Join them Saturday, April 21st and Sunday, April 22nd at the Hynes Convention Center [ 900 Boylston Street, Boston, MA ].
And on Sunday, see Al in the panel Legends of Mad Magazine! The "Usual Gang of Idiots" reunite to reminisce about the creation of MAD, the most influential humor magazine of the 20th century. Al Feldstein and Paul Coker Jr join Al Jaffee for this rare event at 11:00 AM in Panel Room 102.
This coming weekend, Saturday, March 24th and Sunday, March 25th, New York City will celebrate their own with Comic New York: A Symposium, bringing together "creators and academics to discuss the intertwined histories of American comics and the town where they were born."
There is a stellar jam-packed schedule in place for the weekend, and here are a few panels featuring Fantagraphics' own that you should check out!
Saturday, March 24th
3:00-4:00 PM: Alternative New York • Bill Griffith • R Sikoryak • Charles Brownstein • Julia Wertz • Moderator: Gene Kannenberg Jr.
Sunday, March 25th
1:30-2:30: New York as Breeding Ground • Al Jaffee • Miss Lasko-Gross • Tracy White • Dean Haspiel • Moderator: Danny Fingeroth • Dedicated to the memory of Jerry Robinson
• DeKalb, IL: The Northern Illinois Unversity Art Museum debuts the exhibition “Graphic Novel Realism: Backstage at the Comics,” curated by our own Eisner Award-winning graphic novelist, artist and editor, Paul Karasik, and featuring work from Joyce Farmer, Jaime Hernandez, Mark Newgarden and Megan Montague Cash, as well as Jason Lutes, Seth and James Sturm. (more info)
• Seattle, WA: The idiosyncratic work of cartoonist Lynda Barry, a Seattle native, is the subject of a new book by Portland author Susan E. Kirtley. Lynda Barry: Girlhood Through the Looking Glass is the first comprehensive critique of this influential American artist. Kirtley will discuss her book with Real Comet Press publisher Cathy Hillenbrand, who published Barry’s first four books, at 6:00 PM at Fantagraphics Bookstore & Gallery. An informal reception and book signing will follow the discussion. (more info)
• New York City, NY: Comic New York: A Symposium kicks off at Columbia University, with a wealth of panels, including one with our own Bill Griffith! Stay tuned to the FLOG for more information about this event, coming soon!
• Northridge, CA: Gilbert, Jaime, & Mario Hernandez will be speaking to Professor Charles Hatfield's class on Monday, March 26th at the California State University, Northridge (in greater Los Angeles). This event is open to the public, not just students! (more info)
• List: The Austin American-Statesman's Joe Gross names Love and Rockets: New Stories #4 the best comic of 2011: "One of the wonderful things about seeing a masterpiece in the making is the mysterious feeling, the racing of the soul that takes place when it hits you that you are, in fact, seeing a masterpiece in the making.... Symphonic, tragic, revelatory, exciting and devastating as only great art can be, 'The Love Bunglers' is one of the best comics ever made."
• List:Paste ranks Dave McKean's Celluloid at #5 on The 10 Best New Comics of 2011: "The visionary art director behind The Sandman’s covers creates a coital masterwork that elicits beauty and excitement in equal measure.... Celluloid is a treasure of technical finesse and sensual mystique that transcends its potential controversy."
• List:Paste's list of The Ten Best Reissues/Collections of 2011 includes Walt Disney's Mickey Mouse Vol. 1: Race to Death Valley by Floyd Gottfredson at #9 ("Gottfredson had an animator’s knack for storytelling, and his layouts remain clear no matter how busy they get. Much of the humor is stilted by modern standards, but you’ll be too enthralled by the exciting plots and likable characters to care"), Jack Davis: Drawing American Pop Culture – A Career Retrospective at #7 ("Fantagraphics has finally given him the grand and serious treatment he deserves, without minimizing his goofy sense of humor"), and Walt Disney’s Donald Duck: Lost in the Andes in the #1 spot ("Barks’ strips combine high adventure with humor and subtle cultural commentaries, but they remain grounded in character... Lost in the Andes is a gorgeously packaged collection of some of the finest comics ever made.")
