Let's catch up on our Online Commentary & Diversions:
• Review: "...Monologues [for Calculating the Density of Black Holes is] spare and scratchy where [Anders Nilsen's] other work was detailed; loose and spontaneous where his other work was considered; and funny where his other work was melancholy. It's interesting to see the many influences that inform Monologues; there's a bit of absurdists like Ionesco, elements of Tom Stoppard's wit and philosophical musings, stream of consciousness dada in the style of Tristan Tzara, and oblique New Yorker type gags with the scratchy looseness of James Thurber and Saul Steinberg." - Rob Clough
• Review: "...[O]nce again, I’m engaged in Blazing Combat. What a thrill! And the art!... Highly recommended. Don’t argue! Just buy it!" - David McDonnell, Starlog
• Review: "This collection of the 1965-66 Blazing Combat war comic magazine is a stellar publication... It's a master class on how to tell a short story, and I highly recommend checking it out." - Sandy Bilus, I Love Rob Liefeld
• Review: "Blazing Combat, a new hardcover collection from Fantagraphics, showcases some truly fantastic work from a multitude of comics greats... The collection itself is sharp as a tack... Fantagraphics really packages it nicely..." - Litany of Schist
• Review: "This omnibus of all 11 issues of Humbug is equal parts giddy genius and period piece. The satire is razor-sharp... [T]here are such subtleties here and such rapier wit that the line is clearly visible from the Algonquin Round Table to Kurtzman to Crumb to Ralph Bakshi to Mr. Show to The Colbert Report." - Byron Kerman, PLAYBACK:stl
• Review: "In his way, [Michael] Kupperman's just as concerned with making comics' formal aspects work for him as Chris Ware. In his way he's every bit as effective. Goddammit this book [Tales Designed to Thrizzle #5] is funny." - Sean T. Collins
• Review: "[Beasts! Book 1] is captivating, wistful, funny and truly extraordinary - a Bestiary of the traditionally fantastic for the dreary 21st century where imagination and wonder have been formularised as crypto-zoology... a vivid package of sheer fantasy and artistic excellence..." - Win Wiacek, Now Read This!
• Review: "Now, with Low Moon, [Jason] has clenched his fist around me and won’t let me go - this is easily my favorite of his works to date... Top to bottom, I enjoyed Low Moon very much... A worthy addition to one’s bookshelf." - Marc Mason, Comics Waiting Room
• Review: "[In Abandoned Cars] Tim Lane presents a personal study of what he calls 'The Great American Mythological Drama,' a fog of events / thoughts / dreams / disappointments in music / literature / North American life... Lane leads to something more introspective and extremely sad." - Churrasco la Naje (from Google translation)
• Review: "...[A]lmost nothing is casual in Bottomless Belly Button and almost nothing is superficial in its narrative structure, nor its authorial intentions... [Dash] Shaw's work delves into the interior of the personal relationships of its protagonists, but also in the basic foundations of linear narrative... Shaw transcends the sphere of intellectual narrative to enter the much more epidermal level of physical sensations... Dash Shaw has composed a monumental work, sometimes puzzling, sometimes bordering on melodrama, but always strong and brave, a work full of qualities and findings that will, we believe, be a reference for future comics. His experimentation, his daring and his solutions can't help but remind us of an equally ambitious and dense work, Jimmy Corrigan... Do not miss this." - Little Nemo's Kat (from Google translation)
• Plug: Jonathan Ross gives us ("the company that flies the flag for independent, ground-breaking comics"), and The Comics Journal ("the only widely read and serious publication of comic-book criticism"), a nice shout-out in The Times
• Interview: The Daily Cross Hatch continues their conversation with Michael Kupperman. Sample quote: "I think the artist I feel closest with is Tony Millionaire, because he really lives in those comics. He could never be anything else."
