Ran out of time on Friday's Online Commentary & Diversions, so it's combined with links from the weekend:
• Review: "Now Fantagraphics has risen to the fore with [Walt Disney's Mickey Mouse Vol. 1:] Race to Death Valley... It’s a pretty spiffy package, sharply designed and full of smart, well-written essays that provide a rich portrait of the artist and his times, as well as some great comics.... As impressive as Gottfredson's work is, it's in the ancillary materials or 'special features' that makes this book really shine. Editors Gary Groth and David Gerstein have gone the extra mile here... With its shameless abundance of riches, Mickey Mouse Vol. 1 sets a new standard in reprint publication." – Chris Mautner, Robot 6
• Plug: "Only a small handful of Gottfredson's collected works have been published and most are out of print. He pioneered a trendsetting style of adventure comics, though in his lifetime remained largely unrecognized.... Fantagraphics has kindly republished a bit of the Gottfredson Mickey run in their new book [Walt Disney's Mickey Mouse Vol. 1:] Race to Death Valley, beautifully restored [and] repackaged..." – Green Apple Books
• Review: "The latest volume of The Complete Peanuts: 1979-1980 continues with Charles Schulz’s herculean output of his beloved comic strip. Schulz supplies the customary laughs in stand-alone gag strips and some short 'continuing' storylines.... As I have said in previous reviews, Fantagraphics does such a marvelous job with these hardcover Peanuts volumes. From the cover by designer Seth, to the crisp black-and-white reprinting (3 dailies per page, 1 Sunday per page), to the handy index to help you find your favorite strip, Fantagraphics takes creating a permanent archive of this beloved humor strip very seriously. Children of all ages should all get their hands on this American treasure." – Rich Clabaugh, The Christian Science Monitor
• Commentary: Mike Sterling makes a few observations about The Complete Peanuts 1979-1980: "SPOILER ALERT: Peppermint Patty gathers evidence and uses skeptical, critical thinking to resolve her particular issue here."
• Review: "Some of the very first autobiographical works on the French bande dessinée scene, these little gems were a genuine game-changer for cartoonists and storytellers... Superbly skilled at switching imperceptibly from broad self-parody to cripplingly painful personal revelation, wild surrealism to powerful reportage and from clever humorous observation to howling existentialist inquisition, Trondheim’s cartoon interior catalogue is always a supremely rewarding and enjoyable experience and, as these ancient texts [Approximate Continuum Comics] prove, always has been." – Win Wiacek, Now Read This!
• Review: "[Blake] Bell is our guide into this rich history of Bill Everett... Bell includes several pieces of artwork and comics that has rarely been seen. A true testament to a man who lived comics throughout his entire life and loved it with a passion...[I]t’s important not only to remember the characters, but the men behind them. Bell’s book here on the life and times of Bill Everett [Fire & Water], and his other biographical material on Steve Ditko, is a testament to that." – Chris Marshall, Collected Comics Library
• Interview: Hillary Chute talks to Joe Sacco for The Believer; I'll use their pullquote: "When you draw, you can always capture that moment. You can always have that exact, precise moment when someone’s got the club raised, when someone’s going down. I realize now there’s a lot of power in that."
• Interview:The A.V. Club's Sam Adams talks to Joe Sacco: "I think if I hadn’t studied journalism I might have taken a different approach, and I’m not saying my approach is the only way you can tell a story journalistically. But because I actually studied it, detail is important and accuracy is really important, so it’s not just about having an accurate quote. The problem with doing things the way I try to do them is that it’s not just an accurate quote, it’s an accurate image of what a place looks like. An absolute literal group of images? You might as well go to a photographer for that. But whatever interpretation I do of it, it has to be informed by reality."
• Profile:HiLobrow's Joshua Glenn on Dame Darcy: "If she sounds like too much to handle, that’s because she is; now you know why her comic is called Meat Cake — they’re two decadent foods, so why not combine them? Darcy’s world is a child’s garden of verses overrun by drunken mermaids, grave-robbing French maids, and Vitalis-groomed cads. If this sort of thing sounds like your cup of spooky-kooky tea, read Meat Cake..."
