• Review: "Any new work from Norwegian cartoonist Jason is worthy of a comics fan’s full attention, but the new, all-original short-story collection Athos in America is one of the best books of Jason’s career, which automatically makes it one of the best books of this year." – Noel Murray, The A.V. Club
• Review: "...Joost Swarte... brought a nose-thumbing avant-garde sensibility to 'ligne claire' style Eurocomics in the ’70s and ’80s, even before he landed stories in the seminal art-comics anthology Raw. Is That All There Is? collects nearly 150 pages of Swarte’s most groundbreaking work... With his architectural sense of design and his punk-rock attitude, Swarte fused craft and nihilistic flippancy in stories about adventurers, harlots, musicians, and scientists, creating true 'modern art.'" – Noel Murray, The A.V. Club
• Review: "About all that was missing from Blake Bell’s 2010 Bill Everett biography Fire & Waterwas extended samples of Everett’s artist’s actual comics. Bell now remedies that by serving as editor on Amazing Mysteries: The Bill Everett Archives Vol. 1... These publications rode the superhero wave initiated by the companies that would later become DC and Marvel, and while they didn’t withstand the test of time, they’re still a kick to read, buoyed by their no-nonsense action plots and by Everett’s propensity for drawing narrow figures poised to commit acts of violence." – Noel Murray, The A.V. Club
• Review: "This collection is the ultimate love letter to all those 1960s kid comic books, but with a modern twist.... Each person is a well-defined character with strong flaws and backgrounds. With so much diversity, there is bound to be at least one character you will like.... If you are looking for a kid-friendly book with some charm, go ahead and pick [Yeah!] up." – Kevin Brown, City Book Review
• Profile:Steve Appleford of the Los Angeles Times (via a few of their suburban affiliates like the Glendale News Press) visits Tony Millionaire in his garage studio: "In his introduction to 500 Portraits, Millionaire writes that life experience has taught him that 85% of all people are 'bogus' or worse. In the garage, he describes himself as misanthropic, but admits his drawings often suggest otherwise. 'As it turns out, you can tell by looking at these portraits, I obviously love people — even the [jerks]. Hitler's done very lovingly,' he says. 'I think it's nice to have the juxtaposition of my disgust for humanity mixed with my obvious love for humanity. You can't draw like that if you really hate something.'"
• Profile: The Ottawa Citizen's Bruce Deachman catches up with Dave Cooper: "'There are different facets of my creative mind,' he says. 'I feel I need a lot of contrast, so I have all these things happening, but they’re all necessary to make me feel satisfied. It’s got to be this big pot happening, with everything boiling at once. It’s therapy for me,' he adds. 'I don’t see ever wanting to retire from the thing that I love to death.'" There's a short video, too, which Dave has posted on his blog
• Plug:Robot 6's Brigid Alverson is partway through Jim Woodring's Congress of the Animals: "Woodring’s art has a real solidity to it and like the best surrealists, he creates unreal shapes and figures that seem real—he has figured out how to make new bodily orifices that mimic the old and yet are totally different. Like visions in a dream, they are convincing and false at the same time."
"Jason teams up with Fabien Vehlmann to craft a dark comedy about someone following a mysterious map in a bottle to and island where something strange is happening. The premise itself is a spoiler, as it’s a laugh-out-loud moment when the reader finds out what is going on. Jason’s work is as stellar as ever, just with a lot more dialogue this time around."
"Safe Area Goražde wasn’t a new book in 2011, but the special edition it got last year was enough to earn it a spot on this list. Joe Sacco reigns as the preeminent comics journalist, and Safe Area Goražde is another great reason why."
• Interview: Our own Eric Buckler talks to Wilfred Santiago at our own The Comics Journal: "Unlike working with someone else’s script, there’s no linear method when I work on my own. That is to say I write while I ‘toon, and I ‘toon while I write. So the most important step is editing–what’s left on the page before going to the printer and into the sweaty hands of readers. I do believe writing has improved my cartooning. I don’t think it’s an accident that some of the best cartoonists are writers. I’m not putting myself in that group but I strive for it."
