• Review: "[Swarte's] comic pages are playful symphonies, composed to the smallest detail. Though his style is static in nature, he is a master of panel layouts, organising the contents of each panel in such a way that movement erupts by the way he’s leading the eye across the page.... For those wanting to familiarize themselves with the comics of Joost Swarte, Is That All There Is? is a nice baptism into his specific world vision full of retro architecture and absurd happenings." – Bart Croonenborghs, Broken Frontier
• Review: "It is not very often that a comic (from any country) deals with gender identity in such a sensitive and accessible way, which is why I am so incredibly happy that Wandering Son is being translated into English.... I really do love Wandering Son. The story has a quietness to it that hides the intensity of its emotion. While gender identity is an important part of Wandering Son, it is not the only aspect of the story or or the characters. Shuichi, Takatsuki, their friends, families, classmates, and teachers all come across as real people. The connections between characters transcend gender, too. Friendships are developed and strengthened by common interests and standing up for each other.... I can't recommend Wandering Son enough and am really looking forward to the next volume." – Ash Brown, Experiments in Manga
• Review: "...[C]urrent fans of the [Zippy] strip are in for a surprise, a shock, and, ultimately, a major treat, when they pick up Griffith's new career retrospective, Lost and Found: Comics 1969-2003... The journey from these energy-packed, overstuffed, unpolished early comics to the elegant masterwork of the present is a journey greater than that of Gary Trudeau with Doonesbury or Charles Schultz with Peanuts.... His early reign as an oversexed adolescent-minded wiseacre gives way to a long golden afternoon of wry and wistful philosophizing, with frequent salient eruptions of deserved ire and malice toward all!" – Paul Di Filippo, The Barnes & Noble Review
• Interview: At Literary Kicks, Alan Bisbort talks to Bill Griffith about his career-spanning collection Lost and Found: "When I put this new collection together, Fantagraphics had been trying to get me to do this book for about ten years. When they first suggested it, they wanted some of the early, pre-Zippy work, along with the other non-Zippy work of more recent years. But I told them at first that 'that stuff has got to be hidden. Maybe when I’m dead someone can bring it out' but then over a period of time I grew to accept my arc, so to speak, whatever my arc is."
• Review: "Wandering Son... is a measured, sensible and sensitive series... Part of Wandering Son's hook is a distanced view at discomfort with one's own body. The manga is written to evoke the feeling of being ill at ease in one's own skin, such that everyone who has went through puberty can sympathize with these characters, regardless of their own relationship with sexual identity issues. I'm not so sure how particularly, generally appealing the prospect of reliving those feeling may be, but that sort of identification is a crucial part of what makes Wandering Son a superlatively fascinating manga.... Though it may or may not be an effective mirror to our own lives, it has its reader thinking about everything, both small and significant, [that] shape[s] us. As a result, Wandering Son proves to be deeply involving in an unconventional way." – Scott Green, Ain't It Cool News
• Review: "[The Life and Death of Fritz the Cat]'s beautifully drawn, even the earliest material. Fritz’s face is as expressive as all get-out, though you may be surprised at how dainty Crumb’s line is mid-period. One thing, however, remains consistent throughout and once more it’s Winston who hits the juvenile nail on its dream-addled, sex-obsessed head. 'Oh you’re such a child! Such a self-centred, egotistical child!'" – Stephen L. Holland, Page 45
• Review: "I believe that the Drunken Dream collection of stories lays the groundwork for measuring all of the wonderful components of girls’ comics. It’s a heck of a yardstick, I’ll tell you that.... It’s impossible to read through these panels and not feel your own life in them — and that’s why Hagio is such a brilliant writer. Shoujo manga is all about feelings, and Hagio is the master of feelings. The Queen of Feelings. THE EMPRESS OF FEELINGS.... I had never heard of the 24 Year Group before reading this anthology, but I feel like my life has been dramatically enriched by this collection. I want to buy three copies of it so that I can loan 2 to new people and have a back up loan copy for the eventual time when one of them gets stolen." – NOVI Magazine
• Commentary: At The Creators Project, Emerson Rosenthal talks to our own Larry Reid for an article on "the rise of DIY publishing and the revival of the printed word": "'The "Great Recession" forced us to get better with design if anything […] what you’re getting is a better looking book, more sustainable, and cheaper on the shelf. If anything, it’s a better product,' says Reid. 'At the same time, the self-bound ‘zine is definitely on the rebound.'"
