• Review: "It's a surprisingly rare thing to find the great comic artist who can not only draw with poetry and beauty, but write like a demon as well. In this lavish scrapbook of uncollected ads, posters, covers, ephemera and one-offs [All and Sundry], [Paul] Hornschemeier's skills are nearly as verbal as they are visual, his art encompassing many different styles, from richly layered classical surrealism to densely structured and primary color-heavy McSweeney's-style illustrations. But taken together, the work exhibits an instantly recognizable and distinctive panache. The depth of his art truly comes to life in the melancholic squibs of text and short fictions studding this collection. For all his talents, Hornschemeier is a working artist who clearly takes on all kinds of assignments, from bookstore ads and bookmarks to a quirky little piece on Anderson Cooper commissioned by CNN. Perhaps the intrusion of the journeyman keeps an exquisite volume like this so rewarding and yet grounded." – Publishers Weekly (starred review)
• Review: "What I liked [in Abstract Comics], I liked for more than just the strips themselves--I liked them for the proof they offer that comics really is still a Wild West medium in which one's bliss can be followed even beyond the boundaries of what many or even most readers would care to define as 'comics.' That an entire deluxe hardcover collection of such comics now exists is, I think, one of the great triumphs for the medium in a decade full to bursting with them." – Sean T. Collins
• Review: "Hallelujah... for Michael Kupperman! He returns with his second collection, Tales Designed to Thrizzle Vol. 1, which brings under one cover the first four issues of the same-named comic. And comic it sure as hell is. I'm not entirely certain when I've read anything that made me laugh out loud as often as this volume, with the possible exception of Kupperman's debut Snake 'n' Bacon's Cartoon Caberet. Women who've given birth to multiple children and older readers are advised to secure some kind of adult diaper." – Late Reviews and Latest Obsessions
• Review: "Willie & Joe is an extraordinarily compiled and presented tribute to Bill Mauldin, the two-time Pulitzer Prize winning cartoonist who chronicled life in the U.S. Army from 1940 to 1945. The set is bound in army green canvas and typeset in the font of an old manual typewriter, the kind an army clerk might have used during the Second World War. The collection is a sensory delight, pleasing to touch and beautiful to see. ... There are many scholarly works written on the topic of World War II, and those books can teach us a lot about the war, but anyone who wants to feel what American soldiers felt during the Second World War should seek out Willie & Joe. ... For the winner of two Pulitzer Prizes, for the man who was once America’s most celebrated enlisted man, Willie & Joe is a fitting, and wonderful, tribute." – David Mitchell, BiblioBuffet
• Review: "[Prison Pit Book 1 by Johnny Ryan is an] over-the-top, ultra-violent, gross-out, juvenile, yet fun and hilarious book... The dialogue that does exist retains his comic sense of disjunction and fights are as demented as you’d expect. This is not a jokey book, but his humor is retained in subtle ways—if you can envision subtle Johnny Ryan humor. ... This is just a balls-out, funny, sicko, good time. My only complaint with Prison Pit is how quickly the story ends, but hopefully the subtitle (Book One) is a promise and not a joke." – Lincoln Michel, The Faster Times [Ed. note: Book Two is in progress and due next year.]
• Review: "Longtime [Richard] Sala readers will recognize some familiar tropes right away [in Delphine]: strange surroundings, shady characters who seem to hold malevolent secrets. And Sala's art is familiar as well, but taken to a new level — lovely watercolors on the covers and moody washes on the gray interiors. The creamy paper that's typical of the Ignatz releases lends additional otherworldly, othertimely atmosphere to the story. And the logo itself is so good it deserved to be used for a long-running series. But it's the story that departs from Sala's work in some major ways... so resonant and unsettling that... it has to rank as one of Sala's major works." – Christopher Allen, Comic Book Galaxy
• Plug: "Reading [The Complete Peanuts 1971-72 and 1973-74] in one fell swoop, I've kind of come to the conclusion that this period is really the apex of Schulz's career. ...he was never as consistently hilarious or as poignant as he was in the early to mid-70s. If you're only buying two volumes of this series, it should be these two." – Chris Mautner, Robot 6
• Profile: Dan Taylor of the Santa Rosa Press Democrat catches up with Monte Schulz on his book tour for This Side of Jordan: "'It’s weird doing this,' Schulz said by phone from Nevada City during a break between book shop dates. 'It makes me nervous, at every single stop. I just realized I’m not a very public person.'"