• Review: "This is a wonderful collection of golden age material from Bill Everett, all never before reprinted.... For fans of golden age material or Bill Everett Amazing Mysteries: The Bill Everett Archives, Vol. 1 is a must have look at early comics from lesser known publishers... At $40 it’s an investment into rarely seen material." – Scott VanderPloeg, Comic Book Daily
• Review: At Danish comics website Nummer9, Nikolaj Mangurten Rubin looks at Kolor Klimax: Nordic Comics Now, calling it "A many-headed troll monster of a book" and giving it a 4 out of 5 rating
• Review: "Not many music writers warrant a biography. Lester Bangs was one. Maybe Tosches or Kent. But Everything Is an Afterthought, by Kevin Avery, is a singular piece of work, a hybrid bio and anthology. Nelson was the Orson Welles of rock letterdom, a man whose profiles of Springsteen and Zevon were masterpieces of the form. A slow stone-cutter of a writer, a cinephile and a noir buff (and an inveterate deadline-misser), he shot himself in the foot many times, but Avery’s book makes the reader misty-eyed for a time when music journalism was populated by hard-nosed evangelists, not suck-ups or career snarks." – Peter Murphy, "Blog of Revelations," Hot Press
• Review: As part of ComicsAlliance's series focusing on sex in comics, Douglas Wolk looks at Gilbert Hernandez's Birdland: "Birdland has been out of print for a while, which is a pity. It's witty, eccentric, bursting with joy, and utterly, cheerfully smutty.... And the whole thing is drawn in a style that's the erotic equivalent of Jack Kirby's fight scenes: grounded in the way actual bodies interact, but pumped up to an imaginative intensity way beyond anything the naked eye has ever seen. On top of that, Birdland is funny -- not corny-funny or nudge/wink-funny, but absurd and sly, with a terrific sense for what can make the overfamiliar language of pornography fresh again."
• New York, NY: It's that time again... time for another edition of The Crime Stoppers Club with Michael Kupperman and co-host Kate Beaton! This week, they welcome Adam Conover, Julia Segal, Aaron Diaz, and Chris Hastings. This free event starts at 7:00 PM at Luca Lounge. (more info)
• Kansas City, MO: It's your last chance to see the exhibit on underground comix legend Frank Stack, titled: Good Thing I Used a Pseudonym: Work From a Three-Part Career: Frank Stack as Painter, Connoisseur, and Incognito as Graphic Novelist Foolbert Sturgeon. (more info)
Dear sweet mercy this week's comic shop shipment is slated to include the following truckload of new titles. Read on to see what comics-blog commentators and web-savvy comic shops are saying about them (more to be added as they appear), check out our previews at the links, and contact your local shop to confirm availability.
144-page full-color 7" x 9.5" hardcover • $35.00 ISBN: 978-1-60699-510-5
"The semi-complete comics works of the remarkable Dutch cartoonist (and designer, and architect, and Tintin aficionado, and the guy who came up with the term 'ligne claire') Joost Swarte. Fantagraphics originally announced this project for 2007 (under the name Modern Swarte), and its scope has gradually expanded since then. There are, in fact, some deliberate omissions--this volume doesn't include his kids' book series 'Katoen en Pinbal,' and mail-order copies from Fantagraphics come with an extra 12-page minicomic of early material called 'Actually, That Wasn't All There Was.'" – Douglas Wolk, ComicsAlliance
"A whole lot of Fantagraphics books are dropping... this week — if you see a book of Joost Swarte: no, it’s not a mirage..." – Joe McCulloch, The Comics Journal
"The... long-anticipated collection of Joost Swarte's comics work... is one of those things you're grateful to see finally come out even if you can't afford to buy it right away." – Tom Spurgeon, The Comics Reporter
"...Fantagraphics must have sat down and designated this Scandinavian Comics Week… Adding a touch of influential Denmark [sic] work for good measure. Besides Kolor Klimax... the publisher has also released the first English language translation from Dutch alternative comics master Joost Swarte, entitled Is That All There Is? ...[T]hat’s one company betting on a lot of 'love' from fans of European alternative work in the same week." – "Insideman's Pull List," Inveterate Media Junkies