• List: At Poopsheet Foundation, Justin Giampaoli names Kevin Huizenga's Ganges #4 one of the "Best Mini-Comics & Small Press Titles of 2011": "It’s the continuing adventures of Glenn Ganges and his latest nocturnal outing, as he navigates his sleepless existence on a seemingly endless night. With the degree of interactivity occurring between the page and the readers, there’s as much technique on display here as there is original storytelling."
• List: Leeds, UK comic shop OK Comics posts their Top Ten Graphic Novels of 2011: "9. Like a Sniper Lining Up His Shot by Jaques Tardi published by @fantagraphics. A hitman's reluctance to perform one last job leads to an emotional breakdown. Legendary French comics artist Jacques Tardi on fine form."
• List:The Globe and Mail includes Pogo - The Complete Syndicated Comic Strips Volume 1: Through the Wild Blue Wonder by Walt Kelly in their "2011 gift book guide": "Fans of what for many is the greatest of all comic strips have waited a long time for this, the first of a projected 12 volumes (1949-1950) from the brilliant Walt Kelly. The congenial Pogo Possum and his swampland friends... spring to life in this collection of daily and Sunday comics, filled with Kelly’s characteristic wordplay. One hopes this will introduce a new generation to this comic, satiric masterwork."
• Review: "Pogo: The Complete Syndicated Comic Strips: Volume 1—Through the Wild Blue Wonder proves to be worth the wait.... Overall, the package serves Pogo well.... The biggest revelation of reading the first two years of Pogo is how polished and funny the strip was right from the start, and also how nearly every Pogo panel is a delight unto itself. Kelly didn’t necessarily build to big punchlines; he’d slip funny sight gags and memorable lines everywhere there was room. ...[T]here’s a classic Pogo moment on just about every page of this book." – Noel Murray, The A.V. Club
• Review: "Even now, Barks’ stories are clever and funny, as he leads the ducks into impossible situations and then gives them unexpected ways out. And they’re poignant in their own way, too.... What’s impressive about Fantagraphics’ Lost in the Andes is that it encourages both a fannish and an intellectual approach to the material. For those who want to skew highbrow, the book includes an appendix with scholarly analysis of each story.... And for those who just want to curl up with more than 200 pages of some of the best-written comics ever published, Lost in the Andes has all the square eggs, rubber bricks, golden Christmas trees, and races around the world that any kid or grown-up could ever want." – Noel Murray, The A.V. Club
• Review: "Fantagraphics’ initial release of its new series of Carl Barks books is titled, Walt Disney’s Donald Duck: Lost in the Andes and reprints one of the most famous, and most BELOVED, comic book stories which Carl ever wrote and drew! ...I’m impressed with the quality of the publication. In my estimation, the coloring is excellent and the format engaging…. The critical essays composed by a number of Barks scholars are also insightful and well written.... In my opinion, as a Carl Barks fan, this initial volume is well worth acquiring!" – Carl Barks Fan Club Newsletter
• Reviews: "Two... giants of American illustration get the handsome coffee-table-book treatment with Jack Davis: Drawing American Pop Culture and The Art of Joe Kubert... The Kubert book — edited by Bill Schelly — is more text-heavy, covering Kubert’s early years as a journeyman penciler and inker on a slew of indistinct superhero and adventure comics, then exploring how Kubert developed the fine shading and gritty realism he’d become famed for starting in the late ’50s. The Davis book saves most of its biographical detail and critical analysis for the intro and appendix, filling the intervening 200 pages with full-sized examples of the half-cartoony/half-photographic approach that Davis brought to Mad magazine and countless movie posters. Both offer ample visual evidence of how two men found the 'art' in commercial art, turning work-for-hire assignments into opportunities to express their particular visions of the world." – Noel Murray, The A.V. Club
