Black Friday Online Commentary & Diversions:

• List: At NPR.org, Glen Weldon recommends "Tomes With Which to Tough Out Your Turkey Coma," including Linda Medley's Castle Waiting ("a wryly funny fairy tale narrative that's both women-centered and women-powered") and Gilbert Hernandez 's Palomar ("Dense, vividly realized and both literally and figuratively magical")

• Interview: Robot 6's Chris Mautner talks to Dash Shaw about The Unclothed Man in the 34th Century A.D., BodyWorld and other topics: "There’s a meshing going on between film/animation and comics. The meshing is happening in my own interests, the subject matter of my stories, the way my stories are created, and it’s been fueled a little by what’s going on outside of me..."

• Profile: Pop Culture Institute memorializes Charles M. Schulz on what would have been his 87th birthday yesterday

• Awards: Congratulations to Willie & Joe editor Todd DePastino, who won Fordham University's Sperber Prize for his excellent biography Bill Mauldin: A Life Up Front, it was announced today

• Reviewer: At Comics Comics, Dash Shaw recommends a starting point for new shoujo readers

• Things to see: Jim Blanchard draws a real-life bronc-bustin' babe

• Tunes: The Inkstuds podcast presents another episode of cartoonists making music, this time featuring Zak Sally, Gary Panter, Al Columbia and a mess of Fort Thunderers

As expected, a Huizenga-heavy Online Commentary & Diversions:

• Review: "Pim & Francie: The Golden Bear Days is a downright sadistic journey through the lives of its titular characters, playing out like fragments of a fairytale, had the rawer stories of yesteryear from the likes of the  Brothers Grimm been followed to their logical conclusions in the context of our hyper-graphic society, rather than having been hijacked by the likes of Walt Disney. ... The book succeeds rather well as both an introduction to the artist’s work and as a standalone art book. It’s simultaneously lush and sparse and terrifying and wonderful." – Brian Heater, The Daily Cross Hatch

• Plug: "Ganges #3... [is] a journey through what's still adding up to be considerably less than a day in the life of observant Glenn Ganges, the narrative eye diving in and out of memories and perceptions and impressions and all the stuff that makes up human experience, serving to summarize all of Huizenga's experiments in comics storytelling so far. It's not what happens here but how it happens, the 'how' alone revealing the complexities of the person, a biography of craft-as-occasion, the hundred revelations to a man remaining still. Jokes too, and real police action." – Joe McCulloch, Jog - The Blog

• Plug: "Ganges #3:... Kevin Huizenga is just a terrific creator. I'd not be too far off comparing him to someone like Paul Grist, a real master of the page and composition, even if the styles and tones are wildly different. Grist is bombast and insanity and Huizenga is meditative and beatific." – "Lydia Park," The Rack (she's fictional, but that has to be someone's opinion, at least partly, right?)

• Plug: "Ganges #3... The likely book of the week in a very, very, very strong week overall. I don't think people will fall in love with this Kevin Huizenga effort the way they did the first two (and particularly the first one) in this great-looking Ignatz series, but it's as challenging and rewarding a read as those two initial books." – Tom Spurgeon, The Comics Reporter

• Plug: "Kevin Huizenga knocks it out of the park once more in this third issue of his ongoing Ignatz series from Fantagraphics. ...Huizenga manages to make the most mundane material come alive with his ingenious layouts and penetrating insight. I've never seen insomnia portrayed so agonizingly accurately or inventively. Seriously, to try to capture these kinds of everyday emotions and experiences in prose as well as he does here would be nigh-impossible." – Chris Mautner's "Pick of the Week," Robot 6

• Plug: "Ganges #3... [is] deliciously inventive... if you doubt that a story about someone trying to fall asleep could be fascinating to read and look at, do yourself a favor and have a look at it." – Douglas Wolk, Comics Alliance

• Things to see: Kevin Huizenga's latest Amazing Facts... and Beyond! With Leon Beyond strip

Now available from Desert Island, this signed screenprint featuring Pim & Francie artwork by Al Columbia is limited to an edition of 60. Each print is individually hand-dyed in tea and oven-baked (seriously) for that aged look and unique textural variations on each print. Only 30 bucks!

