• Review: Art Blog by Bob on The Wolverton Bible by Basil Wolverton: "As much as the horrific and Bosch-esque in Wolverton’s art strikes you immediately, it’s also important to recognize the beauty of many of his visions... The Wolverton Bible still has the ability to revolt and repulse viewers, but that is just one aspect of its overall ability to make these well-known stories seem new and, more importantly, inescapably human."
• Review: Blog @ Newsarama says "A few words about every single story in Supermen!" (spoiler alert!), praising editor Greg Sadowski and concluding "I honestly can’t recommend [the book] enough to any fans of the superhero genre."
The Dinosaur Gardens blog recently posted a full set of Basil Wolverton's "The Culture Corner" strips from Whiz Comics, 1945-1952. This seems like the right time to announce that we will be publishing these strips in book form later this year! Basil Wolverton's Culture Corner is currently scheduled for November 2009 and will be a 160-page full-color hardcover. In addition to showcasing our usual stellar restoration, design and production, our edition will also contain Wolverton's original pencil versions of each strip, which have been carefully preserved over the years, and demonstrate a looser, more spontaneous interpretation of the finished strips. Monte Wolverton will also provide an introduction to the book. Go ahead and enjoy those unrestored scans, and then come back here for updates and info about our edition as they become available.
• Review: The A.V. Club gives Humbug an A-minus: "Fans of vintage Mad will immediately be at home thanks to familiar artists and attitudes, although Humbug ultimately feels a bit like an alternate-universe Mad, one 1950s grown-ups could stack between Playboy and Harper’s on the coffee table... Humbug remains a fascinating showcase for a group of artists operating at the height of their powers and inspiration. The lovingly assembled package — beautifully reprinted and filled out with extras like a long Roth and Jaffee interview — doesn’t hurt either."
• Review: The A.V. Club says "The Wolverton Bible shows the often-surprising result of [the] collaboration between a pulpit-pounding televangelist organization and one of the loopiest cartoonists of his era.... it features some of [Basil] Wolverton's most breathtaking art, and he finds plenty of opportunities in Bible stories and end-times predictions for his sense of the grotesque and horrific... for Wolverton fans, it's a must-see, and a look at a truly surprising chapter of the man's career."
• Review: John Mitchell on Supermen!: “Supermen points to a time when comic books were a new and exciting form — admittedly low brow in presentation, but filled with visual and narrative leaps that would affect how we told stories visually for decades to come... This book chronicles the exciting, silly, fun and experimental world in which these kinds of [superhero] characters were forged — fairy tales from the modern era."
• Review: Lady, That's My Skull takes lunch with The Wolverton Bible, saying "It is a fascinating look at the side of an artist that most fans are not familiar with due to the scarcity of the material."
• Review: My Year Online on Ted Stearn's first Fuzz & Pluck collection: "[I] laugh[ed] out loud at many points. This is all down to Ted Stearn’s genius in depicting expressions, his excellent slapstick timing and great storyboards, where you can never tell what will happen next..."
• Reviews: The blogger behind Fluid Motion has "been reading a lot of comics by Jason recently," offering micro-reviews of 3 of his books
• Review: Newsarama enthuses about Popeye Vol. 3 (scroll about halfway down): "As with previous volumes of Popeye, it's a cornucopia of mangled English, slapstick, violence and hamburger soliciting... Fantagraphics continues to knock it out of the park with their work on the production of these books... With his fun designs and slapstick exaggeration, Segar's art has always been a plus, and nothing about that changes here... It's packed with adventure and humor, strong art, inventive and complex stories, and features more slam-bang punching than any other ten comics. It is a true, to use a much abused word, classic."
• Review: I'm not sure if this review originally ran in Rain Taxi or is original to the Powell's Books blog where it appears now, but: John Pistelli delves into The Lagoon by Lilli Carré: "The Lagoon's artisanal craftsmanship and child's-eye ironies reflect the baffled wisdom of a heroine too young to be foolish... it is a gorgeously bleak work for so young an artist."
• Interview: Baldur Bjarnason presents a 21-minute audio interview with el jefe Gary Groth recorded at the 2000 San Diego Comic Con
We have a whole mess of exclusive short excerpts of new and upcoming books that have gone up on the ICv2.com site recently. They're intended for "industry pros" but there's no reason everyone can't check 'em out:
• Review of the Year: Brick Weekly holds forth on The Wolverton Bible: "If you think that God was the greatest contributor to the Bible then you are wrong. In fact, when compared to the creative feats of legendary cartoonist Basil Wolverton, God’s work seems trite and superficial at best. So, throw out all of your old Bibles because you don’t need them any more..." And it goes on from there...
• Reviews: The San Antonio Current says "The Wolverton Biblecollects everything [Basil Wolverton] did for the [Worldwide Church of God], presenting illustrations in chronological Biblical order — from Adam springing up from earth á la Spider-Man’s nemesis the Sandman all the way through the Old Testament and then hopping to the fantasy-friendly Book of Revelation, where eyeless corpses run rampant and jet planes tumble helplessly from the sky"; furthermore, "Humbugcould be a comics blockbuster... it fills gaps in some cartoonists’ CVs and entertains like hell while doing it."
• Reviews: Andrew Wheeler rounds up some recent books: of The Lagoon by Lilli Carré he says "Carré has an expressive style reminiscent of Richard Sala -- and her stories are in the same literary territory as Sala's as well, so the gloomy blacks and busy cross-hatching add to the ominous, overwhelming feeling... there's real spookiness in these pages -- and she's telling a story in ways (particularly trying to evoke sounds and scents through a comics page) that I've rarely seen"; and of Jessica Farm Vol. 1 by Josh Simmons, Wheeler says "Josh Simmons might just be the Gutzon Borglum of comics. Simmons's... plan... is crazy, and I admire it for that."
• Review: Comic Book Resources gives 4 stars to Boody. The Bizarre Comics of Boody Rogers, saying it "features some of the nuttiest comics you'll ever read... Boody Rogers presents an off-kilter world of hilarity that seems like an oft-unheralded link between the Golden Age of the newspaper strips and the underground cartoonists of the 1960s."
• Review/profile: The Oregonian says that Most Outrageous by Bob Levin is "The most challenging and thought-provoking book I read last year... unforgettable... among the great essays on human frailty," and discusses how the commercial success of The Complete Peanuts enables us to publish more challenging work
• Review: Brick Weekly says of The Lagoon by Lilli Carré, "Carré’s cartooning is purely excellent, evolving nicely from her earlier work and pulling you into a world of vividly drawn characters and lush environments" (scroll past the video game review)