|The missing link|
|Written by Mike Baehr | Filed under Tim Lane, Inspiration, Blake Bell, Bill Everett||25 Feb 2010 1:50 PM|
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Category >> Blake Bell
Neverending Online Commentary & Diversions:
• List: Only the Cinema's Ed Howard concludes counting down The Best Comics of the Decade: the top 20 includes "The Lute String" (available in Mome Vols. 9 & 10) by Jim Woodring at #16 ("It's moving, funny, and as with all of Woodring's work it demands a close reading"), Alias the Cat (originally The Stuff of Dreams) by Kim Deitch at #14 ("It's funny, goofy, exciting and far-ranging in its imaginative nonsense accumulations, and throughout it all Deitch's fond sense of nostalgia for a world that never quite was lends emotional heft to the story's elaborate twists and turns"), Dash Shaw's Bottomless Belly Button and Mome stories (collected in The Unclothed Man in the 35th Century A.D.) at #13 ("Dash Shaw is an utterly brilliant young cartoonist who has, in a few short years, advanced from the academic experiments of his earlier work... into a formalist genius whose skills encompass both a natural gift for color and a feel for subtle, indirect characterization"), Safe Area Gorazde by Joe Sacco at #7 ("Joe Sacco is a unique figure in modern comics: there is no one else who combines sheer cartooning chops with a newspaper reporter's sensibility and instincts in quite the same way. ... Safe Area Gorazde [is] an especially powerful document of the effects of war"), the comics of Kevin Huizenga at #4 ("Kevin Huizenga is the best young artist in comics. It's as simple as that. With his recent Fantagraphics series Ganges (part of the Ignatz line of high-quality pamphlets) Huizenga has matured into one of comics' finest formalists"), Jimbo in Purgatory by Gary Panter at #2 ("The denseness of Panter's references and cross-references makes the experience of reading this book a truly overwhelming experience; every line, every image, spirals into multiple other references and ideas, pulling in the whole wide expanse of world culture as a stomping ground for Jimbo's wanderings through the Purgatory of modern existence towards enlightenment"), and the Love and Rockets Vol. II work of Jaime Hernandez (as collected in Ghost of Hoppers and The Education of Hopey Glass) in the #1 slot ("There is no greater all-around artist in modern comics than Jaime Hernandez, and his recent work builds on his past successes so that his oeuvre as a whole is shaping up to be one of literature's best sustained stories about aging and the shifting of relationships over the course of a life").
• Review: "The best argument that the underground tradition is still alive is Hotwire Comics, edited by Glen Head (one of the most underrated cartoonists around, incidentally). Hotwire Comics is a visual assault, abrasive, confrontational, willing to poke and prod the audience: a real live wire that can shock. Everything a good underground comic book should be." – Jeet Heer, Comics Comics
• Review: "Strange Suspense is a handsome book generally, with a fun front cover and a nice, sturdy, feel. As far as my eye can tell the work is reproduced well; admittedly, I have one of the worst eyes in comics for that sort of thing. It's nice to have a bunch of comics from this time period, particularly the grittier pre-Code or Fear of Code-Like Crackdown work. There are some truly repulsive pieces of throwaway pulp in this book's pages, and Ditko was more than up to the task of illustrating them." – Tom Spurgeon, The Comics Reporter
• Review: "Mother, Come Home is a subtle, dark story about death and madness and fantasy, tied together by symbols and the voice of an older Thomas looking back on his childhood. It's not bleak, though; Thomas survives his traumatic childhood, and perhaps Hornschmeier's lesson is that we all can, if we try — if we step outside our rituals and fantasies and reach out to each other, we can make it through." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent. (via ¡Journalista!)
Online Commentary & Diversions have seen their shadow:
• List: Our pal Bully the Little Stuffed Bull has started his annual Fun Fifty countdown. In the first installment, coming in at #46, Blazing Combat: "War, huh! What is it good for? Absolutely nothin'... aside from bringing us this gorgeous archive edition of a classic comic every war comics fan oughta have in their library."