"[This] is one of those anthologies with tons of cartoonists you've never heard of but probably wish you had." – Tom Spurgeon, The Comics Reporter
204-page full-color 10" x 10" hardcover • $39.99 ISBN: 978-1-60699-507-5
"Not comics, by any stretch of the imagination; I'm listing it here because it's a Fantagraphics book and might be showing up in comics shops, and because it looks fantastic. This is Pat Thomas's long, extensively researched photo-and-essay book about where the Black Power movement intersected with the recording industry." – Douglas Wolk, ComicsAlliance
240-page full-color 7.25" x 10" hardcover • 39.99 ISBN: 978-1-60699-488-7
"I'm a huge fiend for Bill Everett, one of the romantic figures of 20th Century comic book making for the fact that when his comics hit on a certain popular notion they contributed to the general development of that form as much as anyone's comics ever did, but when they didn't quite conform to the most popular efforts they super stuck out." – Tom Spurgeon, The Comics Reporter
180-page black & white/color 8" x 10" softcover • $19.99 ISBN: 978-1-60699-481-8
"It's wonderful that Diane Noomin has a new collection out. I'm reading it right now as the book I keep in the back seat of the car as I wait for people to leave buildings where I'm picking them up.... I hope this one doesn't get lost in the flood of new material out. We desperately need to come to grips with more of the underground comix work, if only because so much of it was deeply compelling. I liked the support material in here, too, particularly Noomin's walking us through her career." – Tom Spurgeon, The Comics Reporter
"My splurge for the week would likely be one of the several books out from Fantagraphics. First up is Amazing Mysteries, a collection of early work by Bill Everett (reviewed here). Then there’s Glitz 2 Go, a collection of comics by underground-era cartoonist Diane Noomin, whom I simply don’t know enough about. The obvious choice though is the wittily titled Is That All There Is?, a kitchen-sink collection of the mighty Joost Swarte’s comic stories from the 1970s onward. You can never have enough Swarte." – Chris Mautner, Robot 6
"CONFLICT OF INTEREST RESERVOIR: There’s a pretty enormous amount of Fantagraphics stuff out this week, with nothing more anticipated I suspect than Is That All There Is?, a 144-page collection of almost all of Joost Swarte’s work in alternative comics, including eye-catching bits from RAW, Heavy Metal and elsewhere; $35.00. Then you can keep up your international airs with Kolor Klimax: Nordic Comics Now, a 250-page anthology of Scandinavian works edited by the Journal’s Matthias Wivel; $29.99. Editor Blake Bell returns with Amazing Mysteries: The Bill Everett Archives Vol. 1, a 240-page collection of Golden Age superhero comics from the titular artist; $39.99. Diane Noomin (of the Twisted Sisters anthology, the second volume of which I attribute to changing my entire perception of how the comics form could work at a crucial age) gets a 180-page anthology of her various works with Glitz-2-Go; $19.99. And finally, in case comics are just too much for ya, Listen, Whitey! The Sights and Sounds of Black Power 1965-1975 finds music producer and writer Pat Thomas tracking the recorded output of various black power groups of the designated time span, in glorious prose; $39.99." – Joe McCulloch, The Comics Journal
"Gilbert's stories are typically excellent in this issue, as he manages a certain luridness in one story that brings sexuality to the fore, and goes the other direction in a more oblique, subtle story. Of course, the story that got everyone buzzing was the second half of Jaime's "The Love Bunglers", which is an ending for this thirty-year cycle of stories--and one where Jaime sticks the landing with authority."
"This was Bagge's first feature-length Buddy Bradley story in years, and it's a doozy. Buddy, Lisa and young Harold visit Lisa's parents in a story called 'Hell,' and Bagge truly pulls out all the stops in depicting extreme familial weirdness. His dialogue is as sharp as ever, his line is quite lively and his uncanny ability to depict the creeping weirdness of suburbia is even more disturbing than in the initial run of New Jersey stories in Hate."