• Review: "To (re-)discover a first-rate critic, and read about a life that went wrong in a harrowing way, you must read Everything Is an Afterthought: The Life and Writings of Paul Nelson, by Kevin Avery.... This volume is exhilarating. Avery tells with great energy Nelson’s tale, with copious details about the active period of his subject’s life, and in so doing limns a portrait of a certain kind of pop-culture/bohemian existence in the late-70s. And Avery’s generous selection of Nelson’s writings are certainly among Paul’s best..." – Ken Tucker (Entertainment Weekly), The Best American Poetry
• Review: "What makes Wandering Son work is its slow-burn pace and calm atmosphere. It takes a delicate subject – transgender children- and explores it slowly and carefully. Much like its characters, it moves at its own pace, easing the reader into the characters’ lives.... I am really eager to read volume two of Wandering Son, though a little hesitant as well. I know that the road in front of Shu and Yoshino isn’t going to be an easy one and I don’t want to see them get hurt. But the fact that I’m talking about the characters as though they’re real people just shows how deep this manga has gotten under my skin." – Shannon Fay, Kuriousity
• Review: "Richard Sala is one of those creators that holds a fairly unique voice in comics. Many people have tried to replicate his off-beat brand of horror, but ultimately nothing out there quite like his. So with a new graphic novel called The Hidden out, the question for most people won’t be, 'Should I read it?' but 'When should I read it?'... The Hidden isn’t perfect... but what Sala does well, he does very well indeed. There’s quite a lot to love in The Hidden, with some scenes in particular that will stick with the reader for a long time." – Greg McElhatton, Read About Comics
• Plug: "Have you ever wondered what happened after 'Happily Ever After'? This graphic novel [Castle Waiting] is a modern tale that incorporates fairytale characters and settings. Funny, thoughtful and not at all what you'd expect." – The Victoria Times Colonist
• Interview:Wall Street Journal subscribers can read a Q&A with Jack Davis conducted last week in NYC by Bruce Bennett here: "Every time you went in to see Bill Gaines, he would write you a check when you brought in a story. You didn't have to put in a bill or anything. I was very, very hungry and I was thinking about getting married. So I kept the road pretty hot between home and Canal Street. I would go in for that almighty check, go home and do the work, bring it in and get another check and pick up another story." [Update: A clever reader has pointed out that non-subscribers can read the article in Google's cache]
• Profile:CNN's Todd Leopold profiles the great Al Jaffee: "After a bumpy several years in which he bounced like a pinball between his parents -- moving from Savannah, Georgia, to Lithuania, to one borough and then another of New York City, back to Lithuania and back again to New York -- art was something to hold on to, a way to establish an identity. He had no idea it would lead anywhere."
• Review: "...Kevin Avery’s Everything Is an Afterthought... chronicles the dramatic life of one of music’s keenest observers, Paul Nelson, and curates his finest critiques.... I read and adored [Nelson] growing up, but reading [him] in the context of today’s critical standards gave me the literary equivalent to the bends. It goes without saying that, in the age of the Internet, the whole idea of a critic has changed." – Jim Farber, New York Daily News
• Review: "It could well be ten years since I last read these stories [in Queen of the Black Black], and I’d either forgotten or never appreciated (my money’s on the latter) how astute and insightful they could be. Like a proto-Kevin Huizenga, [Megan Kelso] repeatedly turns up little rocks of human experience and chronicles what’s going on underneath, reintroducing us to feelings, sensations, and experiences we’d forgotten we’d had but recognize as if they happened this morning." – Sean T. Collins, The Comics Journal
• Review: "This collection of early stories from Megan Kelso shows a natural flair for the form, mixed with a self-critical determination to hone her craft, that’s helped her blossom into a master storyteller.... Anyone looking for a masterful example of the short story in comics would do well to give [Queen of the Black Black] a try. Beautifully written and well illustrated, this a wonderful portfolio of work from a creator showing a deep well of promise from the start." – Grovel
