Need something to listen to while you're perusing your newly-acquired copy of Bill Griffith: Lost and Found – Comics 1969-2003? Download the soundtrack to Zippy the Pinhead: The Musical, which had its debut staging in November 2010 in Baltimore, now available on iTunes. 19 songs, from the Overture to "Don't Goad the Toad" to "Pinhead Love." All songs by Lorraine Whittlesey. YOW!!

Just arrived in our warehouse and ready to ship to our mail-order customers:

Bill Griffith: Lost and Found - Comics 1969-2003
by Bill Griffith

392-page black & white/color 8" x 10" softcover • $35.00
ISBN: 978-1-60699-482-5

See Previews / Order Now

Order this book and receive this FBI•MINI comic shown at left as a FREE bonus! Click here for details. Limit one per customer while supplies last.

Bill Griffith is best known as the creator of the Zippy daily comic strip, currently running in over 300 newspapers nationwide, but Zippy was conceived as an underground comix character before he became embraced in the main- stream, and Griffith himself was a seminal figure in the underground comix movement, during which he was a cartoonist, an editor, and an entrepreneur.

Bill Griffith: Lost & Found collects hundreds of Griffith’s early underground comics, most of them long out of print and unavailable. Much of the work will be unfamiliar and a real revelation to those readers who only know Griffith from his long-running Zippy strip.

Beginning in 1969, Griffith contributed stories to a long list of legendary undergrounds. Lost and Found is not only a collection of these underground comix — hand-picked by the artist himself — but a mini-memoir of the artist’s comix career during the early days of the San Francisco Underground and his nearly twenty year on-again, off-again involvement with Hollywood and TV. Griffith’s running recollections and commentary serve as a wry and often hilarious counterpoint and context to the stories themselves. Lost and Found follows Griffith’s career from New York to San Francisco in stories taken from The East Village Other, Screw, Arcade, Young Lust and Griffith's solo comic Griffith Observatory, featuring the first Zippy appearances and a cast of characters including Claude Funston, Mr. The Toad, Shelf-Life, The Toadettes, and Alfred Jarry.

While the vast majority of the book is non-Zippy comics, it also features the earliest appearances of Zippy, not seen in any other collection. Zippy fans will be happy to see the very first Zippy stories from 1971 to 1974, when Zippy was primarily a sidekick for Griffith’s first major character, Mr. The Toad. Also included is a 19-page, unfinished, never-before-published comics version of the first few scenes from the Zippy movie screenplay, Zippyvision. Intended as a companion piece to the unproduced film, the story details Zippy’s sideshow origins and his later life in a boarding house catering to showbiz wannabes.

Previously uncollected later work features Griffith’s comics for High Times, The National Lampoon, The San Francisco Examiner and The New Yorker.

Bill Griffith: Lost and Found finally collects the work of one of the great, pioneering cartoonists.

Today's Online Commentary & Diversions:

• List: NPR's Glen Weldon names The Best Comics of 2011, including Pogo Vol. 1 ("Walt Kelly's hugely influential strip gets the deluxe treatment it deserves"), Mark Twain's Autobiography 1910-2010 by Michael Kupperman ("The silliest, funniest, most bracing, and really-I-wasn't-kidding-when-I-said-silliest, book of the year"), and Wandering Son Vol. 1 by Shimura Takako ("An insightful, empathetic and deeply moving manga about a boy who wants to be a girl and a girl who wants to be a boy")

• List: Megamedia conglomerate music-video website VEVO names Everything Is an Afterthought: The Life and Writings of Paul Nelson by Kevin Avery one of 2011's Top Music Books: "Another key critic of rock’s early years, Paul Nelson had a deep skill for explaining artists’ intentions. He was also unafraid of point out their foibles. That makes for a good balance, and some of the portraits he crafted through the years... still resonate as luminous pieces of writing.... But as this combination of bio and anthology reminds us of superb work, it also sketches out his troubled life."

