All the proofs have been approved and on press right now is our latest collection of Basil Wolverton's work. Archiving every "Culture Corner" strip ever printed alongside every extant original sketch for each of those strips, this book is a fascinating document of the artist's process. It also inlcudes a large number of rejected or otherwise-never-printed sketches for the strip, as well as Wolverton's hand-written log of these things.
In short, it's all very incredible.
Culture Corner was a lot of fun to work on and I'm once again grateful to Monte Wolverton for trusting me so fully with the task of designing a book of his legendary father's work.
• List: On her Pop Candy blog, USA Today's Whitney Matheson gives The Brinkley Girls the #10 spot on her Top 10 comics/graphic novels of 2009, saying "this beautiful book introduced me to a new heroine: Nell Brinkley, an early 20th century newspaper cartoonist. Her drawings of flappers and glamour gals are sexy, strong and ahead of their time. I can't believe I hadn't seen her work before, but I'm so thrilled to know it now." Matheson also lavishes praise on Lilli Carré, who "continued making must-see work" and lands at #69 on Matheson's Top 100 People list, and whose book from Little Otsu lands at the #2 spot on the comics Top 10.
• Review: "The Wolverton Bible... is -- no pun intended -- a revelation. Though his serious work is a bit stiffer and more restrained than the Wolverton art you might be used to, it's more powerful. ... What sets [the drawings in] The Wolveton Bible apart from Crumb's Genesis... is that they come from a true believer. ...Wolverton's drawings have an intensity and sincerity that reveal something connecting him to those stories in a way Crumb just can't duplicate." – Will Pfeifer, "Books of the Year"
• Review: "...[Supermen! is] magical, memorable [and] just plain wonky... The stories range from action-packed to barely-sensible, but they all have a crazed energy you just can't fake. ... They read like the sort of stories imaginative kids would think up -- which might be why they appealed so much to kids in the first place." – Will Pfeifer, "Books of the Year"
• Review:The Hooded Utilitarian's critical roundtable on Ghost World continues with Richard Cook: "The most appealing aspect of Ghost World was the main characters, Enid and Rebecca. And much of their appeal is due to how effectively Daniel Clowes panders to a specific demographic that I belong to: geeks."
• Plug:The Beat's Heidi MacDonald, picking up on Tony Millionaire's Billy Hazelnuts and the Crazy Birdsneak peek, comments "In all the talk about comics for kids recently, we’re probably very bad for not mentioning Millionaire’s non-child-averse work more prominently. His work is not for the faint-hearted, but children generally prefer tales that are not faint-hearted." Right on.
• Plug: "Portable Grindhouse: The Lost Art of the VHS Box... is a fetishized art object/coffee table-style compendium of great VHS jackets, ranging from the campy to the sleazy to the so-bad-it's-good. Highly recommended as a gift idea for the B-movie lover on your holiday shopping list." – Audrey Hendrickson, The SunBreak
• Interview:Walrus Comix, who say "Not only is [The Pain — When Will It End?] the funniest comic strip ever, but, well, that’s it: it’s the funniest comic strip ever," talk to the strip's creator, Tim Kreider, who says, among many things, "I don’t know why you’d want to be a cartoonist if you didn’t enjoy drawing funny, cool things. If I had to draw an entire graphic novel of people sitting around talking I think I’d hang myself." (Via Journalista)
• Things to buy: Folks in Portland this weekend can purchase handmade arts-n-crafts from Andrice Arp and a bunch of other Portland artists at the Creative Creatures Bazaar at Cosmic Monkey Comics, reports Andrice on her blog
Attention critics, bloggers, and pundits! If you are putting together your own Best of 2009 list and need to be reminded which of your favorite Fantagraphics releases were released this year, by all means use our complete and up-to-date 2009 Releases section as your guide. And then when your list is posted we will include it in a future installment of Online Commentary & Diversions such as below:
• List: At Chicago Now, Marissa Meli names her top 8 Worthiest Comics and Graphic Novels of 2009; at #8: "Besides having a title worthy of naming your hipster band after, You Shall Die by Your Own Evil Creation! was way before its time; a freak-out in the middle of the white bread Golden Age. ... With a magical space wizard, the Leopard Women of Venus, and Zomax, the Demonized Marine Scientist on your shelf, you may not buy another comic book."