• Review: "...[E]asily... one of my favorite horror comics and one of my contenders for my Best of 2011 list.... Not only is the book carefully structured, it looks stunning.... The Hidden is a story that must be experienced to fully appreciate... There is an excellent story of slow-building despair to be found in its pages, with gorgeous depictions and coloring and a horror story that shocks, surprises, and entertains. Don't let this one get hidden on your shelves! It may not be Halloween, but I still give this book my highest recommendation!" – Rob McMonigal, Panel Patter
• Review: "Volume 2 of Fantagraphics' Gottfredson Library, which takes us up through the beginning of 1934, maintains the high production standards and copious ancillaries of the first volume.... Tom Andrae's opening essay emphasizes, with good reason, how Gottfredson "spun off" many of his early narratives from the plots of animated cartoons. IMHO, however, the Mickey strip truly became "great" once Gottfredson gained the confidence to craft his own plots." – Chris Barat
• Profile:Paul Gravett surveys the work of David B. and presents a transcript of his bookstore discussion with the artist this past summer (hat tip to TCJ.com's Tim Hodler)
• Plug: Pulitzer-winning author and known Love and Rockets fan Junot Díaz names Poison River by Gilbert Hernandez (collected in Beyond Palomar) one of his top 10 favorite books in an excerpt from Unpacking My Library: Writers and their Books posted at The Financial Times
• Plug:Oil and Water receives an excellent feature in the new issue of the Audubon Society of Portland Warbler newsletter, which can be downloaded here
• Tribute: At The Comics Journal, Bill Griffith remembers meeting, and later collaborating with, the late Bil Keane: "I was surprised when Bil told me he read Zippy in his local Arizona paper and liked it. He didn’t even qualify his opinion with the usual, “Of course, I don’t always get it.” Until then, I hadn’t paid much attention to The Family Circus, but I slowly began to see that you could read more into it than what appeared on the surface. This was before internet wise guys began mashing up random Friedrich Nietzsche lines for Billy and Jeffy’s and riffing on the strip as unconscious surrealism. But The Family Circus didn’t need hipsters to substitute incongruous dialogue to make the case that it was unconscious surrealism. It was unconscious surrealism on its own."
And you can catch what sounds like an amazing panel with Al Jaffee, Jack Davis, and the "Usual Gang of Idiots" on November 12th at 5:00 PM at the Trustees Theater [ 216 E. Broughton St., Savannah, Georgia ].
It's free, open to the public, and you'd be MAD to miss it!
The Friars' Club is the very one, infamous for all those celebrity roasts, and on that note... please excuse their use of "comic sans" in the flyer up there! OOOH! I did a roast!
I kid, I kid! We love The Friars Club for hosting this event. They helped us celebrate the release of More Old Jewish Comediansback in 2008 , and an estimated 400 people were there! And this time around, the event is open to the public! That's right, you do not have to be a friar to attend, and you do not have to RSVP. Just get yourself to The Friars Club from 6:00-8:00 PM... Why so early? Oh, right, 'cause it's the OLD Jewish Comedians trilogy! Ha, ha, ha! I'm gettin' a hang of this "roasting" thing!
Okay, no, I'm not, but you can meet some real comedians at this event who could easily show me a thing or two, and roast me to the ground: Friars comedians Freddie Roman and Stewie Stone (the cover "model" on the new book) will host the event, with special guests Larry Storch, "Professor" Irwin Corey, Bobby Ramsen, Joe Franklin, and our own MAD legend Al Jaffee! Plus, special surprise guests to be announced, and a tribute to the late Mickey Freeman.
So, come buy a book, get it signed by Drew, and meet some of the legends depicted in his books in person! The Friars Club is located at 57 East 55th Street, in New York City.
The Comics Journal has been, for almost 35 years, the standard bearer of critical inquiry, discrimination, debate, and serious discussion of comics as art, and the object of love and devotion among the comics cognescenti — and hate and scorn among the philistines, natch. We published our 300th issue in late 2009 and spent the ensuing year-plus re- conceptualizing the institution as an annual book-length “magazine” — over 600 pages long, chock full of the kinds of criticism, interviews, commentary, and history that has made it the most award-winning and critically lauded magazine in the history of comics.