• Award: Thanks to the Well Watchers comics podcast for bestowing us their 2011 Golden Uatu award for Best Publisher

• Review: Gary Faigin looks at the "Playing Possum: The Pogo Art of Walt Kelly" exhibit at Fantagraphics Bookstore & Gallery on KUOW Presents on our local Seattle NPR station (audio stream & download at the link)

• Profile: At The Atlantic, Steven Heller talks to Bill Griffith about Zippy the Pinhead and his new "landmark book": "Who would have imagined in 1970 that Zippy the Pinhead would become a national icon, up there with Pogo, Charlie Brown, and Mr. Natural? 'Never in my wildest underground imaginings did I foresee Zippy as a continuing character, much less a nationally syndicated daily strip,' says Zippy’s creator, Bill Griffith (Griffy to his intimates). By 1970 he had a hit comic titled 'Young Lust,' an X-rated parody of girl's romance comics. He figured Zippy would take his place alongside other one-shot characters: 'I had no intention of giving him any further thought.' Yet 42 years later, this month marks the publication of an anthology of Zippy and other Griffith characters in Lost and Found - Comics 1969-2003."

Bill Griffith: Lost and Found - Comics 1969-2003
by Bill Griffith

392-page black & white/color 8" x 10" softcover • $35.00
ISBN: 978-1-60699-482-5

Ships in: December 2011 (subject to change) — Pre-Order Now

Order this book and receive this FBI•MINI comic shown at left as a FREE bonus! Click here for details. Limit one per customer while supplies last.

Bill Griffith is best known as the creator of the Zippy daily comic strip, currently running in over 300 newspapers nationwide, but Zippy was conceived as an underground comix character before he became embraced in the main- stream, and Griffith himself was a seminal figure in the underground comix movement, during which he was a cartoonist, an editor, and an entrepreneur.

Bill Griffith: Lost & Found collects hundreds of Griffith’s early underground comics, most of them long out of print and unavailable. Much of the work will be unfamiliar and a real revelation to those readers who only know Griffith from his long-running Zippy strip.

Beginning in 1969, Griffith contributed stories to a long list of legendary undergrounds. Lost and Found is not only a collection of these underground comix — hand-picked by the artist himself — but a mini-memoir of the artist’s comix career during the early days of the San Francisco Underground and his nearly twenty year on-again, off-again involvement with Hollywood and TV. Griffith’s running recollections and commentary serve as a wry and often hilarious counterpoint and context to the stories themselves. Lost and Found follows Griffith’s career from New York to San Francisco in stories taken from The East Village Other, Screw, Arcade, Young Lust and Griffith's solo comic Griffith Observatory, featuring the first Zippy appearances and a cast of characters including Claude Funston, Mr. The Toad, Shelf-Life, The Toadettes, and Alfred Jarry.

While the vast majority of the book is non-Zippy comics, it also features the earliest appearances of Zippy, not seen in any other collection. Zippy fans will be happy to see the very first Zippy stories from 1971 to 1974, when Zippy was primarily a sidekick for Griffith’s first major character, Mr. The Toad. Also included is a 19-page, unfinished, never-before-published comics version of the first few scenes from the Zippy movie screenplay, Zippyvision. Intended as a companion piece to the unproduced film, the story details Zippy’s sideshow origins and his later life in a boarding house catering to showbiz wannabes.

Previously uncollected later work features Griffith’s comics for High Times, The National Lampoon, The San Francisco Examiner and The New Yorker.

Bill Griffith: Lost and Found finally collects the work of one of the great, pioneering cartoonists.

Download and read a 29-page PDF excerpt (5.7 MB).

Video & Photo Slideshow Preview (view in new window):

(a partial assortment)

I always was very fond of the mini-comics format -- take two to four 8 1/2 x 11 sheets, fold them once, staple, and voilà! You have an adorable little 5 1/2 x 8 1/2 comic book for mere pennies. But I could never really figure out what to do with this old-school, low-tech format.