"Kupperman's 'Quincy, M.E.' story in this issue is a tour-de-force of twisting narrative structures and just plain crazy silliness. Kupperman's art has become increasingly bland as his aesthetic references have changed from 1920s comic strips to 1950s comic books, forcing the reader to perform double-takes at the crazy juxtapositions he creates. If his comics aren't as visually exhausting and exciting as they once were, he still provides an avalanche of ideas and jokes for the reader to sort through."
• Review: "Norwegian cartoonist Jason has returned with more full-color stories populated by lonely, and at times sociopathic, anthropomorphic characters. Cats, dogs, and ducks steal, fight, murder, and drink themselves into oblivion. Although brimming with black humor, the tales are far from ridiculous; the disjunction between the cute creatures and their actions often serves to highlight the despair inherent in their lives. Text is light, as the images drive the narratives. In these spare, mute panels, infused with flat oranges, greens, and browns, small movements covey great meaning and emotion.... Visually exciting, at times hilarious and at times devastating, Athos in America will only add to Jason’s well-deserved reputation as a star of the graphic novel world." – Publishers Weekly
• Review: "This volume [Amazing Mysteries: The Bill Everett Archives Vol. 1] provides an illuminating look at the artist’s numerous attempts at catching Sub-Marineresque lightning in a bottle for a second time, a task that mostly eluded him. The comics studios of the golden age were product mills that threw any idea against the wall in hope it would stick, and Everett did much the same. Forgotten sci-fi and superhero creations, as well as forays into westerns, historical retellings, and crime comics, populate this loaded volume, which reads like it fell straight out of some four-color twilight zone." – Publishers Weekly
• Review: "Over 150 pages of reprints, a brilliant back-of-the-book by Benson running 26 pages, and an introduction by my old buddy, cartoonist/historian Jay Lynch..., this book is a welcome addition to any comics library.... [I]f nothing else, The Sincerest Form of Parody saves you a lot of time separating the wheat from the chaff. But in and of itself, it is a very worthy book – entertaining on his own, and critical from a historical point of view. You should check this one out..." – Mike Gold, ComicMix
• Review: "[Jordan] Crane’s comic, The Last Lonely Saturday, explores the trials and release of life after loss. Crane’s story beautifully follows a husband’s weekly ritual to pay respect to his wife. In no more than a few pages, Crane retells the husband and wife’s entire history. From the comic’s meticulous book design, with its quaint size and the rounded, hand-lettered type in the first pages, readers can expect the story to be heart-warming. But Crane pulls at readers’ heartstrings with surprising grace. While the story is rooted in the traditional American cliché of lovers reunited in the afterlife, the story is told deftly." – Juan Fernandez, The Tartan (via Robot 6)
• Review: "[Freeway] captures the frustration of being stuck in traffic, particularly the array of images (violent and otherwise) that traffic brings to my mind (even better than Falling Down). Like me, Alex also relieves his frustrations with a lot of swearing." – Gene Ambaum, The Unshelved Book Club
• Plug: "I ran into animator Michel Gagné at the Annie Awards last week (where he picked up an Annie for Best Video Game, Insanely Twisted Shadow Planet) and asked him about his next project. Turns out Gagne had been toiling on a labor of love (literally) that has just gone on sale this week.... That book, Young Romance: the Best of Simon & Kirby’s Romance Comics, is not the usual thing we endorse here at Cartoon Brew – but as a life-long Jack Kirby fan and oddball comic book buff, this project is right up my alley.... I’ve ordered my copy and highly recommend it, sight unseen. Thanks, Michel!" – Jerry Beck, Cartoon Brew
• Plug: "Joe Simon and Jack Kirby created Captain America but they literally created the romance comic genre. The pages [of Young Romance] were packed with dialogue and dramatic art as women fought for love." – Will Harris, KOMO News
• Feature: Jill Russell of KOMO TV's Seattle Pulp blog spotlights Listen, Whitey! The Sights and Sounds of Black Power 1965-1975 and talks to author Pat Thomas: "The main lesson Thomas takes away from this project is that young people are a forced to be reckoned with. The average age of a Black Panther was just 22. 'How many young people do you know are leading national movements?' he asked. 'When people have been stripped of their pride or ostracized too much, they will eventually fight back.'"
