• Wilfred Santiago is making more progress on his painting of 21 subject Roberto Clemente — see the latest stages at the 21 Facebook page or on Wilfred's Flickr page

• An Eleanor Davis illustration for a New York Times op-ed piece this past Saturday

• Will Johnny Ryan's new comic for Vice have a happy ending?

• Thanks to Steve Brodner for pointing out this cute New Yorker cover by John Cuneo (you may recall the book we did with John a few years back) — and don't miss Steve's own Istanbul sketches

And more Things to See from the past week:

• From Jason , vintage artwork at Cats Without Dogs and even-more-vintage artwork at The Old Cat and the Dog

• Steven Weissman's latest "I, Anonymous" spot and church sketchin'

• Two new mixed-media pieces by John Hankiewicz

• A new drawing and sketches by Mark Kalesniko

• New drawings from Renee French on her blog

• This sketchbook strip by Anders Nilsen is a real punch in the gut

• Augh, again with the sketches of medical deformities by Hans Rickheit

• Nate Neal's latest men's magazine humor strip

• Surely you're already following Jason's Cats Without Dogs blog where he posts artwork old and new (like his 1989 Elvis Costello illustration above), as well as concise and often very funny film reviews; now he's also posting his juvenilia at The Old Cat and the Dog where you can see his teenage takes on the Punisher, Lucky Luke, the Silver Surfer, Spidey etc.

• Richard Sala gives you a behind-the-scenes look at the creation of the cover artwork for The Grave Robber's Daughter and posts a bunch of fantastic full-color concept art for as-yet unrealized story ideas

• Leslie Stein presents a short sequence from the upcoming Eye of the Majestic Creature #6 (our book collects #1-4) and another short sequence from something-or-other

• Sergio Ponchione spotlights his contributions to the new issue of Linus

• For reasons she can't explain, Laura Park drew this self-portrait modeled after the "black dahlia" autopsy photo

• Some recent updates of sketchbook and other drawings by Sophie Crumb at her blog

• Steve Brodner presents his cover illustration for the new issue of the National Journal (with his studies for the caricatures)

• Sammy Harkham uploaded some mostly-new stuff to his Flickr page , including the original uncropped art from the Crickets #4 cover

And more Things to See from the past week:

• Steven Weissman's latest "I, Anonymous" spot on his Chewing Gum in Church blog

• Daily drawings by Paul Hornschemeier at The Daily Forlorn

• All the latest artwork and news from Dame Darcy in her new blog update

• New drawings from Renee French on her blog

• A new sketchbook strip and more collaborations with Sonnenzimmer from Anders Nilsen

• Oh god, more sketches of medical deformities by Hans Rickheit

• New drawings and watercolors by Derek Van Gieson

• Recent illustrations by Ray Fenwick on his Flickr page

It's been a while since I had a chance to do one of these...

• Jim Woodring's Frank and associates in a piece inspired by Giorgione's painting The Tempest (via Facebook - full size)

• Tony Millionaire did this illustration for the Three Guys and a Twelve-Pack podcast; also, an old strip for Screw (I think)

• This hilarious portrait by Cathy Malkasian is available as a print — you gotta go check it out just for the title and description, which are also hilarious

• A beautiful movie poster illustration and some musician portraits by Matthias Lehmann

• Richard Sala traces the evolution of the cover art for Mad Night

• Lilli Carré shares her Newcity cover illo and also her NYT Op-Ed illo

• Noah Van Sciver started a new sketch blog on Tumblr called Infortunate

• While recently in Chicago, Josh Simmons got his pals Anders Nilsen and Jeffrey Brown to draw some Quackers; Anders also has a bunch of new self-portraits and has put out an expanded fold-out edition of his Kramer's Ergot 7 strip

• Amazing stuff from Renee French on her blog and her new Posterous thing

• At What Things Do, Kevin Huizenga's Cartoon Polymaths strip "The Body of Work," and a couple of classic strips at his Fight or Run blog

