• List: The National Post's David Berry names The Best Graphic Novels of 2011, saying of his #3 choice "This does feel somewhat like cheating, since there’s only a few sequences of proper graphic work here, but why quibble about format: Mark Twain’s Autobiography 1910-2010 is, quite simply, one of the funniest things you’ll read in any genre. Kupperman has a child’s free-ranging imagination and an aging intellectual’s dry wit... This supposed telling of Mark Twain’s 20th-century life... would be an awe-inspiring work of imagination if it wasn’t so absurdly hilarious. Somewhere between John Hodgman and Graham Roumieu, Kupperman has found stark comic brilliance."
• List:Comic Book Resources continues their Top 100 comics of 2011 countdown, with Ganges #4 by Kevin Huizenga coming in at #48 and Brian Cronin calling it "mind-boggling" and "remarkable. Absolute top notch sequential work."
• List:Comic Book Resources columnist Sonia Harris lists "My Top 10 Comics (for ANY Year)" with Love and Rockets taking the #2 spot: "Read Love & Rockets, all of them, both brothers, everything you can find. Your life will be richer."
• List:Bookgasm's J.T. Lindroos, running down the Best Euro Comics as part of the Best Books of 2011, writes "Fantagraphics continued its Jacques Tardi lineup, and I was particularly delighted by the proto-steampunk The Arctic Marauder, although I think one should own every single book in the series. I was also happy to see some less well-known artists get their chance, and both Sibyl-Anne Vs. Ratticus by R. Macherot and Murder by High Tide by Maurice Tilleux were wonderful surprises in the classic Franco-Belgian 'bigfoot' style. Fantagraphics is quickly becoming the Criterion Collection of comics publishing."
• List: Richmond VA comic shop Velocity Comics counts down their top ten Best Graphic Novels 2011, with Jim Woodring's Congress of the Animals at #9: "There are few artists’ work I can endlessly stare at with as much feverish perplexitude as Jim Woodring’s. Yes, I just made that word up."
• List: Vancouver BC culture site The Snipe surveys local comics industry folks for their favorite comics of the year. The Walt Disney's Mickey Mouse series by Floyd Gottfredson is named Best Collected Edition or Reprint by cartoonist Steve LeCouiliard...
"Floyd Gottfredson is one of the overlooked masters of the comic strip. Like Carl Barks, his work was always signed 'Walt Disney' but his craft and storytelling brilliance shone through. Comic strips really don’t provide much more pure joy than Gottfredson’s Mickey Mouse."
...and by VanCAF organizer Shannon Campbell...
"The two-volume collection of Floyd Gottfredson’s run of Mickey Mouse, hands down! These books chronicle the glory days of the old-school Mickey Mouse comics when Gottfredson did both art and story (from 1930-1934)."
...while the staff of Lucky's Comics can't pick just one:
"This has been a boon year reprint editions, but take your pick from Fantagraphics Books’ amazing editions of Pogo by Walt Kelly, Donald Duck by Carl Barks, Mickey Mouse by Floyd Gottfredson, and Prince Valiant by Hal Foster. Fantagraphics has done such an incredible job on book designs, colors, paper… all of the details that make these editions glow."
"It’s not just the subject matter that’s a winner here. Santiago has a knack for simplicity in his storytelling approach, and in a medium that’s often beset by needless complexity, that’s a rare gift."
"...[P]robably the best pure horror comic I read this year... and one that quite frankly shocked the hell out of me. Sala’s expressionist art style might not be the most obvious choice for telling blood-curdling horror stories, but its innocent cartoony quality somehow makes a perfect (and terrible) fit with the horrible, almost nihilistic story that Sala is telling."