• Profile: "I made my quarterly pilgrimage down to the Fantagraphics store in Seattle yesterday, and that store never ceases to amaze anyone who walks into it. From the curator/owner to the punk rock pictures on the wall, to the awesome collection of Fantagraphics titles, traditional comics, underground comics, and some adult stuff tucked away in the back room under the stairs, the entire store is a place to go explore the darker side of comic books." – Dan Morrill, Comics Forge
"What makes this volume so special," says Blake, "is that meteoric improvement in Ditko’s work as he toils in obscurity for a company that treated their comic books like toilet paper for their more profitable magazine and song books. Such is the irony of one of the great living artists of the 20th century – working with stories churned out for an audience of children, Ditko produced the highest quality material in the industry with no editorial oversight at an amazing pace (all the stories within were produced in 1957 alone)."
• Review: "Walt Disney’s Mickey Mouse: Race To Death Valley kicks off Fantagraphics’ latest series of vintage newspaper strips... About halfway through the [first story] arc, ...Gottfredson’s Mickey Mouse begins to develop the characteristics that would sustain it for decades to come: a fast pace, frequent narrow escapes, and an industrious hero who throws himself fully into every endeavor, in ways that both get him into trouble and help get him out. ...Gottfredson... took the broad idea of a good-natured mouse and sketched in his own attitudes about hard work, courage, and the importance of having reliable friends when the jams get especially sticky." – Noel Murray, The A.V. Club
• Review: "[Gilbert] Hernandez’s latest book Love from the Shadows is a confounding hybrid, inserting Love And Rockets’ watermelon-chested, lisping Fritz into a violent dream-novel that combines the fluid reality of Luis Buñuel with the two-fisted crime sagas of Jim Thompson. ...[T]he beauty of comics as a medium is that it invites re-reading; and Hernandez’s mastery makes Love from the Shadows easy to pore back over, savoring how its meaning shifts from page to page." – Noel Murray, The A.V. Club
• Review: "There’s fiction, there’s Meta-fiction and then there is Gilbert Hernandez.... Now he returns to his eccentric sideline to translate the wildly experimental independent/exploitation/sexploitation tale Love from the Shadows into a stunning graphic rollercoaster ride of broken families, counter-culture angst, embezzlement, greed madness, obsession, charlatanry, psychics and mysterious aliens in possibly the greatest tribute to scurrilous lowbrow movie maestro Russ Meyer ever seen." – Win Wiacek, Now Read This!
• Review: "Speaking of confounding comics, Leslie Stein’s bizarre Eye of the Majestic Creature collects the first four issues of Stein’s self-published comic.... Stein riffs on loneliness, relationships, creativity, family, and intoxication via cutely psychedelic art and short vignettes that are heavy on fancy and light on explanation. At times the book comes from so deep inside Stein’s head that it reads almost like notes for a comic, not a finished work. But then Stein pivots into a moment or image of deep emotional resonance and beauty... and the loose narrative style pays off. These four issues do get better as they go, so consider this a promising introduction to a potentially major new talent." – Noel Murray, The A.V. Club
• Review: "...Peter Bagge is back... with Hate Annual #9, the latest in his yearly reports on the life of his slacker-turned-entrepreneur character Buddy Bradley. Usually Bagge fills out the Hate annuals with strips he’s drawn for other publications throughout the year, but #9 is nearly all Buddy, and it’s one of the best Bradley stories in years... The story is wonderfully digressive in the best Bagge tradition, too..." – Noel Murray, The A.V. Club
• Review: "An overt attempt to bring back the silly rock-’n’-roll fun of Josie & The Pussycats and Jem & The Holograms, Yeah! follows the adventures of a girl-group that’s wildly popular on other planets, but can’t get any attention on Earth. ...Yeah! is... a pleasure to read, with an anything-goes storytelling style and an infectious affection for pop music, as well as for pop culture about pop music." – Noel Murray, The A.V. Club
• Review: "...[T]he comics in Approximate Continuum constitute a highly amusing portrait of that mostly under-explored time in a person's life when things become more important and more ridiculous in equal measure and we find ourselves constantly and even quietly adjusting to wholesale changes in life and attitude and orientation that we once had hopes to master. It speaks to how well-observed the book is that you could pick it up sans context of any kind and find much to enjoy. ...Approximate Continuum Comics consistently hits the pleasure points afforded by great cartooning and a wicked sense of humor, and should be fair comfort to anyone that feels they're at a point in their life when they need to give themselves a good talking-to." – Tom Spurgeon, The Comics Reporter
• Review: "Even if you’ve read the first volume [of The Steve Ditko Archives], Unexplored Worlds offers plenty more surprises.... While the 'twists' rarely match up to the initial imagination of any given piece, Ditko’s art is solid throughout. As always, Fantagraphics’ top-notch presentation makes the publisher the go-to stop for comics preservation." – Rod Lott, Bookgasm
• Interview:At the official R. Crumb website, Alex Wood quizzes Crumb on various historical and pop-cultural figures, from Obama to Tommy James and the Shondells to his underground comix contemporaries to Mozart: "I love the movie Amedeus about him, but the actual music, nnnaaaah."
