| Just Add Color (and Gore) | |
| Written by Jen Vaughn | Filed under art, Al Columbia | 18 Jun 2013 9:40 AM |
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Category >> Al Columbia The only thing that could make Al Columbia's Pim and Francie even more terrifying is to add color. Columbia recently sent Hi Fructose some exclusive new paintings they are featuring on their website that continue the horrorscape he created in 2009's Pim and Francie. Turn the lights down low, grab that gristle pie you made for lunch and enjoy these haunting illustations after the jump.
Turkey smurkey. It's a holiday weekend -- put down that comic book, get off the couch, and come buy more comic books!
Thursday, November 22nd • Salvador, Brazil: Max launched his retrospective exhibition, Panóptica, at the Instituto Cervantes de Salvador! Check out the FLOG for pics and reports from previous stops on this exhibit's tour! (more info)
Friday, November 23rd • Seattle, WA: The Fantagraphics Bookstore & Gallery has extended our exhibit for Noah Van Sciver's The Hypo: The Melancholic Young Lincoln and Frank M. Young & David Lasky's The Carter Family: Don’t Forget This Song to today! Beat the stampedes this Black Friday, and support independent shops! (more info) • Vancouver, BC: It's a Horror Hangover thanks to Robin McConnell of Inkstuds with this group show featuring Fantagraphics' staffers Jason T. Miles and Jen Vaughn, Mome veterans Malachi Ward and Jim Rugg! Plus, check out that poster illustration from Al Columbia! (more info)
Saturday, November 24th • Seattle, WA: Join us at the Fantagraphics Bookstore & Gallery for the book release party for The Last Vispo Anthology, edited by Northwest literary artists Nico Vassilakis and Crag Hill. Their work will be feted with an exhibition, readings, and a musical performance from Lori Goldston (former Nirvana and Earth cellist, and recent Stranger “Genius Award” recipient) performing with former Black Cat Orchestra bandmate Kyle Hanson. (more info) • St. Petersburg, FL: Meanwhile, the Eve N Odd Gallery will be hosting a launch party for The Last Vispo Anthology: Visual Poetry 1998-2008, as well, with prints from the book on display! (more info) • Vancouver, BC: You'll be horrified if you miss the last day of Horror Hangover, hangin' at the Hot Art Wet City's Pop-Up Gallery! (more info) Sunday, November 25th • Vancouver, BC: And the celebration continues for The Last Vispo Anthology at the STAG (Strathcona Art Gallery) Library with unscheduled pop-up readings and performances by: Jim Andrews (Vancouver), Judith Copithorne (Vancouver), Crag Hill (Idaho), Donato Mancini (Vancouver), Gustave Morin (Windsor), Michael V. Smith (Kelowna), Nico Vassilakis (Seattle) and possibly more! (more info)
Who says Halloween is the scariest holiday? When you can't bear the sight of dirty dishes and leftovers, when the parents have worn your last nerve, or when you can't seem to button your jeans anymore, it's time to head to the Horror Hangover in Vancouver, BC! (Yeah, I know Canadians celebrated Thanksgiving in October -- it's been a helluva hangover.) This group show was curated by Robin McConnell of Inkstuds, who explains, "Horror Hangover is a chance for cartoonists to work on some conceptual ideas for visions of times mostly terrible, some exhausting, with a couple of positive examples." Sounds perfect for the holidays to me! Not only does the show feature Fantagraphics' staffers Jason T. Miles and Jen Vaughn, but you can also find work from Mome veterans Malachi Ward and Jim Rugg! Plus, check out that poster illustration from Al Columbia! The opening reception is this Friday, November 23rd, from 7:00 to 11:00 PM, and your last chance to see it is on Saturday, November 24th from Noon to 6:00 PM. Hot Art Wet City's Pop-Up Gallery is located at 752 E. Broadway.
New Al Columbia print, limited to 10 copies, available only from Floating World Comics. You know what to do.
Josh Simmons and Al Columbia pay their respects to Rachel, Gregory, the Cap'n and the many countless, now faceless victims of the Jibbler Attacks. To read more on the horrors, grab a copy of Simmons' graphic novel The Furry Trap today. While you're in the mood close the blinds, lock the door and boot up the computer to see a frightening trailer for Simmons' short film "The Leader".
