me by Peter Bagge ("It’s a brilliant piece of work, and perhaps Bagge’s finest achievement to date."), Locas II by Jaime Hernandez ("These tales of the lives of Maggie, Hopey, and Ray, are some of the most enthralling, and sometimes bizarre, stories ever told in the comic medium.") and You Shall Die by Your Own Evil Creation! by Fletcher Hanks ("...[T]hese surreal tales from the dawn of the super hero are uncompromisingly vivid, brutal, and at times, completely insane!")
• List/Coming Attractions/Plugs:Hypergeek lists The Essential Comics and Graphic Novels of 2010, including Almost Silent by Jason ("Jason is one of the greatest cartoonists in the world") and the year's books from the Hernandez Brothers: The Troublemakers ("I loved Chance in Hell, so this follow-up is a must for me. Beto is a wonderful storyteller, and an astonishing artist, so you can't go wrong picking this up, even if you've never read any L&R!"), High Soft Lisp ("This collection is essential for all L&R fans, as it collects together many of Beto's stories from the second L&R series, for the first time."), Penny Century ("Another essential collection for fans of L&R, collection Xamie's Penny Century stories from the Penny Century series and from Love & Rockets Volume II."), and Love and Rockets: New Stories #3 ("If it's a tenth as good as the first two volumes, we're in for a treat!")
• Review: "Magnificent art. Panels that range from three or so across medium-sized panels and the occasional painfully detailed and colored super-sized panel. An ongoing story...with blood and gore even! Dooming predictions, wounds, loss and death. Fantagraphics is to be thanked for working so hard to produce a book [Prince Valiant Vol. 1: 1937-1938] that shows Foster's artwork in a decent size and with the colors corrected." – Fred Kiesche, The Lensman's Children
• Review: "For a change of pace, it's nice to delve into some work from the great Steve Ditko and find nary a spider-man nor a strange doctor among them. Fantagraphics provides the ideal venue for doing so in Strange Suspense: The Steve Ditko Archives Vol. 1... With the Fantagraphics logo on the sturdy spine, readers can expect — and receive — a top-quality package with crisp pages and handsome design. It's certainly attractive for some stories Ditko dismissed as 'junk,' but we all know there's treasure buried in trash." – Rod Lott, Bookgasm
• Review: "Issue #2 [of Sublife] saw a lot of [the] promise [of the first issue] fulfilled in a group of stories that ranged across both genres and visual styles... What connected each story was a common theme: the desire for family and the ways in which that need either created surrogate families or metastasized into something darker." – Rob Clough, The Comics Journal
• Plug:Robot 6 guest contributor Shaenon Garrity got Humbug for Christmas: "I love Harvey Kurtzman's failed magazine projects... Kurtzman never had much success in all his long career, but he had a talent for making smart people want to give him a hand... fun stuff. It's got a lot of work by Arnold Roth, whom I love."
• Coming Attractions:Robot 6 surveys numerous comics pros as to what they're looking forward to in 2010: in part 1, Evan Dorkin mentions several of our upcoming reprint collections; in part 2, Chris Schweitzer mentions Drew Weing's Set to Sea (July); in part 3, Jamie S. Rich mentions Lucky in Love by Chieffet & DeStefano
• Interview:The Daily Cross Hatch's Brian Heater continues (in part 3 of 4) his conversation with Carol Tyler: "I thought I could knock it out really quickly. That’s not case. But that’s not really stopping me, or anything. It’s just that, if it takes another six months to make this nicer, sweeter, and more wonderful, I want to. At first I thought I could get it all out in one package. I had it ready. But I’m not person who can write a script and then go illustrate it. I’m intuitive and I’m intuiting my way into this huge subject matter that hits me like a rock. There’s times when I can’t work because it makes me cry."
• Profile:Comic Book Resources' Shaun Manning talks to Dash Shaw about The Unclothed Man in the 35th Century A.D.: "I realize that some people think of comics as being storyboards, or as some kind of preliminary work for a movie, and that's very funny to me. But usually the people who think that are film-industry people who think EVERYTHING is preliminary work for a future film! A book, play, whatever! Ha!"
