This month's Diamond Previews catalog is out now and in it you'll find our usual 2-page spread (download the PDF) with our releases scheduled to arrive in your local comic shop in April 2013 (give or take — release dates are likely to have changed since the issue went to press). We're pleased to offer additional and updated information about these upcoming releases here on our website, to help shops and customers alike make more informed ordering decisions.
(Retailers! These updates are also available in a new monthly email newsletter especially for you. If you're not already getting it and would like to sign up, contact us and we'll add you to the mailing list! And don't forget, we have a ton of digital resources which are at your disposal for your website and social networks, which you can learn more about here.)
Floyd Gottfredson’s Mickey Mouse series makes the jump from black and white to vibrant color. Many of these classic Sunday strips from 1932-1935 have never before been reprinted and have been restored from Disney’s archives and enhanced with a meticulous recreation of the strips’ original color. Call of the Wild also brings you more than 30 pages of supplementary features such as rare behind-the-scenes art, vintage publicity material, and fascinating commentary by a prismatic pack of Disney scholars. This is a collection that fans have been seeking for a lifetime!
Continuing our ongoing commitment to keep the canonic Complete Crumb Comics series available, we reprint two of most often- demanded volumes. Vol. 5: “Happy Hippy Comix” spotlights the period from late-1967 through 1969, including the second issue of ZAP Comix, the introduction of Angelfood McSpade, Mr. Natural, a long Fritz story, an alternate version of the Cheap Thrills album cover, and more! Vol. 8: “Starring Fritz the Cat” covers the years 1971-1972 and features one of Crumb’s most notorious comics, “The Death of Fritz the Cat,” as well as “Whiteman Meets Bigfoot,” the complete Big Ass #2 and Mr. Natural #2, wild jams and loads of photos!
Fantagraphics proudly presents 20 years of Love And Rockets covers collated in full-color, virtually all of them without logos or cover text for maximum visual impact so the viewer can better appreciate these iconic images created by Gilbert and Jaime Hernandez. With over 150 classic covers, this will be a gorgeous, oversized art book and the perfect gift for fans of the series that virtually defines alternative comics.
From the author of Bottomless Belly Button comes a stunning new graphic novel set in a fantastical amusement park. New School follows a teenage boy’s search for his brother, which leads at first to wonderment and delight but ultimately to alienation and disillusionment. Unlike anything in the history of the comics medium, New School is at once funny and deadly serious, easily readable while wildly artistic, personal and political, familiar and completely new.
This one-shot comic book will feature three all-new, full-color short stories that explore var- ied dystopian societies. From a Sherlock Holmes-style investiga- tor who must complete his high school degree to filmed ‘volun- tary’ nudity to prison camps full of jaded children, Shaw pens each story with his signature style and unique spin, all in 32 pages.
Stephen Dixon’s first novel in five years is an intimate exploration of the interior life of a husband who has lost his wife. His Wife Leaves Him is Dixon’s most important and ambitious novel, featuring his tenderest and funniest writing to date, and represents the stylistic and thematic summation of his writing life.
Over 200 pages of never- before-reprinted work from Golden-Age-Of-Comics legend Bill Everett. Spanning the years 1938- 1940 and culled from such magazines as Amazing Mystery Funnies and Amazing-Man Comics, Heroic Tales features vintage characters such as Amazing-Man, Hydroman, Skyrocket Steele, The Chameleon plus many more. This is a stunning companion to Fantagraphics’ critically acclaimed 2010 Everett retrospective, Fire and Water, and features beautifully restored, full-color stories plus an introduction about the man, his art, the history of the era, and his relationship with Marvel Comics.
Assembled from work done in Anders Nilsen’s sketchbooks over the course of the year following the death of his fiancée, The End is a collection of short strips about loss, paralysis, waiting and transformation. Originally released in magazine form, The End has been updated and expanded to more than twice its origi-nal length, including a 16-page full-color section.
An anachronistic parable for the convulsive elite — now in paperback. Meticulous, strange, and hauntingly beautiful, this evocative and enigmatic book will ensure the inquisitive reader a spleenful of cerebral serenity that will take exposure to vast quantities of mediocrity to dispel.