• Review: "...[The Great Anti-War Cartoons] offer[s]... a feast of great early 20th century illustration. There are a few recognizable names here, like Winsor McCay and Art Young, but a number of great discoveries as well..." – Chris Mautner, Robot 6
• Review: "[Weathercraft] is a wordless story about strange creatures in a strange world. ... With an open mind you are sucked into a surreal world that is both a dream and a nightmare of geometric chickens, tornadoes of eyes, harp-playing frogs... It is an immense mental gut-punch. 6 out of 6 stars" – Lærke Pickering Thomasen, Geek Culture (translated from Danish)
• Review: It's rare for me to editorialize here, but I found Alan Bisbort's comments on The Wolverton Bible in the Hartford Advocate to be seemingly disregardful of the actual contents of the book
• Review:The Hooded Ultilitarian's critical roundtable of Ghost World continues, this time with guest writer Charles Reece: "If I’m correctly following iek’s Lacanese, this wide-scale commercial co-optation of not just the aesthetic Sublime, but pretty much anything that once gave off a sense of 'authenticity,' has resulted in our no longer being able to identify ourselves in relation to these (formerly) Master Signifiers."
• Plug: At Comics Alliance, Douglas Wolk declares Gahan Wilson: Fifty Years of Playboy Cartoons "Your high-end gift item of the week... It's extraordinarily nicely designed (by Jacob Covey) — three hardcover, full-color volumes in a slipcase with a few other ingenious design fillips inspired by the macabre comedy of Wilson's cartoons."
• List:Details magazine names Ghost World #10 on The 25 Greatest Gen X Books of All Time: "This caustically funny duo-tone tale follows the iconic cat-eyed adolescent Enid Coleslaw in her quest to find meaning, or at least cruel humor, in an age where everything's disposable."
• Review: "Strange Suspense collects dozens of Ditko stories from the 1950’s... Almost a decade before Ditko moved to Marvel, these stories bear his unmistakable style. His fine line work and flair for the abstract that would serve him so well on Doctor Strange particularly, is on full display. ... If you only know Ditko for his work at Marvel or later at DC, here is the chance to explore Early Ditko, unconstrained by editors or the Comics Code. While all of this work is marvelous, clearly Ditko is best at home in horror where he could let his imagination run wild, creating monsters and demons and the things that go bump in the night. Rediscover Ditko today!" – Tim Janson, Newsarama
• Review: "Brian Kane, author of the [Definitive Prince Valiant] Companion and surely the world’s foremost authority on the strip and its creator, Hal Foster, has once again done a herculean amount of work, and Fantagraphics has once again clothed that work in a sturdy, pretty volume. Prince Valiant hasn’t been treated this well since the ersatz King of England sang his praises. Those unfamiliar with the character – a young man who finds adventure, fame, and even love at the court of the legendary King Arthur – will find here all the background information they could ever want... But even long-time Prince Valiant fans will find plenty to fascinate them in this volume." – Khalid Ponte, Open Letters
• Review: "Delphine is a morbid interpretation of the symbology of fairy tales resounding with echoes of unrequited love and abandonment. This is perhaps Sala’s darkest and most intricate story ever – impressive in its nuance and ever shifting emotions. One can only hope that it is not ignored." – Ng Suat Tong, The Comics Journal
• Interview: From TCJ.com: "Every weekday from now until December 25, we’ll be posting a conversation between cartoonists from The Comics Journal #300, complete and online! In today’s installment, it’s a chat between L’Association publisher Jean-Christophe Menu and Kramers Ergot publisher Sammy Harkham."
The latest cartoon artist to get the t-shirt treatment from streetwear giant Stüssy (following the likes of Jaime Hernandez & Peter Bagge): Basil Wolverton! There's a big feature with an interview with Basil's son Monte right on the Stüssy website right now (no permanent link, though, since it's all Flash-based). Found via Tee Shirt Blog (en Français). Totally tubular!