• Review: "Back in the days of Factsheet Five, I used to order tons of minicomix. Most were mediocre, but a few were terrifically good and that made it worth the risk to send in the fifty cents or so that they cost. ... Fantagraphics just released a massively thick (900 pages!) anthology of minicomix called Newave! The Underground Mini Comix of the 1980s , and it's a treat." – Mark Frauenfelder, Boing Boing
• Review: "In Strange Suspense, Ditko already shines as a masterful designer of sinister mansions, ornate gateways and demonic doors and furnishings... And finally, there’s no mistaking those trademark Ditko faces, leering with evil or sweating and wide-eyed with terror, often lit or looking up from below. ... It is a pleasure to follow Ditko’s youthful artistic progression and there is a noticeable refining and streamlining of his drawing, going for greater clarity and impact. ... These morality fables are seldom subtle or surprising... but it’s Ditko’s artistry that elevates these mostly standard comic book nasties. ...[T]he $39.99 ticket is good value, and this is a weighty, hard-packed, deluxe package..." – Paul Gravett
• Review: "Successful art engenders powerful emotion in its observers. How do I know that Al Columbia's Pim & Francie is an amazing work of art? Because it seriously made me feel ill. Uncomfortable. It made me question my sense of aesthetics; played havoc with my expectations. It's unquestionably an amazing book. ... Rating: 8/10" – Jeremy Nisen, Under the Radar
• Commentary: At The Daily Cross Hatch, Box Brown reproduces the epochal letters page from Ivan Brunetti's Schizo #2 (reprinted in Misery Loves Comedy) as part of a new column on cartoonists' letters to cartoonists
Blake Bell is plowing ahead with his forthcoming, highly-anticipated book Fire & Water: Bill Everett, The Sub-Mariner, and the Birth of Marvel Comics (preliminary cover art shown above subject to change), and you can track his progress on his Bill Everett Facebook page. In this update, he outlines the contents of each chapter and gives a general idea of what to expect in the book, which is on track for a September release.
The first Online Commentary & Diversions of the new year might be the longest one ever, so let's get to it:
• List/Review/Interview: As part of The Comics Reporter 's unique series of critical discussions on notable comics of the decade, Tom Spurgeon talks to Tucker Stone about Kevin Huizenga's Ganges: "That's the thing about Ganges #3 that makes it a unique comic -- it cannot be told in another medium and work. How are you going to write that down, that aspect of Glenn chasing his own thoughts and memories about completely personal, mundane life aspects, without drawing the character swimming around in his own head?" Elsewhere, Sean T. Collins responds to some of Stone's points
• List: Robot 6 lists The 30 Most Important Comics of the Decade. In part one, Safe Area Gorazde by Joe Sacco is at #19 ("What's more, it showed that comics could handle not only tough subject matters, but deal with timely, true-life subjects in a hard-hitting, journalistic fashion"). In part two, The Complete Peanuts is at #15 ("If you believe, as I do, that we are living in the Golden Age of Reprints, chances are The Complete Peanuts is your Exhibit A")
• List: Newsarama's J. Caleb Mozzocco names his top 10 comics of the year, with The Red Monkey Double Happiness Book by Joe Daly at #8: "...[W]hat he delivers in the two stories collected in this book are unlike anything else I’ve seen in popular comics."
• List: Gil Roth names his Favorite Comics of the Decade, including Ice Haven/Eightball #22 by Daniel Clowes, Eightball #23 by Clowes, The End #1 by Anders Nilsen, Locas II by Jaime Hernandez, Safe Area Gorazde by Joe Sacco, I Killed Adolf Hitler by Jason, Kevin Huizenga's work including the Ganges series, and Fred the Clown by Roger Langridge (via The Comics Reporter)
• List: Joe McCulloch of Jog - The Blog prefaces his Top Ten Comics of 2009 list with a "Top Five Caveats of 2009" list of reprinted or unread comics which includes Supermen! The First Wave of Comic Book Heroes 1936-1941: ("Supermen! excited me... for suggesting a burning, manic soul of superhero comics, a reckless freedom differentiated from pulp writing and feature films by gnarled visual style while set apart from newspaper strips by virtue of a restless hunger to entertain quick and hard. It felt like the start of a future, and the comedown only hit when I realized I enjoyed it more than any new superhero comic of 2009") and The Squirrel Machine by Hans Rickheit. On the Top Ten list proper: West Coast Blues by Tardi & Manchette at #8 ("Teeming with fleshy characters prone to bleeding and puking, rippled with burn lines of existential dismay, the story keenly exploits how the thrills promised by bloody adventure outside the law segue into the terror of governmental systems failing to protect their cozy consumer citizens") and Prison Pit: Book 1 by Johnny Ryan at #4 ("as visceral and gory as fantasy throwdowns get, while remaining almost contemplative in its plain-paneled studies of bodily movement").
