• Reviews: "Both of these books — Blake Bell's Fire and Water: Bill Everett, The Sub-Mariner, and the Birth of Marvel Comics and Steven Brower's From Shadow to Light: The Life and Art of Mort Meskin — do fine jobs of chronicling the artists' lives and careers. [...] The Everett book... is beautifully designed by Adam Grano and as much an art book as biography. Filled with great examples of Everett art — some of which is from the Everett family's own archives — this book opens up a whole new arena for appreciation of this almost lost seminal artist. The Mort Meskin book is fascinating, too. Brower and the Meskin sons do a great job in capturing what the artist was really like, both in his career and his home life. [...] Again, it's an impressive package (something I think Fantagraphics has become famous for) and a welcome addition to any comics fan's library." – Gary Sassaman, Innocent Bystander
• Review: "Four Color Fear: Forgotten Horror Comics of the 1950s is... a cool collection of stories that definitely would have given me nightmares if I read them as a kid. ...Fantagraphics... puts together a wonderful package once again. Some of these stories are almost unreadable, but all of them are enjoyable and strange and wonderful in their own way." – Gary Sassaman, Innocent Bystander
• Review: "The Best American Comics Criticism, edited by Ben Schwartz, is a fascinating collection of assertion, appraisals, debate, reconsiderations, and recollections about comics. This thick, superbly-selected anthology features extremely well informed, exceptional voices... With a fantastically rendered cover by Drew Friedman (spot the critic!), this is a huge assortment of fantastic writing about a field that has had many parallels with and tendrils in rock and pop. If you’re yearning to own a non-music comics book of criticism that isn’t something from the academe yet still creates an alternate world of popular culture magic to teach how to rail and rave and expose and detail, The Best American Comics Criticism is the book to buy." – Chris Estey, The KEXP Blog
• Review: "Fantagraphics always produces beautiful books, but this is one of my favorites they have ever published. [...] A few weeks ago, I carefully slid You’ll Never Know off the shelf. I was ready for it. It was time. It was a deeply emotional read. [...] The art and lettering is stellar in You’ll Never Know, filled with little details that make every page - especially full page panels. [...] You’ll Never Know is excellent example of autobiographical/biographical non-fiction sequential art, and has made my short list of favorite graphic non-fiction..." – Syndicate Product Covert HQ
• Plug: "Norman Pettingill is an underground cartoonist's underground cartoonist. His obsessive linework, his out-of-control hillbilly wonderland — and even his medium — wood, all make for a fascinating experience. And yes, the cover of this book is plywood." – Benn Ray (Atomic Books), Largehearted Boy
• Feature:Seattle Weekly's Brian Miller previews the "Counterculture Comix" exhibit at Bumbershoot and talks to curator Larry Reid
• Coming Attractions: "For me, and I admit I have specialized taste, the best news coming out San Diego was the announcement that Fantagraphics is going to reprinting Floyd Gottfredson’s Mickey Mousecomic strips, which really was during the 1930s one of the great adventure strips. This will be hard for anyone who hasn’t read Gottfredson’s work to believe, but his Mickey Mouse was as rousing as Roy Crane’s Captain Easy and as rich in invention as Barks’ longer Duck stories." – Jeet Heer, Comics Comics
• Review: "Oh, the things men do to torture themselves. [Catalog No. 439:] Burlesque Paraphernalia and Side Degree Specialties and Costumes is an amazing flashback to a time before the Internet, television, radio, movies and pretty much every other form of entertainment. [...] This book is chock full of some of the funniest and most sadistic devices ever dreamed up by the human mind. It’s almost as if the guy from the Saw movies had wanted to get laughs instead of frights — and fans of current outrage cinema may be happily startled to find something actually called 'The Human Centipede' in its pages." – Siobhan Greene, Fangoria
• Review: "It's an odd little notion, the idea that you've lived a better, fuller life for having killed people. That's probably a somewhat unfair aspect of Drew Weing's good-natured, lushly drawn storybook (that's the term the comic practically demands I use) Set to Sea — a tale of a big lummox of a poet whose lackluster verses about life on the open sea are given new verve when he's shanghai'd into service on an actual ship — for me to seize on. After all, Weing's bigfooted style and inviting rather than intimidating illustrative chops place him squarely in the adventure-comics tradition of Carl Barks and Jeff Smith." – Sean T. Collins, Attentiondeficitdisorderly
• Review: "Freed from the burden of making a 'serious' work, Anderson delves into some grim and gritty pulp material, and you can feel his relish and delight coming off the page. [Sand & Fury: A Scream Queen Adventure] basically deals with the story of a murdered woman who comes back from the dead as a banshee and eventually seeks revenge against her killer, who in turn may be a supernatural demon himself. It sounds like a Jim Balent comic, but Anderson creates a lovely noir atmosphere here, full of blood, sex and other nasty goings-on that never once becomes camp. It’s a nice, effective little horror comic." – Chris Mautner, Robot 6
• Plug:The Venture Bros. co-creator Jackson Publick writes: "Venture alumnus, super-pal and yiddish-loving Italian-American Stephen DeStefano premiered his new graphic novel, Lucky in Love at the San Diego Comic Con, and I was fortunate enough to snag a copy. Now it's your turn. Go buy one."