This volume features a focus on R. Crumb’s most commercially successful project of his career, his comics adaptation of Genesis, including the most extensive interview he’s given on the subject as well as a long critical roundtable among six comics critics reviewing the book and debating each other over its merits; plus:
• An interview with Joe Sacco about his recent journalistic masterpiece, Footnotes in Gaza;
• A peek into the private sketchbooks of (and accompanying interviews with) Jim Woodring, Tim Hensley, and the novelist Stephen Dixon;
• A conversation between Mad Fold-Out creator Al Jaffee and Thrizzle auteur Michael Kupperman;
• A complete full-color reprinting of the 1950s "Gerald McBoing Boing" comic;
• The first significant biographical essay charting the turn-of-the-century cartoonist and illustrator John T. McCutcheon;
• A critical re-assessment of Dave Sim's Cerebus by Tim Kreider
and essays and reviews by R. Fiore, R.C. Harvey, Chris Lanier, Rob Clough, and others.
Over 600 pages long, this is a year's worth of The Comics Journal rolled into one extraordinary objet d'art. As a special treat, this volume is guest designed by internationally respected Criterion art director Eric Skillman. The Comics Journal #301 is no mere magazine but a gigantic compendium covering comics past and present that will shock and delight every truly curious comics reader.
The Online Commentary & Diversions hamster wheel started spinning a little too fast, but I think I've got it back under control now:
• Feature: For Largehearted Boy's "Book Notes" feature, Wilfred Santiago creates a musical playlist for 21: The Story of Roberto Clemente: "Golden age animation has been a big influence on my work and the graphic novel itself is very musical. It would be interesting to see the shape that it would take as a feature film. So here is what the 21 soundtrack would sound like."
(The following links are via the Largehearted Boy link above:)
• Review: "The graphic novel  is a beautifully wrought Clemente collage, following the hitter from the impactful events of childhood through his career as a Pirate and up to his untimely death. While there were several poignant dramatic through lines, the book’s strength lies in its brilliant visuals, which far outweigh its strictly biographical content. In addition to his many other notable qualities, like his humanitarianism and his greatness as a player, Clemente was a beautiful man, with a striking physicality. Drawing on this aesthetic truth, Santiago stuns and heightens it, with an imaginative and dramatic illustrative style, with its palette of Pirates yellow, and orange and black. The oral tradition of myth-making is put into visual form here." – Ted Walker, Pitchers & Poets
• Review: "The comic book biography is alive and well in 21: The Story of Roberto Clemente... In 21, Wilfred Santiago, who was also born in Puerto Rico, uses the language of comic books to tell the story of Clemente’s life as something like the arc of the hero’s journey or as a heroic epic.... 21 captures what made Clemente unique. However, Santiago uses the medium of the comic book in a unique way to tell the story of man who represents the best of us. [Grade] A-" – Leroy Douresseaux, I Reads You
• Review: "...I love a good graphic novel biography. Well as those of you who are familiar with the great baseball player and humanitarian that Roberto Clemente was already know, it would be hard to tell his story in any media and for that story not to be powerful. ...21 ... is a handsome production... [and] an... EXCELLENT graphic novel." – Ralph Mathieu, Ich Liebe Comics!
• Plug: "21: The Story of Roberto Clementeby Wilfred Santiago, a graphic novel by an illustrator and writer from Puerto Rico, received a nice write up in a recent issue of Sports Illustrated (linked here)... If we could only have found it at the book store. Sports shelves? Graphic novels? You give it a shot." – Tom Hoffarth, Los Angeles Daily News
• Review: "...Mattotti is an artist who is equally concerned with complex imagery and sharp storytelling — attention to that combination leads us to what makes Mattotti so great. Claudio Piersanti wrote a very crisp script for Stigmata, and Mattotti illuminates the story deftly, probably because he has a real appreciation for well told stories.... If one’s standard for great cartooning is drawing that tells a story without a shred of vagueness, Mattotti’s work on the events described above is thrilling in its virtuosity. But this is a work of art far more potent than a simple story well-told. Mattotti’s two extremes — that of high level storytelling and drawing that suggests unique emotions — exist side by side without any fuss." – Austin English, The Comics Journal