• List: Patrick Montfort, blogging at Articulate Nerd, names his Favorite Comics of 2009: at #10, West Coast Blues by Tardi & Manchette ("A masterfully constructed crime story with an unlikeable protagonist caught in an unlikely circumstance, this very French graphic novel is superior to anything I've seen in the genre from an American cartoonist"); at #9, Abstract Comics: The Anthology ("Handsomely designed and smartly edited... one of the year's most unique releases... thrilling"); at #8, Prison Pit: Book 1 by Johnny Ryan ("Refreshingly devoid of any literary or artistic pretensions, this first of what I hope will be many, many volumes nevertheless comes across as somehow one of the smartest and well crafted books of the year"); at #7, The Complete Peanuts 1971-1972 and The Complete Peanuts 1973-1974 by Charles M. Schulz ("Really strong stuff here, including the 'Charlie Brown wears a sack on his head to summer camp' sequence, surely the 'Poison River' of Peanuts"); and at #2, The Squirrel Machine by Hans Rickheit ("Reminiscent of the best work of David Lynch, there are a lot of powerful themes humming just beneath the surface of the creepy and dreamlike narrative. This one hit hard, and I can't wait to read it again. Really, really impressive")
• List: On the Family blog, Sammy Harkham lists 2008's Most Outrageous: The Trials and Trespasses of Dwaine Tinsley and Chester the Molester by Bob Levin as one of his Favorites of 2009
• List: Cartoonist David Lasky's Best Graphic Novels of the Decade include Safe Area Gorazde by Joe Sacco at #8 ("More haunting and harrowing than any TV news report on the subject") and The Frank Book by Jim Woodring at #10 ("Jim Woodring's cartoon animal, Frank, learns about life (the hard way) in an odd, visually lush, surreal world")
• List: At the Forbidden Planet International Blog Log, Richard Cowdry's Best of the Year picks include E.C. Segar's Popeye ("beautiful Depression era comics") and Johnny Ryan's Prison Pit: Book 1 ("Johnny Ryan takes ideas and styles that have been knocking around the art comics scene for the last few years, and injects them with gallons of fun, attitude and humour. My favourite new comic of the year!"); he also names Noah Van Sciver as a talent to watch; for favorites of the decade he names Love and Rockets ("jaw-droppingly amazing"), Eightball #22, Hotwire Comics, and various issues of Mome ("REALLY good")
• List: At Comic Book Galaxy, Marc Sobel declares You'll Never Know, Book One: A Good and Decent Man by C. Tyler to be Book of the Year: "Although this is only the first volume..., You’ll Never Know feels like Tyler’s masterpiece, the crowning achievement that she’s been building toward." (We also racked up 5 Honorable Mentions.)
• List: Newsarama's Henry Chamberlain names the comics he was most intrigued by in 2009, including The Squirrel Machine by Hans Rickheit ("Hans Rickheit has been producing work like this for years and he has perfected a certain haunted and exquisite comics style. Take it from me, this story of two very strange brothers is the real deal.")
• List: Matthew Price of The Oklahoman names his top 10 graphic novels of the decade, with Joe Sacco's Safe Area Gorazde at #9 ("Joe Sacco's nonfiction account of the war in Bosnia was among the best ever examples of graphic novel journalism.")
• List: Edward Kaye of Hypergeek selects The Best Graphic Novels of 2009, including Low Moon by Jason ("At times both bleak and humorous, these beautifully absurd stories will leave you as speechless as one of Jason’s silent characters."), Love and Rockets: New Stories #2 by the Hernandez Brothers ("Los Bros. Hernandez continue to blaze trails with their originality, and the comic industry is better for it. This essential collection should be on every fan’s shelf."), Luba by Gilbert Hernandez ("It’s an astounding collection of stories about family, life, love, and heartbreak... [W]hen you read all of these powerful tales together in one place, you realise that Beto has created an epic here, unrivaled in its scale and depth. Words fail to express just how wonderful this collection is."), Everybody Is Stupid Except for Me by Peter Bagge ("It’s a brilliant piece of work, and perhaps Bagge’s finest achievement to date."), Locas II by Jaime Hernandez ("These tales of the lives of Maggie, Hopey, and Ray, are some of the most enthralling, and sometimes bizarre, stories ever told in the comic medium.") and You Shall Die by Your Own Evil Creation! by Fletcher Hanks ("...[T]hese surreal tales from the dawn of the super hero are uncompromisingly vivid, brutal, and at times, completely insane!")
