Catmull's images are evocative, haunting masterpieces that never tread in graphic imagery, choosing instead to suggest horrors far more frightening than what they explicitly depict. With just the right touch of humor to balance the terror, Ghosts and Ruins is sure to please fans of Edward Gorey or Tim Burton, and makes a perfect gift book for the ghost story fan in your house.
Ghosts and Ruins is available all day today at 30% off! Previews and photosets are available on our order page.
Get your tricks AND your treats this Halloween season with curated Fantagraphics titles during our weeklong Halloween sale! From Al Columbia to Richard Sala to our EC Comics horror collections, we've got a little something for everyone.
Check out the full list of books below, and snap one up while you can. Some of these are in very limited supply!
Beasts! Book 1 by various artists; edited by Jacob Covey
A classic mythological menagerie, comprised of creatures that were thought at one time to actually exist, depicted by about a hundred acclaimed artists and cartoonists. Now in softcover after 2 sold-out hardcover editions.
Beasts! Book 2 by various artists; edited by Jacob Covey
Like the first book, this deluxe collection includes a Who’s Who of the contemporary art world, collectively crafting a menagerie of mythological creatures, monsters, beasts and things that go bump in the night.
One of the most impressive graphic novel debuts in recent years, a sweeping, magisterially conceived, visually startling tale of violence, amorality, fortitude, and redemption, one part Melville, one part Peckinpah.
Ott plunges into the darkness with five graphic horror stories in his hyper-detailed scratchboard style. Ott's plot twists will delight fans of classic horror; his artwork will haunt you long after you put the book down.
A fascinating, full-color compendium of extremely rare devil postcards spanning approximately 1898 through the 1950s, with over 150 full-color examples of these exquisite cards, culled from the finest postcard collections throughout the world.
King of the Flies Vol. 1: Hallorave by Mezzo & Pirus
A glorious bastard, combining the intricacy and subtlety of the best European comics with a hyperdetailed, controlled noir style derived from the finest American cartoonists into interrelated tales of (mostly) interiorized violence.
King of the Flies Vol. 2: The Origin of the World by Mezzo & Pirus
The second installment in this creepily sexy suburban soap opera — a sprawling and intricate tale of a community haunted by obsession, rage, regret and despair — in sum, a graphic novel for the 21st century.
A crew of undead pirates roams the seven seas, seeking release from their cursed existence. After one murderous conquest, they find a little pink baby who they adopt as their "King." A classic tale newly adapted by a French master.
Peculia and the Groon Grove Vampires by Richard Sala
Night is coming and the local baby-sitters club needs an extra sitter. That strange new family in town is expecting four warm bodies... Peculia, that mysterious and clever young waif, returns in her first full-length story!
Pim and Francie: The Golden Bear Days by Al Columbia
This gorgeous grimoire is part alchemy, part art book, part storybook, part comic book, and part conceptual art, a broken jigsaw puzzle of a book starring two childlike imps whose irresponsible antics get them into horrific trouble.
An omnibus hardcover compiling 3 of Ott's previous albums along with 8 previously uncollected stories. Twenty twisted tales of murder, suicide, oppression, terror, mutilation, crime, marital strife, and nuclear annihilation.
Join Winkie on her most hellacious misadventure, a tale of debauchery, crime, neuroses, greed, lust, psychoses, vengeance, love, rage, mystery, comedy, and sorrow. Jouflas strikes a chord of unease with this simply scary story.
Woodring's drawings take his comics' otherworldly qualities to new levels of clarity and nuance, exploring hidden worlds, alternate realities and the inexplicable resonance of the unprecedented and irrational in lucid art.
Classic stories starring Dog Boy and Mister Blister, as well as several tales of doomed romance and creepy revulsion, plus a collection of sketchbook excerpts, covers and illustrations, in an affordable softcover edition!
He lives hand to mouth, this shambling lug of a man, wrestling with his demons and drinking himself into oblivion. Until one day his palms begin to bleed… A stunning, madly expressionistic graphic novel.
The Strange Case of Edward Gorey [Expanded Hardcover Edition] by Alexander Theroux
Expanded to twice the length of the original edition and completely redesigned, this intimate, revealing look into the life and art of an American original is an essential book for all Gorey fans and scholars.
Sucker Bait and Other Stories by Graham Ingels, Al Feldstein et al.