Bill Griffith: Lost & Found collects hundreds of Griffith’s early underground comics, most of them long out of print and unavailable. Much of the work will be unfamiliar and a real revelation to those readers who only know Griffith from his long-running Zippy strip.
He'll be signing and reading from this much-anticipated book on Saturday, March 3rd. The zany fun starts at 3:00 PM, so don't miss your chance to meet this living legend of comics!
Real Art Ways is located at 56 Arbor Street, Hartford, CT. This event is free and open to the public!
In this month's issue of Booklist you can find reviews of three of our recent releases, excerpted below:
Bill Griffith: Lost and Found – Comics 1969-2003: "Prefaced by Griffith’s long, anecdotal accounting of his work and including stories featuring other characters who’d eventually join the strip’s cast as well as 48 pages in full color..., this collection attests the perdurable wit, style, and smarts of one of the greatest of the 1960s San Francisco underground cartoonists." – Ray Olson (Starred Review)
Athos in America by Jason: "What’s amazing is how much [Jason] can squeeze from so little. Though their emotional register usually falls somewhere between disappointment and death, the stories make an eclectic bunch.... Sure, Jason’s following his muse down the wormiest of rabbit holes these days, but you wouldn’t want him any less weird." – Ian Chipman
The Big Town by Monte Schulz: "It is as impressive as it is ponderous, and the maximalist mentality of overloaded historical detail is precisely what some will love and others will leave. Readers as taken by the era as Schulz is won’t find a bigger bonanza." – Ian Chipman
• Review: "While other colleagues have seen their short stories and graphic novels draw serious attention in literary circles, Griffith remains the 'Are we having fun yet?' guy to many. Perhaps the long-overdue collection Lost and Found: Comics 1969-2003 will change that. Leaning heavily on the stories Griffith drew in the early ’70s for undergrounds like Young Lust, Short Order Comix, and the revolutionary Arcade, Lost and Found shows off more facets of Griffith, putting his obsessions with Hollywood, suburbia, and a certain type of corporate cockiness into a larger context." – Noel Murray, The A.V. Club
• Review: "Diane Noomin has seen her work scattered around anthologies like Wimmen’s Comix and Twisted Sisters since she made her comics debut in 1972, but has never received the dedicated study afforded by her new book Glitz-2-Go: Collected Stories, which brings together nearly 200 pages of Noomin’s work.... From the cluttered panels to the bracing honesty, these strips are very much of a piece with the original underground comics movement, and may not be immediately accessible to people unused to that tradition. But for those who fondly remember the glory years of Dori Seda, Aline Kominsky-Crumb, Joyce Farmer, and Roberta Gregory, it’s a pleasure to see Noomin get her own showcase." – Noel Murray, The A.V. Club
• Review: "...Nancy possesses in spades the quality common to all great art — a singularity of vision.... The clarity and unity of purpose made it quite impossible to miss a single punch line. Nancy is simplistic, yes — but it is simplistic by design, a strip without clutter, diagrammatic in its relentless formalism. Set against today’s comic-strip landscape, where Doonesbury has the ambition and scope of the Great American Satirical Novel and even gentle family comedies like Zits and Foxtrot boast character casts expansive enough to baffle a new reader, the dumbness of Nancy starts to look like some kind of genius. The roly-poly, Brillo-mopped mischief-maker and her lowlife pal Sluggo stand eternal, as iconic as the puppets in a Punch and Judy show or the Columbines and Harlequins of commedia dell’arte." – Jack Feerick, Kirkus Reviews
• Review: "At 7.6% ABV, Nibiru is a beer that doesn’t pull any punches, but its potency is disguised by the refreshing herbal and citrus flavours on offer. Like its European cousin, Duvel, it's light enough to be easy-drinking, but the intensity of alcohol mean that it’s a beer that demands to be savoured." – Gavin Lees, Graphic Eye