Online Commentary & Diversions:

• List: Who says we don't publish superheroes? Tom Spurgeon of The Comics Reporter counts several of our publications among his 83 Best Superhero Projects of the past decade: Supermen!, the two Fletcher Hanks books, Eightball #23, and"Ti-Girls Adventures" by Jaime Hernandez from Love and Rockets: New Stories (also mentioned: Josh Simmons's unauthorized self-published mini-comic... you know the one)

• Review: "[Pim & Francie]'s spine calls its contents 'artifacts and bone fragments,' as if they're what's left for a forensic scientist to identify after a brutal murderer has had his way with them; Columbia obsessively returns to images of 'bloody bloody killers.' ... Many of the pieces are just one or two drawings, as if they've been reduced to the moment when an idyllic piece of entertainment goes hideously awry. But they're also showcases for Columbia's self-frustrating mastery: his absolute command of the idiom of lush, old-fashioned cartooning, and the unshakable eeriness of his visions of horror." – Publishers Weekly

• Review: "With [Pim & Francie], Al Columbia has created not only one of the more unsettling works of horror in the medium of comics, but it also happens to be one of the greatest myth-making objects... Whether Columbia planned more complete stories for any of the efforts collected here is an interesting question, but for my money he has instead come up with dozens of nightmarish scenarios that have a greater cumulative effect by skipping set-ups or endings. The ending, one suspects, is always going to be a variation of horrific death and dismemberment." – Christopher Allen, Comic Book Galaxy

• Review: Hillary Brown & Garrett Martin of SHAZHMMM... try to figure out what to talk about when they talk about You Shall Die by Your Own Evil Creation! by Fletcher Hanks

• Analysis: The Funnybook Babylon podcast discusses the upcoming changes to The Comics Journal. I haven't screened it; I hope they're nice about it

• Analysis: Oliver Ho of PopMatters compares the new book Celebrating Peanuts to other landmark Peanuts publications, including our Complete Peanuts series

• Plug: "I am not nostalgic for VHS... However, where VHS leaves a trace, it is surely through the covers... In December Portable Grindhouse: The Lost Art of the VHS Box appears... the book looks quality." – Forgotten Silver (translated from French)

• Links: I'm proud to be credited as the primary source in essential Love and Rockets fansite Love & Maggie's latest link-dump mega-roundup, but there's plenty of stuff in there that I've missed so hop to it! They do good work over there

• Things to see: The cavalcade of new Jim Woodring panels continues: more jungle, odd machinery

• Things to see: At Covered, Noah Van Sciver takes on a 1975 OMAC cover by the King

• Things to see: Matthew Forsythe pays homage to Gipi's Wish You Were Here #1: The Innocents

• Things to see: Outtakes from Derek Van Gieson's Mome story "Devil Doll" (also, sketchbook stuff)

The new episode of the Inkstuds podcast is a special treat: an all-music show featuring music by cartoonists. The playlist includes: The Action Suits! Peter Bagge's Can You Imagine?! Al Columbia's The Francies! The mysterious Extravagant Bachelor! The Crumb Family! Archer Prewitt! Chris Ware! Paul Hornschemeier's Arks! Mary Fleener's Wigbillies! And (drum roll)... Blueshammer! Awesome.

Online Commentary & Diversions:

• Review: "[Dan Nadel:] Reading Pim & Francie is an apocalyptic experience — as if Columbia is demolishing both his own work and the idea of 'cartooning' in general. I found it exhilarating and terrifying. ... [Tim Hodler:] ...The fact that so many of these grotesque stories and vignettes don't really resolve contributes to the reader's growing sense of unease. ... Al Columbia's comics... really bring out the surreal terror already buried within cartoon imagery. ... [Frank Santoro:] Pim and Francie's adventure struck a chord in me that's been dormant for a long time. A haunting wonder, perhaps? A curiosity of the unknown that, when found, rattles one to the core?" – Comics Comics critics' roundtable

• Plug: "...Peter Bagge's recent collection of libertarian cartoons from Fantagraphics, Everybody Is Stupid Except for Me and Other Astute Observations is much funnier than libertarian cartoons have any right to be." – Paul Constant, The Stranger

• Video: Visa denial (for shame!) forced Gene Deitch to deliver his keynote address to China's Xiamen International Animation Festival by video; Cartoon Brew shares the clip along with the text of the speech Gene would have given in person

• Hooray for (the French equivalent of) Hollywood: Comix 411 takes a look at Luc Besson's in-production film adaptation of Jacques Tardi's Adèle Blanc-Sec (which Kim flogged about a few weeks ago); for the Francophones among you, TF1 has some behind-the-scenes video footage

• Things to see: Jim Blanchard's commissioned portrait of Roky Erickson

Check out this killer Al Columbia print produced by Floating World Comics.