• Interview:The Daily Cross Hatch continues serializing Brian Heater's MoCCA panel conversation with Gahan Wilson: "...[T]he world for a kid is often very scary. It’s a huge challenge, and it is often scary. I mean, people die, and what the hell is that all about? I explore that sort of thing in Nuts. The stuff that happens to grownups happens to kids, too — these amazing, awful things. And these often terrific things. And they have to somehow wrap themselves around it."
• Feature: The guest contributor to this week's "What Are You Reading?" column at Robot 6 is Dave McKean (who, with his erotic graphic novel Celluloid coming out, weighs in with his thoughts on the erotic work of his sometime-collaborator Alan Moore, Lost Girls)
I can say, without a doubt, that was the Best TCAF Ever!
...Okay, fine, so Fantagraphics has only done the Toronto Comics Art Festivaltwice, but it truly was an amazing year! Thank you so much to Christopher, Peter, Miles, Andrew, Gina, and all the fantastic volunteers of TCAF!
And, of course, one of my favorite things about TCAF?
Canadian donuts. Oh yeah.
Mike and I woke up bright and early to set-up our table. There was a momentary panic when I realized one of our display racks didn't arrive from Seattle, but the stellar staff at the Toronto Reference Library loaned us one of their carts for the weekend so we could get all of our shipment out! Thanks Ab!!
This photo serves as proof that we DID bring copies of Walt Disney's Mickey Mouse Vol. 1 (see? on the front corner there) and Wandering Son Book 1 (front and center). They both sold out so quickly, some people thought their debut was a myth, but nope! It's also true that Wandering Son sold out in the first two hours of the show!
Not too surprisingly, The Raven was another sell-out, along with Lorenzo's Ignatz title Chimera. (Stigmata was also insanely close to selling out.) And how gracious and kind was Lorenzo Mattotti? I'm envious of everyone who got to attend his panels! He kept modestly insisting his English wasn't very good (it was good!), but his intelligence and great humor shine through in any language! Thank you so much to TCAF and the Italian Cultural Institute for bringing Lorenzo to Toronto!
Lorenzo may have been a "Guest of Honor" at the con, but really, all of our artists were "guests of honor" at the Fantagraphics table! We feel so lucky to work with some of the nicest people in all of comics, like Zak Sally here (seen with fellow Ignatz artist Mattotti). Not only did Zak do beautiful signings, but "Professor Zak" came out, engaging customers (and us!) with his insane depth of knowledge on comic history! [Note to Zak: I totally wanna see that Osamu Tezuka DVD!]
It's not a TCAF without pre-eminent Ditko scholar Blake Bell, and we were thrilled to have Dave Cooperattending TCAF for what we hope was the first of many signings to come!
And, of course, it's everyone favorite: T Edward Bak, seen here modeling his sweet new Popeye shirt. Covey, I know you're jealous. Bak split his time between signing with us and signing with Koyama Press, ran by Anne Koyama, aka The Nicest Woman in Comics™.
On Saturday night, Mike, Lorenzo and I attended our first ever Doug Wright Awards, where this adorable picture was shown during the induction of David Boswell (far left in the photo) into the "Giants of the North." Yes, that isDaniel Clowes with The Hernandez Brothers and a grunged-out Chester Brown. Awesome.
Without a doubt, the most romantic moment of TCAF was when Drawn & Quarterly's Tom Devlin surprised Peggy Burns with the prettiest bouquet on Mother's Day! They were the Prom King and Queen of TCAF!