• Interview:Graphic NYC 's Christopher Irving talks to Michael Kupperman. Irving on Tales Designed to Thrizzle: "Toss comic book art from the '40s and '50s into a blender with the dirty brand of humor that runs rampant in underground comics, and give it the pacing and spontaneity of skit comedy, and you get Kupperman’s distinctive Tales Designed to Thrizzle. Kupperman’s slick art has the polish and stiffness of old advertising art, creating a posed disconnect that adds a layer of absurdism to his offbeat stories." Sample Kupperman quote: "What I’m doing is more along the lines of sketch comedy. I grew up with Monty Python and SCTV, and those shows had a profound influence on me, through the writing and tone. My comic is humor for childish adults. I think I’m actually going to start putting that on the cover. It’s stuff that makes me laugh and part of my working method is to make stuff that will make others laugh as well."
• Profile: "One hundred-plus years after the newspaper comic strip was born in San Francisco, a reader might well ask: Who was the greatest comic artist of all time? Some scholars say the question was settled in 1924 by New York arts critic Gilbert Seldes, whose book on the American cultural scene, The 7 Lively Arts, devoted an entire chapter to a reclusive cartoonist in the Hollywood Hills named George Herriman and his avant-garde comic strip, Krazy Kat." – Anthony Mostrom, The Los Angeles Times (via The Comics Reporter)
• Profile: Katharine Zarrella of Interview magazine talks to Robert Pollard about his collage art and current exhibit thereof in New York City: "A handful of ex-bandmates are on Pollard's guest list, but what do they think of his artwork? 'It seems a lot of them dig it. I think secretly, and sometimes openly, my peers respect the insanity.'"
• Profile: "One of the most serious gaps that this blog has not yet filled is as follows: having been scandalously silent of the great art of Drew Friedman, one of the most popular and recognizable contemporary American illustrators, a genius capable of combining, with previously unpublished results, a technique of hyper-realistic depiction with the strong sense of the grotesque that characterizes the creative temperament." – Lucca Boschi, Il Sole 24 Ore (translated from Italian)
• Events: At AOL's TV Squad, Aaron Broverman recaps Blake Bell's presentation "Steve Ditko & Bill Everett: Spider-Man, Sub-Mariner, Daredevil & Beyond" at Fan Expo in Toronto, "a panel I expect will be one of the hidden gems of the weekend"
"On Friday, August 27, 2010, come to the Toronto Fan Expo (running from Friday to Sunday) and see my slideshow entitled "Steve Ditko and Bill Everett: Spider-Man, Sub-Mariner, Daredevil & Beyond." The hour-long presentation begins at 5pm in Room 103A and features tons of imagery and commentary related to my two new books Fire and Water: Bill Everett, the Sub-Mariner and the Birth of Marvel Comics (out in Sep.) and Unexplored Worlds: The Steve Ditko Archives Vol. 2 (out in Oct)."
Blake will also be tabling at the show — click over for more info.