• Review: "Swarte’s visuals are always gorgeous and distinctive, with a strong influence from Hergé but an even more rigidly mapped out structure. The more you look at them, especially the large ones, the more you see, as in a one-panel, one-pager that lays out a parodic vision of comics production as if it resulted from a Roger Corman-esque movie studio. His eye is careful and his line even more so. ...[Is That All There Is?] is a real pleasure to read and to look at, and it makes a case for Swarte as a real comics guy, not just an illustrator." – Hillary Brown, Paste
• Profile: At City Journal, an essay by Stefan Kanfer with a history of Walt Kelly and Pogo: "He frequently quoted a line that he had written for Porky Pine: 'Don’t take life so serious, it ain’t nohow permanent.' No, it ain’t. But art — even comic art — can be, in the hands of a master. Every book, every comic, every panel verifies the claims of Kelly’s fervent cheering squad: after 63 ever-lovin’ blue-eyed years, Pogo is still incomparabobble." (Via The Comics Reporter)
• Plug:Seattlest's Heather Logue spotlights Tony Millionaire's upcoming appearance and art show at Fantagraphics Bookstore & Gallery: "Aside from the fact that he has an amazing superhero name, Tony Millionaire also has the extraordinary talent to back it up. The cartoonist will be at Fantagraphics with his latest book 500 Portraits-- a collection of portraits (duh) of everything from the very famous face, to the very small bug. All meticulously crafted in his beautiful, yet grotesque way -- you're not going to want to miss Tony's take on portraiture."
• Scene:At his blog, Drew Friedman recounts his experience as keynote speaker at the International Society of Caricature Artists' annual convention last month, with lots of photos, a couple video clips and a transcription of a Q&A session
• List: Tucker Stone counts down The Best of 2011 at comiXology. and we sure like the looks of his top 5:
At #5, Jim Woodring's Congress of the Animals: "Deftly exploring the individual's relationship with labor, consequence and love, Congress of the Animals might be Woodring's least nightmarish work yet. (Although there's still a decent portion of it involving face-robbed humanoids that you shouldn't leave lying open if you have junkies visiting.)"
At #4, Prison Pit Book 3 by Johnny Ryan: "Back in 2009, when Ryan began Prison Pit, it was a revelation; a bone-crushing giant, born fully clothed.... Make no mistake: if Jack Kirby was born today, these are the kinds of comics he'd be drawing."
At #2, Ganges #4 by Kevin Huizenga: "While it has been two years since the release of Ganges #3, the only thing that could possibly have dulled would be the audience's memory of how extraordinary the series can be.... As with Yokoyama's Color Engineering, the audience becomes participatory witness, buried head to toe alongside Glenn, living and dying by his attempts to conquer. The shaggy dog ending -- weirder than the last one -- only seems cruel for the length of time it takes you to remember: being broken out of a trance is supposed to hurt."
And in the #1 spot, Love and Rockets: New Stories #4: "...Love and Rockets 4 saw Jaime Hernandez making good on the promise of decades. Resolving with as much finality as one could ask the question of 'how's this gonna end,' the final passage of this issue's Maggie story was without comparison. There was absolutely nothing else like reading those pages for the first time -- the gasp held tight in your throat, the 8 panel grids giving way only once, for a two page silent recap of the last 30 years of a life only we seem to know was well-lived."
• Review: "...[The Armed Garden] is absolutely marvelous, a gorgeous and searing series of comics from an artist who earns the description 'freakishly talented' as completely as anyone this side of his trans-Atlantic fellow in crafting dreamy/nightmarish parables of violent spirituality, Jim Woodring. These comics are just as lovely and just as frightening, and just as singularly the work of their creator and no other." – Sean T. Collins, Attentiondeficitdisorderly
The 1939 creation of the Sub-Mariner for the first issue of Marvel Comics assures Bill Everett a place in history. Co-creating Daredevil, the Man Without Fear, for Marvel Comics in 1964 gave Everett a link to one of the most popular superheroes of the past 50 years. And producing over 400 additional pages of superhero-related work in the very early days of the Golden Age of Comics (1938-42) makes Bill Everett a legend.
This book collects over 200 pages of this never-before-reprinted work from titles such as Amazing Mystery Funnies (1938), Amazing-Man Comics (1939), Target Comics (1940), Heroic Comics (1940), and Blue Bolt Comics (1940). These titles feature an endless array of great vintage Everett characters such as Amazing-Man, Hydroman, Skyrocket Steele, Sub-Zero, The Chameleon, and many more, all produced by Everett’s shop Funnies, Inc. for such clients as Centaur, Novelty Press, and Eastern Color, and all displaying Everett’s brilliant cartooning and energetic storytelling.