The cuddliest cat at the shelter of Online Commentaries & Diversions:
• Review:Body Literature reviews The Last VispoAnthology: Visual Poetry 1998-2008 edited by Nico Vassilakis & Crag Hill. Stephan Delbos writes "The Last Vispo Anthology is strange. It is also challenging, eclectic, confounding, erudite, punchy, and, by turns, beautiful. . .overall there is an elegiac note to this anthology, which extends from the title to the feeling, put forth by several of the essays, that visual poetry is facing a turning point.. .visual poetry is the bastard hermaphrodite of arts and letters. In a good way."
• Review:David Fournol looks at The Cavalier Mr. Thompson by Rich Tommaso, a rough translation states, "Exemplified by its beautiful design and the use of only two colors gives the book a slightly dated, authentic look. . . Describing and illustrating people's lives is a major talent of Rich Tommaso's. It is a process that has already been perfected in another of his works. . ."
• Review:Los Angeles I'm Yours gets Barack Hussein Obama by Steven Weissman in a big way. Kyle Fitzpatrick says, "The novel follows a gangly Barack Hussein Obama who is a constant prankster and has absolutely no manners. . . It’s a dark world and Obama is the smarmy asshole king. . . It’s a great pre-election graphic novel with some great, dark laughs."
• Review:Comic Book Resources and Tim Callahan looks at two books from the 'W' section of his library.Barack Hussein Obama by Steven Weissman "seems part of a larger movement (from IDW's Artist's Editions to years of Kramers Ergot) to signify the artwork as the end result rather than as a means of producing an end result. . . And Weissman's work demands ingestion and interpretation rather than declaration. Oh, it's good, too, if that has any meaning after all that abstraction." On Wallace Wood's Came the Dawn from the EC Library, Callahan posits, "This is a serious-looking, important comic, for serious-minded, important people. This isn't some lascivious spectacle. Heck, there's only one female on the cover, and she's facing away from us. No one is carrying around any chopped-off heads or limbs. There's no blood anywhere. No shrieking to be seen."
• Plug: Chris Mautner of Robot 6 looks through our next season catalog. The Endby Anders Nilson, I tend to consider this book. . . to be his best work to date, an absolutely shattering and deeply moving account of dealing with loss and grief." On The Cabbie Vol. 2by Marti, Mautner mentions, "Oh man, I seriously love me some Cabbie. I don’t think the first volume exactly sold like hotcakes, but I’m glad to see their continuing on with Marti’s ultra-dark Chester Gould homage." In reference toStorm P.: A Century of Laughter: "Kim Thompson is going to school us all in the world of Eurocomics or die trying. I, for one, am always eager to learn, however. This coffee-table book features the work of Danish gag cartoonist Robert Storm Petersen, whose work is reminiscent of O. Soglow and other New York cartoonists from the same era."
• Plug:Boing Boing covers a few of their favorite books. Mark Frauenfelder enjoyed flipping through Weird Horrors and Daring Adventuresby Joe Kubert, edited by Bill Schelly. "Best known for Sgt. Rock,Tarzan, and Hawkman in the 1960s and 70s, this anthology of Kubert's 1940s work reveals his versatility in a variety of genres, including horror, humor, and romance." In regards to the Is That All There Is? by Joose Swarte Frauenfelder admits, "I prefer his work over Hergé's (don't shoot me). This anthology of Swarte's alternative comics from 1972 showcases his famous clean-line style that makes reading his work a pleasure."
• Review: Jason Sacks of Comics Bulletin interviews Justin Hall, editor of No Straight Lines, on queer comics, teaching comics and preserving history. Hall says, "I think in general the queer comics underground is – if you could categorize it with anything, there is a directness and honesty to the work – a real rawness that's quite impressive. I think that comes out of the feminist underground comics: Wimmen’s Comix, Tits and Clits, etc."
• Review:Gay Comics List talks about No Straight Lines, edited by Justin Hall. Francois Peneaud says, "Hall wisely chose to follow a (more or less) chronological path instead of anything fancier, but that doesn’t mean he has nothing interesting to say, far from it. The tension between specialized comics (by which I mean comics made by and for a specific group of people) and mainstream audience, the evolution from the urgent need for visibility to the creation of complexified issues and characters, all these and more are covered in a few pages."
• Review: Editor Kim Thompson speaks to World Literature Today about translating Nicholas Mahler's Angelman and other books in the Fantagraphics library. "Humor is far more difficult to translate than anything else. If you translate a dramatic sequence and your words or rhythm aren’t quite right, it still can work."