This book is available with a signed bookplate as a FREE premium! The bookplate has been uniquely designed for this book, and each bookplate is printed on acid-free cardstock and hand-signed by the author Blake Bell and Bill Everett's daughter, Wendy Everett! (Click here for more books available with signed bookplates.) Please select your preference above before adding the item to your shopping cart. Note: Signature plates are VERY limited in quantity and available only WHILE SUPPLIES LAST.
In 1939, decades before it would become the powerhouse behind such famous super-heroes as Spider-Man, The X-Men, and Iron Man, Marvel Comics launched its comics line with a four-color magazine starring a daring new antihero: The Sub-Mariner.
As created and rendered by the great Bill Everett, the Sub-Mariner was an angry half-breed (half-man, half sea-creature) who loathed and fought against all mankind — until he joined the Allied Forces to defeat the Nazis during World War II. Seventy years later, Everett’s aquatic creation remains one of the pinnacles of the Marvel super-hero universe (as attested to by the character’s recent option for a major motion picture).
The Sub-Mariner alone, and his status as the original Marvel (anti-)hero, would have insured any cartoonist’s place in comics history. But Everett was a master of many kinds of comics: romance, crime, humor, and the often brutal horror comics genre (before it was defanged by the Comics Code Authority in the 1950s), for which he produced work of such stylish and horrifi c beauty that he ranks with the artists who kept the legendary EC comics line awash in blood and guts.
Written by Blake Bell (the author of the best-selling critical biography of Steve Ditko, Strange and Stranger) and compiled with the aid and assistance of Everett’s family, friends, and cartoonist peers, Fire and Water: Bill Everett, the Sub-Mariner & the Birth of Marvel Comics is an intimate biography of a troubled man; an eye-popping collection of Everett’s comics, sketchbook drawings, and illustration art (including spectacular samples from his greatest published work as well as never-before-seen private drawings); and an in-depth look at his involvement in the birth of the company that would revolutionize pop culture forever: Marvel Comics!
• Review: "...[T]his [is] a good-looking book as well as a good reading one. ... [T]his is a wonderfully informative read from where I’m sitting. Fire & Water is a long-overdue chance for today’s readers to get a good idea of what made Everett so special and so revered by older fans." – Johnny Bacardi, Popdose
• Review: "Richie Rich by way of Archie by way of Tippy Teen by way of, oh, I don’t know — The Grifters meets Tao Te Ching and airing at 10:30 CST on Adult Swim; ...it’s easy to admire [Wally Gropius's] all-over-the-place, random ingenuity..." – Johnny Bacardi, Popdose
• Review: "Artichoke Tales by Megan Kelso is a strange, other-worldly story about birth and death, coming of age, dealing with war, finding love, accepting tragedy. ... The simple, comic-strip-like illustrations in teal and white express movement beautifully with a minimum of lines." – Mary Louise Ruehr, Ravenna Record-Courier
• Interview:Avoid the Future calls Set to Sea "One of the most visually breathtaking comics we’ve ever had the pleasure of reading" and talks to creator Drew Weing: "I'm very happy with the final results, but I've got to work differently in the future — if I plan on having finished more than a handful of comics in my lifetime! There's so much fussy crosshatching and detail in Set to Sea. I'm trying to work much quicker and looser in my next projects."