• Also at What Things Do, two new installments of Jordan Crane's "Keeping Two"

• I think this weird piece by Steven Weissman relates to Barack Hussein Obama; also his latest "I, Anonymous" spots on his Chewing Gum in Church blog

And more Things to See from the past... jeez, 3 weeks:

• More recent sketchbook drawings by Andrei Molotiu

• At Jason's Cats Without Dogs blog, sketches, old strips and the last of his series of posts on his cartooning heroes

• New prints and an artist's book by John Hankiewicz at his Clip Joint blog

• Buy Dame Darcy's mermaid print to help send her to the annual Mermaid Parade on her 40th birthday! She's also now an ordained Wiccan minister! Good luck and congrats! All this and more in her latest blog update

• Drew Friedman rounds up his various album cover illustrations and collects a whole bunch of TV Guide covers by Jack Davis

• Recent charcoal portraits of Oliver Reed & John Coltrane by Jim Blanchard

• Sketches by Mark Kalesniko for his new graphic novel Freeway at his blog

• I believe this strip by Sergio Ponchione has to do with Italian politics

• Laura Park's been busy moving

• Recent drawings by Sammy Harkham on his Flickr page

• Portraits, sketches, illustrations and more by Steve Brodner

• Hans Rickheit keeps posting those old medical deformity sketches on his blog

• Derek Van Gieson made a hilarious-looking board game

• Some marks and text by Tom Kaczynski

Today's Online Commentary & Diversions:

• List: Joe McCabe of FEARnet names "Five Horror Graphic Novels You Need to Read," including:

"The black-and-white scratchboard art of German comics creator Thomas Ott is without peer among today's comics artists. That Ott can also tell one helluva fun horror short story is almost icing on the cake.... This omnibus volume [R.I.P.: Best of 1985-2004] collects his three out-of-print albums... I've never read a Thomas Ott tale that was anything less than fantastic. Highly recommended."

"...[Richard Sala] has carved his own niche as perhaps the most twisted but brilliant cartoonist working in comics today.... Labyrinthine in its complexity and endlessly imaginative in its designs and characterizations, [The Chuckling Whatsit] tells the story of Broom, an unemployed writer who gets mixed up in a murder plot and the Ghoul Appreciation Society Headquarters (GASH), whose membership boasts more creepy eccentrics than the collected works of Edward Gorey."

• Review/Interview: After reviewing Yeah!, Vice's Nick Gazin asked writer Peter Bagge about some things that troubled him about the comic:

[Gazin:] The main feeling that the comic left me with was a crushing sense of hopelessness. With the exception of the cover art, the girls usually seem unhappy.

[Bagge:] Why?!? Well, I gave them troubled backstories, but they sure have a lot of fun at the same time. 

[Gazin:] I guess I feel like Krazy, Honey, and Woo Woo don't usually look like they're having fun. They look troubled, upset, or angry in almost every panel. They go to other planets, but they usually don't enjoy it. Even when Woo Woo gets to date her rockstar crush, Hobo Cappiletto, she's too racked with guilt to be able to enjoy it. It seems like they're only having fun on the front and back cover.

[Bagge:] Good point! I guess I simply enjoy their misery. I'm a monster!

• Opinion: Help put Yeah! in perspective by reading Peter Bagge's essay "Raiding Hannah's Stash: An Appreciation of Late '90s Bubblegum Music" at Scram magazine

• Interview: At Comic Book Resources, Shaun Manning talks to Jason and Fabien Vehlmann about collaborating on their new graphic novel Isle of 100,000 Graves. Says Vehlmann: "I love his incredible and unusual style, and I didn't want to change it totally... So even if I created the entire story and the characters of Isle of 100,000 Graves, I also did kind of a 'forger-job,' trying to write as if I was Jason but also bringing my own private topics (death, childhood, etc...), which was a very exciting challenge." Manning says of the book, "Displaying all of the keen wit, sharp twists and disarming sincerity readers have come to love in books like Werewolves of Montpellier, I Killed Adolf Hitler and others, Isle of 100,000 Graves teams the artist known as Jason with writer Fabien Vehlmann for a wholly original adventure tale that pushes both creators in an intriguing new direction."