• List/Coming Attractions/Plugs: Hypergeek lists The Essential Comics and Graphic Novels of 2010, including Almost Silent by Jason ("Jason is one of the greatest cartoonists in the world") and the year's books from the Hernandez Brothers: The Troublemakers ("I loved Chance in Hell, so this follow-up is a must for me. Beto is a wonderful storyteller, and an astonishing artist, so you can't go wrong picking this up, even if you've never read any L&R!"), High Soft Lisp ("This collection is essential for all L&R fans, as it collects together many of Beto's stories from the second L&R series, for the first time."), Penny Century ("Another essential collection for fans of L&R, collection Xamie's Penny Century stories from the Penny Century series and from Love & Rockets Volume II."), and Love and Rockets: New Stories #3 ("If it's a tenth as good as the first two volumes, we're in for a treat!")
• Review: "...[G]oofy fun... Supermen! The First Wave of Comic Book Heroes 1936-1941... is worth it for Fletcher Hanks’ 'Fantomah' and 'Stardust' strips and Basil Wolverton’s Spacehawk. The fact that you also get stuff like 'Yarko the Great' and 'Rex Dexter of Mars' can only be counted as a bonus." – Jeff Kapalka, The Post-Standard
• Review: "Magnificent art. Panels that range from three or so across medium-sized panels and the occasional painfully detailed and colored super-sized panel. An ongoing story...with blood and gore even! Dooming predictions, wounds, loss and death. Fantagraphics is to be thanked for working so hard to produce a book [Prince Valiant Vol. 1: 1937-1938] that shows Foster's artwork in a decent size and with the colors corrected." – Fred Kiesche, The Lensman's Children
• Review: "For a change of pace, it's nice to delve into some work from the great Steve Ditko and find nary a spider-man nor a strange doctor among them. Fantagraphics provides the ideal venue for doing so in Strange Suspense: The Steve Ditko Archives Vol. 1... With the Fantagraphics logo on the sturdy spine, readers can expect — and receive — a top-quality package with crisp pages and handsome design. It's certainly attractive for some stories Ditko dismissed as 'junk,' but we all know there's treasure buried in trash." – Rod Lott, Bookgasm
• Review: "Issue #2 [of Sublife] saw a lot of [the] promise [of the first issue] fulfilled in a group of stories that ranged across both genres and visual styles... What connected each story was a common theme: the desire for family and the ways in which that need either created surrogate families or metastasized into something darker." – Rob Clough, The Comics Journal
• Plug: Robot 6 guest contributor Shaenon Garrity got Humbug for Christmas: "I love Harvey Kurtzman's failed magazine projects... Kurtzman never had much success in all his long career, but he had a talent for making smart people want to give him a hand... fun stuff. It's got a lot of work by Arnold Roth, whom I love."
• Coming Attractions: Robot 6 surveys numerous comics pros as to what they're looking forward to in 2010: in part 1, Evan Dorkin mentions several of our upcoming reprint collections; in part 2, Chris Schweitzer mentions Drew Weing's Set to Sea (July); in part 3, Jamie S. Rich mentions Lucky in Love by Chieffet & DeStefano
• Interview: The Daily Cross Hatch's Brian Heater continues (in part 3 of 4) his conversation with Carol Tyler: "I thought I could knock it out really quickly. That’s not case. But that’s not really stopping me, or anything. It’s just that, if it takes another six months to make this nicer, sweeter, and more wonderful, I want to. At first I thought I could get it all out in one package. I had it ready. But I’m not person who can write a script and then go illustrate it. I’m intuitive and I’m intuiting my way into this huge subject matter that hits me like a rock. There’s times when I can’t work because it makes me cry."
• Profile: Comic Book Resources' Shaun Manning talks to Dash Shaw about The Unclothed Man in the 35th Century A.D.: "I realize that some people think of comics as being storyboards, or as some kind of preliminary work for a movie, and that's very funny to me. But usually the people who think that are film-industry people who think EVERYTHING is preliminary work for a future film! A book, play, whatever! Ha!"
• Survey: The Beat's year-end survey of comics pros includes the following responses. From Jay Lynch: "When I think of comics in the 00s I think of: Johnny Ryan." From Mike Dawson: "What was the biggest story in comics in 2009? The Comics Journal moving almost exclusively online."
