• Review: "Giraffes in My Hair: A Rock ‘N' Roll Life... is deeply personal but doesn't get bogged down with self service or making a Titan out of a man. I love that here we have a view of some of the seedier sides of counterculture that doesn't have an agenda beyond the act of sharing...of storytelling. It feels like a recounting, almost a journalistic telling of the facts of his personal history. But it also feels like you're having a great dinner with an old friend. ... As a graphic novel it is very strong. Carol Swain’s rough-layered pencils are distinct and complex with texture. ... Giraffes achieves a fusion of art and story where each serves the other in a mutually empowering way. An ideal comic. It is sharp and witty visual commentary on sharp and witty writing. There is a great eye for details at play with Swain's artwork. ... It is as though the story and memory of the story are more important than the teller himself. Brilliant." – Jared Gniewek, Graphic NYC
• Review: "The fact is that comics have always had an abstract artistic potential — and as far as my memory goes, one that is accepted by all worthwhile theoretical definitions of comics. But, until now, its role was secondary, relegated to isolated experiments. It is here that the anthology does its job: presenting an overview and organizing it, Abstract Comics creates a movement. From it, abstraction in comics can move beyond an experiment and become a legitimate possibility — a process that began in the visual arts years ago." – Eduardo Nasi, Universo HQ (translated from Portuguese on the Abstract Comics Blog)
• Review: "West Coast Blues is Fantagraphics' first offering in what one hopes will be am ambitious Tardi reprint project... It's an elegant, somewhat unorthodox set-up, at least with Tardi's narration, and indeed Tardi makes a number of creative, idiosyncratic choices in adapting the novel. ... The '70s milieu shouldn't put anyone off, and in fact that's one of the book's charms, with Tardi's clean line depicting classic old Mercedes and Citroens, and plenty of legwork and driving rather than digital assistance. Tardi has a really appealing style, clear and photorealistic in the details and yet messy with life. ... Tardi doesn't shy away from the violence of the story, but he doesn't revel in it, either, his pages all varying grids, many with tall, narrow panels that keep the pace brisk." – Christopher Allen, Comic Book Galaxy
• Plug: "As Orson Welles and Terry Gilliam have film adaptations of Don Quixote as their great incomplete masterworks; Al Columbia has Pim and Francie. A work over 15 years in the making, and never now likely to be ‘finished', the pieces of it have been assembled as Pim & Francie: The Golden Bear Days." – Marc Arsenault, Wow Cool
Now available for preview and pre-order: Pim & Francie: The Golden Bear Days and Pim & Francie: The Golden Bear Days - Collectors Edition by Al Columbia. One of our most hotly-anticipated books of the year, this gorgeous grimoire is part alchemy, part art book, part storybook, part comic book, and part conceptual art, a broken jigsaw puzzle of a book starring two childlike imps whose irresponsible antics get them into horrific trouble. We've put together an exclusive 24-page PDF excerpt which you can download right here. This book is scheduled to be in stock and ready to ship as early as next week and in stores approximately 4 weeks after that (subject to change).
The special limited Collectors Edition will come with an original sketch hand-drawn and signed by Al Columbia tipped in to the book. See here for a representative example of a typical sketch. This special edition is strictly limited to 50 copies and is available exclusively only to consumers who order direct from Fantagraphics. In-stock availability is TBD, but this item is almost certain to sell out during the pre-sale period, so don't delay in placing your order!
View a photo & video slideshow preview of the book embedded here. Click here if it is not visible, and/or to view it larger in a new window (recommended).