• Coming Attractions: "Oh. Oh yes. Oh yes, yes, yes… Herriman’s wonderful Krazy and Ignatz, facsimile style reproduction of original, unpublished sketches he’d use before finalising his strips, in a big, beautiful hardback, and it’s from Fantagraphics so you know it’s going to be given the love and attention to detail and quality it deserves." – Forbidden Planet International Blog Log on Krazy & Ignatz: The Sketchbook Strips 1910-1913, coming this Fall
• Review: "By the 1980s, however, the anti-establishment sensibility of the underground comix had been replaced by a faith in just 'do-it-yourself' — making your own 'zines,' and that sense of independence is what [editor Michael] Dowers praises [in Newave! The Underground Mini Comix of the 1980s]." – George Elliott Clarke, The Chronicle Herald
• Review: "...Jim Woodring's Weathercraft creates a fantastic alternative universe. ...Woodring constructs a nightmarish tale in which Manhog falls victim to the villainous depredations of the all-too-aptly named Whim and the spells of the witchy pair Betty and Veronica. Those unfamiliar with the Woodring dreamscape may want to pick up The Frank Book collection as a primer, but the stand-alone Weathercraft requires no real prep work — just an openness to disturbing, id-derived imagery." – Cliff Froehlich, St. Louis Post-Dipatch
• Review: "Although King of the Flies... is anchored in a sharply delineated but deliberately generic suburbia, the book plunges us into an often violent, always profane environment that recalls David Lynch's Blue Velvet. Using multiple narrators, the book is an intricately constructed series of interlocking short stories that acidly etch a disquieting portrait of modern alienation and unease." – Cliff Froehlich, St. Louis Post-Dipatch
• Review: "French master Tardi gives an infantry-level view of World War I's meat-grinder carnage in grim vignettes that primarily keep tight, telling focus on the stories of individual soldiers. ...[It Was the War of the Trenches] deserves a place on the top shelf of graphic lit." – Cliff Froehlich, St. Louis Post-Dipatch
• Review: "Reading Jacques Tardi's It Was the War of the Trenches, I realized just how short most American war comics fall in portraying the reality and horror of war. ... Tardi brings every ounce of his talent to the task of trying to articulate the sheer horror of this war. And while he doesn't flinch once, neither does he resort to trite 'war is bad' or 'good versus evil' oversimplifications. He merely puts you directly in the soldiers' viewpoint and then tries to relate their experiences to you. ... It's a raw, uncompromising, devastating book, and, I'm kind of sad to say, unlike anything that's been published on these shores." – Chris Mautner, Robot 6
• Review: "...St. Louisan Tim Lane's Abandoned Cars, one of 2008's essential comics, has recently been reissued in paperback with two variant covers that vividly recall the lurid pulps of the 1930s." – Cliff Froehlich, St. Louis Post-Dipatch
• Review: "It can sometimes be hard to get a grip on what Jason is going for in his stories, since even when he approaches a familiar subject, he takes a strange angle and dwells on the types of moments that wouldn’t normally receive focus in these sorts of tales. Werewolves of Montpellier goes even further afield... Leave it to Jason to dwell on the awkwardness of the 29 non-full-moon days of the month in which the werewolf has to pass as a normal human." – Matthew J. Brady, Indie Pulp
• Review: "What I think is most interesting about [The Best American Comics Criticism] is that in his choices of pieces, [editor] Schwartz is laying out a theory of lit comics. It's a theory that rings very true to me. Part of this theory goes that as literary comics grew, they made necessary a reevaluation and relearning of certain classic comics." – Robert Boyd, The Great God Pan Is Dead (via The Comics Reporter)
• Profile: Steve Duin of The Oregonian talks to Patrick Rosenkranz about assembling The Artist Himself: A Rand Holmes Retrospective: "With rare access to Holmes' journals and sketchbooks, Rosenkranz succeeds in giving readers access to the cartoonist that Holmes denied his closest friends. And he succeeds because of a compulsion, born 45 years ago, to understand the world in which these artists moved 'and how what happened in their lives affected their work.'"
• Comic-Con: At About.com: Manga, Deb Aoki gives a quick report from the Moto Hagio Spotlight Panel at Comic-Con 2010, with a promise of more to come: "...Hagio-sensei charmed the audience with her self-effacing wit and matter-of-fact responses to questions..."
Brother Mario made a surprise appearance with the rest of the Hernandez clan for their Love and Rockets signing on Friday morning, which I only managed to capture with my crummy, crummy cameraphone.
Moto Hagio was joined for the second half of her signing by Carol Tyler, who brought flowers swiped from outside the convention hall.
Andrei Molotiu and Stephen DeStefano made their first Comic-Con signing appearances with us. Andrei, though best known for his work with abstract comics, is also a whiz with the representational sketch, as he proved in my sketchbook. Stephen obliged another fan with a 'Mazing Man sketch.