• Come on, people: One of my rare editorial comments: Why the hell haven't any "best covers of 2009" lists included Jordan Crane's Uptight #3? Critics: Get with the program!
A nice short Online Commentary & Diversions update:
• List: Comicdom continues their Top 100 of the 00s with Chris Ware's Acme Novelty Library at #3: "Whatever the format, or content of the story, each issue of Acme Novelty Library is a special 'objet d'art,' which is part of the vision of an author who redefined what can be considered 'comics' and provided us new ways of storytelling." (from Google translation)
• List: At ComicsDC,
• Review: "The list of excellent graphic novels released in 2009 seems to grow with every other book read, and [You'll Never Know, Book 1: A Good and Decent Man]... stands out even in its crowded field. Carol Tyler really makes a name for herself with this 'graphic memoir,' as the cover calls it, demonstrating an incredible grasp of storytelling structure and a layering of personal and historical incident into a complex, cohesive whole that illuminates her own life along with her subject's. It's an impressive achievement, and as the first volume of a projected trilogy, it's indicative of the quality to come." – Matthew J. Brady
Gird yourself for an epic installment of Online Commentary & Diversions:
• List: Critic Robert Boyd names his top 15 Best Comics of 2009, with You Are There by Tardi & Forest at #2, Popeye Vol. 4 at #7 ("top-notch, Segar at his greatest"), Everybody Is Stupid Except for Me by Peter Bagge at #12 ("very, very funny") and You'll Never Know, Book 1 by C. Tyler at #13 ("a glorious mess, but a moving and beautiful one")
• List: Joe Gross of the Austin American-Statesman names notable comics of 2009, including Pim & Francie by Al Columbia ("It's a bit like peeking at J.D. Salinger's notebooks, if his notebooks were pure nightmare fuel") and You'll Never Know, Book 1 by C. Tyler ("A terrific addition to the canon of literature about baby boomers, their parents and their children")
• List: Greek site Comicdom names Ivan Brunetti's Schizo #4 to the #4 spot on their Top 100 of the 00s countdown. From the Google translation: "With words or silence, with an excellent sequence between the panels and embroidered with punchlines, reading this comic becomes a personal matter, even though the association, the painfully honest confession, is more or less familiar to everyone."
• List: Fústar awards The Clanging Gong of Doom for "Weirdest & Most Brain-Searingly Wonderful Book of the Year" to You Shall Die by Your Own Evil Creation! by Fletcher Hanks, which "might be testament to rage-filled, borderline psychosis – but it's thrillingly vital and magnificently (uniquely) strange for all that."
• List: Christopher Allen of Comic Book Galaxy informally lists some Best of 2009 choices, including the year's Love and Rockets releases, Strange Suspense: The Steve Ditko Archives Vol. 1, and Prince Valiant Vol. 1: 1937-1938
• Review: "...[T]he great pleasures of each story [in The Red Monkey Double Happiness Book] are the odd, idiosyncratic details Daly includes, and the way in which he reveals them. ... I’ve never read anything like it—and now I want nothing more than to read more of it." – J. Caleb Mozzocco, Newsarama
• Review: "Sublife Vol. 2... is John Pham’s gorgeously designed one-man anthology book, including about a half-dozen stories of various genres, formats, sensibilities and even art styles, each impeccably laid out on longer-than-it-is-high, 8.5-by-7-inch rectangular pages. ... They’re all pretty great on their own, and taken all together, they make up a downright remarkable book." – J. Caleb Mozzocco, Newsarama (same link as above)
• Review: "...[C. Tyler's] autobiographical comics display a shocking, unruly wholesomeness: they are visually and morally beautiful, suffused with a scrap-doodle amateurism and palpable maternal love... You’ll Never Know, Tyler’s newest book, is modeled on a scrapbook and is a tribute to craftsmanship, much like the home repair and plumbing we see her father, the 'good and decent man' of the title, often undertaking. ... Tyler mitigates this directness of heart with a dynamically pesky drawing style, splattering each panel with the democratic debris of life." – Ken Chen, Rain Taxi
• Review: "While we’re torturing geeks, I have to put in a good word for Andrei Molotiu’s Abstract Comics: The Anthology... The collection has a wealth of rewarding material, some of it awkward, some groundbreaking — on the whole, it is a significant historical document that may jump-start an actual new genre." – Doug Harvey, LA Weekly
• Review: "Some of the writing [in Humbug] may seem a bit quaint in our ‘irony coming out our asses’ present day, but the artwork is uniformly mind-blowing. ... This collects the whole ill-fated run in a luxurious hardbound package including top-notch background material. Worth it for the mammoth Arnold Roth & Al Jaffee interview alone." – M. Ace, Irregular Orbit
• Plugs: In an interview with Newsarama, Chris Ureta Casos of Seattle comic shop Comics Dungeon gives a nice shout-out to our recent reprint efforts and names Paul Hornschemeier's Mother, Come Home as a personal all-time favorite
• Plugs: "Fantagraphics (again) certainly delivered big-time on the second (and probably final) collection of primitive comic savant Fletcher Hanks’ You Shall Die By Your Own Evil Creation!, as well as with the almost-as-weird Supermen!: The First Wave of Comic Book Heroes 1936-1941." – Doug Harvey, LA Weekly
• Interview: The Wall Street Journal's Jamin Brophy-Warren has a brief Q&A with Gahan Wilson: "The other thing that dawned on me was we were destroying the planet or at least we were destroying it as a feasible environment. There’s a little grandiosity in saying we’re destroying the earth — we’re just screwing it up so we can’t live. For one, that was hilarious that we’d be determined to continue and it keeps getting worse and worse."