Edited and compiled by best-selling author and comic-book historian Blake Bell (Strange and Stranger: The World of Steve Ditko), Amazing Mysteries: The Bill Everett Archives is a stunning companion to Bell’s 2010 critically acclaimed Everett biography and art book, Fire and Water: Bill Everett, The Sub-Mariner and the Birth of Marvel Comics. This volume follows the format of Bell’s Steve Ditko Archives series (see page 54 of this catalog); never-before-reprinted, beautifully restored, full-color stories from one of comic books’ greatest visionaries and most accomplished artists. Also includes an introduction by Bell that delves even deeper into Everett’s life, fiery personality, and the history of the era. The resultant package enhances Everett’s place in history as one of the first and best comic-book creators of all time.
Download and read a 23-page PDF excerpt (7.6 MB) with three "Hydroman" stories.
• Feature: At New Orleans-based website Gambit, Alex Woodward looks at Oil and Water — "As the book gets deeper south and deeper into the complexities and relationships of oil to the Gulf and its people, the stories get murky and collide, mimicking an ebb-and-flow that at first is much like oil and water, then gradually homogenizes. The Portlanders come to grips with their own misconceptions, and the characters that were once miles away from their lives become embedded into their own." — and talks to the book's creators (writer Steve Duin, artist Shannon Wheeler and editor Mike Rosen)
• Review: "...Mark Twain's Autobiography 1910-2010... is mainly an excuse to insert Twain, Zelig-like, into every decade between 1910 and today. Of course he made a lot of money in the 1920s and lost it all in the 1930s. Of course he and Albert Einstein were repeatedly struck in the head by a hammer-wielding monkey. And of course he sleeps with Mamie Eisenhower ('this lady was one hot dish.') It's all told in Kupperman's Marx Brothers-style absurdist deadpan voice, and if you like Tales Designed to Thrizzle, then you'll love this book. It's packed with laugh-out-loud moments..." – Paul Constant, The Stranger
• Review: "Gahan Wilson's Nuts features kids talking the way adults really talk... The kids in Nuts are vain, covetous, not so very bright, and they stagger around, reeling, from one unpleasant surprise to the next. They get their hair cut ('Sometimes I wonder if it's just that he's a lousy barber...') they look at some gory magazines, ('We're just not ready for that shit') and they attend funerals of uncles ('My God—I never saw them acting this way before! They've all fallen apart!'). Weirdly, by giving his kids the vocabularies of adults, he really captures the neuroses of childhood. We begin life as we live it now: Dazed, angry, and bitter at our own fundamental lack of control." – Paul Constant, The Stranger
• Review: "Fantagraphics has a nice introduction giving a brief biography of Kelly, and describing many of the struggles he had with Pogo and syndication. There is also a fantastic notes section at the end, which points out historical trivia as well as giving the context for some of the strips.... It’s possible that the appeal of Pogo may be lost on folks who are so used to everything that it influenced, be it talking animal comedies or political satires. Doesn’t matter to me, though. This strip is funny, well-drawn, and features a huge mass of likeable characters doing entertaining things. Put it together with Fantagraphics’ excellent presentation, and you have a definite must-buy." – Sean Gaffney, Manga Bookshelf
• Review: "Greg Sadowski and Fantagraphics’ Setting the Standard is perhaps the best book on Alex Toth that has been published thus far... Sadowski takes a straightforward, comprehensive approach and so Setting the Standard can rest comfortably on the bookshelf next to Fantagraphics’ other excellent recent collections of essential comics such as Hal Foster’s Prince Valiant, Roy Crane’s Captain Easy and Buz Sawyer and Carl Barks’ Disney epics.... There are... many passages of thoughtful comics storytelling. The romance work is often brilliantly articulated and visualized... Toth’s handling of horror and suspense is intuitive, sometimes harrowing and exhibits his more radical inventions.... In Sadowski’s book, Toth’s work speaks for itself and the artist likewise. The book’s assemblage and design are very well done to make a package which is pulpy but tasteful, not cheap nor overly slick, not high/low cute or old-boy sentimental. It provides a complete and important body of work by a great cartoonist." – James Romberger (contributor to the final Mome), The Hooded Utilitarian