• Plug: "Get ready, because if you like comics in which monsters and barbarian wrestlers beat the living shit out of each other (and who doesn’t?), [Prison Pit Book Three] is probably going to be the best book you’ve read since Prison Pit Book Two." – Ben Spencer, Nerd City

• Commentary: The Chicago Tribune's Heidi Stevens goes to Paul Hornschemeier & Anders Nilsen for expert opinions on the use of "grawlix" (you know, "#$&*!")

Two weeks to catch up on!

• Percy Gloom changed his Facebook profile picture to this portrait I hadn't seen before

• Andrei Molotiu posted a big batch of sketchbook drawings to his blog

• A new image from Ben Catmull's current project

• Matthias Lehmann shares a few pieces from his current art show and some photos of the installation

• Dig Paul Hornschemeier's new logo for the Comedy Bang! Bang! (formerly Comedy Death Ray) podcast/comedy show

• A newly-drawn splash page (along with the original version from 15 years ago) by Tim Lane for the upcoming 3rd issue of Happy Hour in America, along with some musings on craft

• Sergio Ponchione's Professor Hackensack returns to discuss matters scientifical in the new issue of Linus

• Kevin Huizenga's jaw-dropping comic from Kramer's Ergot 7 is now up at the newly-revived What Things Do; Kevin offers some notes and commentary on it at his New Construction blog; also, a possibly new Glenn Ganges glimpse

• A recent drawing by Renee French, who it should be noted seems to have moved her more extemporaneous sketches and photos over to her new Posterous blog

• A sneak peek of something by Josh Simmons

• Anders Nilsen is working on some collaborative paintings with Sonnenzimmer for an upcoming exhibit — more glimpses at Anders's blog, more info here

• Hey, I know those dogs! It's Robert Goodin's Idget & Toaster fending quite well for themselves in the zombie apocalypse in a panel from Rob's story in the banned-in-Canada anthology Black Eye

• Tony Millionaire posts Drinky Crow's first published appearance , from 1993

• Unexplained illustration by Johnny Ryan

• Nate Neal draws Hans Rickheit's Cochlea & Eustachia

• Eleanor Davis draws Aphasia from C.F.'s Powr Mastrs for the Picturebox fan forum — see the amazing hair salon mural she did with David Mack too

And more Things to See from the past week:

• At Jason's Cats Without Dogs blog, sketches, illustrations, movie reviews and a great series of posts on his cartooning heroes, some of which may surprise you

• Steven Weissman's latest "I, Anonymous" spots on his Chewing Gum in Church blog

• A new print by John Hankiewicz

• Artwork, dolls, prints, and hey, they're on sale in the latest Dame Darcy blog update

• Drew Friedman spotlights recent illustrations and pays tribute to some of his favorite fellow cartoonists at his blog

• Vintage Jim Flora artwork and illustrations at the Jim Flora blog

• Sketches by Mark Kalesniko for his new graphic novel Freeway at his blog

• A recent current-event sketch by Steve Brodner

• A Mome outtake page and lots more drawings by Derek Van Gieson at his These Days I Remain blog

• New sketch, new illustration by Tom Kaczynski

• New Trubble Club!

Comics fans, film aficionados, lovers of merch, rejoice! The Cinefamily in L.A. often has posters for their film programming illustrated by top-notch cartoonists (thanks to the involvement of Sammy Harkham) and now they're all available for purchase online. Clockwise from top left: Slacker by Gabrielle Bell, "Leprethon" by Johnny Ryan, Cassavetes by John Pham, and Dennis Hopper by Anders Nilsen. Below, Yasujiro Ozu by Chris Ware. You can also buy t-shirts with the sharp Cinefamily logo designed by Jordan Crane.