25 classic horror stories involving swamps, maniacs, and dismemberment by the artist so good at gruesome, grisly depictions of the endless corruption of flesh and nature he earned the nickname "Ghastly."
'Tain't the Meat… It's the Humanity! and Other Stories by Jack Davis & Al Feldstein
Good Lord! Choke! The complete Jack Davis-illustrated Tales from the Crypt stories collected in one convenient, gore-drenched package! The quintessential American horror comic drawn by its quintessential artist.
Reed's song cycle inspired by Edgar Allan Poe is in turn interpreted by Mattotti as a series of vivid, abstracted and enigmatic paintings that bring out all the terror and beauty of this centuries-spanning masterwork.
A creepy-cute all-ages tale about a couple of kids at a Halloween party who stumble into a secret underground society of damaged, forgotten, and pissed-off toys. Imagine Toy Story reimagined by David Lynch & Charles Burns!
Weird Horrors & Daring Adventures: The Joe Kubert Archives Vol. 1
For the first time, 33 of the best stories from Kubert's early career, collected in one full-color volume, in a glorious variety of genres with a special emphasis on horror and crime. Meticulously restored, with historical notes.
A faux werewolf-cum-burglar runs afoul of a real society of werewolves who don't take kindly to the pretender. Lycanthropic thrills, romantic dilemmas, situation comedy, existential drama — in other words, pure Jason.
With Halloween approaching, it's a good time to consider some spooky favorites from Fantagraphics Books.
The formative work of Charles Burns in Big Baby foreshadows the brilliance that would follow. Alluring stories like "Curse of the Molemen," "Blood Club," and "Teen Plague" remain creepy and compelling while exploring themes of adolescent angst. Ghost World by Daniel Clowes is a similarly insightful examination of the otherworldly imaginations of its youthful protagonists. It remains among the greatest graphic novels - and film adaptations - of all time.
Al Columbia's Pim & Francie is at first blush a collection of meticulously rendered drawings, but a closer examination reveals a seductive narrative involving a cute cartoon couple caught in a world of horrific nightmares.
A misanthropic witch wrestles with real world issues in Simon Hanselmann's Megahexand surreal horror unfolds in The Amateurs by Conor Stechschulte as two butchers are afflicted with a mysterious case of amnesia. Meat these amazing artists this Saturday at Fantagraphics Bookstore.
The most delicious 50% candy so let's eat our feelings of Online Commentaries and Diversions:
• Plug: The Advocate lists Julio's Day as great gift. "[Julio's Day] is a remarkable literary work that compresses 100 years into 100 pages and demonstrates how dramatically life changed for gay men between 1900 and 2000." –Jacob M, The Advocate
• Plug:The AV Club lists Julio's Day at #8 of the top 10 Graphic Novels and Art Comics of 2013. "Comic books have a unique way of evoking the passage of time within static images, and Gilbert Hernandez is a cartoonist that is keenly aware of how he can use the medium to manipulate that chronal flow." –Oliver Sava, The AV Club
• Review: Julio's Day on Comic Pusher "This is a fantastic book, yet another example of a master cartoonist at work, an excellent representative Gilbert Hernandez for those unfamiliar with him, and a fine addition to the library of those who have grown with his work over 30 years." -Jeffrey O. Gustafson, Comics Pusher
• Review:Maria M. by Gilbert Hernandez on Page 45: "Crime and punishment executed with rapidfire, bullet-point precision...The cartooning is, as ever, an immaculately clean and balanced black and white joy, the expressions are exquisite and the breasts, they are humungous." -SLH, Page 45
• Plug:Maria M. "More than 30 years into his career, there's no stopping Gilbert Hernandez..." -Tom Murphy, Broken Frontier
• Plug: GNR takes a look at Gilbert Hernandez's The Troublemakers: "I found the book to be engrossing, compelling, and a lot of fun for both noir and comics fans." -Sterg Botzakis, Graphic Novel Resources
• Review: Best of 2013 on Comics Pusher "Obviously this was the year of Gilbert Hernandez…Gilbert filled the void of singular marquis comics with no less than five stunning works, collectively casting its own literary shadow for subsequent generations to wonder at. Someday you can tell your grandchildren that you were alive when the Hernandez Brothers were creating comics, and when Gilbert owned 2013." –Jeffrey O. Gustafson, Comics Pusher
• Review: Comic Book Bin looks at Love and Rockets: New Stories #6"Here, both [Jaime and Gilbert Hernandez] are like great athletes that use human growth hormone (HGH) to extend their peak performance into middle age. Los Bros. have found creative and artistic steroids, as they are producing Love and Rockets comics that are as good as they've ever been. Or maybe genius never gets old and keeps producing all-star work." –Leroy Douresseaux, Comic Book Bin
• Review: "Love and Rockets continues to be a vital and important ongoing document of two creators at the absolute height of their powers, and the only venue to read new material from Jaime. The brothers' respective works, their respective worlds, stand alone - but in Love and Rockets we get the privilege of experiencing jolts of both, alternating between brother and brother, between greatness and greatness." –Jeffrey O. Gustafson, Comic Pusher