• Interview: The Daily Cross Hatch's Brian Heater continues his conversation with Carol Tyler: "I…can’t…the secret of life? I’m not giving away the secret! I’ll just tell you this — it’s funny around here, because I have to go and pick up dog poop or something. And I’ve heard something like, 'Robert and Aline [Crumb] are in the New Yorker, this week. Oh, they’ve got ten pages.' And I’m just picking up dog poop, but I’m happy, for some reason. I’m happy!"
Online Commentary & Diversions will return next week. Have a great holiday!
• List: From Alan David Doane of Comic Book Galaxy's not-technically-a-best-of end-of-year roundup: "...[O]f course Fantagraphics continued to make life better with its ongoing Complete Peanuts collections, and their Strange Suspense: The Steve Ditko Archives Vol. 1 was also one of the treasures of the year, filled with tons of the master's weird and wonky comics."
• Review: "...I enjoyed the hell out of this book. ... Not only did Portable Grindhouse remind me of ye olden days, it also gave me quite a laugh. You won’t believe some of the ridiculously schlocky movies that are included in this book. I honestly can’t recommend it enough. It’s the perfect book for anyone who understands the art of the guilty pleasure and the joy in a terrifically bad movie, as well as those who took great joy in the hunt for home video entertainment. Portable Grindhouse: The Lost Art of the VHS Box gets two thumbs WAY up!" – Chad Derdowski, Mania
• Review: "...Tales Designed to Thrizzle, whose first four issues have just been anthologized as a hardcover... bring[s] a slick, hyperreal illustrative consistency that amplifies the already dreamlike mixture of familiarity and strangeness, which permeates [Kupperman's] deadpan surrealist slapstick." – Doug Harvey, LA Weekly
• Interview: The latest in this week's series of Dash Shaw interviews is with Entertainment Weekly. Interviewer Darren Franich calls Bottomless Belly Button "a genuine masterpiece" and says the stories in The Unclothed Man in the 35th Century A.D. are "gut-punchingly wondrous." Teaser quote from Dash: "Unclothed Man, to me, is about figure drawing and figure drawing classes and what it’s like to be a figure drawing model. If you pick up an old How to Draw the Figure Book, it’s always Pin-Up girls. Like, How to Draw This Reclining Hot Chick. The sexual undertones are obviously there in the drawing, but the classroom is such a weird academic repressed environment."
Online Commentary & Diversions for you:
• List: FEARnet names Strange Suspense: The Steve Ditko Archives Vol. 1 one of the Top 9 Comic Books and Graphic Novels of '09: "Shunning the spotlight of fans and the press, the artist has chosen instead to let his books speak for themselves. They continue to speak loudly, and with a weird grace lacking in much of his contemporaries' work."