It's your Online Commentary & Diversions for the day:
• Review: "There is this old-fashioned comic feel that mixes so well with the overall theme and texture of this short. [In] Ganges #2... [Kevin] Huizenga's elegant neo-clear-line style brings a crispness and humor to these low-key slice-of-life stories, and the gray-blue duotone he has picked gives the art a new depth and complexity." - Hero Spy
• Plug: "I’m also trying Blazing Combat, the war comic collection from Fantagraphics. I don’t know much about the series, so this should expand my knowledge of a type of comic I’m not much familiar with." - Johanna Draper Carlson, Robot 6 "What Are You Reading?"
• List: Library Journal recommends Paul Hornschemeier's Mother, Come Home as one of "14 Graphic Novels Honoring Mothers" (in the "Loss" subcategory), calling it "An exquisitely written and beautifully drawn exploration of grief."
• Review: "The latest in this anthology series... is what you need to give your really smart adult friends who are starting to enjoy sequential art but don't want to begrime themselves with the whole superheroics rigmarole: Because this is an excellent collection of work (comprising the serious, the funny, the weird, the contemplative, the goofy, and other flavors sublime or ridiculous) by a variety of new artists and old... Give this Mome [Vol. 14] to someone you love; they'll be queuing up to buy the next iteration." - Wayne Alan Brenner, The Austin Chronicle
• Review: "...Supermen!: The First Wave Of Comic Book Heroes 1939-41 pulls together some of the goofiest, most innocent, most violent superhero comics ever penned... The forematter (a lovely, insightful, nostalgic essay by Jonathan Lethem) and the afterword (a collection of bibliographic and historical notes on each strip) make perfect bookends for the hot stuff in the middle. This is pure and unadulterated Id, the kind of thing that inspired a moral panic about the corruption of the young. It's every bit as potent today." - Cory Doctorow, Boing Boing
• Review: "Miss Lasko-Gross takes us into the skankiest basement makeout sessions of our teenage despair in [A Mess of Everything]... Her fictional stand-in figures out how to work the system and achieves redemption through beautifully ugly comics that aptly capture the darker hallucinogenic melodramas of teenage geekdom." - Richard Gehr, The Village Voice
• Review: "[A] wild and woolly collection of pre-Superman supermen... As Jonathan Lethem notes in his introduction, our appreciation for the bizarre otherness of these characters in retrospect suggests that our contemporary icons might well appear no less 'totally opaque and infinitely awkward' to future readers." - Richard Gehr, The Village Voice (same link as above)
• Review: "Rory Hayes was nuts. I mean, really, truly insane... Hayes was tapping into a rich vein of paranoia and insanity that was truly disturbing... Rory Hayes work has the authentic voice of a true outsider artist, a genuine madman in a world full of posers... Where Demented Wented... is a fascinating collection and well presented. Recommended." - Colin Upton, Inkstuds
Upcoming Anders Nilsen Pictures of Dirt and Grass Opening Saturday, April 18, 2009 6:00 - 9:00 pm
Closing brunch Sunday, May 3, 2009 12:00 - 3:00 pm
RAFT Curated Installation by Laura Shaeffer + Rachel Tredon
Finestra Art Space Friday, February 13, 2009 5:00pm - 9:00pm 410 S. Michigan Avenue Suite 516 Chicago, Illinois 60605-1456
The Home Gallery in Hyde Park has been invited to do a show at Finestra Gallery in downtown Chicago. Artists include: Conrad Freiburg, Katrin Asbury and Shawn Greene, Casey Roberts and DeeDee Davis, Rose DiSalvo, Doug Shaeffer, Anders Nilsen, Nora Mapp, Jesus Mejia, Dax Tran-Caffee, and Andrew Nord.
• Review: Brix Picks' Book of the Week is The Chuckling Whatsit by Richard Sala, which they say "is one of those books that I revisit regularly because it's just so fun to read."
• Review: Bookopolis gives Unlovable Vol. 1 by Esther Pearl Watson 4.5 stars: "This book is so much fun - it kept me laughing for hours. Not only is the dialogue hilarious but the drawings themselves are really hysterical."
• Review: The Walrus, running down all of this year's Doug Wright Awards nominees, looks at Hall of Best Knowledge by Ray Fenwick: "...Fenwick’s skill with design renders the handwritten words adaptable and full of stubborn character, turning them into a cocky little world of their own."