• Review: "Barks, the artist, is a master cartoonist, drawing lively, expressive characters with a graceful sense of movement. His beautiful, detailed backgrounds plant the ducks in a fully realized world that adds weight to his storytelling.... But besides the entertaining plots, Barks’ appeal is in his characters. He gives his ducks many human frailties and while they usually try to do the right thing, they make mistakes, get angry, frustrated, and even fail. Fantagraphics Books... does its usual high quality work here as well. The design and layout of the book is a handy comic-book size hardcover with bright, colorful reproductions of the comics. Besides the comics, there are articles on Barks and analysis on each story... For both newcomers to Barks' work and diehard fans, [Walt Disney's Donald Duck: Lost in the Andes] is a book that any comic book reader would love to find under the Christmas tree." – Rich Clabaugh, The Christian Science Monitor
• Interview: At The Comics Reporter, Tom Spurgeon talks with Rich Tommaso about his coloring work on our Carl Barks Library series — "[Disney] said we didn't have to be so religious about it. They wanted to make sure the color for the ducks, the reds and blues and the yellows, that those were pretty much bang-on. But they agreed that there was a little bit of leeway. If something looked like a bad color choice, you could find something in the ballpark range of that color. So that's what I would do." — and about his own comics work
• Review: "All aspects of Kubert's career are touched on in this tome, which is loaded with beautiful colour reproductions of its subject's artwork and complemented by a lengthy and insightful critical commentary by comic book historian Bill Schelly. Over the course of the book's 224 pages, you can see quite clearly how Kubert's art evolved and how his storytelling skills developed, but also how his unique style, those striking touch and sinewy images that could have been rendered by no one else, has remained intact. As with Fantagraphics' previous coffee table comic art books, The Art of Joe Kubert makes you want to see more — all! — of the artist's work." – Miles Fielder, The List
• Review: "Frank Zappa once said 'most rock journalism is people who can’t write, interviewing people who can’t talk, for people who can’t read.' However true that might be, Paul Nelson was one who most definitely could write. And he interviewed people who could talk, and plenty of people read what he wrote. Kevin Avery certainly read what Nelson wrote, and has now written Everything Is an Afterthought, which is both a biography of Nelson and a collection of his work, including some pieces that have never been published.... Like the best critics, Nelson was primarily a fan of what he wrote about, subjects that struck a chord with him. And here’s a bio and a collection of his work written by a fan of his." – Robert O'Connor, Spike Magazine
• Plug: Proud contributor to our first Walt Kelly Pogo volume Mark Evanier talks up the book on his blog: "It's a wonderful book and though I am a Consulting Editor — I think that's my title — I can rave about it because I deserve very little credit for its wonderfulness. Any book that properly presents the work of Mr. Kelly is going to be, by definition, wonderful...and Carolyn Kelly (daughter of Walt, companion of mine) and Fantagraphics Books made sure it was properly presented."
Plug: "...Michael Kupperman's new book [Mark Twain's Autobiography 1910-2010]... has everything a boy could want, including Mark Twain on the track of the elusive yeti!... Albert Einstein is a major supporting player in the book (he and Twain open a detective agency, natch) and somehow it behooves me to remind everyone that in real life for really real, Einstein's granddaughter married a renowned bigfoot hunter. That is a fact you can look up on your computer!" – Jack Pendarvis
• Interview:Robot 6's Tim O'Shea talks with Shannon Wheeler, with a couple of revealing behind-the-scenes tidbits about Oil and Water in the second half: "Steve [Duin] understands a scene really well. When all the characters visited the bird cleaning facility there was a large storytelling arc with multiple subplots. I would have been afraid to juggle so many elements. I would have focused on the single note of the horror of the facility. Steve isn’t afraid to trust the reader to understand. I’m a lot less trusting of the reader. Steve showed me how to have more faith in the narrative."
The new Diamond Previews catalog came out recently and in it you'll find our usual 2-page spread (download the PDF) with our releases scheduled to arrive in your local comic shop in January 2012 (give or take — some release dates may have changed since the issue went to press). We're pleased to offer additional and updated information about these upcoming releases here on our website, to help shops and customers alike make more informed ordering decisions.
• List: Thus beginneth the Best of 2011 links, as Publishers Weekly names Love and Rockets: New Stories #4 by Gilbert & Jaime Hernandez one of their top 10 Best Comics of 2011: "Even in a long career of masterpieces, Jaime's story about missed opportunities for happiness is a revelation, while Gilbert continues to cement his place as the Jorodowsky of comics with a vampire tale."