• Plug:Love and Rockets Companion is examined on VICE "Love and Rockets is a great comic that has been around for 30 years now and the characters in the book have aged in time with us... This book's dust jacket, which unfolds into a family tree, will help sort you out if you're like me and can't keep the characters straight" -Nick Gazin, VICE
• Review: Grovel checks out Maria M. "Love and Rockets fans shouldn't be without this, but anyone else with an interest in sharp, sexy, violent but sophisticated stories can still enjoy it for what it is: a B-movie homage that takes the genre above and beyond our expectations." -Andy Shaw, Grovel
• Plug:The Omnivoracious lists Love and Rockets the series as part of the Lambda awards "These are life stories, told as life unfolds-with humor, heartbreak, and perseverance" –Alex Carr
• Plug: Paste lists The Love Bunglers on the Most Anticipated comics of 2014! "Any time a collection of Jaime Hernandez's Maggie (and/or Hopey) stories is published, it's cause for celebration." -Hillary Brown, Paste
• Review: Wandering Son 6 by Shimura Takako "in Wandering Son, Volume 6 so many parallels are made between Shuichi and Takatsuki's real life and the very deliberately crafted Romeo and Juliet production.... It may not be a particularly subtle narrative technique on Shimura's part, but it is a very effective one. The play echos their experiences, emphasizing specific aspects of their lives and relationships not only for the characters, but for the readers as well. Wandering Son continues to be an absolutely wonderful series." –Ash Brown, Experiments in Manga
• Plug:The Advocate lists the Wandering Son series "An amazing series, Wandering Son offers an unusual glimpse into the lives of gender-nonconforming kids. Suitable for readers 13 and older and engaging enough to keep readers of all ages impatiently awaiting next year's Volume 5."
• Review: The Chicago Tribune looks at Carl Barks' Donald Duck: Christmas on Bear Mountain. "Ridiculously, infuriatingly, this is the first time the work of America's finest cartoonist (his only real competition being George Herriman, Walt Kelly and Charles Schulz) has been reproduced with the care and splendor it deserves. Imagine if Duke Ellington's recordings were only now being properly remastered and collected." – Michael Robbins, The Chicago Tribune
• Review:Donald Duck: Christmas on Bear Mountain "Carl Barks is one of those truly perfect cartoonists. It feels so good to have these books with beautiful Fantagraphics quality production sitting on my shelf...You'll get sucked in." –Nick Gazin, VICE
• Review: SLJ onDonald Duck: Christmas on Bear Mountain"Barks's Disney comics were and are enormously well crafted and equally enormously entertaining, timeless comedy adventures that Fanta presents in such handsomely designed volumes that they make the perfect gift for just about any reader of comics." –J. Caleb Mozzocco, School Library Journal
• Review:Donald Duck: Christmas on Bear Mountain "Scrooge is a lot grouchier, bitter and ill tempered than his later incarnations and closer to the Dickens persona rather than Bark's character...whenever I bring up the subject of ducks with my comic book pals, they look at me a-scant but I highly recommend this fabulous collection from Fantagraphics that celebrates the life and prodigious body of work of the Dean of Duckdom, the irreplaceable Carl Barks." –Chris Marshall, Collected Comics Library
• Plug:Atomichearted Boy looks at The Treasury of Mini Comics, edited by Michael Dowers. "Mini comics are like the wild west of the comics world - in this lo-fi, DIY formate - it's anything - and everything - goes."–Benn Ray, Atomic Books
• Review:The Secret History of Marvel Comicsby Blake Bell and Doc Michael J Vassallo"…this book expands our understanding of the publishing industry context in which those comics were produced, and it gives us an unprecedented portfolio of non-comic book art from some notable comic book artists." -John Hilgart, The Comics Journal
• Review: "what's been unearthed here (much of it never reprinted) is both visually and historically stunning…The Secret History of Marvel Comics is a stunning book (in more ways than one) of beauties, beasts, and bombast, as well as a wonderfully askew look at the Precambrian Era of Marvel Comics." –KC Carlson, Comics Worth Reading
• Interview:Bomb Blog asks Stephen Dixon about His Wife Leaves Him: "Yes. I wanted most of the novel to be in his head. For this, he has to be lying back in bed with his room dark and his eyes closed, remembering things in their marriage. Of course, there is action in the dream. There's movement, I should say. It's a very interior novel." -Dixon
Review: David Evanier looks at His Wife Leaves Him and Stephen Dixon in general. "Stephen Dixon is, in my opinion, the best and most overlooked American Jewish fiction writer in the country. If I left out "Jewish," he would still be the best."–David Evanier, The Jewish Book Council
• Review:Publishers Weekly gives His Wife Leaves Him a starred review: "A peek into the private world of their marriage proves the novel to be more than the sum of its parts as the reader is granted a panoramic view of the evolution of two characters and their relationship."
