"Though Watson illustrates Tammy’s life in excruciating, embarrassing detail to often-hilarious effect, her clear affection and empathy for her subject shines through. She universalizes Tammy’s experiences, taking us back to relive our own tortured, giddy, deadly serious, horny, boring, and horribly self-conscious teenage years." – Robert Kirby, The Comics Journal
"This is exactly what summer blockbusters should be, only Milburn’s is a singular vision. He exploits clichés by embracing them, and he busily captures hyperspace hilarity, while the black and white pages never feel overwhelmed by the dark backdrops or Milburn’s detailed designs." – Alex Carr, Broken Frontier
"Tardi is unremitting in his focus on the small, human details of the catastrophe—not just the look of uniforms and weaponry, but the way one soldier advances in an awkward, stiff-armed posture, 'protecting my belly with the butt of the rifle,' and the way another makes sculptures and rings from discarded shells, to sell to his comrades." – Gabriel Winslow-Yost, The New York Review of Books
"Many of Davis’ stories here explore the way people live with each other and try to find themselves in the modern world. They are funny, surprising, touching, and insightful. Some have a sci-fi slant to them, some are fantasy, and some are just about real people." – Rich Barrett, Mental Floss
"The title story might be the best known in the entire EC comics oeuvre… EC tales often sported morals reinforcing decency and forward-thinking that were decades ahead of their time. 'Judgment Day' is one such story, an O. Henry type of tale about an Earthling astronaut who visits a robot-inhabited planet that is strictly divided along color lines…When the twist ending comes, it carries a surprise even today; sadly, this reflects as much on our own time as the era in which the story was produced." – David Maine, Spectrum Culture
"I was amazed to find that many of these people were born in the late 1800s and that most of them have military service as part of their illustrious resumes. These weren’t hoity-toity art students born with silver spoons in their mouths; these were hard-working American mutts that, against nearly impossible odds – using only their imaginations, a lot of blood, sweat and tears (and apparently a huge amount of cigarette smoke) – managed to craft a uniquely American artistic medium that would influence countless generations to come." – Bob Leeper, Nerdvana
"The story unfolds asynchronously, creating a sense of mystery. Why does the kids’ teacher, Miss Sakaki, have bandages on her face? Why is the class bully so affected by what happened to Arié? Why is the new kid at school, Amahiko, willing to jump out of his classroom’s window? And why are there glowing butterflies everywhere?" – Unshelved
Plug:Paul Gravett has a feature on French artist Jacques Tardi: "The exhibition and much of Tardi’s work reveals his strong anti-war feeling. It’s an obsession that goes back to his childhood, part of it spent in post-War Germany."
Commentary:MTV.com on social issues being discussed and dissected at Comic-Con. Trina Robbins "described the underground comics world being like a boys' club she wasn't invited into. So she and other women made their own comics. 'I produced the very first all-woman comic book in the world, in 1970,' she said. Her new book, 'Pretty in Ink,' is about women cartoonists, and only the latest book by this herstorian of women in comics."
Casey Stengel had a blunderously beautiful career in baseball. From inconsequential outfielder in the '20s, to worst won-lost record as a mangaer of the Dodgers, to winning five consecutive world championships as Yankees manager.
Drew Friedman, hailed as the most prolific portraitist, captured the 1966 Baseball Hall of Fame inductee in his Bronx Bomber blues, and is selling high quality prints in a limited set. The signed and numbered beauties are available from Friedman's fine are website for only $150. A necessitiy for history and baseball buffs.
As a lover of sports and art, you know that we at Fantagraphics love baseball. The summer nights, picnic pastimes, and hometown pride. Because of our big baseball crush, we have a lot of hardball hardcovers to share our love with readers.
If you're looking to expand your super universe of historical cartoons, the new Friedman portrait collection of those who were involved in pioneering and shaping the comic book industry, with forward by Al Jaffee, captures the inspirational worlds of these sequential warriors. Heroes and Comics: Portraits of the Legends of Comics is currently in pre-order, and waiting for you to add it to your collection.
Also joining the authors will be special guests, famed artists Al Jaffee and Stan Goldberg to discuss their memories of working for owner Martin Goodman during the halcyon days of Marvel Comics in the 1940s and 50s!
All those in attendance will receive a special limited edition, tipped-in plate for the book, signed by the authors, and the cost of admission also gives you access to an exclusive signing session and catered reception afterwards (with cash bar).
Tickets are $20 non-members, $15 members, $10 students/seniors, and are available online here. The Society of Illustrators is located at 128 East 63rd Street.
Host Danny Fingeroth will interview the authors about the making of the book. After the slideshow presentation, there will be an audience Q&A, followed by a book signing session for all three men. This book isn't slated to be in stores until November, so now's your chance to scoop up an early edition!
Tickets are $15 non-members, $10 members, $7 students/seniors, and are available online here. (Pre-order the book through us, and pay only $7 admission!) The Society of Illustrators is located at 128 East 63rd Street.