We miscounted! It turns out that, almost 3 years after we first offered it to what appeared to be an almost-immediate sellout, we actually have 4 copies left of the Pim & Francie: Collector's Edition by Al Columbia. Each copy of this special limited Collectors Edition comes with an original sketch hand-drawn and signed by Al Columbia. This sketch is on a separate sheet of paper which is tipped in (inserted without adhesive) to the book. See below for a representative example of a typical sketch. This special edition was strictly limited to 50 copies and is available exclusively only to consumers who order direct from Fantagraphics. Did we mention there's only 4 of them left?? The price is $100 and we expect them to be gone almost instantaneously, so order now! As for the book itself (still available in the standard edition), this gorgeous grimoire is part alchemy, part art book, part storybook, part comic book, and part conceptual art, a broken jigsaw puzzle of a book starring two childlike imps whose irresponsible antics get them into horrific trouble.
For the first time ever, Fantagraphics will be exhibiting at the Brooklyn Comics & Graphics Festival! Come visit us this Saturday, December 3rd from 12:00 - 9:00 PM for a wealth of debuts, artist appearances, and the great Gary Groth manning the table! Gary will be joined by a truly all-star cast of artists for our first BCGF: 1PM: Josh Simmons And even more of our artists will be exhibiting at the show, including Gabrielle Bell, Ben Catmull, Charles Forsman, Drew Friedman, Sammy Harkham, Tom Kaczynski, John Kerschbaum, Victor Kerlow, Joseph Lambert, Mark Newgarden, Jesse Moynihan, Gary Panter, Zak Sally, Leslie Stein, and Jon Vermilyea... PHEW! Pick up their books from our table, and then seek these artists out at their own! Bring a big bag, because you'll also wanna pick up our excellent debuts at the festival! • Jack Davis: Drawing American Pop Culture by Jack Davis • Action! Mystery! Thrills! Great Comic Book Covers 1936-1945 edited by Greg Sadowski Where can you find all this awesome? Fantagraphics will be in the downstairs section at the Our Lady of Mt. Carmel Church [ 275 North 8th Street ], at tables 31 & 32:
And finally, make sure you don't miss our artists in these panels! These will all take place at Union Pool [ 484 Union Avenue # A ], and the panels are free and open to the public: 1:30 PM // JACK DAVIS Q+A Legendary cartoonist Jack Davis made his mark producing horror and war stories for EC Comics, before finding his métier in satire as one of the original (and longest running) artists for MAD Magazine. As a prolific illustrator, Davis defined the caricatural style of the 1960s and 1970s—and beyond. In this rare public appearance, Davis will discuss his career with Fantagraphics co-publisher Gary Groth and illustrator Drew Friedman. [ Jack Davis fans, please note: he will also be appearing on Friday, December 2nd at the opening of his exhibit at the Scott Eder Gallery! Don't miss it! ] 2:30 PM // GESTURAL AESTHETICS As comics have evolved beyond their commercial roots toward more individualistic modes of expression, they have been infused with new influences from other fields of art including printmaking, collage and painting. Additionally, new printing technologies have permitted the reproduction of artwork that more closely shows the work of an artist’s hand. Austin English, Dunja Jankovic and Frank Santoro will discuss new aesthetics in comics with moderator Bill Kartalopoulos.6:00 PM // THE LANGUAGE IN COMICS The recent embrace of graphic novels by the publishing industry has led to misguided attempts to evaluate comics according to the standards and conventions of literary fiction. The writing in comics occupies a more peculiar place, with its own constraints and opportunities. John Porcellino, Gabrielle Bell, and David Sandlin will discuss the particular demands of writing within a visually-driven form in this conversation moderated by novelist Myla Goldberg. So, get ready! And we'll see you in Brooklyn this Saturday!
Today, we're kicking off a new weekly round-up of our Fantagraphics events, on an especially busy week for us! Mark your calendars, and go meet some of our artists:
Monday, November 28th • Portland, OR: Meet Oil and Water author Steve Duin and artist Shannon Wheeler at Powell's Bookstore at 7:30 PM.