• Interview (Audio): On the new episode of the Mostly Harmless Podcast, host "Dammit Damian" chats with Noah Van Sciver about "how Noah got into making comics, his family and making comics for a living," among other topics
• Scene (Video):Graphic Eye's Gavin Lees captured Jim Demonakos & Mark Long's slideshow presentation of their graphic novel (with Nate Powell) The Silence of Our Friends on video at Fantagraphics Bookstore & Gallery this past Saturday
• Review: "In addition to undermining the colonialist attitudes of Hergé and classic Disney cartoons with his R. Crumb-ish verve, Swarte also presents a clutch of perfectly packaged riffs on cartoon art. Having a Chris Ware introduction makes sense, given Swarte’s excruciating eye for architectural detail, and could help introduce Swarte to a larger audience, but the book [Is That All There Is?] may not need it — the art doesn’t speak for itself, it shouts." – Publishers Weekly
"The Puerto Rican slugger overcame family poverty, racial prejudice, and the language barrier to be voted the National League’s Most Valuable Player for 1966. Puerto Rican-born Santiago (In My Darkest Hour) superbly captures the kinetic excitement of baseball as well as Clemente’s skill and warm humanity on and off the diamond.... Highly recommended; buy several."
"First published by Fantagraphics in 2003 and nominated for an Eisner Award, this history of racial depictions in comics has been updated in both its content and its source list. Over 100 entries, each featuring a representative illustration and an instructive short essay, cover an international range of comics, from Moon Mullins through Tintin, Will Eisner, R. Crumb, Peanuts, Boondocks, and beyond."
• Plug: "The Fantagraphics reprint of the Mickey Mouse comic strip made by Floyd Gottfredson was already a gem in its first edition in two volumes separately, but with this new edition, with two volumes in a box and a lower price, it becomes essential." – CaraB (translated from Spanish)
• Interview (Video/Audio): Get comfy for an hour-long chat with Bill Griffith about Lost and Found: Comics 1969-2003 on Bob Andelman's Mr. Media podcast, presented in video and streaming audio formats: "I’m sure somebody will be offended, which will be nice — to still offend somebody after all these years. People who only know Zippy comics through King Features will probably be surprised to see that Zippy was more adult-oriented."
• Review: "And indeed, [Carl Barks's] work of c. 1948–54 ranks amongst the most consistently inspired, inventive, touching, and plain fun in the history of comics. Fantagraphics’ inaugural volume in their complete edition of Barks’s Disney comics [Walt Disney's Donald Duck: Lost in the Andes] drops the reader in right at the onset of this creative surge, covering the years 1948–49. ...[T]his is a series that finally promises Barks done right, promising a major revival of one of our greatest cartoonists." – Matthias Wivel, The Comics Journal
• Interview:The Believer blog presents part 1 of an interview with Jim Woodring conducted in 2008 by Ross Simonini: "There’s a Robinson Jeffers poem about a guy who has made wounds on the back of his hands and keeps them fresh by cutting them over and over again with a sharp piece of clean metal. That always struck me as being akin to what I do. I wouldn’t let those childhood wounds heal. The tunnel kept trying to close behind me, and I kept forcing it open so I could remember those primordial things, the way that the world seemed to me as a child. It’s been a vocation for me to keep that view intact."
• Interview (Audio): Matt Smith-Lahrman of New Books Network talks to Kevin Avery about Everything Is an Afterthought: The Life and Writings of Paul Nelson; in Smith-Lahrman's written introduction he says "In Avery’s biography, Nelson is a man who deeply believed in the idea of the American hero as a maverick: tough, brave, in touch with the essence of what it means to be human, and, importantly, alone. Nelson died in 2006, just as Avery was beginning to write this book. He died alone.... Nelson’s writing is deeply personal, inviting readers into the relationships he had with the people he wrote about. Avery’s biography similarly invites readers into Paul Nelson’s life, lonely as it was."
