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|Written by Mike Baehr | Filed under merch, Al Columbia||27 Aug 2012 4:19 PM|
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Category >> Al Columbia
To read more on the horrors, grab a copy of Simmons' graphic novel The Furry Trap today. While you're in the mood close the blinds, lock the door and boot up the computer to see a frightening trailer for Simmons' short film "The Leader".
We miscounted! It turns out that, almost 3 years after we first offered it to what appeared to be an almost-immediate sellout, we actually have 4 copies left of the Pim & Francie: Collector's Edition by Al Columbia.
Each copy of this special limited Collectors Edition comes with an original sketch hand-drawn and signed by Al Columbia. This sketch is on a separate sheet of paper which is tipped in (inserted without adhesive) to the book. See below for a representative example of a typical sketch. This special edition was strictly limited to 50 copies and is available exclusively only to consumers who order direct from Fantagraphics. Did we mention there's only 4 of them left?? The price is $100 and we expect them to be gone almost instantaneously, so order now!
As for the book itself (still available in the standard edition), this gorgeous grimoire is part alchemy, part art book, part storybook, part comic book, and part conceptual art, a broken jigsaw puzzle of a book starring two childlike imps whose irresponsible antics get them into horrific trouble.
For the first time ever, Fantagraphics will be exhibiting at the Brooklyn Comics & Graphics Festival! Come visit us this Saturday, December 3rd from 12:00 - 9:00 PM for a wealth of debuts, artist appearances, and the great Gary Groth manning the table!
Gary will be joined by a truly all-star cast of artists for our first BCGF:
And even more of our artists will be exhibiting at the show, including Gabrielle Bell, Ben Catmull, Charles Forsman, Drew Friedman, Sammy Harkham, Tom Kaczynski, John Kerschbaum, Victor Kerlow, Joseph Lambert, Mark Newgarden, Jesse Moynihan, Gary Panter, Zak Sally, Leslie Stein, and Jon Vermilyea... PHEW! Pick up their books from our table, and then seek these artists out at their own!
Bring a big bag, because you'll also wanna pick up our excellent debuts at the festival!
Where can you find all this awesome? Fantagraphics will be in the downstairs section at the Our Lady of Mt. Carmel Church [ 275 North 8th Street ], at tables 31 & 32:
And finally, make sure you don't miss our artists in these panels! These will all take place at Union Pool [ 484 Union Avenue # A ], and the panels are free and open to the public:
1:30 PM // JACK DAVIS Q+A
Legendary cartoonist Jack Davis made his mark producing horror and war stories for EC Comics, before finding his métier in satire as one of the original (and longest running) artists for MAD Magazine. As a prolific illustrator, Davis defined the caricatural style of the 1960s and 1970s—and beyond. In this rare public appearance, Davis will discuss his career with Fantagraphics co-publisher Gary Groth and illustrator Drew Friedman.
[ Jack Davis fans, please note: he will also be appearing on Friday, December 2nd at the opening of his exhibit at the Scott Eder Gallery! Don't miss it! ]
2:30 PM // GESTURAL AESTHETICSAs comics have evolved beyond their commercial roots toward more individualistic modes of expression, they have been infused with new influences from other fields of art including printmaking, collage and painting. Additionally, new printing technologies have permitted the reproduction of artwork that more closely shows the work of an artist’s hand. Austin English, Dunja Jankovic and Frank Santoro will discuss new aesthetics in comics with moderator Bill Kartalopoulos.
6:00 PM // THE LANGUAGE IN COMICS
The recent embrace of graphic novels by the publishing industry has led to misguided attempts to evaluate comics according to the standards and conventions of literary fiction. The writing in comics occupies a more peculiar place, with its own constraints and opportunities. John Porcellino, Gabrielle Bell, and David Sandlin will discuss the particular demands of writing within a visually-driven form in this conversation moderated by novelist Myla Goldberg.
So, get ready! And we'll see you in Brooklyn this Saturday!
Today, we're kicking off a new weekly round-up of our Fantagraphics events, on an especially busy week for us! Mark your calendars, and go meet some of our artists:
Monday, November 28th
Thursday, December 1st
• Brooklyn, NY: Join author/editor Kevin Avery at Barnes & Noble Park Slope at 7:00 PM for a discussion and signing for Everything is an Afterthought: The Life & Writings of Paul Nelson.