• Review: "Another great issue, with the continuation and ending of 'The Love Bunglers,' from Jaime Hernandez. It's a real knockout and quite touching for those that have followed the strip and these characters since the eighties. You almost have to remind yourself that, yes, these are characters, not real people! Apparently, nobody told Jaime that the quality of one's work is supposed to go down after working on a strip that long." – Jason, at his Cats Without Dogs blog
• Commentary: "I've been thinking a lot about Jaime Hernandez's conclusion to his Locas story 'The Love Bunglers' (from L&R New Stories vol. 4) -- mainly b/c it was such an incredible piece that I cry every time I read it. I even recently threatened to force a friend to read all the Locas stuff, because it's so freaking good. But then I started wondering -- is it as awesome if you read it all at once?" – Alicia K., Wordnerdy
• Review: "Readers and admirers, myself included, often think of Gilbert as the better writer of the two brothers and Jaime as the better artist. With only a few exceptions, Gilbert has been the best writer in American comic books over a three decade period. No one has produced more beautiful art for black and white comics the way Jaime has over that same period, a period in which he has been the best comic book artist in North America. 'Browntown' is one of the stories in which Jaime shows that he can write as well as draw comic books better than most and as good as the very best.... 'Browntown' is an incredible story with a sense of realism and gravity unseen in most comic books. 'Browntown' alone makes Love and Rockets: New Stories #3 one of the best comic books of 2010." – Leroy Douresseaux, I Reads You
• Review: "Love and Rockets: New Stories #2 reminds us, as the first issue did, that comic books from the Hernandez Brothers are always a welcome thing. A year may be a long wait, but when it comes to Los Bros’ coolness and greatness, time is neutral. I can always reread this and enjoy it just as much as I did the first time." – Leroy Douresseaux, I Reads You
• Review: "...Nuts, which ran in National Lampoon throughout the ’70s, ...offered a largely autobiographical look at the way childhood actually is: a perpetually confusing state of existence, in which kids are jostled to and fro by adults who don’t seem to know what they’re doing (but want to make sure that their offspring are parked somewhere out of the way while they do it).... They’re wonderful pieces of comic art..., applying Wilson’s usual sense of the grotesque and macabre to phenomena like summer camp and sick days. And they’re not all bitter either... He mixes the sour and the sweet exceptionally well." – Noel Murray, The A.V. Club
• Plug: "I’ve written at length about this strip [Nuts] before, but it’s worth reiterating I think just how goddamn wonderful this comic is, and how great it is to have a decent collection available after lying fallow for so long. Wilson captures the anxieties and traumas of childhood as few cartoonists have before or since." – Chris Mautner, Robot 6 (for their weekly "What Are You Reading?" column which features our own Jacq Cohen this week)
• Review: "Again, stunning drawings. And quite bloody! Valiant is being tortured, people are killed left and right [in Prince Valiant Vol. 4]. There's a strange sequence in the book involving another knight, Tristram, who I don't think has been introduced earlier, that looks like a double of Valiant, but with a mustache! He is killed by a jealous king, but instead of Valiant and Gawain, who are there, seeking vengeance they just ride off. Not quite sure what was going on in Foster's mind there." – Jason, at his Cats Without Dogs blog
• Plugs: At The Beat, Torsten Adair spotlights a whole mess of our recent and upcoming releases, declaring "If you’re going to ship your book bucks to Washington, it’s better to send them to Fantagraphics than Amazon!"
• Plug: "Carl Barks was a genius when it came to turning Donald Duck and company into comic book characters, and his creation of Uncle Scrooge continues to delight and amuse countless generations. Thankfully, that trend will continue thanks to Fantagraphics’ release of Carl Barks’ Walt Disney’s Donald Duck: Lost in the Andes." – Kevin Kelly, Wizard World
Amazing Mysteries: The Bill Everett Archives Vol. 1 went to the printer today and series editor Blake Bell celebrates by revealing the final cover art for the book — a snappy number designed by Alexa Koenings in our art department. At Blake's blog you can see the entire cover spread (front, back and spine) and read Blake's thoughts and background info on the book, which is due in December.
The new Diamond Previews catalog is out today and in it you'll find our usual 2-page spread with our releases scheduled to arrive in your local comic shop in November 2011 (give or take — some release dates may have changed since the issue went to press). We're pleased to offer additional and updated information about these upcoming releases here on our website, to help shops and customers alike make more informed ordering decisions.