• Review:Page 45 enjoys Special Exits by Joyce Farmer. "No punches are pulled, this is life, specifically the twilight years and subsequent demise of elderly parents, told with such honesty, candour and compassion that I actually find myself welling up again as I'm typing this. . . SPECIAL EXITS becomes a testament to the human spirit and the value of a positive outlook on life, especially in one's latter years when faced with failing health," says Jonathan.
• Review:The Comics Reporter enjoys Buz Sawyer Vol. 2: Sultry's Tigerby Roy Crane. Tom Spurgeon says, "To get the obvious out of the way, this book has some almost impossibly beautiful cartooning in it. Even for someone like me that finds the basic visual approach of Buz Sawyer less thrilling than the more rugged, crude cartooning of Crane's Wash Tubbs work, there are several panels of stop and whistle variety."
Before there was Mome, before the current explosion of small-press anthologies, there was Blood Orange, the short-lived mid-'00s series edited by Chris Polkki which gathered rising stars of the art-comics scene in four distinctive, beautifully designed 48-page issues. Blood Orange captured the pulse of alt-comics circa 2004-2005. We recently recovered a small quantity of shrink-wrapped packs of all 4 issues from the distributor, and we're now offering them via mail-order for the special low price of $17.85 — that's 3 issues for the price of 4! (You can also get the individual issues for $5.95 each.)
In the first issue: Nicolas Mahler, Rick Altergott, Michael Kupperman, Lauren Weinstein, Typex, David Collier, Maaike Hartjes, Allison Cole, Tobias Tak, Dan James, Marc Bell, John Hankiewicz, Matthew Thurber, Kevin Huizenga, Ron Regé Jr., a sketchbook from Gary "Teacher's Pet" Baseman, and covers by Andrew Brandou.
The second issue continues to encourage experimentation, pushing the medium in new directions. Look for innovative stories from groundbreakers such as Archer Prewitt, Rebecca Dart, Chris Wright (with a full-length 18-page story), Ron Regé Jr., Jeffrey Brown, Matti Hagelberg, Lauren Weinstein, Cole Johnson, Helge Reumann, and Fabio Viscogliosi, along with drawings by Renee French... all wrapped in a lovely cover designed by the one and only Steven Weissman.
The third issue of this always-surprising quarterly anthology series features European cartoonists Pakito Bolino and Caroline Sury (of France's Le Dernier Cri), Ulf K., Alex Baladi, Nicolas Mahler, Olaf Ladousse, and Fabio Zimbres; as well the homegrown talents of Anders Nilsen, Renee French and Ben Jones (Paper Rad). Also includes a brand-new 11-pager by Jeffrey Brown! With an eye-popping cover by French illustrator Olivier Douzou.
Blood Orange #4 wraps up the series with exclusive new stories by Brian Ralph, Lark Pien, Tobias Tak, Rebecca Dart and Ted May. Covers by Lark Pien.
The most delicious comic-con ever debuts this weekend, Saturday, June 16th and Sunday, June 17th... Introducing CAKE: the Chicago Alternative Comics Expo, a weekend-long celebration of independent comics, inspired by Chicago’s rich legacy as home to many of underground and alternative comics’ most talented artists!
While Fantagraphics won't be tabling there ourselves (sob!), many of our wonderful artists will be there, as featured guests, panelists, exhibitors, or probably just walkin' around somewhere.
And check out these panels with our Fantagraphics artists! Why, it's the icing on the... okay, I'll stop:
• Crude and Rude: Comics and Vulgarity: featuring Ivan Brunetti , Lisa Hanawalt, Hellen Jo and Onsmith, moderated by Josh Reinwald and Justin Rosenberg (Sponsored by Quimby’s Bookstore)
• Jeffrey Brown Makes a Minicomic: Jeffrey Brown makes a minicomic in 1 hour!