• Review: "While the core timeline of Freeway is only a few hours of frustration spent in traffic, Alex’s mind wanders through past fiction and reality, present fact, and fantasy. Kalesniko, who himself worked at Disney as an animator, designed his main character as an anthropomorphic dog. The result is a wistful, innocent, and somewhat naive protagonist who is coming to the realization that his childhood dreams aren’t quite turning out as he planned.... It is definitely worth the challenge of meandering through the crammed vehicles to reach those poignant moments of Alex’s life, moments many of us share in our own versions of our adult selves." – Ashley Cook, Giant Fire Breathing Robot
• Review: "Less able graphic novelists might scare themselves silly with the scope of this book, but Mark Kalesniko’s attention to detail in all aspects of his craft — the backgrounds, the emotional ranges of the characters and the slow but steady-paced urbane drama — blends the components together masterfully.... [Freeway] is deeply sophisticated and literary. It deals with humanity’s big questions – love, death, life, and what we do with our time. It’s funny, touching, heart-warming, tragic and very engaging." – Andy Shaw, Grovel
• Review: "Gilbert’s sketches actually give an insight into how he feels about his characters, and as a reader, I found myself understanding the characters a bit more, just by looking at his drawings.... The work in the ‘Jaime’ section is quite beautiful and well drawn, however, it does not give further insights into the ways in which Jaime sees his characters, or what he has planned for them... To sum up, Love and Rockets Sketchbook Volume 2 is pretty awesome." – Lisa Polifroni, lisaloves2read
• Interview: At Inkstuds, a 2008 conversation with Johnny Ryan conducted and with illustations by Josh Bayer: "It’s interesting that you bring it up because people always demand that artists deliver some sort of meaning and truth, and when that truth’s hideous they throw up their arms and get upset and have hurt feelings and it’s 'you’re ruining people’s lives.' There’s conflict; you want the art to be true, but don’t want to be shown stuff that makes you feel bad, you can’t make people feel good all the time, it's not true, the object is to make people feel something. There’s no rule that it has to be something good."
• Interview:The Daily Cross Hatch wraps up their serialization of the transcript of Brian Heater's MoCCA panel conversation with Peter Bagge: "I used to worry about what my peers thought. That’s a big mistake. Never worry about what your peers think, because then you always find out that they would have done it in a heartbeat. [Laughter] If you take anything away from this conversation, it should be 'fuck Dan Clowes.'"
• Feature:The Seattle Times' Marian Liu previews our Charles Peterson: Taking Punk to the Masses exhibit at Fantagraphics Bookstore & Gallery: "'I was wondering why this kid was bothering to take photos,' said Larry Reid, curator of the Fantagraphics show, of Peterson. Now, flipping through the photos, Reid remembers each scene as if it happened yesterday. Drawn to the energy of the music, Reid was a good decade older than many in the scene then. He shepherded the artists by promoting their shows and allowing them to play in his gallery's basement. 'I can recognize the artists by their shoes,' said Reid, looking through the photos."
• Plug: "For a reality check, I turned to a former Rolling Stone colleague and friend who always seemed to have a better line on all things cultural than anyone else around and a way of stating his position in a manner that set him apart, way apart, from other music writers — make that writers, period — of his time, and boy does he put today’s snarky music press to shame. This would be the late Paul Nelson... (Nelson’s life and work are getting their just due in September with the publication of a long-awaited, diligently researched biography by Kevin Avery, Everything Is An Afterthought: The Life and Writings of Paul Nelson. Full disclosure: Yours truly was among those Avery interviewed. But buy the book anyway.)" – David McGee, The Bluegrass Special
• Plug: "I’m in the process of reading an advance of Everything Is An Afterthought, Kevin Avery’s biography and selected works of the music critic Paul Nelson. Reading Nelson’s writing reminds me how of the role that he and other music critics of the time — our own John Swenson included — played in creating the myth of New York City for me." – Alex Rawls, OffBeat
• Plug: "Back in 2003, Lou Reed paid tribute to poet Edgar Allen Poe with his sprawling The Raven, which didn't exactly strike a positive chord with the many critics and fans at the time. Nevertheless, Reed will now be revisiting that album with a new illustrated book. The book, also titled The Raven, was made in collaboration with Italian illustrator Lorenzo Mattotti.... We originally called The Raven 'bizarre and thoroughly uneven.' We'll have to see if this new illustrated spin helps to make the entire album a bit more rewarding." – Alex Hudson, exclaim.ca