• Survey:The Beat's year-end survey of comics pros includes the following responses. From Jay Lynch: "When I think of comics in the 00s I think of: Johnny Ryan." From Mike Dawson: "What was the biggest story in comics in 2009? The Comics Journal moving almost exclusively online."
• List: Joe Gross of the Austin American-Statesman names notable comics of 2009, including Pim & Francie by Al Columbia ("It's a bit like peeking at J.D. Salinger's notebooks, if his notebooks were pure nightmare fuel") and You'll Never Know, Book 1 by C. Tyler ("A terrific addition to the canon of literature about baby boomers, their parents and their children")
• List: Greek site Comicdom names Ivan Brunetti's Schizo #4 to the #4 spot on their Top 100 of the 00s countdown. From the Google translation: "With words or silence, with an excellent sequence between the panels and embroidered with punchlines, reading this comic becomes a personal matter, even though the association, the painfully honest confession, is more or less familiar to everyone."
• List:Fústar awards The Clanging Gong of Doom for "Weirdest & Most Brain-Searingly Wonderful Book of the Year" to You Shall Die by Your Own Evil Creation! by Fletcher Hanks, which "might be testament to rage-filled, borderline psychosis – but it's thrillingly vital and magnificently (uniquely) strange for all that."
• Review: "...[T]he great pleasures of each story [in The Red Monkey Double Happiness Book] are the odd, idiosyncratic details Daly includes, and the way in which he reveals them. ... I’ve never read anything like it—and now I want nothing more than to read more of it." – J. Caleb Mozzocco, Newsarama
• Review: "Sublife Vol. 2... is John Pham’s gorgeously designed one-man anthology book, including about a half-dozen stories of various genres, formats, sensibilities and even art styles, each impeccably laid out on longer-than-it-is-high, 8.5-by-7-inch rectangular pages. ... They’re all pretty great on their own, and taken all together, they make up a downright remarkable book." – J. Caleb Mozzocco, Newsarama (same link as above)
• Review: "...[C. Tyler's] autobiographical comics display a shocking, unruly wholesomeness: they are visually and morally beautiful, suffused with a scrap-doodle amateurism and palpable maternal love... You’ll Never Know, Tyler’s newest book, is modeled on a scrapbook and is a tribute to craftsmanship, much like the home repair and plumbing we see her father, the 'good and decent man' of the title, often undertaking. ... Tyler mitigates this directness of heart with a dynamically pesky drawing style, splattering each panel with the democratic debris of life." – Ken Chen, Rain Taxi
• Review: "While we’re torturing geeks, I have to put in a good word for Andrei Molotiu’s Abstract Comics: The Anthology... The collection has a wealth of rewarding material, some of it awkward, some groundbreaking — on the whole, it is a significant historical document that may jump-start an actual new genre." – Doug Harvey, LA Weekly
• Review: "Some of the writing [in Humbug] may seem a bit quaint in our ‘irony coming out our asses’ present day, but the artwork is uniformly mind-blowing. ... This collects the whole ill-fated run in a luxurious hardbound package including top-notch background material. Worth it for the mammoth Arnold Roth & Al Jaffee interview alone." – M. Ace, Irregular Orbit
• Plugs: In an interview with Newsarama, Chris Ureta Casos of Seattle comic shop Comics Dungeon gives a nice shout-out to our recent reprint efforts and names Paul Hornschemeier's Mother, Come Home as a personal all-time favorite
• Plug:Robot 6's Chris Mautner got our collection of Jerry Dumas and Mort Walker's Sam's Strip for Christmas ("you can sense the two of them having fun")
• Interview:The Wall Street Journal's Jamin Brophy-Warren has a brief Q&A with Gahan Wilson: "The other thing that dawned on me was we were destroying the planet or at least we were destroying it as a feasible environment. There’s a little grandiosity in saying we’re destroying the earth — we’re just screwing it up so we can’t live. For one, that was hilarious that we’d be determined to continue and it keeps getting worse and worse."