• List/Review: "Druggy noir vividly told, [The] Red Monkey [Double Happiness Book] is like watching Jim Rockford take a monster bong-hit before getting bashed in the jaw by some muscle of a rich guy in a bar bathroom. 'The Leaking Cello Case' and 'John Wesley Harding' are both contenders for short graphic fiction of the year, with pellucid plotting distorted by strange times and scary surprises. The artwork is like the more story-based finely crafted alternative comics of the 90s, and the sense of distorted place and identity as creative as fiction by Thomas Pynchon. If that seems lofty, start here and wait for Daly to one day unveil his Gravity's Rainbow." – Chris Estey, Three Imaginary Girls "Great Reads of 2009"
• Review: "Thank you, Fantagraphics, for compiling 15 years of the Love and Rockets comic series into 700 pages of punk rock, heartbreak, and self-discovery. Locas: The Maggie and Hopey Stories presents Jaime Hernandez's indie masterpiece in the entirety of its run between 1981 to 1996... a serious contender for the American comic canon." - Aysha Pamukcu, Plasma Pool
• Review: "OK, first, my initial impression of cartoonist Hans Rickheit’s new book The Squirrel Machine was one of amazement (a word I don’t bandy about indulgently) and bafflement. I am clear I am not grasping something — not an unpleasant feeling in this circumstance. ... As usual for Fanatagraphics, this book is well-designed and well-printed. Let me know if you figure out what it’s about, though not knowing made it no less fun for me." – Robert Birnbaum, The Morning News
• Interview: Alice Parker of Comics Alliance gets a whole lot of info out of Dash Shaw: "As for me, I like a lot of different things. I'm not a discriminating reader of comics, which is a problem, I think. I can read just about any comic, but I definitely wouldn't read any all-word book."
• Interview: And in your second Dash Shaw interview of the day, with Tim Needles of Short and Sweet NYC, some advice for aspiring artists: "The other thing is it’s probably going to be touch and go forever and you are going to have to do an absurd amount of work before you get a penny for it and even when you get that penny, it’s probably just going to be a penny. On the other hand it is really awesome to draw all the time and devote your life to it."
Online Commentary & Diversions:
• List: Critic John Seven names Safe Area Gorazde by Joe Sacco one of the Decade's Best Graphic Novels, in a list focused on "graphic novels for people who don’t want to read comics." (via The Comics Reporter)
• List: Matthew Price of The Oklahoman gives Ganges #3 the 9th position on his 10 Best Periodical Comic Books of 2009: "Kevin Huizenga continues to be one of comics' brightest indie creators... Huizenga uses his talents to immerse the reader inside Ganges' head."
• List/reviews/analysis: On the Inkstuds radio program, a roundtable of prominent critics (Sean T. Collins, Tim Hodler, & Chris Mautner) join host Robin McConnell for a discussion of 2009's standout books, including our two "You" books, You Are There by Tardi & Forest and You'll Never Know, Book 1 by C. Tyler
• Reviews/analysis: The Hooded Utilitarian's contrarian critical roundtable of Ghost World marches on with Ng Suat Tong, Vom Marlowe, Kinukitty again, and more Noah Berlatsky, who also points out that you can follow the whole thing here
• Review: "What's better than a new story by Jason? Why, several in one volume, of course! ...[T]he more of Jason's weird energy and quirky, poignant storytelling that I can consume at one time, the better. ... It's kind of a mystery how well he's able to do it, crafting easy-to-follow stories in such a minimalist style, but luckily, they're incredibly enjoyable, so one can easily get lost in them, forgetting questions of craft and technique because those aspects become all but invisible. ... [Low Moon] is another great example of the strange alchemy that Jason has mastered, drawing readers in to compelling tales of people caught up in oddly familiar situations, even when they're dealing with something that's off-kilter from reality as we know it. That's the Jason touch, and long may it continue to grace our pages." – Matthew J. Brady
• Plug: In Richard Metzger's profile of Steve Ditko for Dangerous Minds, he says "I may be a little late to the game on this one, but I recently got a copy of Blake Bell’s Strange and Stranger: The World of Steve Ditko, a coffeetable book published by Fantagraphics last year and it is a wonderful and fascinating look at Ditko’s life and work. Kudos to Bell for putting together such a volume which was clearly a labor of love and unique erudition."
• Things to see: If you haven't seen the comics section in the San Francisco Panorama from McSweeney's yet (featuring Dan Clowes, Chris Ware, Kim Deitch, Seth, Art Spiegelman etc.), Flickr user Steve Rhodes has a mess of photos of the whole dang paper
• Things to see: Paul Pope draws Captain Easy in action (our Captain Easy, Soldier of Fortune: The Complete Sunday Newspaper Strips Vol. 1 is currently scheduled for February) (via The Comics Reporter)