• Review: "For fans of comics from the dawn of the comic book era, this book [Amazing Mysteries: The Bill Everett Archives Vol. 1] is an indispensable gift from Blake Bell and Fantagraphics. For those who love to read great stories from the Golden Age, however, this volume isn't as great as the ones that will follow. Kudos to Fantagraphics for re-presenting these stories after all these years, but this book does prove the truism that when reading archival reprints, the first volume will often be the hardest to get through. I give this book three and a half stars for the fact that it exists, for the exhaustive research by Bell and his friends, and because some people will find this material fascinating. As for the comics themselves in this book, well, your mileage may vary." – Jason Sacks, Comics Bulletin
• Plug:Young Romance: The Best of Simon & Kirby's Romance Comics leads off the L.A. Times Hero Complex Valentine's Day gift guide: "The creators of Captain America also helped create a softer comics genre: romance comics. In the late ’40s and ’50s, Joe Simon and Jack Kirby captivated girls and women with their 'Young Romance' tales of star-crossed lovers. This 208-page hardbound volume includes 21 of those stories."
The 1939 creation of the Sub-Mariner for the first issue of Marvel Comics assures Bill Everett a place in history. Co-creating Daredevil, the Man Without Fear, for Marvel Comics in 1964 gave Everett a link to one of the most popular superheroes of the past 50 years. And producing over 400 additional pages of superhero-related work in the very early days of the Golden Age of Comics (1938-42) makes Bill Everett a legend.
This book collects over 200 pages of this never-before-reprinted work from titles such as Amazing Mystery Funnies (1938), Amazing-Man Comics (1939), Target Comics (1940), Heroic Comics (1940), and Blue Bolt Comics (1940). These titles feature an endless array of great vintage Everett characters such as Amazing-Man, Hydroman, Skyrocket Steele, Sub-Zero, The Chameleon, and many more, all produced by Everett’s shop Funnies, Inc. for such clients as Centaur, Novelty Press, and Eastern Color, and all displaying Everett’s brilliant cartooning and energetic storytelling.
Edited and compiled by best-selling author and comic-book historian Blake Bell (Strange and Stranger: The World of Steve Ditko), Amazing Mysteries: The Bill Everett Archives is a stunning companion to Bell’s 2010 critically acclaimed Everett biography and art book, Fire and Water: Bill Everett, The Sub-Mariner and the Birth of Marvel Comics. This volume follows the format of Bell’s Steve Ditko Archives series (see page 54 of this catalog); never-before-reprinted, beautifully restored, full-color stories from one of comic books’ greatest visionaries and most accomplished artists. Also includes an introduction by Bell that delves even deeper into Everett’s life, fiery personality, and the history of the era. The resultant package enhances Everett’s place in history as one of the first and best comic-book creators of all time.
• Reviews:Robot 6's Chris Mautner looks at our 3 newest Golden Age collections:
"...[W]hile I enjoyed [Action! Mystery!] Thrills[!] (I’m especially grateful for being exposed to the neon-color stylings of L.B. Cole, who seems to prefigure the era of black velvet paintings), it’s definitely the slightest — the most coffee tableish — of Sadowski’s books so far. It feels like a book designed more to flip through than to mull over.... That’s not necessarily a bad thing — there’s certainly pleasures to be had in re-examining these covers..."
"What’s exciting for me about this book is watching Everett develop as an artist and storyteller and figure out the medium in relatively rapid fashion.... The material in Amazing [Mysteries] in no way represents Everett’s strongest work, though they do point to his potential — those thrilling Sub Mariner stories were just around the corner. What you see here are the glimmers of an artist struggling to comprehend the potential of this relatively new medium [and] how he can push it to match his own interests."