• Interview: James Fleming writes a very nice intro to Dixon's His Wife Leaves Him and includes some email correspondence with him on Burrow Press. "How do I even begin to explain how Dixon--though we've never met in person and I've never taken a writing class with him--effectively taught me nearly everything I know about short-story and novel writing."
• Review:Goddamn This War! on FPI Best of 2013 list: "Tardi's burning rage at the injustice and immorality of what was done to so many is undimmed by the passing of time, and as we enter the centenary year of the start of that awful war this work becomes even more vital for readers." –Joe Gordon, Forbidden Planet International
• Review:Goddamn This War! "Jacques Tardi is a one of the most versatile cartoonists to ever lift a pencil...We descend into Hell with these soldiers, live their unbelievably intense live, and are inexorably and subtly changed by the experience. That is the power of great Art. That is the power of the great Jacques Tardi." –Jason Sacks, Comics Bulletin
• Plug:Goddamn This War! made Mark Burrier's Best of 2013 list. "Besides the meticulously-referenced artwork, Tardi painted these panels using inks and they are gorgeous...Kim Thompson did a bang up job translating this. The narrator is recounting what it was like during WWI and the tone holds up well to translation." -Mark Burrier
• Review:Ghost and Ruins by Ben Catmull on NY Journal of Books: "For those who like their horror with more then a hint of detached humor, Ghosts and Ruins is the perfect book to leave out at both Halloween and Christmas. These are wonderfully scary stories drawn and told with such beauty and wit you regret when they end. " –Mark Squirek, NY Journal of Books
• Review:Ghost and Ruins by Ben Catmull on Famous Monsters: "If Escher and Gorey met in Maurice Sendak's house and decided to riff on Junji Ito manga, you might have something similar to these pages…All fans of black and white horror movies owe it to themselves to hunt this down and subsequently cower under the covers like a kid in the cold." –Holly Interlandi, Famous Monsters
• Plug: "Ghost and Ruins will satisfy your craving for dark and creepy, yet beautiful drawings of - you got it - ghosts and ruins!" –Jade, Librarie D&Q
• Review: On Richard Sala's Violenzia "Sala takes the conventions of Golden Age comics like Dick Tracy and The Shadow and [modernizes] them for the digital era" –HTML Giant
• Review:Richard Sala's The Hidden. "There's no mistaking a panel of a Sala comic for a panel of anyone else's comic...it is probably his grandest and most epic in terms of scale, and it's full of suspense, mystery, horror, violence and a perhaps surprising amount of action..." –J. Caleb Mozzoccoo, Every Day is Like Wednesday
• Review: Katherine Whaley receives a Starred Reviewi n Publishers Weekly: "a parade of 20th century American philosophical fads, particularly those rooted in the entertainment business, pseudoscience, commercialized spiritualism, and general quackery. The story is earnestly told from Kate's wide-eyed perspective and achieves a tone that emphasizes the multifaceted nature of human experience."
