MoCCA was a BLAST, as usual. PR Director, Jacq Cohen, and I showed up early on Friday to set up the table. People couldn't wait for Saturday, clumping around the new books. Our two newest EC Comics Library releases featuring Al Williamson and Jack Davis' work are creating a heartbreakingly beautiful rainbow.
One side of the set-up table!
Friday night was Dash Shaw's opening for his New School art exhibition and 30th birthday at Desert Island. His fianceé (sorry, ladies and germs) made a cake that was uber-delicious. Below, Dash talks about his new comics.
Party hardy, Gabrielle Bell is talking to Ariel Shrag (!) in the left-hand corner.
A gentleman was purchasing Julio's Day by Gilbert Hernandez at Desert Island so we had to compliment him on his exquisite taste. Lo and behold, Tony (or so he says) showed up at MoCCA the next day ready to buy more quality comics, this time Castle Waiting Vol. 1 by Linda Medley. My mom would be so proud that I'm still somewhat polite!
I ran into a familiar face, cartoonist and animation intern Andrew Greenstone, who was more than willing to hang out and shot the shit---I mean, talk business.
If I ever become a comic book store owner, I hope I'm as cool as Gabe Fowler. The red print was a Desert Island exclusive!
Cartoonist Charles Burns showed up to hang out with friends and look at comics. I never ever tire of that man's company, but he did mention some people are reticent to eat with him because of what he draws in his comics. FOOLS, I say! Also, Evan Dorkin makes Chris Duffy guffaw in the background. Doesn't "Griffith, Dorkin, Duffy and Burns" sound like an amazing lawfirm? Like possibly corrupt but they probably have a pastry chef on staff to appease their clients?
Also signing at MoCCA was Kim Deitch, whose new book The Amazing, Enlightening and Absolutely True Adventures of Katherine Whaley is coming out soon and is haunting, to put it mildly. Deitch brought his original pages which fans poured over. James Romberger and Marguerite Van Cook made their Fantagraphics signing debut for 7 Miles a Second, the moving comic written by David Wojnarowicz. The book has one of those covers that is both oblique and arresting (Jacq adds up some quick math on the right). While I did not stop a child from picking up the book, I did tell a parent or two it had adult material in it. One of my favorite sells of the weekend was selling Prison Pit Book Two to a 14 year old kid whose mom seemed dubious until I brought up the philosophy behind the book. The teen gave me a giant wink as he left, he might not get it still.
Van Cook discussed innovative printing techniques from their travels and non-profit advice while James would sketch in signed copies of the book.
Recently, Alex Dueben talked to Romberger for Comic Book Resources and stopped to meet them in person.
Next up was Leslie and Dash! Local cartoonist Leslie Stein is also in a pretty crazy fun band, Prince Rupert's Drops. If you live in the New York area, check them out. The rest of us will just live via our headphones or listening to their tracks on the recent AudioFemme interview. Leslie signed my old copy of Eye of the Majestic Creatureand we talked about second book that's coming out this fall! I heard some comments from other cartoonists that they feel weird about asking fellow toonies to sign their books but I don't give a humdinkle about that. Make it FANCY for me.
Dash signed the spine of many a Bottomless Belly Button and cover of 3 New Stories for eager fans. Those gorgeous red prints (you can only see a quarter of it) are available from Desert Island if you are looking for something for the Shaw fan who 'has it all.'
Given our close proximity to the stairs to the bathroom, there wasn't much chance for wondering down aisles or buying comics. I really wanted to read L. Nichols' Flocks and she was helpful enough to COME TO ME with her Square for my plastic purchase.
Tucker Stone, of TCJ and Bergen Street Comics, came by to get Gary's signature on a copy of The Comics Journal. Pretty cute, right?
Jacq and me with two of our debut books by Ulli Lust and Gilbert Hernandez! Photo by Dre Grigoropol.
Hung with bossman Gary Groth, Dash, Leslie and Jacq one night.
Charles Forsman was out and about with his Oily Comics micropublishing outfit. Chuck's comic, The End of the Fucking World, will be out this July from Fantagraphics in one single beautiful book. I'm so excited about that. We in no way support NCIS.
