It's your Online Commentary & Diversions for the day:
• Review: "There is this old-fashioned comic feel that mixes so well with the overall theme and texture of this short. [In] Ganges #2... [Kevin] Huizenga's elegant neo-clear-line style brings a crispness and humor to these low-key slice-of-life stories, and the gray-blue duotone he has picked gives the art a new depth and complexity." - Hero Spy
• Plug: "I’m also trying Blazing Combat, the war comic collection from Fantagraphics. I don’t know much about the series, so this should expand my knowledge of a type of comic I’m not much familiar with." - Johanna Draper Carlson, Robot 6 "What Are You Reading?"
• List: Library Journal recommends Paul Hornschemeier's Mother, Come Home as one of "14 Graphic Novels Honoring Mothers" (in the "Loss" subcategory), calling it "An exquisitely written and beautifully drawn exploration of grief."
• Review: "The latest in this anthology series... is what you need to give your really smart adult friends who are starting to enjoy sequential art but don't want to begrime themselves with the whole superheroics rigmarole: Because this is an excellent collection of work (comprising the serious, the funny, the weird, the contemplative, the goofy, and other flavors sublime or ridiculous) by a variety of new artists and old... Give this Mome [Vol. 14] to someone you love; they'll be queuing up to buy the next iteration." - Wayne Alan Brenner, The Austin Chronicle
• Review: "...Supermen!: The First Wave Of Comic Book Heroes 1939-41 pulls together some of the goofiest, most innocent, most violent superhero comics ever penned... The forematter (a lovely, insightful, nostalgic essay by Jonathan Lethem) and the afterword (a collection of bibliographic and historical notes on each strip) make perfect bookends for the hot stuff in the middle. This is pure and unadulterated Id, the kind of thing that inspired a moral panic about the corruption of the young. It's every bit as potent today." - Cory Doctorow, Boing Boing
• Review: "Miss Lasko-Gross takes us into the skankiest basement makeout sessions of our teenage despair in [A Mess of Everything]... Her fictional stand-in figures out how to work the system and achieves redemption through beautifully ugly comics that aptly capture the darker hallucinogenic melodramas of teenage geekdom." - Richard Gehr, The Village Voice
• Review: "[A] wild and woolly collection of pre-Superman supermen... As Jonathan Lethem notes in his introduction, our appreciation for the bizarre otherness of these characters in retrospect suggests that our contemporary icons might well appear no less 'totally opaque and infinitely awkward' to future readers." - Richard Gehr, The Village Voice (same link as above)
• Review: "Rory Hayes was nuts. I mean, really, truly insane... Hayes was tapping into a rich vein of paranoia and insanity that was truly disturbing... Rory Hayes work has the authentic voice of a true outsider artist, a genuine madman in a world full of posers... Where Demented Wented... is a fascinating collection and well presented. Recommended." - Colin Upton, Inkstuds
Upcoming Anders Nilsen Pictures of Dirt and Grass Opening Saturday, April 18, 2009 6:00 - 9:00 pm
Closing brunch Sunday, May 3, 2009 12:00 - 3:00 pm
RAFT Curated Installation by Laura Shaeffer + Rachel Tredon
Finestra Art Space Friday, February 13, 2009 5:00pm - 9:00pm 410 S. Michigan Avenue Suite 516 Chicago, Illinois 60605-1456
The Home Gallery in Hyde Park has been invited to do a show at Finestra Gallery in downtown Chicago. Artists include: Conrad Freiburg, Katrin Asbury and Shawn Greene, Casey Roberts and DeeDee Davis, Rose DiSalvo, Doug Shaeffer, Anders Nilsen, Nora Mapp, Jesus Mejia, Dax Tran-Caffee, and Andrew Nord.
• Review: Brix Picks' Book of the Week is The Chuckling Whatsit by Richard Sala, which they say "is one of those books that I revisit regularly because it's just so fun to read."
• Review: Bookopolis gives Unlovable Vol. 1 by Esther Pearl Watson 4.5 stars: "This book is so much fun - it kept me laughing for hours. Not only is the dialogue hilarious but the drawings themselves are really hysterical."
• Review: The Walrus, running down all of this year's Doug Wright Awards nominees, looks at Hall of Best Knowledge by Ray Fenwick: "...Fenwick’s skill with design renders the handwritten words adaptable and full of stubborn character, turning them into a cocky little world of their own."
• Preview: Holy Heroes on our solicitation for The Wolverton Bible: "Now this is exciting... as someone who's a fan of the weird, the religious, and the weird religious, [this book] is more than welcome news."
• Review: Comics Waiting Room on Ho! The Morally Questionable Cartoons of Ivan Brunetti: "...[I]f the material printed Ho! had been created in, say, Soviet Russia, Ivan would be the biggest star in the gulag. As it is, he’s one of the most twisted and funny motherfuckers putting pen to paper right in the U.S. of A. And I’m damned proud he’s one of us... Brunetti’s latest work is as strong as ever, and maybe even sicker. He’s an amazing cartoonist, and I respect his work immensely, even when some of it makes me queasy… especially if it makes me laugh then feel queasy."