Today's Online Commentary & Diversions:

• Profile: At the ABC News website, the AP's Matt Moore talks to Robert Crumb during his recent visit to New York City for his Society of Illustrators exhibit opening: "'It was never intended for that purpose, so it's always odd to see it on a wall, or under glass; it was intended for printing and books. It wasn't made as a wall hanging piece,' Crumb said in an interview with The Associated Press. 'For me, the printed copy is the magic moment. When I see it in print — that was the whole purpose of it.'" (AP Photo/Richard Drew)

• Interview: At Previews, a must-read chat with Gary Groth about our classic strip reprints: "The only criterion is that it’s great cartooning. We wouldn’t waste our time devoting this much time and energy to anything less. Our mission has been to publish the best cartooning — not only in comic strips, but in every 'branch' of the cartooning art — that we can."

• Interview: At Robot 6, Chris Mautner talks to Wilfred Santiago about 21: The Story of Roberto Clemente: "I was trying not to make it … biographies to me  have a static feel to them. I was trying to avoid [that] and I feel like cartooning helps you in expressing the story and what you’re trying to convey thtorugh the story. It was difficult too because I wanted it to be cartoony and realistic at the same time. I wanted it to be fun. What’s important was that it was exciting; that it could almost speak. That you could read the book in a very sort of sharp-paced way but you could also take the time and read through it at your leisure."

• Interview: Matthew Baker of Vanderbilt University's Nashville Review has an epic chat with Anders Nilsen: "Really I feel like comics is just the most useful category to drop me into. I don’t feel like I’m wedded to comics as a medium. I draw, and I usually sort of tell stories, but I do make standalone drawings and paintings, and I do make stuff that is probably closer to poetry than comics. I’ve made books before that aren’t really comics — just a series of pictures, or diagrams, or whatever."

• Review: "Stunning and evocative and rendered in a cacophony of swirling miasmic lines, this fearsome modern parable is a fierce interrogation of faith and destiny which asks uncompromising and uncomfortable questions about the price of Grace and the value of belief. [...] Emotive, shocking and utterly compelling, Stigmata is a grotesque and beautiful metaphysical rollercoaster with existential angst and blind faith gripping each other’s philosophical throats and squeezing really hard. No rational reader or mature comics fan can afford to miss this dark shining delight." – Win Wiacek, Now Read This!

• Review: "This book beautifully captures the phantasmagoric flow of images that occurs in dreams. Mattotti's art is incredible. There are panels that are so intricate that I wonder how he had the time to draw so many of them. At 32 mostly wordless pages it's a very short book, but the imagery, like the panels of a child throwing a toy at a giant, or the panels showing a huge black bird carrying off a rabbit in a rainstorm, will stay with you long after you finish reading. If you like the intense, emotional, sometimes dreamlike artwork Mattotti did for Stigmata, you will love Chimera." – Jon Anderson, The Beguiling

[Editor/Marketeer's Note: You can get Chimera for half price when you order Stigmata!]

• Plug: CBR's Comics Should Be Good presents Steve Ditko's earliest (by creation date) published story, with a nice shout-out to our Blake Bell Ditko books

Today's Online Commentary & Diversions:

• Review/Interview: It's baseball's opening day, and The Comics Reporter's Tom Spurgeon notes the occasion with his look at 21: The Story of Roberto Clemente and chat with the book's creator, Wilfred Santiago.

Spurgeon's comments on the book: "Santiago brings the same playful complexity to the story of the Puerto Rican baseball slugger and humanitarian that he's put on thrilling display in previous comics. Many of the pages are to die-for gorgeous, and Santiago routinely finds compelling visual solutions to communicating the physicality and grace of a player whose heyday was long enough ago we have more stories than film to go by. The insights into the man's personal life are perhaps even more engagingly portrayed. As biography, 21 is admirably restrained and leaves a lot to the reader's interpretation of what they're seeing on the page. It is a book bristling with intelligence that will bear re-reading in the same way that Roberto Clemente continues to invite our regard and admiration for his accomplishments on and off the field."