• Double Vision: Comics and Animation: with a Q&A featuring Jo Dery, Jim Trainor, Amy Lockhart and Marc Bell, presented by the Eyeworks Animation Festival (Lilli Carré and Alexander Stewart)
• Start a Micropress: featuring Sarah Becan, Austin English, Jesjit Gill, Annie Koyama, Greg Means and Caroline Paquita, moderated by Zak Sally
• Comics In Chicago: The Past 10 Years (Sponsored by the Chicago Independent Radio Project - CHIRP): featuring Ezra Claytan Daniels, Lyra Hill, Paul Hornschemeier, Robin Hustle and Jeremy Tinder, moderated by Edie Fake;
• Queer Communities, Queer Anthologies: featuring Justin Hall, Robert Kirby and Annie Murphy, moderated by Noah Berlatsky (Sponsored by Little Heart, a Comic Anthology for Marriage Equality)
• Violent Line: Mark-Making and Meaning: featuring Anya Davidson, Charles Forsman, Patrick Kyle, Grant Reynolds, Conor Stetchschulte, Lale Westvind and Mickey Zacchilli, moderated by Noel Freibert
• Real Life: A Roundatable on Women and Graphic Autobiography: featuring Rina Ayuyang, Lucy Knisley, Keiler Roberts, Marian Runk, Leslie Stein, Julia Wertz
CAKE will be held at the Columbia College of Chicago's Ludington Building [ 1104 S. Wabash (8th Floor) ] from 11 AM to 6 PM. It is free and open to the public. Go, and give our artists a hug and your money.
Chicago, you've got one hell of an awesome weekend coming up. Kick things off on Friday, June 15th with the opening reception for a new exhibit from Anders Nilsen at the Elmhurt Art Museum.
Titled Adam and Eve Sneaking Back Into the Garden to Steal More Apples, the show will mostly be drawings, and includes the largest drawing Anders says he's probably ever done, a 5' x 8' leviathan.
Anders will also debut a 28'-long handmade accordian book called Rage of Poseidon. He explains, "The book compiles a number of stories adapted from my sketchbooks, all stories of familiar gods and angels, including ones about Isaac and Abraham, the Devil, Leda and the Swan, and one where Jesus tries to pick up Aphrodite in a bar." Visit Anders' blog for more details about the show, and some behind-the-scenes photos.
Join him for the opening reception this Friday night at 6:30 PM, and make a return visit on Friday, August 17th for a slideshow presentation and artist talk with Anders.
The Elmhurst Art Museum is located at 150 Cottage Hill Ave. in Elmhurst, Illinois, right outside Chicago.
Tonight, Friday, April 13th, they'll be hosting the CBLDF/THREADLESS C2E2 Fashion Show Welcome Party, launching a colossal new "Comics-On-Tees" collection featuring artwork by Jeffrey Brown, Anders Nilsen, Paul Hornschemeier, and Jeff Lemire, based on a story from Jeffrey!
Raffle prizes will include a plethora of awesome Threadless swag, including original retail art, and great CBLDF items, including classic signed comics, exclusive prints, and more! Giant games of Mario Kart will be projected for attendees to play, with a guest DJ providing non-stop music, getting you in the mood for a weekend of comic con revelry. There will also be a “drawing wall” for ongoing Live Art throughout the night and plenty of beer, wine, and popcorn from the famous Threadless popper.
To top it all off, THREADLESS and CBLDF will announce a major project for 2012, expanding their fundraising partnership and creating something awesome for comic fans of every stripe.
The CBLDF/THREADLESS C2E2 Fashion Show Welcome Party kicks off at 9:00 PM at The Threadless Atrium [ 1260 West Madison, Chicago ]. Free for card carrying CBLDF members, with a $20 suggested door donation for non-members. Sorry kiddoes, 21 and up only!
• List: Moto Hagio's The Heart of Thomas tops Deb Aoki's list of the Most-Anticipated New Manga of 2012 at About.com Manga: "This 3-volume story from 1974 has been on many manga connoisseur's wish lists for years, so it's a real joy to see that Fantagraphics will be publishing the entire saga in English in one volume."
• List/Review:Manga Worth Reading's Johanna Draper Carlson ranks Wandering Son the #2 Best New Manga of 2011 and recommends Volume 2 in her review: "Shimura Takako’s young figures are adorable. They look unspoiled, with their future ahead of them, which puts their struggles into greater relief.... Translator Matt Thorn’s essay at the back of this volume addresses the issue of being 'Transgendered in Japan' directly, providing valuable information on cultural context, as well as warning us that the children’s lives may be very difficult in years (and stories) to come. There is no more handsome manga than Fantagraphics’ presentation of Wandering Son."