Chuck and I go way back, we used to work at the same graphic novel library together in Vermont. A photo from 2009:
Speaking of libraries, the next day Tom Spurgeon and I visited Columbia University's Butler Library and Rare Book room, led around by enthusiastic librarian Karen Green. It was so very cool to see our books with library binding but they've also perfected a myler binding so we don't lose those cool spine designs. Shaw's Bottomless Belly Button and Noah Van Sciver's The Hypo.
Kim, I didn't forget about you, the library has a lot of Jacques Tardi books. Some were checked out, which is even better than finding them at the library.
A grand place I hope to visit again. Thanks to Anelle Miller and her trusty band of volunteers for the enjoyable convention, Gary and Jacq for booth help plus a few of these photos. Lastly, another one of my favorite moments of the week was selling Dungeon Quest Book One to a gentleman on Saturday who came back Sunday to buy the other two after reading the first in one sitting. It was a cherry on top of an awesome convention.
Saturday, April 6th // 1:00 - 2:00 PM Guest of Honor Bill Griffith in conversation with Paul Di Filippo [in the Programming Room in the Lower Level]
Where will all these wonderful books and artists be, you might be wondering? Why, tables B64, B65, C80, C81 -- right in front as you walk through the main entrance! (See a bigger version of this map here.) Our PR/Marketing duo of Jacq & Jen will be happy to see you at MoCCA!
The newest office of Online Commentaries & Diversions:
• Review: Glen Weldon from NPR Books pontificates on the wondrous LGBT-centric graphic novels and reviewed Moto Hagio's The Heart of Thomas "…whenever the emotions roiling just under her narrative's surface threaten to overtake her characters, Hagio's otherwise exacting and detailed art goes expressively feathery at the edges, like a ghost vanishing softly into the ether."
• Review:Fantasy Book Review reviews The Heart of Thomas by Moto Hagio. "This is not an uplifting tale until at the end, but it is a very well drawn period manga that gives glimpses of what boys that age would have felt being in such an enclosed place. There is a sense of Oscar Wilde about the whole school, but that depends on your impression of the piece," writes Sandra Scholes.
• Review: Glen Weldon from NPR Books pontificates on the wondrous LGBT-centric graphic novels and reviewed Wandering Son Vol. 1 by Shimura Takako. "Takako presents their stories with admirable sensitivity and restraint.…"
• Review: Glen Weldon from NPR Books pontificates on the wondrous LGBT-centric graphic novels and reviewed No Straight Lines edited by Justin Hall. "From Stonewall and the AIDS crisis to the terrifying specter of domesticity, this clear-eyed, unsentimental collection demonstrates the extent to which, for LGBT people, the personal and the political have always bled together."
• Review:Comics Bulletin looks at The Cartoon Utopia by Ron Regé Jr. "With this book, Ron Regé has emerged as comics' answer to Walt Whitman.…Thankfully, Regé's overarching concept -- that a vivid and transcendent comic book experience is within our grasp, if we're willing -- is not a hard one to understand at all." says R.J. Ryan.
• Review:Grovel and Andy Shaw look at The Cavalier Mr. Thompson by Rich Tommaso. "The story is wonderfully told. It has the feel of a classic movie, something from a bygone era…complete with the usual cast of chancers, crooks and have-a-go heroes.…It’s a thoroughly enjoyable book, with a stunning backdrop and a deeply believable and interesting cast."
• Plug:Alan Wood asks R. Crumb about Bill Griffith. Crumb stated, "He's about the only guy in America who's doing a readable, interesting daily comic strip for daily newspapers. He' s the only one left, as far as I know. I don't know of any others."
• Review: Dutch magazine Knack Focus recently ran a review of George Herriman 's work. Kim Thompson read it, translated it in his synapse-heavy polyglottal mind and said this: "Here's a nice five-star review (in Dutch) of the gorgeous new French edition of KRAZY KAT, created from the Fantagraphics edition. The article is mostly a pocket summary of KRAZY, although it does point out that Herriman's unique approach to language have made the strip virtually untranslatable (forcing European readers to fall back on the English language versions)... until, at least for francophones, now."