Until now!

For this catalog season, we have created 21 "FBI•MINI" booklets (most in this format, although there are a few oddities), as premiums for customers who order books directly from us. They are available free with the purchase of their "matching" book or books -- or for those customers who've already bought those books but are desperate to get the FBI•MINI, free with the purchase of $50 worth of any other Fantagraphics mail-order merchandise.

We've put together some pretty amazing stuff. For instances, there are four foreign FBI•MINIs featuring material that is being released in English for the very first time: an eight-page David B. story from the 1990s, an eight-page full-color Sibyl-Anne story by Raymond Macherot, a twelve-page collection of Joost Swarte's very earliest, most underground-y work -- the stuff that didn't make it into Is That All There Is? -- and most amazing of all, 21 pages of an abandoned Manchette/Tardi story that has only been printed once in an obscure French collection, and never in English. That's 49 page of prime European comics available here for the first time.

There are four sketchbook collections (an amazing gathering of Jim Woodring work preparing for Congress of the Animals, an intricate set of sketches and more by Stephen DeStefano for Lucky in Love, a collection of Kim Deitch's legendary pencilled conceptualization drawings... and a hilarious blurt of Prison Pit character doodles from Johnny Ryan).

There's a non-Segar Popeye strip from the Segar era that didn't make it into our Popeye series (since it wasn't by Segar)... a collection of terrific "coming attractions" pages from Golden Age comics to go with Greg Sadowski's upcoming Golden Age covers collection... a dozen great "Humorama" drawings that didn't quite get into the Humorama book... a striking facsimile of a Maurice Tillieux original Gil Jordan page, complete with watercolored color indications on the back... and a never-before published Joe Sacco strip.

Plus 16 pages of Alex Toth art from the Setting the Standard era, but here reproduced in crisp black and white from the original photostats... Tony Millionaire's hilarious illustrated essay on failing to secure a TV gig for Billy Hazelnuts, complete with a preview of his upcoming Billy Hazelnuts Volume 3... a collection of the legendary Ivan Brunetti Nancy strip try-out... and 12 gorgeous full-color pages of scary Richard Sala faces.

And we've also got some obscurities, such as 12 pages of Bill Griffith comics that got axed from his epochal Lost and Found, a never-before-reprinted Critters-era "Nilson Groundthumper" story by Stan Sakai, and some truly Jurassic-era comics from Peter Bagge and Los Bros. Hernandez.

If any of these catch your interest (and if you're reading this blog surely at least one of them will) you can click right on any of them to a more detailed listing on our website -- or just click right here and all 21 will pop up for you to peruse.

Today's Online Commentary & Diversions:

• Review: "...Kevin Avery’s Everything Is an Afterthought... chronicles the dramatic life of one of music’s keenest observers, Paul Nelson, and curates his finest critiques.... I read and adored [Nelson] growing up, but reading [him] in the context of today’s critical standards gave me the literary equivalent to the bends. It goes without saying that, in the age of the Internet, the whole idea of a critic has changed." – Jim Farber, New York Daily News

• Review: "It could well be ten years since I last read these stories [in Queen of the Black Black], and I’d either forgotten or never appreciated (my money’s on the latter) how astute and insightful they could be. Like a proto-Kevin Huizenga, [Megan Kelso] repeatedly turns up little rocks of human experience and chronicles what’s going on underneath, reintroducing us to feelings, sensations, and experiences we’d forgotten we’d had but recognize as if they happened this morning." – Sean T. Collins, The Comics Journal

• Review: "This collection of early stories from Megan Kelso shows a natural flair for the form, mixed with a self-critical determination to hone her craft, that’s helped her blossom into a master storyteller.... Anyone looking for a masterful example of the short story in comics would do well to give [Queen of the Black Black] a try. Beautifully written and well illustrated, this a wonderful portfolio of work from a creator showing a deep well of promise from the start." – Grovel