• Interview:The Daily Cross Hatch's Brian Heater continues his conversation with Carol Tyler: "I…can’t…the secret of life? I’m not giving away the secret! I’ll just tell you this — it’s funny around here, because I have to go and pick up dog poop or something. And I’ve heard something like, 'Robert and Aline [Crumb] are in the New Yorker, this week. Oh, they’ve got ten pages.' And I’m just picking up dog poop, but I’m happy, for some reason. I’m happy!"
• Review: "...I enjoyed the hell out of this book. ... Not only did Portable Grindhouse remind me of ye olden days, it also gave me quite a laugh. You won’t believe some of the ridiculously schlocky movies that are included in this book. I honestly can’t recommend it enough. It’s the perfect book for anyone who understands the art of the guilty pleasure and the joy in a terrifically bad movie, as well as those who took great joy in the hunt for home video entertainment. Portable Grindhouse: The Lost Art of the VHS Box gets two thumbs WAY up!" – Chad Derdowski, Mania
• Review: "...Tales Designed to Thrizzle, whose first four issues have just been anthologized as a hardcover... bring[s] a slick, hyperreal illustrative consistency that amplifies the already dreamlike mixture of familiarity and strangeness, which permeates [Kupperman's] deadpan surrealist slapstick." – Doug Harvey, LA Weekly
• Interview: The latest in this week's series of Dash Shaw interviews is with Entertainment Weekly. Interviewer Darren Franich calls Bottomless Belly Button "a genuine masterpiece" and says the stories in The Unclothed Man in the 35th Century A.D. are "gut-punchingly wondrous." Teaser quote from Dash: "Unclothed Man, to me, is about figure drawing and figure drawing classes and what it’s like to be a figure drawing model. If you pick up an old How to Draw the Figure Book, it’s always Pin-Up girls. Like, How to Draw This Reclining Hot Chick. The sexual undertones are obviously there in the drawing, but the classroom is such a weird academic repressed environment."
• List:Design Observer's recommended Holiday Books 2009 includes Abstract Comics: "...[T]his arresting book is like a scoop of primordial narrative, representational mud. Which is to say, it has vitaminic powers."
• Review: "Giraffes In My Hair: A Rock ‘N’ Roll Life... is my favorite graphic novel of the year, and it is marinated in a life lived through real rock and roll delivered via stories as wide-open and lung-puncturing as a two minute Ramones rant. Artist Swain is an alternative comics’ veteran... with an attractively scruffy style; storyteller Paley has an author-blessed background in the margins of the freak milieu... This comic book adaptation of a real life shows the biggest bruises and the smallest scars, but cuts out all the heroic flab. Again, one of the best graphic novels of the year, as well as one of the best rock books too." – Chris Estey, KEXP
• Review: "ThePlayboy cartoons collected [in Gahan Wilson: Fifty Years of Playboy Cartoons] demonstrate above all Wilson's phenomenal range in subject, style, and inspiration. ... The menace in domestic relations, the evil that kids are capable of, the outright nastiness that man inflicts on man: it's all here, drawn in Wilson's inimitable comic style. ... And Fantagraphics has also served Wilson well. This collection is a wonder of book design, with die-cut boards, marvelous color reproduction, and a fantastic slipcase. The clear plastic panel on one side reveals the laminated back board of the books, each one a different headshot photo of Wilson himself, his face smashed against the plastic, a prisoner in his own collection. It's a perfect expression of all the inspired madness within." – Thomas DePietro, The Barnes & Noble Review
• Review: "The comics [in Abstract Comics] resemble IQ quizzes that test the ability to recognise patterns. But they are more difficult here — insanely difficult — as they replace simple geometric shapes with abstract comic lines, colours and collage. Solving them will no doubt provide tremendous pleasure but there are no answers given, of course." – Parka Blogs, who also have very nice photos and video of the book (also via the Abstract Comics Blog)