• Review: Barracuda in the Attic by Kipp Friedman on Boswell Book Company "Growing up as one of three sons of the writer Bruce J. Friedman, they had adventures many of us can't imagine... Kipp's upbringing does resonate with me more than just another New York story..." -Daniel Goldin
• Review: Willard Mullins' Golden Age of Baseball gets reviewed "Through the eyes of someone like Mullin, with his graceful portraits of folks like Babe Ruth and Stan Musial, the sport seems thousands of years old. An artifact. A time capsule… This is a beautiful-looking book, thorough and affectionate in its treatment of the cartoonist Willard Mullin and his coverage of the sport for which he is best known: baseball." -Tom Spurgeon, The Comics Journal
• Plug: "...we get to watch Charles M. Schulz's cast evolve, along with his simple yet lyrical line. [Peanuts Every Sunday] is a complement to Fantagraphics' continuing and indispensable 'Complete Peanuts' publishing project." -Dana Jennings, NY Times
• Plug: Westfield Comics on Peanuts Every Sunday. "If Peanuts Every Sunday isn't under your Christmas Tree this year, put aside some of your Holiday 'loot' (as early Schulz might say) to make sure you pick it up as soon as you can. You won't regret it. It's the kind of gift book I'd be getting for Grandma Lil, if she were still around" -KC Carlson, Westfield Comics
• Tacoma, WA: Our Marketing, PR, and Outreach Maven Jen Vaughn will be part of the panel "Drawing for a Living: Making Money as an Artist" at Pacific Lutheran University from 2:00 to 4:00 PM! This event is totally free, with no reservations necessary. (more info)
Saturday, November 2nd
• Tacoma, WA: And Jen Vaughn returns to Tacoma for the Jet City Comic Show! Don't miss her on the panel "Digital Comics: Past, Present and Future," starting at 11:00 AM. (more info)
Monday, November 4th
• Pasadena, CA: The great Jaime Hernandez comes to The Crawford Family Forum for an evening of art, books, and conversation. KPCC FM "Off-Ramp" producer Kevin Ferguson talks with Hernandez about his latest work, how it relates to Love and Rockets, and where his future's taking him. (more info)
With a rendering style suggestive of Edward Gorey's gothic masterworks, Catmull ingeniously imagines haunted dwellings and the circumstances of their otherworldly occupants. With just the right touch of humor to balance the terror, Ghosts and Ruins is sure to please fans of Edward Gorey or Tim Burton, and makes a perfect gift book for the ghost story fan in your house.
With Halloween looming, allow me to suggest thirteen frightening favorites from Fantagraphics Books. Spooky fun for everyone, in no particular order.
Daniel Clowes' modern masterpiece Ghost World eerily conveys the otherworldly cool of 1990s counterculture. Peculia, by Clowes colleague Richard Sala, collects the misadventures of the precocious protagonist of his EvilEye comic book serial. Northwest native Charles Burns' essential Big Baby anthology of contemporary horror comix includes classics like "Blood Club," "Teen Plague," and "Curse of the Molemen."
Mysterious Traveler collects proto-psychedelic horror from Steve Ditko's Charlton era. Similarly, Weird Horrors displays the late, great JoeKubert's pre-Code classics edited by Kubert scholar BillSchelly. WallyWood weighs in with Came the Dawn, featuring timeless tales from the "Vault of Horror," as well as mid-century socio-political nightmares like "The Guilty."
I'm going into this hoping that less is more and that a little convention report goes a long way with most folks. I know that's true of myself. I have yet to meet a comic book convention that I want to read more about than, say, WWI, despite how many con reports endeavor to prove me wrong.
What I'm really saying is, I didn't take as many pics as I should, especially as the weekend wore on.
I flew down Friday afternoon, this time attended by my girls (wifey Rhea and 5YO child unit Clem), which was a rare treat for me. It wouldn't be APE without a kickoff party at the "offices" of the House that Ron Turner Built, a.k.a Last Gasp, so we began there. In a vast warehouse of thousands of filthy, filthy books (I mean that most affectionately), my little girl zoomed in on this book like she was a dog working for the DEA and this was a brick of high grade hash that someone abandoned hastily during a raid of the premises:
BOO: THE LIFE OF THE WORLD'S CUTEST DOG features back cover endorsements from Nicky Hilton, Khloé Kardashian, cuteoverload.com and "Facebook Fan." Of course we bought it for her. Sometimes I wonder what would have happened if Gary Groth had had a daughter.