• Reviews: The "What Are You Reading?" column at Robot 6 includes Tom Bondurant on Gilbert Hernandez's Heartbreak Soup ("At first I was afraid that Beto was introducing so many characters I wouldn’t be able to keep up with them, but the deeper I go into the book the better he manages everyone. The writing reminds me of Will Eisner’s slice-of-life stuff from his later career..."), Tim O'Shea on The Complete Peanuts 1969-1970 ("The intro by Mo Willems is great insight into what appealed to many about the series..."), Chris Mautner on A Mess of Everything by Miss Lasko-Gross ("[It] shows a good deal of progression [from Escape from "Special"], both in terms of storytelling and artistry"), and Jeff Lester on The Comics Journal Library Vol. 6: The Writers ("for which a more accurate title might have been 'Gary Groth Browbeats Bewildered Comics Writers'")
• Preview: Urban Aesthete looks at the forthcoming Abstract Comics anthology
• Profile: The Seattle Weekly, previewing Jaime's visit to Seattle, nicely describes Love and Rockets: "It’s a mutable universe that skips between characters at older and younger stages of life, where buxom pro wrestling queens, spaceship mechanics, and touring hardcore bands buoyantly intersect. No one stays lost for long; no grievance goes unforgotten; and deep-fried jungle slugs forever remain a delicacy."
• Review: For Robot 6's "What Are You Reading?" column, guest contributor Kevin Church says of Sam's Strip, "It was either going to be the biggest success in the world or end within two years. Since it’s all collected in one volume now, you can likely work out how it went down."
• Review: Las Vegas Weekly gives Sam's Strip 4 stars: "How on earth did Sam's Strip... fail to set the funny pages on fire back in 1961...? The answer -- provided through this complete collection of 500 strips -- is that the time just wasn't right. Well, it's certainly right now."
• Review: Thought Balloonist Charles W. Hatfield examines Bottomless Belly Button by Dash Shaw: "Shaw is very good and getting better... With Bottomless Belly Button he has pulled off something remarkable: a 700-plus page book that doesn't feel like a stunt but rather is perfectly proportioned, intimate, and subtle, a privileged entryway into a private world that nonetheless feels universal in its emotive resonance and applicability... Bottomless Belly Button has depths. It evokes the power of memory and the phenomenal richness of ordinary experience with the sort of Proustian precision of observation and recall that alternative comics have been chasing since Spiegelman."
• Review: The title of The Washington Post's Express Night Out review of The Complete Peanuts 1971-1972 makes what is surely the first reference to Spin¨al Tap in a Peanuts review. From the review: "[These] volumes... are a spectacular tribute to Schulz's work... References to Bob Dylan's age aside (one strip mentions his 30th birthday — yikes!), Peanuts remains surprisingly fresh and timeless. Although Charles Schulz wrote these strips over 20 years ago, the ongoing popularity of the made-for-TV holiday specials... means that the Peanuts gang continue to remain relevant in popular culture. It would be a pity, however, to relegate Peanuts to special occasions only — Schulz's work should and can be enjoyed all year round."
• Review: Sacha Peet says "I finally read Unlovable by Esther Pearl Watson the other day. I love it. The drawings are great, and the life of Tammy Pierce is enthralling."
• Review: For The Savage Critics, Sean T. Collins says The Last Lonely Saturday by Jordan Crane is "pretty much the best love story in comics form I've ever come across... It's an intelligent, moving, beautiful, terrific little comic."
• Review: Rob Clough says that Beasts! Book 2 "mingles myths, warnings, fairy tales, correctives, and genuinely unexplained phenomena and allows its artists to run with them. The end result is a consistently beautiful, lovingly assembled book that forms a kind of metacommentary on the entire notion of the fantastic."
• Review: The SF Site's "Nexus Graphica" says R. Crumb & David Zane Mairowitz's Kafka is "a terrific guide to Kafka's life and work — Mairowitz deftly sums up Franz' family/Jewish/pre-Holocaust European experiences and influences, and Crumb's heavy inkings lend the exact tones of darkness to recreations of both Kafka's life — and work." (See sidebar)
• Preview: The First Post presents a slideshow of images from Humbug, saying "the short-lived Humbug [was] an exquisite satirical work that, over its 11 issues, routinely equalled MAD in its displays of creative genius... providing a level of trenchant satire that was almost unheard of at the time."
• Preview: Bryan Munn, in "hyping" The Complete Peanuts 1971-1972, states "Now that two whole decades of Peanuts have been reprinted in the deluxe hardcover format published by Fantagraphics and designed by Seth, we can really get a sense of what a huge achievement this project is and will continue to be for a generation."