• Review: "[Gilbert] Hernandez's latest solo work The Troublemakers is the second in a series of self-contained graphic novel 'B-movies,' featuring one of his recurring characters, the cannonball-breasted Rosalba 'Fritz' Martinez. Here, Fritz plays Nala, one of a trio of hustlers trying to hook up with 200,000 smackers. Whether the money actually exists and who has it are anyone's guess in this drama-filled thriller — good for folks who like their graphic novels grim, gritty, and sleazy." – Brad Buckner, Portland Mercury
• Review: "Strange Suspense [The Steve Ditko Archives Vol. 1]... is an absolute treat! ...[T]his book looks amazing. ...[It's] filled with images that will remain seared into your psyche long after you’ve put it down. ... Strange Suspense is an absolute must have for any student of sequential art history... It’s an excellent collection of long lost work from a man whose importance cannot be overstated. There’s really no other grade to give it than an A." – Chad Derdowski, Mania.com
• Review: "Wolverton is helped [in The Wolverton Bible]... by his bold compositional sense, which aids in pushing some of his images beyond the doldrums of camp and into a certain monumentality, a grandeur that retains a shabby earthiness, without being lofty, hollow or pretentious. Without being, in a word, 'churchy.'" – Chris Lanier, The Comics Journal (beta)
• Review: "Johnny Ryan’s Prison Pit is probably as close as comics are likely to come to exploitation cinema. Like the best exploitation dreck from Texas Chainsaw to Death Race 2000, Prison Pit is pure, bottom-dwelling schlock... And yet, again as with exploitation fare, the single-minded commitment to vileness is so perversely pure that it goes right past lowest-common-denominator entertainment and on into snooty, fancy-pants art. ... Ryan’s world is essentially Waiting for Godot, from the bleak landscape to the slapstick violence." – Noah Berlatsky, The Comics Journal (beta)
• Review: "Although the five stories in Low Moon appear to have very little in common, the glue that holds them together is Jason’s sublime artwork, a clear line approach inspired by Hergé (and dozens of other influences), and the artist’s consistent application of certain stylistic techniques and visual tropes. ... He is an artist who understands the mechanics and timing of visual storytelling, and his highly simplified style has a grace and elegance that makes it aesthetically appealing." – Marc Sobel, The Comics Journal (beta)
• Review: "Both stories [in The Red Monkey Double Happiness Book] see Dave and Paul get involved in vaguely shady -- but entirely weird -- dealings. These are basically stoner crime stories, with Dave and Paul as relative innocents who get caught up in hallucinogenic toad trafficking, or secret microwave generators that destroy wetlands. Daly doesn't rely too heavily on stoner humor, thankfully... Daly keeps these as stories about stoners rather than as stoner stories -- this isn't the way Dave would tell the story (thankfully); it makes more sense than that." – Andrew Wheeler
• Plugs: Newsarama 's Michael C. Lorah waxes rhapsodic about our February 2010 offerings as listed in the current issue of Previews: "An otherwise slow month for me is almost single-handedly blasted beyond budgetary means by Fantagraphics’ bevy of offerings..."
• Plugs: At Comics Alliance, Douglas Wolk weighs in on The Comics Journal #300 ("a thick, fascinating volume of cartoonists from different generations talking to each other... Great stuff") and Popeye Vol. 4: "Plunder Island" ("a fantastic long adventure with some phenomenal character design -- Alice the Goon is one of the creepiest-looking creatures ever to grace the funny pages")
FANTAGRAPHICS & EDITOR GREG SADOWSKI PARTNER ON SIX NEW BOOK COLLECTIONS OF CLASSIC COMIC BOOK MATERIAL
Fantagraphics Books is proud to announce that it has struck a deal with comics historian and editor Greg Sadowski to produce six new collections of classic comic book material for the Seattle publisher. Sadowski is a Harvey and Eisner Award-nominated editor who has previously overseen the publication of the acclaimed collections SUPERMEN: THE FIRST WAVE OF COMIC BOOK HEROES 1936-1941, as well as B. KRIGSTEINand B. KRIGSTEIN COMICS. He is a former staff editor and designer for Fantagraphics Books and currently works freelance from his home on San Juan Island in Washington State's Puget Sound.
"Greg has written one of the landmark cartoonist biographies (and only the first half yet!) with B. Krigstein, and the collections of comics from the '40s and '50s that he's edited for us — B. Krigstein Comics and Supermen!, to date — have been meticulously assembled, with an eye toward selection, flow, and accompanying historical text. We're pleased that he's got such an ambitious agenda ahead," says Fantagraphics Publisher Gary Groth, who acquired the books.
The books will be released one per season, beginning with FOUR COLOR FEAR: FORGOTTEN HORROR COMICS OF THE 1950s in June 2010 and produced in collaboration with comics historian John Benson (SQUA TRONT). The second book, due in Fall 2010, will be a collection of legendary artist Alex Toth's work for Standard Comics in the 1950s. The remaining books will be release in subsequent seasons, with exact schedules to be announced. The full list of books follows after the jump below.
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