 From the Floating World Comics website:

"TOYLAND by Al Columbia

Pim & Francie is already receiving advance praise from folks like Spike Jonze.  Jim Woodring’s drawing group, Friends of the Nib, is calling it 'book of the year.' 

Al’s always working on something new and amazing, whether it’s music, filmmaking, comics, or in this case, painting.  Al showed me a photo of this new painting he was working on and I became immersed in the labyrinth of frayed facade and haunting beauty.  We were proud to feature it as the centerpiece of the new issue of Diamond Comics.

To commemorate the release of Al Columbia’s new book, Floating World has teamed with the artist to produce a limited edition series of archival prints of this latest painting, Toyland.  The giclee prints are just $200 each, printed on museum quality paper measuring 18″x24″; the artwork is 15″x20″.

We only made 25 copies of this incredible image, and each was signed and numbered by the artist at his recent book release party at the Fantagraphics store.  Orders will be filled in numerical order starting with number 3 of 25 (#1 and #2 already sold).  They will be shipped securely in a tube.  Click on the paypal link below to place your order." 

Buy it here. 

Today's Online Commentary & Diversions:

• Review: "Monte Schulz has proven that his father isn’t the only Schulz with considerable storytelling talent. This Side of Jordan is a strong vision of the American Heartland at a time when America was a little less jaded, yet many in the country had already developed a malaise of directionlessness. Schulz manages to capture a moment in history, a piece of humanity in transition. It’s bleak, but funny, and smartly written.  It may not have any pictures, but readers of good fiction should appreciate what Schulz has accomplished." – Michael C. Lorah, Newsarama

• Review: "Hans Rickheit’s The Squirrel Machine, published by Fantagraphics Books, is a beautiful 179 page hard cover graphic novel. ... Much is left to mystery in this book. We can let Rickheit’s exquisite drawings, with their ornate detail and patterning, speak for themselves. ... This is for mature readers as well as discriminating ones. And it’s also for those who love a good coming-of-age story. ... Very romantic and strange at the same time, like any good coming-of-age tale. Primarily, this is adult, dark and disturbing work provided to you in healthy doses." – Henry Chamberlain, Newsarama

• Review: "Johnny Ryan draws the bad pictures. Unapologetically and lots of ‘em and I hope to god he never stops. He has consistently put out pure and uncensored strips, cartoons, and books that defy every politically correct bone in your body. Drawings that cock-slap America. His new book is out. It’s called Prison Pit and it kinda’ sorta’ kicks serious ass. ... The story definitely puts the GORE in phantasmagorical as characters twist and mutated into strange new forms while pounding the stuffing out of each other. ... Put plain, in Prison Pit, Ryan creates art out of the steaming piles of human waste that litter our cultural landscape. The bodies and excrement are grist for his mill. He erects mountains of shit and semen, carving the faces of sacred cows in them, and then sets them afire so even if you can’t see the work… you can smell it from miles away." – Jared Gniewek, Graphic NYC

• Review: "[Pim & Francie] isn't a collection of [Al Columbia's] work up till now..., but more a collection of what 'might have been' — it's uncompleted stories and art featuring Columbia's two naif-child characters, forever hurtling into one dangerous situation after another but never reaching any conclusion. It's probably worth noting that a good deal of the pages are torn or pasted back together, the victims, no doubt, of Columbia's perfectionism. It's the sort of thing that will frustrate some, but it does offer an elliptical, sideways path into Columbia's world, which perhaps makes the journey all that more frightening." – Chris Mautner, "Pick of the Week," Robot 6

• Review: "...[T]he new Al Columbia Pim & Francie book from @fantagraphics... is like a printed orgasm." – Damon Gentry

• Plug: "Strange Suspense: The Steve Ditko Archives Vol. 1... [is g]ruesome stuff for the most part, but you can see the artist trying to forge his way through. Definitely a must for anyone who calls themselves a Ditko fan." – Chris Mautner, Robot 6

• Interview: Tim O'Shea talks to Monte Schulz about the latter's novel This Side of Jordan: "Taken all together, no single element was the most critical because I believe everything had to work together, all forms of language, for instance: poetic, lyrical, narrative, dialogue. The way the characters speak in This Side of Jordan was especially important, given that I mix ordinary dialogue with lyrical exposition and both rural and Jazz Age slang."