Surely we're having fun by now! It's our 11th (!) collection of Bill Griffith's Zippy the Pinhead, The Dingburg Diaries, wrapping up production and going to the printer for release in May or so. With two and a half years' worth of daily and color Sunday strips under chapter headings like "Beatniks, Bowling, Laundry & Food," "Mr. The Toad," "Little Zippy," "Art, Music & Comics," "Zerbina & Other Relationships," and "God," you know it's got the good stuff you want. Plus the back cover is maybe one of the greatest Zippy drawings ever. Pour yourself a tall glass of taco sauce and take a gander at 21 pages' worth of strips right here.
This month's Diamond Previews catalog is out now and in it you'll find our usual 2-page spread (download the PDF) with our releases scheduled to arrive in your local comic shop in March 2013 (give or take — release dates are likely to have changed since the issue went to press). We're pleased to offer additional and updated information about these upcoming releases here on our website, to help shops and customers alike make more informed ordering decisions.
The first* glass of spiked eggnog of Online Commentaries & Diversions:
• Review: Metroland'sSimcoe reviews Walt Disney's Donald Duck: A Christmas for Shacktown by Carl Barks and The Complete Peanuts: 1985 to 1986 by Charles M. Schulz. Glenn Perrett states, "Reading Carl Bark's "Donald Duck" stories from 60 years ago was entertaining. The animation and colours are excellent and sections such as "Story Notes" [etc.] . . . complement the wonderful comics making this book a nice addition to any library." And "The Complete Peanuts: 1985 to 1986 are sure to make the holidays more entertaining and makes a nice gift and keepsake."
• Review: Noel Murray of The AV Club continues the Christmas coverage with Schulz's Charlie Brown's Christmas Stocking which "is mainly meant to serve as a nice little accessory to holiday decorations, to be brought out every December with the ornaments and Andy Williams records. For that reason, it’s hard to humbug it…" With Walt Disney's Donald Duck: "A Christmas for Shacktown" by Carl Barks, Murray notes "These stories—nearly all published in the early ’50s—are mostly non-Christmas-y, but the title tale is a sweet one. . . For those who do want a surefire present for the comics buff in their lives."
• Review: School Library Journal goes over some of the favorite holiday graphic novels of 2012 like Charlie Brown's Christmas Stocking by Charles Schulz. J. Caleb Mozzocco states "It’s beautifully designed, a breezy, five-minute read, and about the size of a Christmas card, making it a pretty great gift. And, this being Schulz’s Peanuts, it’s the sort of gift you’ll never grow out of." As for Carl Barks' holiday and title story in Walt Disney's Donald Duck: "A Christmas for Shacktown", "It’s one of about 20 of the top-notch comics in the book, which range from one-page gags to the sort of sprawling adventures Barks was best-known for."
• Review: Noel Murray of The AV Club takes a peak at Heads or Tails by Lilli Carré. "Carré loves to constrict her characters, because she knows that limiting their options won’t necessarily limit their imaginations. . . her comics work often has the feel of avant-garde cinema, as she weds surreal images to everyday situations to enchant audiences and spark ideas. . . "
• Review: Christopher Borrelli of The Chicago Tribune writes a loooong article on Lilli Carré and her new book Heads or Tails "that best captures the range, humor and vague sense of ennui she's made her name on. . . "
• Review: Noel Murray of The AV Club enjoys Tom Kacynski's Beta Testing the Apocalypse. "Kaczynski’s comics are frequently nightmarish, starting from a slightly askew place and then tipping further into darkness. . . But while his stories have characters and plots—often with haunting endings—they’re more like essays than conventional narratives."
• Review: Noel Murray of The AV Club finished the You'll Never Know series with Book 3: A Soldier's Heart by Carol Tyler. "This is Tyler’s magnum opus: her thoughts on art, work, relationships, music, war, and anything else that came to her mind while she was piecing together her dad’s story."
• Plug:About.com fills in the blanks of their Christmas Sex Book List by adding our most recent titles. On No Straight Lines: Four Decades of Queer Comics edited by Justin Hall, Cory Silverberg slyly states "given the diversity of artists working today it's not a definitive collection, but it's sexy and joyful and difficult in parts, and definitely one to own." Meanwhile, Naked Cartoonists (edited by Gary Groth) contains "a number of stand outs among this overwhelmingly white, male collection of artists. And I imagine this could be a perfect gift for the right kind of comic nerd."