• Reviews: Érico Assis of Brazilian site Omelete has the rundown on the recently released Brazilian edition of The Complete Peanuts 1950-1952 (Vol. 1): "But of course, the interest here is the historical value. Maybe time to recover, at least you remember the pop culture, were much simpler. If you like to do time travel, at least with the brain, Complete Peanuts gives you several hours of escapism for a past environment of children, a bit silly. And perhaps so happy." Also: "If Tales Designed to Thrizzle does not please a dedicated fan of Monty Python, I like my stuffed parrot. ... With the collection, it's time to conquer the world. At least the world of smart people who recognize the genius of Monty Python." (slightly broken English from Google translation)
• Review: "In The Great Anti-War Cartoons, Craig Yoe has gathered an amazing assembly of peaceful protests that seeks to prove that the pen is truly mightier than the sword. ... All of it is thought-provoking and deserves a look. And where else will you see a collection like this? Art Spiegelman, Robert Crumb, Rube Goldberg, Honore Daumier… my god. Even if you don’t dig the message, you gotta dig the art. In the end, it’s obviously a book that’ll stick with me and would make a worthy addition to your collection. ... Grade: A" – Chad Derdowski, Mania
• Review: "War sucks, and [in The Great Anti-War Cartoons] Yoe has selected a wide range of cartoons that make the point with elegance and grim wit. ...[I]n terms of craft, vision, and passion, political cartoons simply don't get much better." – Noah Berlatsky, Chicago Reader
• Review: Noah Berlatsky is the 4th writer at The Hooded Utilitarian to take a crack at Ghost World in their critical roundtable: "I’ve never been able to quite wrap my head around what about the book so thoroughly irritates me."
• Metacommentary:TCJ.com's Shaenon Garrity comments on the (TCJ-hosted) Hooded Utilitarian's critical roundtable on Ghost World: "...the other reason I like Ghost World: like it or hate it, you can talk about it endlessly."
• Profile: Turkish cartoonist Adem Mermerkaya looks at the work of Joe Sacco (autotranslation is little help I'm afraid but it looks fairly substantive if you read the language)
• List:Politics and Prose, perhaps the most graphic novel-friendly bookstore in Washington DC, lists their Favorite Graphic Literature of the Year:
"Every few years a graphic novel comes around that is so good you have to stop reading for a while, because if you read anything else you'd only be disappointed. ... The Squirrel Machine... is a masterpiece of comic fantasy. When I finished this book, I immediately returned to the introduction and read the whole book again, and again. Read this book to see what heights serial art can achieve in narrative and in the creation of worlds that exist in one character's mind. Read it if you think you can handle it, for it abandons the typical narrative structure and accomplishes its ends as only serial art of the highest quality can. This is a fine, gut-wrenching book, written and drawn by a true master." – Thad Ellerbe
"West Coast Blues is an unflinching story, perfect for any fan of the thriller." – Adam Waterreus
"C. Tyler's You'll Never Know, Book One: A Good and Decent Man... is also an impressive and beautiful history of the era; Tyler creates a panorama of images that sweep across the page as she documents her father's childhood, her parent's engagement, and her own young life. Her pen, ink, and color transform her creative panels (at times evoking a scrapbook) into vibrant memories intertwined by her restless imagination." – Adam Waterreus
"[With Abstract Comics] it becomes a treat to take a page of art — or a simple panel — and consider how the shapes, texture, depth, and color interact with one another; to reflect on how, when one takes the time, the enjoyment one ordinarily finds in reading a purely textually-oriented, narrative-driven written story can — with the graphic form — be translated into something completely different." – Adam Waterreus
"From Wonderland with Love: Danish Comics in the Third Millennium... is fantastic! This amazing collection just blew me away. There was not one moment when reading this book — in one sitting, slouched and unblinking on my couch, coffee going cold — that I did not completely love. ... Mythic and dreamlike, meditative and fantastical, this is a superb and surprising collection." – Adam Waterreus
• Review: "...[F]rom the moment he showed up [Michael] Kupperman was a master of stomping around the living room of modern reality and shoving pieces of conceptual furniture next to one another to awesome, knees-out-from-under effect. Kupperman's work has always had that charge that the really good stuff has... Kupperman doesn't get enough credit for building a comic book vehicle in Tales Designed To Thrizzle that serves to facilitate those skills. ...I'm not certain anything under heaven or earth could make something greater than Kupperman's peerless ability to craft funny moments." – Tom Spurgeon, The Comics Reporter