• Vancouver, BC: Our awesome Marketing/PR/Outreach Fiend Jen Vaughn will be on an Inkstuds panel at the Vancouver Art Gallery, discussing art and tradition of comics, as well as reflecting on their own work. (As she puts it, "I'm very stoked to be talking about periods/menstruation inside a place called VAG." Haw!) She'll be joined by fellow artists Emily Carroll and Brandon Graham, with your host Robin McConnell. This event is free for museum members, and for non-members, Tuesday night are "Pay What You Can," so don't miss this! (more info)
Join these legendary artists tomorrow Tuesday, March 19th as they discuss the life and works of Harvey Kurtzman in a panel moderated by Peter Kuper. The discussion runs from 6:30 to 8:30 PM at the Society of Illustrators [ 128 East 63rd Street ].
And UPDATE! We've just got word that Al, Arnold, and Drew will be taking their love of Kurtzman to the Leonard Lopate show on WNYC tomorrow at 1:30 PM EST! You can listen at 93.9 FM and AM 820 in the New York City area, or streaming around the world online here.
It was a mad, Mad afternoon when Robin McConnell, MK Reed and I dropped into the Mad Office. Assistant Art Director and comics consumer Ryan Flanders reluctantly fell for my charms and agreed to a tour even though their deadline loomed large a few days later (hey, we don't want to impede a dying medium, right?). Even the guards had a cute shtick that took 5 minutes of my life and a humorless person would have left. Luckily, that's not me.
Ryan started off the tour by showing us his first office at MAD, it's near the door, pretty cold but looks a bit similar to mine at Fantagraphics.
The MADtropolitan Museum of Art showed off some of the best and brightest of recent hilarious paintings, complete in their gold gilded plastic frames melted down from the plastic noses and vintage glasses frames of the cancelled shows The Real Housewives of Jersey and Williamsburg.
The props display case was amazing from Gutrot which I've definitely drank and Spy vs Spy toilet paper. Photoshop ain't got nothing on printed, folded and glued cardboard.
Everyone else in the office was just as charming, waiting for the day their piles of tchotchkies bury them. Art Director (and a cartoonist himself) Sam Viviano showed off some amazing original artwork and Sculpey sculptures created for photo-shoots. Check out that DREW FRIEDMAN drawing over Ryan's shoulder.
One of my favorite props was an actual headstone used as a support structure in the office created for a back cover thanks to a Feldstein/Gaines joke.
Ryan's new office turned out to be a nightmare, so well organized I made a mental note to courier him a spring-loaded box of trash upon my return home.
Like any good office the mail room is actually where all the good stuff is located (at Fantagraphics, our fridge is in there). Snuggled among packing materials and one hell of a cutting board are sexy flat files full of Al Jaffee, Tom Bunk — EVEN a Tom Fowler, internet friend.
LOOK at this Al Jaffee fold-in drawing. My dream is to have one printed SOMEDAY, SOMEHOW instead of lamely attaching my fold-in to the magazine and tricking my friends into thinking it was actually printed in the magazine.
Jewish Batman, you slay me. That utility belt must have some tasty kosher deserts near the back. (by Al Jaffee)
One beautiful Jack Davis drawing that was REJECTED from the magazine (or Davis decided to redraw) blew me away. The best part was the tattoo "My Mom Loves Me" is infinitely better than Mother tattoos of the world.
In gorgeous ink and the now-illegal duoshade/duotone. Please place your drinks down, Fantagraphics and MAD magazine are not responsible for your spittle shorting out your keyboard.
Despite the slow decline of the magazine industry, MAD magazine has lived on, able to pay cartoonists for their work (wow-za!) and maintain a staff. By raising prices and creating a Mad reading app, they stay current and accessible. MAD's first audience may be a bit gray in the face now as they celebrate their 60th anniversary but continue to wow audiences. As a kid, I didn't have much access to the magazines but my grandmother would buy any books at any yard, church or library sale. Three rooms in their house were lined with built-in-books shelves and in the ‘humor' or comic sections lay the trade paperback editions of MAD (often with the cover ripped off). Ryan was kind enough to explain that most of those were unused comics and many have not been reprinted to this day due to copyright ambiguity. Sounds like something for a legal intern to help them figure out.
As long as parents send kids care packages at camp, people stay overnight in the hospital and Hollywood makes bottom-feeder television and convoluted movies, MAD will reign supreme. Thanks again to Ryan Flanders for the tour, Robin McConnell for some of the photos (there are MILLIONS more here) and MK Reed for the company.
We're reminding you to check out The Art Institute of Chicago's exhibition entitled Rarely Seen: Contemporary Works on Paper, that is up from now until January 13, 2012. Organized by the Prints and Drawings Department of the museum, the show also includes comics from the Ryerson Library collection including Blexbolex, Mat Brinkman, Charles Burns, R. Crumb (Zap and Weirdo), Hairy Who, Humbug magazine, Al Jaffee, Rory Hayes, Jay Lynch, David Sandlin, Art Spiegelman, S Clay Wilson (Zap), and issues from Raw magazine.
The non-comics but still amazing part of the show includes artists such as Ed Ruscha, Martin Kippenberger, Carrol Dunham, Jim Nutt, and Romare Bearden and the whole show is located in Galleries 124–127.
"Whether centuries old or the latest contemporary creations, works on paper are extremely light sensitive and can only be displayed in the galleries for short and infrequent periods of time before they must be returned to the safety of the dark, climate-controlled vault."
So jump on the chance, Chicago, to see some brilliant works on paper in THIS lifetime. The museum is open daily from 10:30am-5pm, open late until 8 on Wednesdays. Admission to the Art Institute of Chicago is free to Illinois residents the first and second Wednesdays of every month.