• Review: Danel Olson of the Weird Fiction Volume 3 writes on Richard Sala and The Hidden . "Sala has become one of my favorite American sequential artists because of his subtle tributes and expansions to four of the most memorable twentieth century American cartoonists - Charles Addams, Edward Gorey, Gahan Wilson, and Basil Wolverton. . . Forbidding and weird seem like weak adjectives for Sala's The Hidden, and I urge you to open it. . . Give a standing order to Fantagraphics for any noirishly weird fictions forthcoming from Sala."
• Review: Chris Estey of KEXP reviews the Bill Griffith collection called Bill Griffith: Lost and Found - Comics 1969-2003. Chris Estey writes that it is "a luxurious and generous Fantagraphics big book collection of his non-Zippy work, is required reading for those who may have missed his parodies and punk rock operas in the past, or want them all bound together. It’s also for those like me who were never really that much into Zippy in the first place."
• Plug: Dave Segal recants the events immediately following his Stranger article on Listen, Whitey!by Pat Thomason the Stranger Slog. White supremacists got all sorts of angry at this history book and the white dude who wrote it.
• Plug: One step forward, two steps back. The Adele Blanc-Sec movie is inching along towards distribution in America. Johanna Draper Carlson gets the scoop on DVDs Worth Reading on Jacques Tardi's graphic novel adaptation.
• Plug:Negromancer reviews the film adaptation of Art School Confidentialdirected by Terry Zwigoff based on the comics of Daniel Clowes. "While Art School Confidential comes across as a satire of art schools, the faculty, and students, it is also a love story and youth relationship drama. It works well as all three."
*let's be real, it's like our tenth glass of that local dairy's eggnog
• Interview (Audio): Listen to Monday night's episode of Too Much Information on WFMU, in which "Cartoonist Bill Griffith joins Benjamen Walker for an hour long conversation about Underground comics, Newspaper strips and Mainstream culture."
• Review: "Everything Is an Afterthought: The Life and Writings of Paul Nelson by Salt Lake City native Kevin Avery is a fitting testimonial to a man who pioneered rock 'n' roll criticism. Those familiar and unfamiliar with the culture of the '60s will appreciate this finely written tribute.... Overall, Everything Is an Afterthought will break your heart and inspire you to be a better person. It is a wonderful story of a man who deserves his chance in the spotlight." – Shelby Scoffield, Deseret News
• Review: "A little impenetrable in that wordless story kind of way, even when there are words. I like the stories – actually read them – but I’m more interested in studying the way each page sports a new texture or approach. The art is simply fantastic. Some stories retain a color scheme for their entirety and some switch up the limited palette within the story itself. Totally my kind of thing. I like the coloring, the line drawing, the combination of both. The graphic, printmaking quality of it and the 'classical' drawing are also attractive to me. I found myself just flipping through this collection for a long time.... High class stuff. Also, this book gets an award for best endpapers. Check it out." – Frank Santoro, The Comics Journal
• Review: "Lost and Found is the sort of retrospective project that begs summary statements. The introduction reads like a compressed memoir. The book, while extremely dense and a bit overwhelming to read, testifies to Griffith’s heroic output of underground comics, and his commitment to a lifetime of making work that is challenging, inventive, and beautifully drawn. His signature narrative discombobulation and linguistic elasticity unite all these disparate pieces into a cohesive statement of surprise and protest. It is ridiculously quotable. Also, it is very funny. Lost and Found delivers wholesale entertainment value with a socially redeeming dose of satire." – Matthew Thurber & Rebecca Bird, The Comics Journal
• Interview (Audio):Inkstuds host Robin McConnell says of his latest episode, "One of the most prolific cartoonists of the underground generation, Bill Griffith, joined me to chat about his new collection, Lost and Found. It is an interesting conversation that touches on a number of different topics, ranging from his Zippy the Pinhead work, to discussing his contemporaries like Rory Hayes."
• Interview: Paul Gravett chatted with Robert Crumb for Art Review magazine; he presents an unexpurgated version at his blog: "In the last few years, I’ve got so deeply involved investigating scandalous shit that goes on in modern business and culture. It’s very difficult to interpret in comics, I’m trying to figure it out. There’s not a lot of action or humour, it’s serious, grim shit. You could get your ass in trouble doing that, too. I remember when I did this thing in the Seventies, ‘Frosty the Snowman’, where I had him being this revolutionary who throws bombs at the Rockefeller mansion and shortly after that was published, the Internal Revenue Service came after me."