• New York City, NY: Legendary cartoonist Jack Davis will be at the Strand Bookstore at 7:00 PM for a discussion and signing of Jack Davis: Drawing American Pop Culture with Fantagraphics' own Gary Groth.
Friday, December 2nd
Saturday, December 3rd
• Brooklyn, NY: Join Fantagraphics at The Brooklyn Comics and Graphics Festival from 12:00 - 9:00 PM, with special guests Al Columbia, Jack Davis, Kim Deitch, Michael Kupperman, Dash Shaw, and Josh Simmons. Signing schedule to be announced soon on the FLOG!
Today's Online Commentary & Diversions:
• Feature: At SF Weekly, Alan Scherstuhl provides you with "10 Reasons Why Prince Valiant Bests All 2011's Adventure Heroes" (starting with "He lances giant crocodiles"), saying "Sure, those glossy lips and that pageboy bob makes him look something like ye olde Ramona Quimby, but don't let that fool you. The star of what is arguably the twentieth century's best-drawn newspaper comic strip, Hal Foster's Prince Valiant is all hero, through and through, for his age and ours. The first four volumes of Fantagraphics' collected Prince Valiant reveal young Foster's creation as both the sum total of the heroic ideals that preceded his debut in 1937 as well as a source of serious inspiration for all the heroes that have followed him, in all media formats, in the decades since."
• Review: "War and disorder [in The Armed Garden and Other Stories] from the creator of the much-admired Epileptic and, more recently, Black Paths, visually styled to each story’s setting. The first was my favourite to look at: a forest of spears, a torrent of arrows and a swirling sandstorm of bleached bones and skulls against a velvety, light mushroom brown — a tremendous sense of space.... So there you have it: religion, jealousy, conflict and a great deal of transmogrification. Oh yes, death; a great deal of death too." – Stephen L. Holland, Page 45
• Review: "It helps if you can illustrate your fever dreams as well as Sala can — lavishly watercolored in brown, saturated orange and yellow, punctuated by bright blue and (especially later) red, [The Hidden] is beautiful to look at, and as usual, he gives us memorable grotesques and lovely girls in equal measure. Those who are fans of the artist’s previous work will find more of what they like here, and will be gratified by the deviation from his usual norm. Those who are new to his efforts will be entertained, I think, by the story, which is a bit of a page-turner, and will like his beautifully colored art. His best since he wrapped up Evil Eye a few years ago." – Johnny Bacardi, Popdose
• Review: "Dense, claustrophobic, intense and trenchantly funny, the self-contained [Nuts] strips ranged from satire to slapstick to agonising irony, linking up over the years to form a fascinating catalogue of growing older in the USA: a fearfully faithful alternate view of childhood and most importantly, of how we adults choose to recall those distant days." – Win Wiacek, Now Read This!
• Analysis: Robot 6's Matt Seneca performs a close analysis of a page from Al Columbia's Pim & Francie: The Golden Bear Days: "The genius of the page above is almost too simple: in four panels that follow the minimalist logic of the gag-strip format, it speaks to both the artificial nature of drawings and to the nature of sequence as something that breaks comics apart as much as pieces them together."
The video quality’s a little bad, but you can still see Al Columbia’s backdrops in this clip from David Cross’s HBO standup special from about 10 years ago (shot here in Seattle at the Showbox). Kim Thompson recently caught the show popping up in reruns on Comedy Central, which prompted him to dig up this clip on YouTube.
Today's Online Commentary & Diversions:
• List: PLAYBACK:stl's Steve Higgins puts What I Did by Jason on his Top Graphic Novels of 2010: "In my recent review of What I Did, I stated, 'Each story on its own is unquestionably superb, and readers will delight in the moods Jason evokes and the artistic techniques he employs. Together the stories in What I Did are sterling examples of Jason’s fantastic skill as both an illustrator and a storyteller that are well worth the purchase in spite of their vast differences in tone, style, and content.' And it’s still true."