• Plug: "New from Fantagraphics, a decade spanning comics anthology from icon maker Bill Griffith. Griffith is surely best known as the creator of the polka-dot robe wearing daily strip character, Zippy the Pinhead, but Griffith's productivity reaches far beyond Zippy. Lost and Foundis a collection of comics, handpicked by the artist, many rare and out of print, from 1969-2003 (but with the first third of that time period, the heyday of the underground, occupying the majority of the book). Though most of the comics in Lost and Found aren't about Zippy, there are some unique and important Zippy moments included, like the icon's first appearance..." – 211 Bernard (Librairie Drawn & Quarterly)
• Plugs:Robot 6's Michael May & Graeme McMillan look ahead to a couple of our upcoming releases:
Angelman – I’ve not read much by Austrian cartoonist Nicolas Mahler, but I think I’m won over just by the idea of his new book, which satirizes not just superheroes, but the business behind them. [Graeme]
Interiorae – Lovely, lovely art by Gabriella Giandelli in this collection of his Ignatz series. (It’s also in full-color, unlike the original serialization, which is another win.) [Graeme]
I don’t know why it’s taken this long for Fantagraphics to collect the comics that got their cool Ignatz format a few years ago, but I’ll shut up and be grateful. I greatly enjoyed Giandelli’s creepy tale of an apartment building, its residents, the large rabbit who roams its halls, and the creature the rabbit seems to serve. What’s also exciting though is that this means Richard Sala’s Delphine will get a collection too. [Michael]
• Plug: "Malcolm McNeill was just finishing art school when he began his seven year collaboration with the author, William S. Burroughs. This work, which has never been published, is finally going to see the light of day. Fantagraphics has two books coming out this Spring by McNeill: one with his lost drawings and paintings, and the other a reflection on the relationship between word and image which has made an indelible mark on the artist and master draftsman." – Laura Williams, Lost at E Minor
This week's comic shop shipment is slated to include the following new title. Read on to see what comics-blog commentators and web-savvy comic shops are saying about it (more to be added as they appear), check out our previews at the link, and contact your local shop to confirm availability.
392-page black & white/color 8" x 10" softcover • $35.00 ISBN: 978-1-60699-482-5
"My splurge this week would probably be Bill Griffith: Lost and Found, an 'odds and sodds' collection of work by the Zippy creator, mostly done prior to that strip’s creation. I’m not actually certain what’s included in this book, but a good deal of Griffith’s non-Zippy material is pretty great, even better than the strip in some cases." – Chris Mautner, Robot 6
"Recommended - Bill Griffith's Lost and Found - Beautifully drawn underground humor from the creator of Zippy!" – Danger Room Comics
"I've always enjoyed Bill Griffith's not-Zippy work whenever I've encountered it, and actively sought some out when some of his underground comics were praised by various cartoonists back in the Fantagraphics office in the mid-1990s. This volume is a welcome surprise, and I hope it's not totally buried in the forthcoming year's worth of archival work ahead. For this week at least, it's the belle of the new comics ball." – Tom Spurgeon, The Comics Reporter
"CONFLICT OF INTEREST RESERVOIR: I remember reading a Bill Griffith strip about Rory Hayes in the ’08 Hayes compilation Where Demented Wented and being really impressed by Griffith’s graphic style, something I’d only really had much exposure to in newspaper strip form via Zippy. Among its 392 pages, Bill Griffith: Lost And Found – Comics 1969-2003 aims to present many various comics, underground and otherwise, along with reflections from the artist and some added Zippy stuff, including an unfinished comics adaptation of Griffith’s screenplay to the never-produced movie of the character; $39.99."
UPDATE: Download an exclusive 5-page sneak peek at PREVIEWSworld!
Need something to listen to while you're perusing your newly-acquired copy of Bill Griffith: Lost and Found – Comics 1969-2003? Download the soundtrack to Zippy the Pinhead: The Musical, which had its debut staging in November 2010 in Baltimore, now available on iTunes. 19 songs, from the Overture to "Don't Goad the Toad" to "Pinhead Love." All songs by Lorraine Whittlesey. YOW!!
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