• Review: "...[E]asily... one of my favorite horror comics and one of my contenders for my Best of 2011 list.... Not only is the book carefully structured, it looks stunning.... The Hidden is a story that must be experienced to fully appreciate... There is an excellent story of slow-building despair to be found in its pages, with gorgeous depictions and coloring and a horror story that shocks, surprises, and entertains. Don't let this one get hidden on your shelves!  It may not be Halloween, but I still give this book my highest recommendation!" – Rob McMonigal, Panel Patter

• Review: "Volume 2 of Fantagraphics' Gottfredson Library, which takes us up through the beginning of 1934, maintains the high production standards and copious ancillaries of the first volume.... Tom Andrae's opening essay emphasizes, with good reason, how Gottfredson "spun off" many of his early narratives from the plots of animated cartoons. IMHO, however, the Mickey strip truly became "great" once Gottfredson gained the confidence to craft his own plots." – Chris Barat

• Profiles: The Associated Press's Russ Bynum chats with Jack Davis, Al Jaffee and Sergio Aragonés about the MAD cartoonists reunion this past weekend at Savannah College of Art & Design

• Profile: Paul Gravett surveys the work of David B. and presents a transcript of his bookstore discussion with the artist this past summer (hat tip to TCJ.com's Tim Hodler)

• Plug: Pulitzer-winning author and known Love and Rockets fan Junot Díaz names Poison River by Gilbert Hernandez (collected in Beyond Palomar) one of his top 10 favorite books in an excerpt from Unpacking My Library: Writers and their Books posted at The Financial Times

• Plug: From Michael May's monthly cruise through the current Previews catalog at Robot 6: "The Sincerest Form of Parody: The Best 1950s MAD-Inspired Satirical Comics — I can’t decide if I’m more interested in the historical context of what folks were parodying in the ’50s or just looking at some cool Jack Davis and Kirby art that I’ve never seen before."

• Plug: Oil and Water receives an excellent feature in the new issue of the Audubon Society of Portland Warbler newsletter, which can be downloaded here

• Tribute: At The Comics Journal, Bill Griffith remembers meeting, and later collaborating with, the late Bil Keane: "I was surprised when Bil told me he read Zippy in his local Arizona paper and liked it. He didn’t even qualify his opinion with the usual, “Of course, I don’t always get it.” Until then, I hadn’t paid much attention to The Family Circus, but I slowly began to see that you could read more into it than what appeared on the surface. This was before internet wise guys began mashing up random Friedrich Nietzsche lines for Billy and Jeffy’s and riffing on the strip as unconscious surrealism. But The Family Circus didn’t need hipsters to substitute incongruous dialogue to make the case that it was unconscious surrealism. It was unconscious surrealism on its own."

Here's your first gander at the final cover for our mammoth upcoming collection of Zippy creator Bill Griffith's comic book work, Lost and Found. The especially observant among you will note that the artwork is the same as the preliminary version; we just have a new title treatment. The book's running a bit behind schedule because it has expanded quite a bit from when we first announced it — the original subtitle was "Comics 1970-1994" — but it's off to the printer now for a late December release!

(click to enlarge)

We are in the final stages of assembling this mammoth collection of Bill Griffith's non-syndicated-Zippy work (i.e. from undergrounds and alternative comics), and we cannot for the life of us figure out where the story "Toadette Dignity" might have appeared (see above for the first of two pages). Bill finished it in 1975 with the intent of publishing it in Arcade but it did not in fact appear in Arcade. Bill is sure it got published somewhere eventually but has no idea where that might be.

First person to correctly identify where it was published gets a copy of Lost and Found when it is released, signed by Griffy!

Are we having sourcing yet?

Email us your answer; be sure to put "Attn: Jason Miles - Bill Griffith Source" in the subject line.

UPDATE: We have an answer and a winner! The story appeared in Apple Pie #5. Thanks everyone for your quick responses!