I could have spent the rest of the weekend taking pictures at Last Gasp. It is one of my favorite places in the world. It gives me MAJOR WORKPLACE ENVY. Fantagraphics is a wonderful place but we don't have Binky Brown's coffin on the wall (although our inventory manager, Martin Bland, has a very similar Jack-in-theBox):
Anyway, the always totally awesome Kristine Anstine showed Clem the toy section while Mommy and Daddy enjoyed the party a bit more...
Kristine, however, continued to take orders throughout the party because she's a PRO (take note: this will come up again later).
Before we took leave, the great Ron Turner himself gave us a tour of his "private stash". I love and respect Ron immensely and really admire the empire he's built. His collection of cool shit is nonpareil.
From Last Gasp, we kept on truckin' (hyuk) to Mission Comics for onetime MOME contributor Malachi Ward's exhibition. Which was great, but you'll have to take my word for it, because I'd had two IPAs by that point and forgot to take any more photographs.
APE kicked off on Saturday morning at 11AM after a couple hours of set up. This will be my own little "panic room" for the next 36 hours or so:
Here is our first customer of the day, Brian Herrick, a fine cartoonist in his own right, with equally exceptional taste. I believe he is the first person in the world to take home a copy of Julia Gfrörer's BLACK IS THE COLOR. With great power comes great responsibility, Brian. I was so excited for you I couldn't hold the camera straight.
Remember when I mentioned Kristine Anstine being a true PRO? Well, here's another. APE Special Guest Bill Griffith dutifully worked on not one but two ZIPPY dailies behind our booth all weekend, in those rare moments that no one was asking him if he was having fun yet. Now that's a pro. Always working. I asked Bill if he ever got tired of drawing (something I've heard more than once from cartoonists who have been at it a lot less time than him). He matter-of-factly and without missing a beat answered, "No."
Can you tell I'm running out of steam? I'm thinking of trying to get a blurb from cuteoverload.com for this one:
Here is a picture of Alec Longsteth, followed by a picture of Mario Hernandez. Excellent gentlemen, each. Mario is always one of the people I look forward to seeing most at APE. He had the prettiest fingernails at the show this year.
Here is my APE stash. I didn't get a chance to do any proper shopping this year, but thanks to generosity of many of my fellow exhibitors, I managed to come home with an impressive haul.
Which reminds me, did anyone else notice the spine of this month's issue of THE BELIEVER?:
There were so many old friends at APE that I didn't get a chance to take a photo of, like Jim Blanchard, J.R. Williams, Pat Moriarity, and Renée French. I was too busy closing deals. ABC! ALWAYS BE CLOSING. What can I say? I, too, am a PRO.
Anyway, let me leave you with this cuteoverload.com-worthy piece by Graham Chaffee:
Holy yes-more-please, SPX rocked us. Jacq Cohen, Gary Groth and I traversed across the country for one of the single best comic books shows that exists. We knew it was going to be quite the fun time when we boarded the plane and saw Joseph Remnant. A small favor to stranger later and he was TRAPPED between us for 4+ hours.
SPX is that magical place where we stay in the same hotel as the convention so you run into people all the time. We found a Ben Catmull by the elevators right away! Maybe he was haunting the place (NOT COOL, BEN)
Early morning rise and shine, all the books were out in their deliciously intimidating stacks including all sexy color Peanuts Every Sunday.
Speaking of Peanuts, kids are attracted to it like a magnet. Yes!
Sketching Guantanamo also debuted at SPX and Janet Hamlin, the military tribunal artist for the last seven years showed upwith some new sketches. This book is very important, not just to Janet or us but to the United States as a form of public record.
Peter Bagge signs some books for fans! (photo by Meredith Rizzo)
Zak Sally took a break behind our booth to do some sweet sketches.
The last thing to do at a con after packing up some unsold books and labeling boxes is EAT COOKIES. SPX social media coordinator and crazy busy man, Michael David Thomas, is the stuff fucking dreams are made of my friends.
I'm so pissed I forgot to show off my '90s HIP HOP socks to Ed while he was signing Hip Hop Family Tree. See those smiley faces and peace signs? The kind of socks you keep for the rest of your life! Eden Miller, Ignatz organizer, also showed off her own foot related fashion---an Ignatz tattoo pulled right from the pages of Herriman's comic!
Back on the plane ride home, Jacq took a photo of me working on comics.
We had SUCH a great time at SPX, thank you so much to Warren Bernard, Michael David Thomas, Dan Stafford, Eden Miller, Sam Marx and the many, many, many other staffers and volunteers who made the show rock. Our bags are already packed for next year.