• Interview: Chris Mautner's Q&A with Zak Sally at Robot 6 is a must read: "I’m no Pollyanna, nor am I a hippie; the world is NOT cut and dried with stuff like this, nor do I view it that way — if, for instance, Fantagraphics (who I love dearly) decided to print all their stuff over here, they’d probably have to kill important books by artists who don’t sell as well to ameliorate that extra cost. Or, hell, i don’t know — maybe they’d go under. Do i want either of those things? Heck no. I want Noah van Sciver and Chris Wright’s new books to get out in the world, and to reach their audience. I want Fantagraphics to be around for … forever. BUT: let’s also not fool ourselves that this 'lowest cost' imperative isn’t fucking up our world significantly, all day every day, as an economic paradigm. It’s a real thing, and that can’t be ignored either."
• Profile: At HiLobrow, Norman Hathaway puts the spotlight on Guy Peellaert: "Years later I realized that Peellaert had also been responsible for one of my favorite pieces of power-pop comic art; Jodelle (and later Pravda), which plastered hip, mid-’60s fashion drawing into a dystopian landscape of the future, done in a completely different linear graphic design-based style."
• Profile: Dan Taylor of The Press Democrat chats with Monte Schulz: "'My dad is actually mentioned in a very subtle way in The Big Town,' Schulz said. 'The main character, Harry, is in a barber shop. It says, "Back in St. Paul, he'd gotten his hair cut in the Family Barbershop on North Snelling Avenue by a cigar-smoking German fellow, whose young son drew funny little pictures."'"
• Profile (Video): Enjoy a brief video spotlight on the great Kim Deitch presented by Seth Kushner at Trip City
• Tribute/History: From last week, at The Stranger, rememberances of our former art director, the late Dale Yarger
What happens when you have to miss a couple of days of the comics internet is that it takes you almost the whole rest of the week to get fully caught up on Online Commentary & Diversions:
• List:Library Journal's Martha Cornog gives a nice shout-out to Carl Barks and recommends Oil and Water by Steve Duin & Shannon Wheeler as one of "30 Graphic Novels for Earth Day 2012": "Wheeler’s atmospheric, ink-washed greys capture eccentric residents from crabbers to a pelican-rescue team, and Duin’s script catches the ironic resiliency of people exploited by the very industry that feeds them.... Valuable for high schoolers and adults as a glimpse into the crisis, and for general sensitization to environmental issues."
• Review: "When I brought Pogo home from the bookstore on a Sunday afternoon, I called my daughters over, and we lay on the floor in the living room and read it together. I read it aloud, because half of the fun of Pogo is hearing the fantastic dialogue penned by Kelly, and my daughters loved it. I’m sure there were things that went over their heads — jokes that rely on experiences they haven’t had, references to past events, wordplay that’s a little too sophisticated. But the beauty of the strip is that does work on so many levels. There’s slapstick humor, cute little talking animals, and keen observations on the human condition — the last made easier to swallow perhaps because the characters aren’t people, as human as they may be." – Jonathan Liu, Wired – GeekDad
• Review: "[Jason] populates his tales with brightly clad cats and dogs and ducks, but their misbehavior is unmistakably human.... [Athos in America] is... consummately worth reading for its three gems: the lovely title story, the self-portrait 'A Cat From Heaven' and the wonderful 'Tom Waits on the Moon,' in which Jason carefully maps the crossed paths of four lonely people." – Sam Thielman, Newsday
• Review: "Despair threatens to overwhelm the creator’s usual tales of longing [in Athos in America]. In 'A Cat From Heaven,' his characteristic unrequited love story gives way to a somewhat depressing look at a self-absorbed cartoonist named Jason’s bitter relationship. Mercifully, the rest of the collection is a little more playful, from a couple noir parodies to the highlight, 'Tom Waits on the Moon,' in which four solipsistic stories converge in a tragic act." – Mike Sebastian, Campus Circle
• Review: "The Sincerest Form of Parody: The Best 1950s MAD-Inspired Satirical Comics is a wonderful book collecting the best stories of the beginnings of a favorite comic book genre — and I can’t emphasize this enough — it’s put together by people who know what they’re doing. Plus, it’s designed to fit on your bookshelf right next to your MAD Archives volumes. I can’t believe that you haven’t already picked this up! Are you unsane?!?" – K.C. Carlson, Comics Worth Reading