Late nite link blogging for your Online Commentary & Diversions:
• Review: "You wanna talk about a gateway comic? How 'bout handing this sucker [Ganges #3] to anyone who's ever had trouble falling asleep? The whole thing is dedicated to nothing more or less than reproducing the mental and physical sensations of insomnia. Ironically it's Huizenga's most action-driven comic this side of Fight or Run or the video-game bits in Ganges #2. ... Combine it with one of the most effective uses yet of the Ignatz series' two-tone color palette--here a cool small-hours blue--and the experience is almost tactile, as though you're physically tunneling through the mysteries of your own mind." – Sean T. Collins [ed. note: I swear I'll have the issue up for presale on the website next week]
• Review: "No one is safe in Al Columbia’s world. Not the kittens (they get decapitated) nor the children (they get baked into pies) nor the bunnies (they carry scythes). Correspondingly, no one is innocent. Grandmothers are evil, grandfathers are greedy, and trees grow baby heads instead of apples and oranges. What a wonderful world it is. That’s not an entirely ironic evaluation of Pim & Francie, a collection of sketches, strips, stills and other valuable ephemera from the mind of Columbia (creator of the 1990s cult classic Biologic Show). The twisted narratives and characters are presented so deftly — with such humor and visual panache — that their wrongness becomes right; and thus is the singular charm of Al Columbia." – Molly Young, We Love You So
• Review/Profile: "Earlier this year, Fantagraphics gave readers the opportunity to encounter [Harvey] Kurtzman’s creative energy in complete form by reissuing a boxed collection of Humbug, his short-lived but monumental periodical that began publication in summer of 1957. It’s Humbug that functions as the spiritual father for magazines such as National Lampoon, Spy and The Onion, among many others, but there’s something invigorating about it because of its vantage point in the supposedly stodgy and bland 1950s. Coming out of that decade, Humbug really did break new ground." – John Mitchell, North Adams Transcript
• Review: "Even though Woodstock casts a large shadow on the cover of Fantagraphics’ The Complete Peanuts 1973-1974, it’s Peppermint Patty who should get star billing. Not to take anything away from Snoopy’s yellow-feathered avian sidekick – who does make several appearances through the hardcover tome – it’s just that Patty eventually gets the brunt of character development attention, while Woodstock exists as the perfect foil for Snoopy. ... Also of note is Schulz’s repeated use of standard gags (Lucy pulling the football from Charlie) along with a few new ones, including the consoling 'Poor, sweet baby.' Because of his tendency to keep running gags contained within a year’s span, it makes a trade collection work better than with most comic strips." – Christopher Irving, Graphic NYC
• Review: "What quickly becomes clear is that the graphic novel is a particularly apt form for inhabiting unconventional characters, and very few do this as well as The Squirrel Machine. Wielded skilfully, images are as expressive as words, and occasionally more so. Rickheit's drawings convey the boys' tortured feelings of persecution, elation and curiosity — as well as their uncouth creative urges — in a succinct and often gruesome way. Rickheit's frames vary from the cluttered to the stark, and his ability to pack detail into four square inches is rivalled only by his ingenious use of white space. ...The Squirrel Machine convinces anew that a picture is worth a thousand words." – Molly Young, Intelligent Life
• Interview: For Marvel.com, Sean T. Collins talks to Strange Tales contributor Tony Millionaire: "Just as you called, I was reading an old collection of THOR... It's funny: 'I say thee nay'? I didn't realize that was such a popular phrase."
• Review: "An abstract comic? What the hell is that? And more importantly, what’s the point of a comic if it doesn’t tell a story? These are the questions a book like Abstract Comics raises right off the bat. Thankfully, it also answers them. The anthology, edited by Andrei Molotiu, covers the time period of 1967-2009 and is in all respects a Serious (capital S) volume. ... Worth a look, for sure, and maybe more." – Molly Young, We Love You So
• Plug: "When it comes to creepy comics, Al Columbia isn't only a member — he's the president. And in Fantagraphics' Zero Zero #4, Columbia produced a short story called 'I Was Killing When Killing Wasn't Cool' that is so startling and nightmarish in its quiet elegance that it'll stick with you forever." – Rickey Purdin, Rowdy Schoolyard
Most regular Flog readers are already familiar with Al Columbia's massive talent as a visual artist. But he's also an equally talented musician and filmmaker. I met Al when we were both 23 year-old punks who'd just scored jobs at Fantagraphics in 1994. We became fast pals, and I distinctly remember the first time he played for me a cassette tape of some of his musical recordings in my car as we were taking a ride somewhere. They blew me away, and I've been inspired by his music (not to mention his art) ever since. Thankfully, he's started putting a lot of his music up on his blog for others to hear, as well, and more recently has been creating videos for some of his tunes. I highly recommended you surf around his site. Here's a couple of direct video links:
So I brought Al Columbia's astonishing new book PIM & FRANCIE to Jim Woodring's "Friends of the Nib" salon last week. A crowd of cartoonists gathered around and Jim immediately proclaimed it "the book of the year" among other superlatives. Words simply fail to communicate the breathtaking originality of Columbia's visionary renderings. Really.
Speaking of amazing art: Ryan's PRISON PIT pages were a delightful surprise. I suppose I expected something more primitive. But his original art and colorful silkscreen prints are wonderful. Come see for yourself and meet this provocative cartoonist this Saturday at Fantagraphics Bookstore & Gallery, natch.