• Preview: Holy Heroes on our solicitation for The Wolverton Bible: "Now this is exciting... as someone who's a fan of the weird, the religious, and the weird religious, [this book] is more than welcome news."
• Review: Comics Waiting Room on Ho! The Morally Questionable Cartoons of Ivan Brunetti: "...[I]f the material printed Ho! had been created in, say, Soviet Russia, Ivan would be the biggest star in the gulag. As it is, he’s one of the most twisted and funny motherfuckers putting pen to paper right in the U.S. of A. And I’m damned proud he’s one of us... Brunetti’s latest work is as strong as ever, and maybe even sicker. He’s an amazing cartoonist, and I respect his work immensely, even when some of it makes me queasy… especially if it makes me laugh then feel queasy."
• Reviews: The "What Are You Reading?" column at Robot 6 includes Tom Bondurant on Gilbert Hernandez's Heartbreak Soup ("At first I was afraid that Beto was introducing so many characters I wouldn’t be able to keep up with them, but the deeper I go into the book the better he manages everyone. The writing reminds me of Will Eisner’s slice-of-life stuff from his later career..."), Tim O'Shea on The Complete Peanuts 1969-1970 ("The intro by Mo Willems is great insight into what appealed to many about the series..."), Chris Mautner on A Mess of Everything by Miss Lasko-Gross ("[It] shows a good deal of progression [from Escape from "Special"], both in terms of storytelling and artistry"), and Jeff Lester on The Comics Journal Library Vol. 6: The Writers ("for which a more accurate title might have been 'Gary Groth Browbeats Bewildered Comics Writers'")
• Preview: Urban Aesthete looks at the forthcoming Abstract Comics anthology
• Profile: The Seattle Weekly, previewing Jaime's visit to Seattle, nicely describes Love and Rockets: "It’s a mutable universe that skips between characters at older and younger stages of life, where buxom pro wrestling queens, spaceship mechanics, and touring hardcore bands buoyantly intersect. No one stays lost for long; no grievance goes unforgotten; and deep-fried jungle slugs forever remain a delicacy."
• Review: For Robot 6's "What Are You Reading?" column, guest contributor Kevin Church says of Sam's Strip, "It was either going to be the biggest success in the world or end within two years. Since it’s all collected in one volume now, you can likely work out how it went down."
• Review: Las Vegas Weekly gives Sam's Strip 4 stars: "How on earth did Sam's Strip... fail to set the funny pages on fire back in 1961...? The answer -- provided through this complete collection of 500 strips -- is that the time just wasn't right. Well, it's certainly right now."
• Review: Thought Balloonist Charles W. Hatfield examines Bottomless Belly Button by Dash Shaw: "Shaw is very good and getting better... With Bottomless Belly Button he has pulled off something remarkable: a 700-plus page book that doesn't feel like a stunt but rather is perfectly proportioned, intimate, and subtle, a privileged entryway into a private world that nonetheless feels universal in its emotive resonance and applicability... Bottomless Belly Button has depths. It evokes the power of memory and the phenomenal richness of ordinary experience with the sort of Proustian precision of observation and recall that alternative comics have been chasing since Spiegelman."
• Review: The title of The Washington Post's Express Night Out review of The Complete Peanuts 1971-1972 makes what is surely the first reference to Spin¨al Tap in a Peanuts review. From the review: "[These] volumes... are a spectacular tribute to Schulz's work... References to Bob Dylan's age aside (one strip mentions his 30th birthday — yikes!), Peanuts remains surprisingly fresh and timeless. Although Charles Schulz wrote these strips over 20 years ago, the ongoing popularity of the made-for-TV holiday specials... means that the Peanuts gang continue to remain relevant in popular culture. It would be a pity, however, to relegate Peanuts to special occasions only — Schulz's work should and can be enjoyed all year round."
• Review: Sacha Peet says "I finally read Unlovable by Esther Pearl Watson the other day. I love it. The drawings are great, and the life of Tammy Pierce is enthralling."
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