• Review: "If [Wandering Son] Vol. 1 was a masterclass in people not wanting to accept the status quo within their own minds, Vol. 2 shows the uncertainty of the waiting world. The way that Nitori and Takatsuki fumble forward with no plan is painful and endearing. They know the two of them are better together but there’s the problem of dealing with classmates, family and teachers. It’s not easy and well done to Takako for not short-circuiting the process. It’s not easy writing characters in distress but it’s wonderful to read it. If you can recognise the character’s pain and sympathise despite your differences, it proves you’re human and so is the author.... So much of what we read is a kind of literary false economy. We put in so much and get so little out of it. Wandering Son asks so little of you and you get so much out of it.... It is a wonderful, sweet, heartbreaking window into being different, young, unsure, afraid and human." – Eeeper's Choice
• Review: "[The Man Who Grew His Beard]’s a big batch of critic-friendly comic strips, comics which resemble curios excavated from some none-too-defined European past and more often than not have all the daring shallow-space visual syntax of a Garfield strip. They’re less stories than contraptions that wear their artifice and structure on their sleeve, like those medieval homunculi which transparently show their cogs and mechanisms while making their programmed movements." – Rich Baez, It's Like When a Cowboy Becomes a Butterfly
• Review: "Action! Mystery! Thrills!... beautifully resurrects all the Golden Age favorites, from superheroes to killer robots to cowboys and occult Nazis. This time capsule collection of cover art spans from 1933-45... An index in the back gives the fascinating stories behind the covers, while the full-page, color reproductions reveal them for what they are: works of art." – Mike Sebastian, Campus Circle
• Review: "Primarily known for his ghoulish comic strips in Playboy and The New Yorker, Gahan Wilson showed his tender side (kind of) with Nuts. Originally a series of one-page vignettes running in National Lampoon, Nuts is presented here in its entirety as a classic warts-and-all reminiscence of childhood, from sick days to family gatherings, the joys of candy to the terrors of the dark basement." – Mike Sebastian, Campus Circle
• Review: "R. Crumb hit it big in the ‘60s alternative Comix scene with his creation of Fritz the Cat (originally conceived as an adolescent). The feline protagonist remained Crumb’s avatar for lambasting American culture until a lackluster film adaptation prompted some divine retribution from his creator. The Life and Death of Fritz the Cat collects all of Fritz’s essential stories." – Mike Sebastian, Campus Circle
• Awards:GalleyCat reports that Author Kathryn Kuitenbrouwer, contributor to Significant Objects, has won the $1,000 Sidney Prize, which rewards "the author of the best new American story," and has a link to an excerpt from the winning story
• Opinions:Robert Crumb's got 'em! In the third installment of the "Crumb On Others" series, he lets you know exactly what he thinks of a bunch of prominent personalities, from Hitler to Ghandi (in whose homeland Crumb can be seen above) and from Kurtzman to Van Gogh
• Interview: When The Comics Journal posted the Q&A with Bill Griffith conducted by Gary Panter, I called it the must-read of the day, and it still stands as your must-read of the week: "I’ve only taken LSD twice in my life. Once on the beach in Martha’s Vineyard in 1967, which was pleasant, but not ego-shattering or anything. And once in New York after I’d started doing comics. All I remember about the second time was, I got hemorrhoids."
• Interview: Who better to talk to Matthias Wivel, editor of our Scandinavian comics anthology Kolor Klimax, than Steffen Maarup, editor of our Danish comics anthology From Wonderland with Love? A taste: "Putting together a good anthology is similar to making a good mixtape. Whatever the individual merits of a piece, it won’t do to include it if it doesn’t somehow work for the anthology as a whole. There has to be a consistent idea or tone to the book, which doesn’t mean that there can’t be dissonance — there’s some of that in Kolor Klimax, and I think for the better — but the individual parts still have to generate something greater than their sum. It’s incredibly difficult to achieve, but also a lot of fun." Read more at The Metabunker