Another favorite moment was watching T Edward Bak and Lorenzo Mattotti at the TCAF After-Party on Sunday night. The two artists bonded over a crazy book T Edward found featuring Heavy Metal-style artwork. We got on the subject of "First Concerts." Mike and Todd both saw U2 on the Joshua Tree tour, albeit in separate cities. (High fives ensued.) And Lorenzo's first concert? Canned Heat. Just when you thought the guy couldn't get any cooler.
So, as you can see, it was a wonderful time at TCAF! (And there are lots more photos over at the Fantagraphics Flickr page.) Thank you so much to everyone who stopped by the Fantagraphics table to browse or purchase books — we're so grateful for your support and your enthusiasm, and we can't wait to see you again next year!
Fantagraphics is thrilled to be heading across the border for the Toronto Comic Arts Festival, this weekend, Saturday, May 7th and Sunday, May 8th! Mike Baehr and I will be on hand, and, yes, it's true... we're bringing The Mouse to Canada! In fact, just look at all the new titles we're bringing with us:
Indeed, we will have The Raven after all, just in time for you to get your copy signed by artist Lorenzo Mattotti, making the trip all the way from Italy for a very rare international appearance! And he's just one of the many amazing artists signing this weekend!
Where can you find all this awesome-ness? Swing on by tables #162-163.
[ click the map to open a larger version ]
And don't forget to take in some of the great panels organized by TCAF! Listed below are the panels involving Fantagraphics artists, but, really, check out the entire schedule, 'cause there are tons of really interesting talks going on! (Mike, for instance, is especially excited about that "Adventure Time" panel!)
Saturday, May 7th
10:15 – 11:15 am // A15: Root Rot Release Featuring: T. Edward Bak, Michael DeForge, Ines Estrada, Bob Flynn, Jesse Jacobs, Hellen Jo, Joseph Lambert, Diana McNally, Robin Nishio, Angie Wang and Mickey Zacchilli Moderated by Anne Koyama Location: Learning Center 1 Koyama Press is proud to announce a launch party to celebrate the release of the Root Rot anthology. Ten of the artists will be in attendance for the book’s debut. Come and meet them! Plus live drawing, signings, giveaways and more!
11:30 – 12:15 pm // A16: Spotlight: Lorenzo Mattotti Moderated by Robin McConnell Location: Learning Center 1 Lorenzo Mattotti is recognized today as one of the most outstanding international exponents of comics art. His books have been translated all over the world. Mattoti, a Featured Guest of TCAF, appears here to discuss his life and his work, including his most recent graphic novels Stigmata and The Raven. Mattotti will be interviewed by the host of Inkstuds, Robin McConnell.
1:00 – 2:00 pm // A4: Creator Roundtable Panelists: Paul Pope, Brandon Graham, and Sam Hiti Moderated by Robin McConnell Location: The Pilot Paul Pope, Sam Hiti and Brandon Graham are creating modern comics built on a wealth of influences. Joined by Inkstuds host Robin McConnell, they will be exploring the tableau of work that inspires them and how that affects the creative processes in work such as Death Day, Tiempos Finales, King City, Multiple Warheads, 100%, THB and more.
Sunday, May 8th
12:30 – 1:30 pm // U2: Illustration Panelists: Lorenzo Mattotti, Jillian Tamaki, Adrian Tomine Moderated by Caitlin McGurk Location: The Pilot Many cartoonists also have a career in illustration. Come listen to four prestigious comics artists and illustrators discuss the difference between creating in a narrative form (comics) and a static one (illustration).
1:15 – 2:00 pm // U13: Print Culture Panelists: Tom K., John Porcellino and Dylan Williams Moderated by Zak Sally Location: Learning Center 1 From Comic Books to ‘Graphic Novels,’ from the Undergrounds to Art Comics, Fanzines to Zine Culture — the names may change, but one thing remains constant: they are all reproduced, on paper. No matter the decade, subject matter, or economics involved, comics have always been linked to print. With physical objects no longer being a necessity (and the book form itself on the decline), what will be the role of print culture in the next decade and beyond?