• Interview: At Marvel.com, Sean T. Collins' series of chats with Strange Tales contributors continues with Stan Sakai talking about the creation of Samurai Hulk: "Actually, I tried to make it as much of a parallel to the modern Hulk as possible. Such as his name-he is referred to asSashimono, which means 'banner.' It's a samurai banner. And obviously there's no gamma rays, so he's cursed into turning into the Hulk by a witch called Gama, which is Japanese for 'toad' — she kinda looks like a toad." Oh man I can't wait for that.
• History: Steve Duin at The Oregonian digs up a nugget: Gary Groth on the 50th anniversary of Superman in Amazing Heroes, 1988: "My only interest in Superman, marginal at that, stems from his continuing presence as a symbol of banality and infantilism in the history of the American comic book." And it goes on!
• Random quote of the day: "Guido Crepax: popular enough to have an entire half-shelf in the Fantagraphics library, circa mid-1990s; not popular enough to have his books stolen by the interns." – Tom Spurgeon, The Comics Reporter
Not sure if there will be an Online Commentary & Diversions update tomorrow or Monday, as your humble correspondent will be en route to and from San Francisco for APE. Say, we should have an APE announcement coming up any time now.
• Review: "Femke Hiemstra, a Dutch artist, was 'raised on liquorice and buttermilk,' in her words. Fittingly enough, her work is an alluring mixture of sweet and sour. ... Hiemstra... does a wonderful job of offsetting her cuteness with a measure of tears, skeletons, Venus fly-traps and demons. The palette, meanwhile, is unrepentantly pretty — can we call it girly? — and Hiemstra's paintings emit the sort of candy-charged excitement of Halloween night. Rock Candy is a jewelbox of a book, with its deep mauve die-cut cover and metallic red lettering. ... Rock Candy is... a delightful new work for those who like liquorice and buttermilk, or better yet, both." – Molly Young, More Intelligent Life
• Commentary: Chris McLaren of Homo Sum looks at a Jules Feiffer strip from Explainers that remains relevant after all these years
Paul Hornschemeier points out on his blog that the McSweeney's-edited More Things Like This is out; this collection of drawn-and-written humor includes Paul, Anders Nilsen, and Jeffrey Brown along with the likes of "Marcel Duchamp, Kurt Vonnegut, Edward Gorey, Henry Darger, David Mamet, David Byrne, Basquiat, Leonard Cohen, Robert Crumb, and too many others to list," as Paul puts it. Wowza.
Cripes, September is over already? Here's your Online Commentary & Diversions:
• Review: "The Red Monkey Double Happiness Book makes for pleasant midday reading, maybe perched somewhere outdoors in the sun with a glass of ginger ale at your side. Read it in a lazy mood, identify with the slacker characters, and speculate on whether you could solve demented mysteries as well as they could. (Answer: probably not.)" – Molly Young, We Love You So
• Plug: "Man, if that Crumb book weren't coming out [Prison Pit: Book 1] would easily be my main pick for the week. Johnny Ryan does straight on fantasy/action, with no tongue in cheek, but without forsaking a single ounce of blood or guts. In fact, this may be even more gory and gruesome than his humor stuff... but those with strong stomachs will thrill to Ryan's grotesque and truly imaginative fight fest." – Chris Mautner, Robot 6
Hey you guys, it's Online Commentary & Diversions:
• Lists: Comic Book Galaxy's "Comics 666" group list-making roundup of top 6 graphic novels, collections or comics of 2009 includes several Fantagraphics selections from contributors Rocco Nigro and Geoff Grogan
• Review: "It's nice to see some Tardi, and it's especially nice to see the kind of Tardi present in West Coast Blues: nasty but just, chaotically controlled, hopeful yet hopeless. This graphic novel is a turbo-charged pace car for the likes of Vertigo Noir (which I like, as you'll recall), telling the boys to keep up if they can.... [Is] West Coast Blues an existential crime graphic novel? Maybe, but it's a very good one." – Timothy Callahan, Comic Book Resources
• Preview: Our Art Director Jacob Covey's design for Portable Grindhouse: The Lost Art of the VHS Box is a featured portfolio at design:related
• Review: "I've been enjoying cartoonist Peter Bagge's contributions to Reason Magazine for years now... But now Fantagraphics has collected them into a great-looking trade paperback [Everybody Is Stupid Except for Me]!... I think Bagge has been doing really interesting work, mixing field journalism with humor and opinion in an entirely novel way. As an essayist Bagge is never preachy, and he often points out the shortcomings of his fellow libertarians (his account of meeting Ron Paul is particularly funny). He explores more than he rants, and when he does let loose, he's got a healthy sense of self-satire. These comics will piss you off, and that's good." – Jesse Brown, Boing Boing