From Wilfred: "To an extent, that's Clemente. Clemente didn't waste much time. Everything was urgent to him. The pace of the book tried to capture that sort of non-pause, that sort of way of going forward without slowing down. He does have what you just said -- exuberance -- and that's such an important part of his life. So you approach it the same way. When you think about it, that's exactly the way he died, too. He could have slowed down."

• Plug: "A shooting star that brightened the game in the '70s, Roberto Clemente broke cultural divides and game records and grasps on just what a baseball athlete could accomplish inside a long-storied sport. Writer and cartoonist Wilfred Santiago brings a graphic novel [21] that details the bio of a beloved player still, decades after his abrupt death." – Mark Ruffin, Examiner.com

• Feature: At the Drawing Words & Writing Pictures blog, Best American Comics series co-editor Jessica Abel spotlights Anders Nilsen's Monologues for Calculating the Density of Black Holes as a 2010 Notable Comic: "Characters drift in and out, talking to the reader, beating each other up, and discussing philosophy in a way that makes you think Nilsen both believes and doesn’t believe this stuff. Really, it’s one of a kind. Except for Monologues for the Coming Plague, of course. But it’s funnier than that one."

• Plug: "In his comics, the Swiss illustrator [Thomas Ott], 44, usually begins with a pencil drawing, then copies it with tracing paper. Then transfers the image to black paper and scrapes with the aid of a stylus. Too much work? Yes, but the technique, known as scratchboard, impresses. Check out... a small sample of the new album [R.I.P.: Best of 1985-2004] — a selection of nearly 20 years of work by the author — and dare to disagree. The images are disturbing, but beautiful." – Telio Navega, O Globo (translated from Portuguese)

• An outtake from Werewolves of Montpellier, plus other illustrations and strips and more film reviews at Jason's Cats Without Dogs blog

• From Richard Sala, a classic strip (part 1, part 2) and a vintage illustration

• When Laura Park met Julia Wertz and drew some comics with her: portrait, part 1, part 2; also, a new sketch & new prints by Laura

• Sketches for book cover illustrations by Anders Nilsen

• One of our favorite Portlanders makes a guest appearance (of sorts) in the latest batch of Trubble Club strips (contributed to by some of our favorite Chicagoans)

• Johnny Ryan posted this on Flickr last week with no explanation — presumably a poster for a screening somewhere?

And more Things to See from the past week:

• Steven Weissman's latest "I, Anonymous" spot and some re-kajiggered Post-Its on his Chewing Gum in Church blog

• A new print by John Hankiewicz

• Andrice Arp posts a preview of her story in the new Pood and a bunch of stuffed stuff

• Artwork and sketches from Frank Santoro

• Recent sketches by Marco Corona

• Vintage Jim Flora artwork and illustrations at the Jim Flora blog

• Sketches by Mark Kalesniko for his new graphic novel Freeway at his blog

• Comic pages from Noah Van Sciver

• Drawings & sketches by Renee French

• "The Strangest Story You Ever Heard in Your Life" continues at Splog!, the Sergio Ponchione Lost Objects Gallery blog

• Daily storyboards & concept drawings from Dash Shaw at The Ruined Cast blog

• More new sketches by Tom Kaczynski at his Transatlantis blog (and news that some of his concert sketches are on exhibit)

The New Chicago Comics exhibit at MCA Chicago may be over but they still have a Busy Beaver Button vending machine dispensing buttons featuring artwork by the exhibiting artists: Jeffrey Brown, Lilli Carré, Paul Hornschemeier, and Anders Nilsen. Oh, me and my precious laundry quarters would soon be parted. (Via Lilli's Kettle of Fish blog.)