• List:Forbidden Planet International asks comics creator Martin Eden his 3 favorite comics of 2011: "My attention had been waning a bit with the Love and Rockets comics, and then 2010′s Love and Rockets [New Stories] 3 came out and it blew my mind – it was one of the most incredible things I’ve ever read. So much so, that I found myself re-reading the entire series and tracking down all the issues I’d missed. This year’s Love and Rockets[New Stories] 4... was still utterly mind-blowing, and Jaime Hernandez is producing the best work he’s ever done, in my opinion."
• Review: "One of comics revered masters gets a fresh new reprinting [Walt Disney's Donald Duck: Lost in the Andes ] worthy of his work and accessible to kids.... This volume finds [Barks] at a creative peak, combining the bold adventuring of Tintin with the wisely cynical view of human weakness of John Stanley.... Donald is an everyman of frustration whose life is one big Chinese finger trap—the harder he fights, the harder the world fights back.... Despite the dark undertones, the comic expressions and dialogue is still laugh-out-loud funny. A wonderful project that should put Barks’s name in front of new generations of admirers." – Publishers Weekly (Starred Review)
• Review: "This exceptional first volume of the collected adventures of Pogo Possum should remind readers of the substantial legacy left behind by Kelly.... The volume is beautifully put together, including excellent insights into Kelly and his work... One only needs to get a short way into the adventures of Pogo and his pals in Okefenokee Swamp to recognize the impact Pogo has had on so many cartoonists... With Pogo Possum and [his] supporting characters..., Kelly was able to blend hilarious humor, exceptional storytelling, keen political satire, and brilliant wordplay into a strip that could be appreciated both by children and adults. The more one reads this volume, the clearer picture one has of Kelly as comics’ answer to Lewis Carroll, with Alice having changed into a possum and left Wonderland behind for a swamp." – Publishers Weekly (Starred Review)
• Review: "The Art of Joe Kubert contains extensive commentary by Bill Schelly that contextualizes Kubert's work with the development of comics as a medium. ...[I]t's an informative and briskly engaging essay. In reviewing the vast panorama of Kubert's eight-decade career, The Art of Joe Kubert allows readers previously unfamiliar with the artist to share an appreciation of his abiding interest in human nature (as opposed to just superhero theatrics) through a surprising variety of storytelling styles and subject matter. Kubert's great influence on other cartoonists came from the way he embraced the comics medium as a whole, instead of just a particular niche or character type." – Casey Burchby, SF Weekly
• Interview:The A.V. Club's Sam Adams chats with Jack Davis: "I’ve said this many a time; I’ll tell it again. When I was going to kindergarten, and that’s a very young age, my mother used to walk me to school. I would go up past a chain gang — that was the old days when the prisoners wore stripes and everything — and I saw that. I would go to kindergarten, and they’d put a piece of construction paper in front of me, and crayons, and I did, probably, a stick figure, but I put stripes on him. And from that, they thought I had talent. My mother thought I was great. And from then, I’ve always drawn. Drawn pictures. I love to draw cartoons."
• Interview:Nerve gets sex advice from a trio of cartoonists including Rick Altergott — "If you want to talk about inking brushes or pens or what kind of paper or even something as broad as 'who's your favorite cartoonist?' 'Do you know Robert Crumb?' 'Do you know the Hernandez brothers?' Once you get the answer, you can fine-tune it from there. Before you know it, you're probably going to end up in bed." — and Anders Nilsen
• Plugs: The fine folks at L.A.'s Secret Headquarters are posting their staff gift suggestions: Julie recommends Leslie Stein's Eye of the Majestic Creature ("Good for: Anyone with an overactive imagination; fans of whimsy and good times") and Malachi suggests The Cabbie Vol. 1 by Martí ("A European (and comically sordid) take on the American crime genre") and Walt Kelly's Pogo Vol. 1 ("The essential collection of Pogo – A comic that expertly integrates social satire into the daily newspaper format")
• Seattle, WA: It's also your last chance to see the Short Run Art Show at the Fantagraphics Bookstore & Gallery! Curated by Kelly Froh, the exhibit features original comix art, illustration and book works by Max Clotfelter, Patrick Keck, Martine Workman, Elaine Lin, Jason T. Miles, Chris Cilla, Andrice Arp, Tim Root, Billis Helg, Marc Palm, Eroyn Franklin, Tom Van Deusen, Tim Miller, Tory Franklin, Jesse Reklaw, Sean Christensen, and Erin Tanner. (more info)