"Though modern readers may wince at some of the sexual stereotypes on display, not to mention the occasional forced happy ending, Young Romance underscores Simon and Kirby’s keen storytelling skills. Adhering to a mostly six-panel grid, the duo manage to produce work that is visually arresting and dramatic... It’s also worth mentioning that editor Michel Gagne’s [restoration] work is stellar... For Kirby fans and those who just love to explore comics from generations past, it’s a rather essential read."
• Review: "It’s hard to imagine a comic that’s more ambitious and less pretentious; it’s reader-immersive and reader-friendly. Huizenga’s style recalls the 'big nose' school of cartooning — Glenn Ganges' schnoz is one of the comic’s stars. This unaffected old-timey style lends the narrative a sense of charm and elegance... Perhaps we should judge 2012’s comics according the standard set by Ganges #4." – Ken Parille, The Comics Journal
• Plugs: Martha Cornog of Library Journal Reviews spotlights a few of our upcoming releases in the latest "Graphic Novels Prepub Alert":
Buz Sawyer, Vol. 2: Sultry’s Tiger by Roy Crane: "World War II has ended, and flying ace Buz Sawyer has snagged a civilian job at last: troubleshooter for International Airways, which has him traveling to hotspots all over the world. Of course, he always flies into adventure, here visiting a dangerous woman he first met during the war, taking on the Mad Baron, discovering Mayan treasure, and being kidnapped by mysterious thugs. But whatever the adventure, somehow Buz always gets mixed up with a pretty girl. This volume includes both daily and full-color Sunday strips, originally published between 1945 and 1947, drawn in Crane’s clean, realistic style that in retrospect looks remarkably European."
Kolor Klimax: Nordic Comics Now, ed. by Matthias Wivel: "This lavish sampler of work from Denmark, Finland, Norway, and Sweden offers a wide variety of artistic styles and short plots, some with a more adult focus. See samples here; click 'Expand' for the wonderful cover plus 20 pages. Wivel is a veteran of the Danish comics scene who currently lives in New York."
Black Images in the Comics by Fredrik Strömberg: "First published by Fantagraphics in 2003 and nominated for an Eisner Award, this history of racial depictions in comics has been updated in both its content and its source list. Over 100 entries, each featuring a representative illustration and an instructive short essay, cover an international range of comics, from Moon Mullins through Tintin, Will Eisner, R. Crumb, Peanuts, Boondocks, and beyond. Strömberg is a Swedish comics journalist, editor, and educator who has published numerous books in several languages."
Jewish Images in the Comics by Fredrik Strömberg: "Another of Strömberg’s books, in a similar format: over 150 entries from internationally-originating comic strips, comic books, and graphic novels stretching back 'over the last five centuries' that feature Jewish characters and Jewish themes. The works of Art Spiegelman and Will Eisner are well known to comics aficionados in the United States, but many of the other examples, some 'far less savory,' may not be."
• List: The National Post's David Berry names The Best Graphic Novels of 2011, saying of his #3 choice "This does feel somewhat like cheating, since there’s only a few sequences of proper graphic work here, but why quibble about format: Mark Twain’s Autobiography 1910-2010 is, quite simply, one of the funniest things you’ll read in any genre. Kupperman has a child’s free-ranging imagination and an aging intellectual’s dry wit... This supposed telling of Mark Twain’s 20th-century life... would be an awe-inspiring work of imagination if it wasn’t so absurdly hilarious. Somewhere between John Hodgman and Graham Roumieu, Kupperman has found stark comic brilliance."
• List:Comic Book Resources continues their Top 100 comics of 2011 countdown, with Ganges #4 by Kevin Huizenga coming in at #48 and Brian Cronin calling it "mind-boggling" and "remarkable. Absolute top notch sequential work."
• List:Comic Book Resources columnist Sonia Harris lists "My Top 10 Comics (for ANY Year)" with Love and Rockets taking the #2 spot: "Read Love & Rockets, all of them, both brothers, everything you can find. Your life will be richer."