• Review: "Unclothed Man delivers just the right amounts of story, whimsy, art, and heft for four two-minute entries. It offers actual nutritive cultural substance, as opposed to so much web filler one often gets. And you’ll want to go back and watch them a few more times. There’s a lot of variety behind the series’ simple elegance." – Michael Shaw (no relation), Tubefilter
• Plug: "Compiled by Portland, Oregon-based trash cinema expert Jacques Boyreau, Portable Grindhouse honors the pulp video era that inspired Quentin Tarantino." – Hugh Hart, Wired
"The blandly didactic sobriety of old educational comics and earnest advertisements... is Michael Kupperman’s default tone for the deranged, gaspingly funny work collected in Tales Designed to Thrizzle: Volume One. Kupperman has a stiff, deadpan drawing style that suggests the textures of woodcuts, clip-art and old 'Mary Worth' strips; his writing, on the other hand, jumps the rails at every opportunity."
"The artists assembled by Andrei Molotiu for his anthology Abstract Comics push 'cartooning' to its limits: the selections have few if any words, no characters or plot, and very few clearly identifiable representations — just abstract images in sequence. ... It’s a fascinating book to stare at, and as with other kinds of abstract art, half the fun is observing your own reactions..."
• Review: "The different techniques — ink on paper, watercolor, pencil, black or color, collage, digital manipulation, minimalist drawing, patchwork, cartoony lines... — associated to the different strategies and presences of 'comics' elements in these variations will make us wonder, on the one hand, on a progressive dilution of any formal determination in relation to this art (bringing it closer, thus, to freer or more conceptual artistic disciplines, in which the gesture is more important than, say, talent, virtuosity, technical prowess), and, on the other hand, in the phantasmatical emergence of an unifying idea (a name: 'abstract comics'), but which is, in the last instance, irreducible to something directly analyzable." – Pedro Vieira de Moura, SuccoAcido
• Review: "I wish to add my voice to the chorus of those who really, really like Johnny Ryan's left-hand turn into violent fantasy with the promise of more to come, Prison Pit. ... Prison Pit should help anyone paying attention to appreciate how carefully Ryan designs and executes his work. You could not achieve the gruesome effects and consistent energy Ryan does here without being absolutely on top of that style... Ryan's general intelligence — I think he's one of the smartest cartoonists — is also on display in how quickly he picks up the rhythms of the kind of sprawling manga and art-comics fantasies that this book frequently recalls. ... Crucially, I never knew exactly where Ryan was headed but every scene in Prison Pit seemed to flow naturally from the previous one right up to the brutally funny, icky and appropriate ending. I hope there are ten more." – Tom Spurgeon, The Comics Reporter
• Review: "Unlike anything Ryan's done thematically, or really, unlike anything Fantagraphics has published before, Prison Pit is a non-stop action comic. It's pretty successful in that regard, with imaginative character designs and some surprising battles, full of many odd transformations and characters surviving the loss of limbs, even a head. And although the genre is different, Ryan can't seem to deviate from a fascinating mix of sex and violence and bodily fluids." – Christopher Allen, Comic Book Galaxy
• Plug: "[Pim & Francie] is an arrangement of drawings — sometimes preparations for drawings — generally honed in on the journey of two old-timey animation-looking kids. Sometimes there's dialogue, sometimes there's 'scenes,' but most of the work's interest comes from wrenching you though time and space as the narrative stretches just thin enough to part in spots, only to gum together again for a little while, until it's pulled again." – Joe McCulloch, Jog - The Blog
• Things to see: Several vintage Jim Flora illustrations (including possibly some previously unpublished ones) ran in last Sunday's UK Telegraph Sunday jazz supplement — the Jim Flora Art blog has a link to a PDF