Thursday, December 1st • Brooklyn, NY: Join author/editor Kevin Avery at Barnes & Noble Park Slope at 7:00 PM for a discussion and signing for Everything is an Afterthought: The Life & Writings of Paul Nelson. • New York City, NY: Legendary cartoonist Jack Davis will be at the Strand Bookstore at 7:00 PM for a discussion and signing of Jack Davis: Drawing American Pop Culture with Fantagraphics' own Gary Groth. Friday, December 2nd • Brooklyn, NY: Meet Jack Davis at the opening of his exhibit at the Scott Eder Gallery, held in conjunction with the Brooklyn Comics & Graphics Festival.
Saturday, December 3rd • Brooklyn, NY: Join Fantagraphics at The Brooklyn Comics and Graphics Festival from 12:00 - 9:00 PM, with special guests Al Columbia, Jack Davis, Kim Deitch, Michael Kupperman, Dash Shaw, and Josh Simmons. Signing schedule to be announced soon on the FLOG!
Today's Online Commentary & Diversions: • Feature: At SF Weekly, Alan Scherstuhl provides you with "10 Reasons Why Prince Valiant Bests All 2011's Adventure Heroes" (starting with "He lances giant crocodiles"), saying "Sure, those glossy lips and that pageboy bob makes him look something like ye olde Ramona Quimby, but don't let that fool you. The star of what is arguably the twentieth century's best-drawn newspaper comic strip, Hal Foster's Prince Valiant is all hero, through and through, for his age and ours. The first four volumes of Fantagraphics' collected Prince Valiant reveal young Foster's creation as both the sum total of the heroic ideals that preceded his debut in 1937 as well as a source of serious inspiration for all the heroes that have followed him, in all media formats, in the decades since." • Review: "War and disorder [in The Armed Garden and Other Stories] from the creator of the much-admired Epileptic and, more recently, Black Paths, visually styled to each story’s setting. The first was my favourite to look at: a forest of spears, a torrent of arrows and a swirling sandstorm of bleached bones and skulls against a velvety, light mushroom brown — a tremendous sense of space.... So there you have it: religion, jealousy, conflict and a great deal of transmogrification. Oh yes, death; a great deal of death too." – Stephen L. Holland, Page 45 • Review: "It helps if you can illustrate your fever dreams as well as Sala can — lavishly watercolored in brown, saturated orange and yellow, punctuated by bright blue and (especially later) red, [The Hidden] is beautiful to look at, and as usual, he gives us memorable grotesques and lovely girls in equal measure. Those who are fans of the artist’s previous work will find more of what they like here, and will be gratified by the deviation from his usual norm. Those who are new to his efforts will be entertained, I think, by the story, which is a bit of a page-turner, and will like his beautifully colored art. His best since he wrapped up Evil Eye a few years ago." – Johnny Bacardi, Popdose • Review: "Dense, claustrophobic, intense and trenchantly funny, the self-contained [Nuts] strips ranged from satire to slapstick to agonising irony, linking up over the years to form a fascinating catalogue of growing older in the USA: a fearfully faithful alternate view of childhood and most importantly, of how we adults choose to recall those distant days." – Win Wiacek, Now Read This! • Plug: Delivery of an advance copy of Kevin Huizenga's Ganges #4 prompts Tom Spurgeon to declare "I Love You, Comics" at The Comics Reporter • Analysis: Robot 6's Matt Seneca performs a close analysis of a page from Al Columbia's Pim & Francie: The Golden Bear Days: "The genius of the page above is almost too simple: in four panels that follow the minimalist logic of the gag-strip format, it speaks to both the artificial nature of drawings and to the nature of sequence as something that breaks comics apart as much as pieces them together."
• Adieu: Mome contributor Tom Kaczynski bids a fond farewell to the anthology
The video quality’s a little bad, but you can still see Al Columbia’s backdrops in this clip from David Cross’s HBO standup special from about 10 years ago (shot here in Seattle at the Showbox). Kim Thompson recently caught the show popping up in reruns on Comedy Central, which prompted him to dig up this clip on YouTube. |
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