If you've got pictures of Fantagraphics at SPX, let us know! Here's a few that we've found on our own or have been sent to us. Con reports abound on the web: Rob Clough has a good one to start with, and Sean T. Collins has audio from the Critics Roundtable panel featuring our own Gary Groth.
Gary Groth and Kim Thompson will be at next weekend's SMALL PRESS EXPO in Bethesda, MD, debuting a slew of new books, including:
• Zak Sally's LIKE A DOG
• Al Columbia's PIM & FRANCIE
• E.C. Segar's POPEYE Vol. 4
• Steve Ditko's STRANGE SUSPENSE
• Kevin Huizenga's GANGES #3
• Hans Rickheit's THE SQUIRREL MACHINE
• MOME Vol. 16
• Jacques Tardi and Jean-Claude Forest's YOU ARE THERE
... and more.
We have some very exciting signings as well. To wit:
KEVIN HUIZENGA: 12PM to 2PM
C. TYLER: 12PM to 2PM
GAHAN WILSON: 2PM to 4PM
HANS RICKHEIT: 2PM to 4PM
ZAK SALLY: 2PM to 4PM
MISS LASKO-GROSS: 4PM to 5PM
AL COLUMBIA: 5PM to 7PM
PAUL KARASIK: 5PM to 7PM
GAHAN WILSON: 12PM to 2PM
ZAK SALLY: 12PM to 2PM
KEVIN HUIZENGA: 12PM to 2PM
HANS RICKHEIT: 2PM to 4PM
C. TYLER: 2PM to 4PM
AL COLUMBIA: 2PM to 4PM
PAUL KARASIK: 4PM to 6PM
MISS LASKO-GROSS: 4PM to 5PM
Plus, several FANTAGRAPHICS-related panels:
Saturday, 12:30PM: Debut Cartoonists
Hans Rickheit (The Squirrel Machine) and Zak Sally (Like A Dog) join Ken Dahl and Eleanor Davis to discuss their new books debuting at SPX. Brookside Conf. Rm.
Saturday, 3:30PM: Critics' Roundtable
Fantagraphics Publisher Gary Groth joins Rob Clough, Sean Collins, Chris Mautner, Joe McCulloch, Tucker Stone and Douglas Wolk to share acute critical insights. Brookside Conf. Rm.
Saturday, 4PM: Paul Karasik's Fletcher Hanks Experience
Cartoonist, editor and educator Paul Karasik presents "The Fletcher Hanks Experience," an illustrated tour over the brutally surreal Hanks mindscape narrated by the late Fletcher Hanks, Jr. White Flint Ampitheater.
Saturday, 5PM: Gahan Wilson Spotlight
This year, Fantagraphics publishes Gahan Wilson: Fifty Years of Playboy Cartoons. Mr. Wilson will be joined onstage by publisher and editor Gary Groth to discuss his life and work. White Flint Ampitheater.
Sunday, 1PM: Carol Tyler Q & A
Carol will discuss her new book You'll Never Know: A Good and Decent Man with comics critic Douglas Wolk. White Flint Ampitheater.
Sunday, 1:30PM: Source-Based Comics
Kate Beaton, Paul Karasik, Ed Piskor, and R. Sikoryak discuss what it means to make creative works of adaptation, parody, and historical fiction. Brookside Conf. Rm.
Sunday, 3:30PM: Future of the Comic Book
Discuss the future of the comic book format with publisher Alvin Buenaventura, and cartoonists Kevin Huizenga, Matthew Thurber, Hellen Jo and Noah Van Sciver. Brookside Conf. Rm.COMING IN EARLY 2010:
BUT WAIT, THAT'S NOT ALL!
To celebrate the great Gahan Wilson's rare convention appearance at SPX 2009, we have a very special offer for SPX attendees. In early 2010, we will be publishing GAHAN WILSON: 50 years of Playboy Cartoons, a massive, three-volume hardcover collection of his work. Designed by Jacob Covey, it's going to be absolutely STUNNING:
SPX attendees will have the opportunity to PRE-ORDER the book at the show get a limited edition (150 copies) silkscreen print signed by Mr. Wilson at the show! Even better, we are going to include FREE SHIPPING for the book (and believe me, you'll be happy you didn't have to lug this thing around SPX, it's HUGE) when it ships and knock $25 off the $125 retail price!
For $100, you will get the book, an exclusive signed print, free shipping, and the chance to meet one of the great cartoonists of the 20th Century! Here's what the print looks like:
These will be available on a first-come, first-serve basis. Don't miss out!