• History: At Bleeding Cool, Rich Johnston offers up the groundbreaking "Gays in Comics" article by Andy Mangels from Amazing Heroes #143 (June 15, 1988) as a 2-part PDF download, with commentary

• Film: Lilli Carré's animated short Head Garden plays at the San Francisco International Animation Festival this weekend; more info at Lilli's blog

• Theory in action: At Blog Flume, Ken Parille applies an Ivan Brunetti cartooning principle to a 1970s issue of The Avengers

• Things to see: Noah Van Sciver makes his debut on Top Shelf 2.0 Webcomics

Scheduled to arrive at ye olde comic shoppes this week:

Strange Suspense: The Steve Ditko Archives Vol. 1, collecting all the gloriously gruesome and lurid horror comics that oozed from Ditko's pen in the pre-Code first two years of his career in one spanking hardcover...

...and Pim & Francie: The Golden Bear Days by Al Columbia, which critics call "a fractured masterpiece," "stunning," and "messed up," and Tom Spurgeon of The Comics Reporter declares "the book of the week"!

Visit the links above to check out descriptions, previews and reviews, contact your local comickery to confirm availability, and then hie thee thither!

Online Commentary & Diversions:

• Review: "The different techniques — ink on paper, watercolor, pencil, black or color, collage, digital manipulation, minimalist drawing, patchwork, cartoony lines... — associated to the different strategies and presences of 'comics' elements in these variations will make us wonder, on the one hand, on a progressive dilution of any formal determination in relation to this art (bringing it closer, thus, to freer or more conceptual artistic disciplines, in which the gesture is more important than, say, talent, virtuosity, technical prowess), and, on the other hand, in the phantasmatical emergence of an unifying idea (a name: 'abstract comics'), but which is, in the last instance, irreducible to something directly analyzable." – Pedro Vieira de Moura, SuccoAcido

• Review: "I wish to add my voice to the chorus of those who really, really like Johnny Ryan's left-hand turn into violent fantasy with the promise of more to come, Prison Pit. ... Prison Pit should help anyone paying attention to appreciate how carefully Ryan designs and executes his work. You could not achieve the gruesome effects and consistent energy Ryan does here without being absolutely on top of that style... Ryan's general intelligence — I think he's one of the smartest cartoonists — is also on display in how quickly he picks up the rhythms of the kind of sprawling manga and art-comics fantasies that this book frequently recalls. ... Crucially, I never knew exactly where Ryan was headed but every scene in Prison Pit seemed to flow naturally from the previous one right up to the brutally funny, icky and appropriate ending. I hope there are ten more." – Tom Spurgeon, The Comics Reporter

• Review: "Unlike anything Ryan's done thematically, or really, unlike anything Fantagraphics has published before, Prison Pit is a non-stop action comic. It's pretty successful in that regard, with imaginative character designs and some surprising battles, full of many odd transformations and characters surviving the loss of limbs, even a head. And although the genre is different, Ryan can't seem to deviate from a fascinating mix of sex and violence and bodily fluids." – Christopher Allen, Comic Book Galaxy

• Plug: "[Pim & Francie] is an arrangement of drawings — sometimes preparations for drawings — generally honed in on the journey of two old-timey animation-looking kids. Sometimes there's dialogue, sometimes there's 'scenes,' but most of the work's interest comes from wrenching you though time and space as the narrative stretches just thin enough to part in spots, only to gum together again for a little while, until it's pulled again." – Joe McCulloch, Jog - The Blog

• Plug: "Hal Foster's Prince Valiant is probably my all time favorite comic strip, and this new collection consolidating the strips from 1937-1938 is very well produced." – San Antonio Board Gamers

• Reviewer: TCJ Assistant Editor Kristy Valenti puts on her freelancer cap once again and reviews Samuel R. Delaney & Mia Wolff's Bread & Wine for comiXology

• Events: The Daily Cross Hatch's Brian Heater reports from last weekend's King Con in Brooklyn, with audio from the Bob Fingerman Spotlight panel

• Things to see: Several vintage Jim Flora illustrations (including possibly some previously unpublished ones) ran in last Sunday's UK Telegraph Sunday jazz supplement — the Jim Flora Art blog has a link to a PDF