• Review: For Robot 6's "What Are You Reading?" column, guest contributor Kevin Church says of Sam's Strip, "It was either going to be the biggest success in the world or end within two years. Since it’s all collected in one volume now, you can likely work out how it went down."
• Review: Las Vegas Weekly gives Sam's Strip 4 stars: "How on earth did Sam's Strip... fail to set the funny pages on fire back in 1961...? The answer -- provided through this complete collection of 500 strips -- is that the time just wasn't right. Well, it's certainly right now."
• Review: Thought Balloonist Charles W. Hatfield examines Bottomless Belly Button by Dash Shaw: "Shaw is very good and getting better... With Bottomless Belly Button he has pulled off something remarkable: a 700-plus page book that doesn't feel like a stunt but rather is perfectly proportioned, intimate, and subtle, a privileged entryway into a private world that nonetheless feels universal in its emotive resonance and applicability... Bottomless Belly Button has depths. It evokes the power of memory and the phenomenal richness of ordinary experience with the sort of Proustian precision of observation and recall that alternative comics have been chasing since Spiegelman."
• Review: The title of The Washington Post's Express Night Out review of The Complete Peanuts 1971-1972 makes what is surely the first reference to Spin¨al Tap in a Peanuts review. From the review: "[These] volumes... are a spectacular tribute to Schulz's work... References to Bob Dylan's age aside (one strip mentions his 30th birthday — yikes!), Peanuts remains surprisingly fresh and timeless. Although Charles Schulz wrote these strips over 20 years ago, the ongoing popularity of the made-for-TV holiday specials... means that the Peanuts gang continue to remain relevant in popular culture. It would be a pity, however, to relegate Peanuts to special occasions only — Schulz's work should and can be enjoyed all year round."
• Review: Sacha Peet says "I finally read Unlovable by Esther Pearl Watson the other day. I love it. The drawings are great, and the life of Tammy Pierce is enthralling."
• Review: For The Savage Critics, Sean T. Collins says The Last Lonely Saturday by Jordan Crane is "pretty much the best love story in comics form I've ever come across... It's an intelligent, moving, beautiful, terrific little comic."
• Review: Rob Clough says that Beasts! Book 2 "mingles myths, warnings, fairy tales, correctives, and genuinely unexplained phenomena and allows its artists to run with them. The end result is a consistently beautiful, lovingly assembled book that forms a kind of metacommentary on the entire notion of the fantastic."
• Review: The SF Site's "Nexus Graphica" says R. Crumb & David Zane Mairowitz's Kafka is "a terrific guide to Kafka's life and work — Mairowitz deftly sums up Franz' family/Jewish/pre-Holocaust European experiences and influences, and Crumb's heavy inkings lend the exact tones of darkness to recreations of both Kafka's life — and work." (See sidebar)
• Preview: The First Post presents a slideshow of images from Humbug, saying "the short-lived Humbug [was] an exquisite satirical work that, over its 11 issues, routinely equalled MAD in its displays of creative genius... providing a level of trenchant satire that was almost unheard of at the time."
• Preview: Bryan Munn, in "hyping" The Complete Peanuts 1971-1972, states "Now that two whole decades of Peanuts have been reprinted in the deluxe hardcover format published by Fantagraphics and designed by Seth, we can really get a sense of what a huge achievement this project is and will continue to be for a generation."
• Review: Bookforum says of the two volumes of Beasts!: "Covey’s brave band of 180 artists... put these mythological and folkloric beings on vivid display. The distinct and varied styles of the cartoonists, illustrators, and graphic artists give further evidence of each creature’s unique characteristics... The enthusiastically detailed evocations in these books give us all reason to believe."
• Review: Dear Stranger reads The End #1 by Anders Nilsen and declaims "It’s sad. In that way that things are only ever sad when they’re really honest, so it’s beautiful, but you feel a bit guilty for thinking so -- because under the beauty, it’s still sad, honestly so."
• Review: The Star Clipper Blog says "[Esther Pearl Watson's] Unlovable spares no degrading detail, but still remains an ironically loving tribute to the awkward protagonist... these monstrous depictions of early puberty could be found in just about anyone's high school yearbook... perhaps the perfect teenage girl experience."
• Review/profile: The Oregonian says that Most Outrageous by Bob Levin is "The most challenging and thought-provoking book I read last year... unforgettable... among the great essays on human frailty," and discusses how the commercial success of The Complete Peanuts enables us to publish more challenging work
• Review: Brick Weekly says of The Lagoon by Lilli Carré, "Carré’s cartooning is purely excellent, evolving nicely from her earlier work and pulling you into a world of vividly drawn characters and lush environments" (scroll past the video game review)
The current issue of The Believer features 14 small drawings I did from items in my collection of broken and discarded toys. The drawings are scattered throughout the magazine in the margins. They also printed three different inside covers, each featuring a different painting of mine.
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