How great is the great John Severin's cover for the new 10th issue of Desert Island's esssential free tabloid comics anthology Smoke Signal? Even greater with the watercolors of Mome contributor Victor Kerlow! Also in this issue: Michael DeForge, Bill Griffith, Sam Henderson, Keith Jones, Kaz, Benjamin Marra, Dane Martin, Jesse McManus, Tony Millionaire, Donny Robinson, Jim Rugg, Matthew Thurber, James Turek, and Noah Van Sciver. A stellar lineup as always! Get your FREE issue at Desert Island in Brooklyn, or if it's not geographically convenient you can pay a paltry 4 bucks and have one shipped to you.

Today's Online Commentary & Diversions:

• List: At his High-Low blog Rob Clough posts his belated Top 50 Books of 2010 list, with Megan Kelso's Artichoke Tales at #1, 4 of our books in the top 5, 5 in the top 10, 8 in the top 20, and 14 overall in the top 50 — it's a long but worthwhile read

• Review: "Calling Congress of the Animals recommended reading is a bit misleading. It’s definitely recommended, but it doesn’t technically involve reading. The entire book doesn’t feature a single word bubble. The only words are on the book jacket. What this is is a story told entirely through pictures — delightful pictures at that.... This was really an entertaining book. It was visually different from anything I’ve ever seen in a comic, the story was unique, and some parts were laugh out loud funny..." – Corey Pung, Panel Discussions (via Americaware)

• Review: "...Skin Deep by Charles Burns... [is a] true masterpiece in which Burns returns to choose the mechanisms and the language of grade-B horror films, crime fiction, pulp, the aesthetics of the 50's and Robert Crumb's comics to make a harsh social criticism.... Stories in which Burns continues to explore the darkest corners of the human condition while keeping us on edge vignette to vignette." – Jesús Jiménez, Radio y Televisión Española (translated from Spanish)

• Review: "...[T]he adventures of a group of twenty-something New York residents, like Friends but with ethnic variation and far more realistic apartments, and, you know, actual problems. The characters of Beg the Question are surrounded by ugliness and idiocy in one of the most complicated cities in the world, yet they are decent human beings who support each other. It’s not supposed to be autobiographical, but you can tell that Fingerman has lived through many of the situations and knows the characters well." – Grant Buist, The Name of This Cartoon Is Brunswick

• Commentary: "So I just finished reading Fantagraphics’ The Complete Peanuts 1981-1982, and... the vast majority of this book was new to me, having not read previous reprintings of the strips from this period (as opposed to the near-memorization of the reprint books from the late ’70s and earlier). One of the great new features of this particular reprint series, aside from, y’know, the whole completeness of the strips reprints and all, is the index in each volume." – Mike Sterling, Mike Sterling's Progressive Ruin

• Plug: "Walt Kelly’s Pogo is one of the greatest comic strips I’ve ever read. It’s simply brilliant; quaint and sweet on the surface but deeper readings reveals layers of very smart political and social satire. And as you can clearly see, Walt Kelly’s artwork is magnificent.... Fantagraphics are presenting the entire strip, including the beautiful full colour Sunday strips for the very first time, in a series of 12 hardcover volumes that reprint approximately 2 years worth of  material at a time. I guarantee that if you get Volume 1, you’ll be signing up for the remaining 11." – Richard Cowdry, The Forbidden Planet International Blog Log

• Plugs: Librairie Drawn & Quarterly in Montreal just got in a bunch of our recent releases (The Comics Journal #301, Drawing Power, Celluloid and Wandering Son Vol. 1) and their Chantale wrote up nice little plugs for them all on their 211 Bernard blog

• Profile: At The Comics Journal, R.C. Harvey presents an updated version of a 1994 profile of Bill Griffith originally done for Cartoonist PROfiles

• Analysis: At comiXology, Columbia University librarian Karen Green does a detailed comparison of William Lindsay Gresham's 1946 novel Nightmare Alley, the 1947 film version, and the 2003 graphic novel adaptation by Spain Rodriguez