• Review: "Drawn with sweeping black brush strokes, [Night Fisher] is done completely in absence of color. This, however, helps to magnify the tone of the story and brings a subtle heaviness to the work. The artwork itself is excellent.... [R. Kikuo] Johnson does a great job conveying character’s moods and emotions through angles, posture, and facial expressions. ...[I]f you enjoy these realistic and unapologetic looks at adolescence I recommend giving Night Fisher a read." – A. Alba, Hawaii Book Blog
• Review: "Abstract Comics, perhaps more so than any other recent comic release, highlights the way in which the comics world is markedly changing. Comics are indeed reaching across more disparate audiences and being found in a much wider selection of venues. But what might be the implications of this?... If nothing else, it seems that Abstract Comics makes explicit that the line between comics and high art is beginning to disappear.... Abstract Comics is a necessary addition to the comics canon in that it forces us to continue to think what exactly constitutes the comics form." – Sara Cole, PopMatters
• Review: "From the opening panel until the final words, Tardi's adaptation of Manchette's crime novel [West Coast Blues] sizzles with a dazzling graphic intensity... Much like the 1950s American crime novels they emulate, Tardi and Manchette offer a impressive display of destructive violence, wanton love, and disregard for life. Showcasing Tardi's singular artistic talents, the brilliant West Coast Blues emerges as one of the best crime graphic novels ever produced." - Rick Klaw, The SF Site: Nexus Graphica
• Review: "[West Coast Blues] is slyly funny without being jokey; thrilling without ever seeming manipulative; cool, distant and ironic in its narrative voice; immediate in its depiction of violence. What do Tardi's illustrations add? Mostly a crowded sense of daily life, an ironic, sense-sharpening departure from the dark, shadowy atmospherics that sometimes nudge noir toward mere style." - Peter Rozovsky, Detectives Beyond Borders
• Review: "If you were a Martian trying to figure out America in the second half of the 20th century, you could do worse than to start by reading Jules Feiffer’s Village Voice cartoons [collected in Explainers]." - Sarah Boslaugh, PopMatters
The proceeds will go to Democracy for America Now, a national advocacy group running television ads to push the Public Option in democratic swing districts and offering support to congressional members who take a stand for the policy.
• Tunes: Inkstuds presents the Jaime Hernandez mixtape: 17 songs selected by Jaime and presented for your listening enjoyment, from N.W.A. to B.Ö.C. to Mötley Crüe to Dölly Partön
• Profile: "[Fletcher Hanks's] drawings, while often clunky, have a kind of primal 'rightness' and a narrative logic so wonderfully bizarre that it wins over readers normally skeptical of the kapow, blam, boom sequences of superhero comics. Beyond the comics themselves, though, it's [Paul] Karasik's smart enthusiasm for the work that tells readers in no uncertain terms that here is something to get excited about." - Sasha Watson, Publishers Weekly
• Review: "[From Wonderland with Love] is beautiful and attractive to such a degree that it makes one feel all proud of one's country. [Rating: 5 out of 6 stars]" - Hans Bjerregaard, Ekstra-Bladet (translated from Danish; link to scan)
• Review: "Beautiful graphic craftmanship and original narratives at a level that could have been drawn straight from the American comics market's avant-garde [in From Wonderland with Love]." - Søren Vinterberg, Politiken (translated from Danish)
• Review: "...Abstract Comics... goes one step beyond to leave the accepted definition of comics outdated, noting that the expressive possibilities of this medium and this language are still unknown." - La Cárcel de Papel (translated from Spanish)
• Interview: At Verbicide, Nate Pollard talks to Zak Sally about his new album Fear of Song and his publishing ethos: "Every La Mano release is something I am intensely proud of, and stand behind 110 percent. I aspire to people trusting La Mano."
Register and Login to receive full member benefits, including members-only special offers, commenting privileges on Flog! The Fantagraphics Blog, newsletters and special announcements via email, and stuff we haven't even thought of yet. Membership is free and spam-free, so Sign Up Today!