• List:Bookgasm's J.T. Lindroos, running down the Best Euro Comics as part of the Best Books of 2011, writes "Fantagraphics continued its Jacques Tardi lineup, and I was particularly delighted by the proto-steampunk The Arctic Marauder, although I think one should own every single book in the series. I was also happy to see some less well-known artists get their chance, and both Sibyl-Anne Vs. Ratticus by R. Macherot and Murder by High Tide by Maurice Tilleux were wonderful surprises in the classic Franco-Belgian 'bigfoot' style. Fantagraphics is quickly becoming the Criterion Collection of comics publishing."
• List: Richmond VA comic shop Velocity Comics counts down their top ten Best Graphic Novels 2011, with Jim Woodring's Congress of the Animals at #9: "There are few artists’ work I can endlessly stare at with as much feverish perplexitude as Jim Woodring’s. Yes, I just made that word up."
• List: Vancouver BC culture site The Snipe surveys local comics industry folks for their favorite comics of the year. The Walt Disney's Mickey Mouse series by Floyd Gottfredson is named Best Collected Edition or Reprint by cartoonist Steve LeCouiliard...
"Floyd Gottfredson is one of the overlooked masters of the comic strip. Like Carl Barks, his work was always signed 'Walt Disney' but his craft and storytelling brilliance shone through. Comic strips really don’t provide much more pure joy than Gottfredson’s Mickey Mouse."
...and by VanCAF organizer Shannon Campbell...
"The two-volume collection of Floyd Gottfredson’s run of Mickey Mouse, hands down! These books chronicle the glory days of the old-school Mickey Mouse comics when Gottfredson did both art and story (from 1930-1934)."
...while the staff of Lucky's Comics can't pick just one:
"This has been a boon year reprint editions, but take your pick from Fantagraphics Books’ amazing editions of Pogo by Walt Kelly, Donald Duck by Carl Barks, Mickey Mouse by Floyd Gottfredson, and Prince Valiant by Hal Foster. Fantagraphics has done such an incredible job on book designs, colors, paper… all of the details that make these editions glow."
"It’s not just the subject matter that’s a winner here. Santiago has a knack for simplicity in his storytelling approach, and in a medium that’s often beset by needless complexity, that’s a rare gift."
"...[P]robably the best pure horror comic I read this year... and one that quite frankly shocked the hell out of me. Sala’s expressionist art style might not be the most obvious choice for telling blood-curdling horror stories, but its innocent cartoony quality somehow makes a perfect (and terrible) fit with the horrible, almost nihilistic story that Sala is telling."
• Review: "Swarte’s visuals are always gorgeous and distinctive, with a strong influence from Hergé but an even more rigidly mapped out structure. The more you look at them, especially the large ones, the more you see, as in a one-panel, one-pager that lays out a parodic vision of comics production as if it resulted from a Roger Corman-esque movie studio. His eye is careful and his line even more so. ...[Is That All There Is?] is a real pleasure to read and to look at, and it makes a case for Swarte as a real comics guy, not just an illustrator." – Hillary Brown, Paste
• Profile: At City Journal, an essay by Stefan Kanfer with a history of Walt Kelly and Pogo: "He frequently quoted a line that he had written for Porky Pine: 'Don’t take life so serious, it ain’t nohow permanent.' No, it ain’t. But art — even comic art — can be, in the hands of a master. Every book, every comic, every panel verifies the claims of Kelly’s fervent cheering squad: after 63 ever-lovin’ blue-eyed years, Pogo is still incomparabobble." (Via The Comics Reporter)
• Plug:Seattlest's Heather Logue spotlights Tony Millionaire's upcoming appearance and art show at Fantagraphics Bookstore & Gallery: "Aside from the fact that he has an amazing superhero name, Tony Millionaire also has the extraordinary talent to back it up. The cartoonist will be at Fantagraphics with his latest book 500 Portraits-- a collection of portraits (duh) of everything from the very famous face, to the very small bug. All meticulously crafted in his beautiful, yet grotesque way -- you're not going to want to miss Tony's take on portraiture."
• Scene:At his blog, Drew Friedman recounts his experience as keynote speaker at the International Society of Caricature Artists' annual convention last month, with lots of photos, a couple video clips and a transcription of a Q&A session
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