|This Friday not in Brooklyn|
|Written by Eric Reynolds | Filed under events, Al Columbia||9 Nov 2009 10:43 AM|
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Category >> Al Columbia
Unfortunately, the Al Columbia event at Desert Island this Friday has been cancelled. We apologize for any inconvenience. That said, pick up PIM & FRANCIE this week at Desert Island or your local comic book store / bookstore of choice! It's a killer.
Al signing an issue of Mome:
L to R: Jason Leivian from Floating World Comics in Portland, Al, and comics artists Mike Allred & Matthew Southworth:
Many more photos can be seen here; thanks again to Jonas!
See a slideshow of the entire exhibit (and more photos) here (or just browse here). Mike Allred was there but I missed him; hopefully more photos will turn up and we'll share those when we get them. Much fun was had by all; thanks to everybody who came out, and to Al for making the trip (and for kicking off volume 3 of my Yoda sketchbook). The show's up through December 9, so even if you missed the opening, come on down and check it out. Good pieces remain at very reasonable prices!
Online Commentary & Diversions, now with more Tonya Harding than ever:
• Review: "Occasionally, there are works of art or literature that defy simple classification. The brain breaks upon them like waves and they give up different secrets with each tide but never all the secrets and never all at once. These creations challenge as much as they entertain and ask for obsession as toll on the road to understanding. The Squirrel Machine by Hans Rickheit is just such an enigma. ... Surreal, gorgeous, and both satisfying and confounding, The Squirrel Machine is a hypnotic, occasionally repulsive, always entertaining, and wildly creative graphic novel. It does not invite rereading so much as demands it, and each encounter reveals new and different details and interpretations. This book is a wonderful mystery, a basket of questions, a wealth of enigmas, and it looks utterly arresting every step of the way." – Christian Zabriskie, Graphic Novel Reporter
• Opinion: At Comics Comics, Dash Shaw has an interesting proposal for colleges that teach comics: "Instead of hiring teachers based on their achievements (and many of the current teachers are geniuses, no doubt about it), hire people who previously worked for many years in a now-defunct house style. Someone who drew Archie for years and is now selling their originals at Comic Con? Hire them."
• Panel: Robot 6 posts a transcript and MP3 of the Critics Roundtable panel from this year's SPX, featuring our own Gary Groth and several other names who will be very familiar to Daily OCD readers
Just arrived in our warehouse and ready to ship:
This gorgeous grimoire is part alchemy, part art book, part storybook, part comic book, and part conceptual art from the pen of Al Columbia, a longtime fan favorite contributor to comics anthologies like Zero Zero, Blab!, and more recently, Mome. Collecting over a decade’s worth of ‘artifacts,’ excavations, comic strips, animation stills, storybook covers, and much more, this broken jigsaw puzzle of a book tells the story of Pim & Francie, a pair of childlike, male and female imps whose irresponsible antics get them into horrific, fantastic trouble. Their loosely defined relationship only contributes to the existential fear that lingers underneath the various perils they are subjected to. Columbia’s brilliant, fairytale-like backdrops hint at further layers of reality lurking under every gingerbread house or behind every sunny afternoon. Never have such colorful, imaginative vistas instilled such an atmosphere of dread, and with such a wicked sense of humor.
This is a comprehensive collection of Columbia’s Pim & Francie work, including paintings, comics, character designs, and much more, all woven into something greater than the sum of its parts, with Pim & Francie careening from danger to danger, threaded together through text and notes by the artist.
This is the first book collection by Columbia, a well-regarded talent amongst longtime fans of the alternative comic book scene, and one who will thrill an entirely new audience with the singular, inspired, fully-realized fantasies within Pim & Francie.
"The comics definition of gestalt, Pim & Francie may appear to be a book of random jottings, but don't let that fool you. Treat this barbed landmine like a book and you will be richly rewarded. Treat it like a sketchbook and end up with your hands lopped off and your mind empty. You have been warned." – Paul Karasik
Download an EXCLUSIVE 24-page PDF excerpt (10.7 MB).
(NOTE: The special limited Collectors Edition of this book, which will include an original sketch by Al Columbia, is still available for pre-order. Al will sign copies of the book on Saturday, Nov. 7, 2009 at Fantagraphics Bookstore & Gallery in Seattle: more info here.)
Come down to Georgetown this Saturday, November 7 from 6:00 to 8:00 PM and welcome visionary cartoonist and visual artist Al Columbia back to Seattle. He’ll be in town to celebrate the debut of his first book, PIM & FRANCIE, with a reception, book signing and exhibition of original works .