• Review: "Last year, Fantagraphics reproduced Catalog No. 439 of the DeMoulin Brothers – the most extensive depiction of initiation contraptions and ritual outfits used by Freemasons and other fraternal orders, like the Odd Fellows, the Knights of Pythias, and E. Clampus Vitus. Bearing the title Burlesque Paraphernalia and Side Degree Specialties and Costumes, this wacky book may shed a shred of light into the outer sanctum of these associations – unless, of course, it is actually a hoax disseminated to lead us astray. [...] Even if Enlightenment should, as always, prove ever elusive, the illustrated designs of Edmund DeMoulin and the handiwork of his brothers Ulysses and Erastus, as reproduced in Burlesque Paraphernalia, will still deliver amusing, if sadistic, anthropology. [...] Book lovers... will fall for its hundred and fifty full-page plates of machines of untold mischief. " – Jeffrey Wengrofsky, Coilhouse
• Review/Commentary: "...I end up seeing Ditko’s work arc from earliest 'dependent work' as he calls it, the charming, imaginative comics collected in Unexplored Worlds, the rockets, superintelligent monkeys, green insect aliens seeking earthling wives, paintings that lead to another world, angelic visitors and poetically just twist endings, to his later work created entirely on his own terms and for his own purpose, but less effective as his characters become 'ciphers' and his design, text-heavy." – Carol Borden, The Cultural Gutter
• Commentary:David Chelsea posts his email debate with Kim Thompson re: Joost Swarte's use of perspective. Kim: "Maybe you aren’t seeing the forest for the trees — or the ground below the trees that comprises the forest because you’re looking at it from a horizontal-oblique perspective." Zing!
• Craft: At TCJ.com, Frank Santoro applies his lessons in page proportion and layout to a Tintin page by Hergé
• Profile: At the ABC News website, the AP's Matt Moore talks to Robert Crumb during his recent visit to New York City for his Society of Illustrators exhibit opening: "'It was never intended for that purpose, so it's always odd to see it on a wall, or under glass; it was intended for printing and books. It wasn't made as a wall hanging piece,' Crumb said in an interview with The Associated Press. 'For me, the printed copy is the magic moment. When I see it in print — that was the whole purpose of it.'" (AP Photo/Richard Drew)
• Interview: At Previews, a must-read chat with Gary Groth about our classic strip reprints: "The only criterion is that it’s great cartooning. We wouldn’t waste our time devoting this much time and energy to anything less. Our mission has been to publish the best cartooning — not only in comic strips, but in every 'branch' of the cartooning art — that we can."
• Interview: At Robot 6, Chris Mautner talks to Wilfred Santiago about 21: The Story of Roberto Clemente: "I was trying not to make it … biographies to me have a static feel to them. I was trying to avoid [that] and I feel like cartooning helps you in expressing the story and what you’re trying to convey thtorugh the story. It was difficult too because I wanted it to be cartoony and realistic at the same time. I wanted it to be fun. What’s important was that it was exciting; that it could almost speak. That you could read the book in a very sort of sharp-paced way but you could also take the time and read through it at your leisure."
• Interview: Matthew Baker of Vanderbilt University's Nashville Review has an epic chat with Anders Nilsen: "Really I feel like comics is just the most useful category to drop me into. I don’t feel like I’m wedded to comics as a medium. I draw, and I usually sort of tell stories, but I do make standalone drawings and paintings, and I do make stuff that is probably closer to poetry than comics. I’ve made books before that aren’t really comics — just a series of pictures, or diagrams, or whatever."
• Review: "Stunning and evocative and rendered in a cacophony of swirling miasmic lines, this fearsome modern parable is a fierce interrogation of faith and destiny which asks uncompromising and uncomfortable questions about the price of Grace and the value of belief. [...] Emotive, shocking and utterly compelling, Stigmata is a grotesque and beautiful metaphysical rollercoaster with existential angst and blind faith gripping each other’s philosophical throats and squeezing really hard. No rational reader or mature comics fan can afford to miss this dark shining delight." – Win Wiacek, Now Read This!
• Review: "This book beautifully captures the phantasmagoric flow of images that occurs in dreams. Mattotti's art is incredible. There are panels that are so intricate that I wonder how he had the time to draw so many of them. At 32 mostly wordless pages it's a very short book, but the imagery, like the panels of a child throwing a toy at a giant, or the panels showing a huge black bird carrying off a rabbit in a rainstorm, will stay with you long after you finish reading. If you like the intense, emotional, sometimes dreamlike artwork Mattotti did for Stigmata, you will love Chimera." – Jon Anderson, The Beguiling
[Editor/Marketeer's Note: You can get Chimera for half price when you order Stigmata!]