• List: Sequential Tart's editors choose their Best-Loved Comics of 2010:
"Love and Rockets: New Stories #3 — [...] While shocking scenes gave Gilbert's stories of cultural and commercial exploitation a fresh horror, the emotional aftershocks of Jamie's stories of personal loneliness, loss and violation haunted me all summer." – Suzette Chan
"The second hardcover volume in Linda Medley's Castle Waiting series is a fantasyish, girl power fairy tale — and so much more." – Rebecca Buchanan
• Review: "Each change, each mutation is the beginning of a thought without a defined path that will take the reader into the recesses of his mind. It can be simple aesthetic sensory enjoyment, perhaps of ravishing beauty, perhaps creepy horror; it can be a profound reflection on the significance of humanity or a simple gag in the purest tradition of slapstick. Either option is good: the silent Frank stories are surely a shock that spins the reader's neurons at high speed, a total reset of the system of established reality that leaves the mind in a renewed state of equilibrium. A masterpiece..." – Álvaro Pons, El País (translated from Spanish)
• Review: "[King of the] Flies is essentially about moments, one strange moment after the other. It brings to mind David Lynch but it should also bring to mind Alfred Hitchcock. Rigorously planned out ahead of time, his best work retains the freshness and kinetic energy of so many strange moments perfectly timed. Undoubtedly, Flies will be more than a string of moments and will have an ending as poetic as its best scenes." – Henry Chamberlain, Geekweek
• Review: "Prince Valiant comics are constantly being reissued around the world, but this collection began in 2009, published by Fantagraphics, is special for its concern with restoring Foster's work with the utmost fidelity. The original art was respected and carefully reconstructed from the original proofs and other sources of high quality. The publication in color, in hardcover and on luxurious opaque paper is just right. It is a definitive edition and a fitting tribute to the art of Hal Foster." – Gustavo Guimaraes, Ambrosia (translated from Portuguese)
• Review: "Jason’s tales of the distracted and listless existences of dog-faced Europeans are so consistently excellent that it’s almost predictable, but while [Werewolves of Montpellier] has his usual skilled construction and subdued colour palette, there’s also some rather good characterisation." – Grant Buist, The Name of This Cartoon Is Brunswick
• Review: "These strips can be a comfort, an amusement, can provide a moment to stop and think. Here [in The Complete Peanuts 1950-1952] you see Charlie Brown before his shirt gets the zig-zaggy stripe; how Linus was introduced as a baby as was Schroeder. You see the small common things that set the groundwork for what would become a life’s work." – Jenny Spadafora, 12frogs
• Profile: Sean O'Toole of Johannesburg's The Times tracks down Joe Daly: "I'm partly curious to see if he looks like his character Steve, described by Millennium Boy as an 'old orangutan mama.' The thin, bearded, slightly awkward man I meet in Observatory isn't apish, nor does he wear a bathrobe à la Jeff Lebowski. He also doesn't have lactating boobs, which Steve briefly grew in a strip appearing in Scrublands, Daly's first US book from 2006." (The Comics Reporter has additional commentary on the article.)
• Plug: "If you’ve not been checking out Fantagraphics’ Complete Peanuts series, I would highly recommend that you start doing so! They are archiving Peanuts every story that Shulz ever wrote, in gorgeous hardcover collections, that contain one to two years of the strip, starting from 1950. It’s one of the best archive projects out there, and I can’t recommend collecting them highly enough!" – Edward Kaye, Hypergeek
Given my job it is strange for me to suggest that you give another publisher your money. But as a comics fan I really want this awesome-sounding project to get the help it needs and I'd be crazy not to plug it: Ryan Standfest's startup Rotland Press + Comicworks is raising needed funds via Kickstarter for the printing of the new comics anthology BLACK EYE: Graphic Transmissions to Cause Ocular Hypertension and jeezum crow, look at that lineup — that's just mind-boggling:
Stéphane Blanquet (France)
And original essays by:
And a text by:
Today's Online Commentary & Diversions from The A.V. Club, Fonts in Use and elsewhere:
• Review: "A terrifying assemblage of ten years’ worth of unfinished Pim & Francie comics. The stories of two trusting little waifs play out like a perverse Merrie Melodies cartoon, or Little Nemo in Slumberland with the constant threat of dismemberment. [... Al Columbia's] superficially-cute artwork comes from the same unsettled place as Jim Woodring , like a ’30s animation studio with a lead-contaminated watercooler." – Grant Buist, The Name of This Cartoon Is Brunswick
• Interview: Imitation Objects' Jen Hazen conducts a Q&A with Mome contributor Derek Van Gieson: "The animals. I don’t know why they’re in the pictures. I think animals are weird, we live among these freaky beasts. They’re a hell of a lot more fun than drawing somebody wearing sweatpants or drawing a contemporary car."
• Plug: Fonts in Use examines and praises the typefaces used by designer Jacob Covey for Catalog No. 439: Burlesque Paraphernalia and Side Degree Specialties and Costumes