Al Columbia is widely regarded among his peers as one of the most accomplished and influential artists working in comics today. PIM & FRANCIE represents a breathtaking vision of contemporary American art. Collecting over a decade’s worth of artifacts, excavations, comic strips, storybook covers, and much more, this book tells the story of title characters Pim and Francie, a pair of childlike imps whose irresponsible antics get them into horrific, fantastic trouble... sort of. You just gotta see it for yourself.
Fantagraphics Bookstore & Gallery is located at 1201 S. Vale Street at the corner of Airport Way S. in the heart of Seattle’s historic Georgetown arts community. Open daily 11:30 to 8:00 PM, Sundays until 5:00. Phone 206.658.0110. Hope to see you all Saturday.
Today's Online Commentary & Diversions:
• Review: "Reproducing unfinished roughs, penciled-in and scribbled-out dialogue, half-inked panels, torn-up and taped-together pages, even cropping what look like finished comics so that you can't see the whole thing, Columbia and his partners in the production of this book, Paul Baresh and Adam Grano, have produced a fractured masterpiece, a glimpse of the forbidden, an objet d'art noir. ... The horror of Columbia's sickly-cute Pim & Francie vignettes--a zombie story, a serial-killer story, a witch-in-the-woods story, a haunted-forest story, a trio of chase sequences--is extraordinarily effective. ... [T]hese scary stories and disturbing images are all so gorgeously awful that they appear to have corrupted the book itself... — an inherently horrific object. Bravo." – Sean T. Collins
• Review: "...[I]n these pages [of The Troublemakers] lies a challenging, meticulously crafted story of grifters in the middle of a con. Not surprisingly, [Gilbert] Hernandez populates his story with some thoroughly grounded and intriguing figures, but what’s fascinating about the plot is how it criss-crossed over on itself so that not only do the characters remain unaware of who’s conning who but so does the reader. The plot is an intricately woven web of lies and truths, and it’s peppered, of course, with Hernandez’s trademark touch of raw sexuality. Fans of such crime comics as Criminal and 100 Bullets would be well advised to give this graphic novel a chance; they won’t be disappointed. ... [Rating] 9/10" – Don MacPherson, Eye on Comics [Ed. note: I get a big "attack site" warning at that link, so click at your own risk]
• Review: "...[W]ith their crashing planes, erupting volcanoes, boil-stricken sufferers, and monstrous whirlwinds[,] Wolverton’s literalist depictions of Revelation are powerful, shocking, and above all grotesquely beautiful. ... Though Wolverton’s approach to [the Old Testament] stories was somewhat more matter-of-fact than his apocalyptic panoramas, there is still a passion for the bizarre evident in the Bible Story illustrations. ... Wolverton’s Bible illustrations sit on the border between sacred and profane, and that unique placement is what gives them such power." – Gabriel Mckee, Religion Dispatches (hat tip: Kevin Church)
• Review: "...'The Hasty Smear of My Smile'..., which ran as a backup feature in the final issue of Peter Bagge’s Hate (#30) , is a mini-masterpiece. It’s a capsule version of [Alan] Moore’s considerable skill, the epitome of everything that makes him fascinating as a writer." – Marc Sobel, Comic Book Galaxy
• Opinion: Future Comics Journal blogger Noah Berlatsky of The Hooded Utilitarian offers a critical counterpoint to Jeet Heer's previous comments on the Journal
Today's Online Commentary & Diversions:
• List: At Robot 6, Sean T. Collins's top 6 "deeply creepy 'alt-horror' cartoonists" includes Renee French ("her frequently deformed (more like unformed) characters and hazy, dreamlike, soft-focus pencils recall [David] Lynch's unnerving debut Eraserhead with its dust-mote cinematography and mewling infant thing"), Hans Rickheit ("It just so happens that his 'normal' is grotesque and harrowing to the rest of us"), Al Columbia ("It's as though a team of expert [animation] craftsmen became trapped in their office sometime during the Depression and were forgotten about for decades, reduced to inbreeding, feeding on their own dead, and making human sacrifices to the mimeograph machine, and when the authorities finally stumbled across their charnel-house lair, this stuff is what they were working on in the darkness") and Josh Simmons ("one of a very few comics creators still capable of shocking... doing serious, dangerous work")
• Review: "West Coast Blues is a brilliant story, and Manchette was a phenomenal writer of the modern world, putting others to shame at times. Just that simple, really. This is a book that can’t be reduced to familiar genre markers." – Brian Lindenmuth, BSCreview
• Review: "Bruce Paley tells his tale with no frills and no holds barred. ... The book is at times quite funny and other times terribly depressing, but it is never dull and I found it hard to put down. Carol Swain’s artwork fits the mood of the book well. It’s fairly simple but it hits all the right notes and evokes the right emotions. I was completely unfamiliar with her work prior to this book, but I’ll keep an eye out for her in the future. ... I found this book to be incredibly compelling in its own laid back sort of way. ... There’s no shortage of books out there about the 1960’s and ‘70s, but this one felt a lot more personal than most. Paley’s words mingled with Swain’s artwork so perfectly that you almost felt like the guy was sitting across the table from you, sharing a beer or two and swapping stories. If you’re interested in that era or you just like a good autobiography, I’d give Giraffes in my Hair: A Rock 'n' Roll Life a shot." – Chad Derdowski, Mania.com
• Opinion: Reactions to our announcement about the evolution of The Comics Journal from The Comics Reporter's Tom Spurgeon (with Q&A with Gary Groth), Comic Book Galaxy's Alan David Doane, Johnny Bacardi, The Beat's Heidi MacDonald, and CBR's Steven Grant
Fantagraphics Bookstore & Gallery celebrates Al Columbia's astonishing new graphic novel PIM & FRANCIE on Saturday, November 7.