• Review: "The saga of Roberto Clemente is well known to baseball fans yet it has been given new life in this stunning graphic novel [21: The Story of Roberto Clemente]... Santiago's panels have a sharp, cinematic feel and the compositions and framing give the readers a better sense of how dynamic and explosive the game is than any baseball movie. The wonder of this book is that it will appeal to kids and adults alike. Even non baseball fans will fall under its spell. The national pastime has been virtually untouched by the graphic novel genre but if Santiago's effort is any indication, the marriage of subject and form is nothing short of a grand slam. Santiago has set the bar high, though, and we'll be all the richer if anyone can approach the artistry and emotional resonance of this memorable book." – Alex Belth, Sports Illustrated
• Interview:Wilfred Santiago talks with Sketch Maven about his career and creating 21: "After the previous graphic novel, In My Darkest Hour, I wanted to do a biography. There were many reasons why Clemente was chosen. The richness, purpose-driven life, the inspirational life story are a few among many factors. The relevance of Clemente’s story to a youngster of today also came to mind. Roberto was a great and famous baseball player, and the baseball was a challenging aspect to the story. But, it was great to explore the sport in a comic book format."
• Review: "One of my favorite presents from last year’s holiday season was Fantagraphics’ Usagi Yojimbo: The Special Edition... The Dragon Bellow Conspiracy... rivals just about any epic fantasy (novel or film) in the last 25 years for its narrative complexity and powerful action sequences. [...] Reading these stories will help you understand why, when we talk about the success stories of independent comics publishing, Usagi Yojimbo should be one of the first titles that gets mentioned." – Ron Hogan, Beatrice
• Review: "Crane’s work is highly, emotionally charged, but in a quiet way. Illustrated in a lush, enveloping, greytone, 'Vicissitude' has a Film-Noir quality that adds an air of mystery to this story of melancholy and rotting love. It is so engaging and enthralling that its ending is jarring. 'Freeze Out,' the Simon & Jack tale, is fantastic. It’s all-ages comic book magic. Reading it made me feel like a kid again, reading stories of adventure, fantasy, and magic for the first time on my own. If there were any doubts about Crane’s prodigious talent, Uptight #3 is the spell to dispel those doubts. [Grade] A+" – Leroy Douresseaux, Comic Book Bin
• Profile: The Toronto Star's Vit Wagner on the work and career of Joe Sacco: "'The drive is there,' says Sacco. 'I have a desire to go there and see things and talk to people. It’s invigorating and exciting. But my work involves a slower process. It takes me time to report. I like to sink into the situation. But beyond that, it takes a long time to write and draw my stuff, especially the drawing. You can report that there are 200,000 people in Tahrir Square, but if you want to draw the scene it takes a lot of effort.'"
• Interview:Sequential's David Hains talks to Joe Sacco: "I find more than half of my readers are from schools, in classes where they read my work. People have been to the regions and they’ll see, oh this medium has taken this on, I’ll pick that up. It’s sort of more book people than comics people. Although some of those are the same people, and thank God."
"Described as a Spanish Dick Tracy on steroids, the titular cabbie here is involved in a hunt for his father's stolen coffin, which contains his full inheritance. Art Spiegelman wrote the introduction, so we're not talking warmed-over liver."
"Wilson drew these linked one-pagers in the National Lampoon throughout the 1970s. His hero in a hunting cap is Everykid, who braves the daily awfulness of a child's world: school irrelevancies, getting sick, strange old relatives, department store Santas, going to camp, and death, for starters. No monsters and ghoulies — just real-life quimsies. Don't you wish you could have seen Gahan Wilson comics when you were a kid?"
"What a lavish show-and-tell: a DVD of nonprint media appearances of Krazy Kat, including videos of a 1921 'jazz pantomime' ballet and rare animated cartoons, plus two booklets collecting drawings, designs, strips, and background relating to Krazy in music and dance. [...] Clearly a shining star for popular culture and film collections."
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