I missed getting any actual photos of Johnny Ryan & Esther Pearl Watson during their Friday signing, but here's their whiteboard sign-in. Esther's is particularly funny if you know the secret symbolic code from Unlovable.
Friday's final signing was a special treat as Blake Bell was joined by Wendy Everett, daughter of Bill Everett, subject of Blake's new book (and an almost-immediate con sell-out) Fire & Water.
Just announced over the weekend, the Saturday and Sunday programming for Comic-Con international. Our official PR goes out this week but we figure some of you might not want to wait to find out about the Fantagraphics-related panels. See here for Friday's FBI-ish panels.
[Note: this post is updated as we get more information.]
12:00-1:00 Spotlight on Peter Bagge — Comic-Con special guest Peter Bagge talks to Fantagraphics' Jason T. Miles about his work, including the legendary Buddy Bradley stories in Hate and his new graphic novels, Apocalypse Nerd and Other Lives. Room 3
1:00-2:00 Spotlight on Gabrielle Bell— Join Comic-Con special guest Gabrielle Bell (Cecil and Jordan in New York, Lucky). Gabrielle Bell has been featured in McSweeneys, Vice and the Believer. The title story of her most recent book, Cecil and Jordan in New York has been adapted for the screen by Michel Gondry in the triptych Tokyo! She is currently serializing her Ignatz award-winning autobiographcal comics Lucky online. Gabrielle Bell will present a slideshow and discuss her work with Tom Spurgeon (www.thecomicsreporter) Room 3
1:30-2:30 Comics Criticism— Comics are a staple of the arts and book review sections of everything from The New York Times and Publishers Weekly to a current golden age of published biography and history, such as Gerard Jones's Men of Tomorrow, R. C. Harvey's Meanwhile..., and David Michaelis's Schulz and Peanuts. Some of the nation's leading critics discuss the state of the art and the state of its journalism, 2010. Panelists include Gary Groth (The Comics Journal), Douglas Wolk (Reading Comics), Brian Doherty (Radicals for Capitalism), Ben Schwartz (editor, Best American Comics Criticism), R. C. Harvey (Meanwhile...) and R. Fiore (Funnybook Roulette). Room 4
3:00-4:00 Comics Reprint Revolution— For comics fans, the vintage reprint revolution keeps getting bigger and better! Comics Reporter's Tom Spurgeon talks with Craig Yoe (Krazy Kat, Popeye, Jetta), Dean Mullaney (editor of Library of American Comics for IDW: Dick Tracy, Little Orphan Annie, Secret Agent Corrigan), Daniel Herman (Hermes Press: Buck Rogers, The Phantom), Gary Groth (Fantagraphics: Peanuts, Prince Valiant, Captain Easy), Peggy Burns (Drawn and Quarterly: John Stanley Library, Walt & Skeezix), Steve Saffel (Titan Books, Beetle Bailey, Simon & Kirby Library) and Charles Pelto (Classic Comics Press: Mary Perkins, On Stage, The Heart of Juliet Jones, Big Ben Bolt) about their publications reprinting some of the very best of comic books and comic strips. Room 8
3:30-4:30 International Comics and Graphic Novels— Comics are popular the world over and Comic-Con always includes an impressive gathering of worldwide talent. Journalist Tom Spurgeon talks with special guests Moto Hagio (Japan: A Drunken Dream), Émile Bravo (France: My Mommy is in America and she Met Buffalo Bill), Milo Manara (Italy: Click!), and Kathryn and Stuart Immonen (Canada: Moving Pictures, Russian Olive to Red King) about graphic novels with a more international flavor. Room 4
12:30-1:30 The Funny Stuff: Humor in Comics and Graphic Novels— The world of comics isn't just about dark and mysterious superheroes. There are a lot of great funny books out there. The Cartoon Art Museum's Andrew Farago talks to Comic-Con special guests Peter Bagge (Hate), Howard Cruse (Wendel), Nicholas Gurewitch (The Perry Bible Fellowship), Keith Knight (The K Chronicles), Larry Marder (Beanworld), and Doug TenNapel (Monster Zoo) about the humorous side of comics. Room 8