October 27, 2009 - SEATTLE, WA. Al Columbia is widely regarded among his peers as one of the most accomplished and influential artists working in comics today. On the occasion of the publication of PIM & FRANCIE, his most ambitious work to date, Fantagraphics Bookstore & Gallery is hosting a rare public appearance by the cartoonist on Saturday, November 7 from 6:00 to 8:00 PM.
PIM & FRANCIE represents a breathtaking vision of contemporary American art. Collecting over a decade's worth of artifacts, excavations, comic strips, animation stills, storybook covers, and much more, this broken jigsaw puzzle of a book tells the story of title characters Pim and Francie, a pair of childlike imps whose irresponsible antics get them into horrific, fantastic trouble. Their loosely defined relationship only contributes to the existential fear that lingers underneath the various perils they are subjected to. Columbia's brilliant, fairytale-like backdrops hint at further layers of reality lurking under every gingerbread house or behind every sunny afternoon. Never have such colorful, imaginative vistas instilled such an atmosphere of dread, and with such a wicked sense of humor.
Columbia's work has been previously published by Fantagraphics Books in two issues of Biologic Show, as well as anthologies Zero Zero, Blab!, and most recently MOME. He currently resides in Connecticut.
The reception will feature an exhibition of recent work by Al Columbia from the collection of Scott Eder. Fantagraphics Bookstore & Gallery is located at 1201 S. Vale Street at the corner of Airport Way S. in the heart of Seattle's historic Georgetown arts community. Please join us on Saturday, November 7 to welcome this exceptional artist to Seattle.
AL COLUMBIA: PIM & FRANCIE
Art exhibition and book signing
Saturday, November 7, 6:00 - 8:00 PM
Today brings some big-deal Online Commentary & Diversions:
• Review: "Translated into English for the first time since it was written, more than 25 years ago, Jacques Tardi & Jean-Claude Forest’s You Are There proves well worth the wait. Forest’s satirical, minimalist writing lampoons French society and human greed with equal skill, and Tardi has never done better art: It’s all deep, dark pools of blackness that perfectly match the pitch-dark humor of the writing. Equal parts Beckett and Kafka, the story explores the conflict between greedy speculators and the last heir of an aristocratic family whose land has been reduced to a series of precarious walls and towers. Tardi’s intricate, gorgeous art gets better and better until the book’s spectacular ending. It’s an absolute must-read for anyone interested in how European comics got to where they are today. Had this been translated earlier, it likely would be counted as one of the masterpieces of the rich period of the mid-’80s… [Grade:] A" – The A.V. Club
• Review: "One of the best things about Mome is that, as a reader, I feel like I'm getting work from each artist that's their 'A' material. [Lilli] Carré and [Dash] Shaw have many other outlets for publication, but it's clear that they take a special delight in having an outlet for their short story ideas. [Nate] Neal and Kurt Wolfgang have Mome as their primary outlet for publication, and clearly go all-out in every story. ... I'd like to see young artists like [Conor] O'Keefe and [Sara] Edward-Corbett grow more ambitious and perhaps even serialize a story in the anthology. Of course, seeing outstanding work from old favorites along with translated short stories of European artists has been another welcome trend for what continues to be a must-read book, issue after issue." – Rob Clough
• Interview: Art historian and critic Catherine Spaeth talks to Abstract Comics editor Andrei Molotiu: "One thing that is interesting to me about abstract comics is exactly that they contain no preexisting narrative and therefore no excuse for a sense of diegetic time. You’re not following a story, so what you are left with are the actual visual elements on the page (panels, shapes) that move your eye from panel to panel but outside of a fictional time frame."
• Events: Vince Keenan has a brief recap of the Fantagraphics-sponsored comics panel at Seattle Bookfest