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Blazing Combat (Softcover Edition)
by Archie Goodwin & various artists

208-page black & white 8" x 10" softcover • $19.99
ISBN: 978-1-60699-366-8

Add to Cart • More Info & Previews

THE LEGENDARY ANTI-WAR COMIC COLLECTED FOR THE FIRST TIME IN ITS ENTIRETY, NOW IN A 2010 SOFTCOVER EDITION.

Written by Archie Goodwin and drawn by such luminaries as Frank Frazetta, Wally Wood, John Severin, Alex Toth, Al Williamson, Russ Heath, Reed Crandall, and Gene Colan, Blazing Combat was originally published by independent comics publisher James Warren in 1965 and ’66. Following in the tradition of Harvey Kurtzman’s Two-Fisted Tales and Frontline Combat, Goodwin’s stories reflected the human realities and personal costs of war rather than exploiting the clichés of the traditional men’s adventure genre. They were among the best comics stories about war ever published.

Blazing Combat ended after its fourth issue when military post exchanges refused to sell the title due to their perception that it was an anti-war comic. Their hostility was fueled by the depiction of the then-current Vietnam War, especially a story entitled “Landscape,” which follows the thoughts of a simple Vietnamese peasant rice-farmer who pays the ultimate price simply for living where he does — and which was considered anti-war agitprop by the more hawkish members of the business community.

Writer Archie Goodwin and the original publisher James Warren discuss the death of Blazing Combat and market censorship as well as the creative gestation of the series in exclusive interviews.

Download an EXCLUSIVE 19-page PDF excerpt (3.4 MB) containing the first three stories. Also, click here to read Michael Catron's introduction to the book.

Online Commentary & Diversions:

• Review: "Is your brain drained? Is your soul cold? Does your ticker need a snicker?  Then arrange your face with a grin in place. Read The Culture Corner by Basil Wolverton. Fantagraphics has just published this comprehensive collection of a rare and genuinely silly strip by a great cartoonist. ... The collection will crack you up, especially if you enjoy goofy phrases. Wolverton was a master of the craft.... It’s a must-have for any fan of cartooning." – Beth Davies-Stofka, Super I.T.C.H.

• Review: "If someone tries to tell you Fletcher Hanks was a genius, don’t believe them. If someone tries to tell you Fletcher Hanks was an important figure in the development of superhero comics, don’t believe them. But if someone tries to tell you Fletcher Hanks was one strange, f-ed up bastard who created some of the weirdest, creepiest, and (entirely by accident) most revealing comics of the Golden Era, that you can take to the bank." – Steve Hockensmith (author of Pride and Prejudice and Zombies), Comic Book Galaxy

• Plugs: The Gosh! Comics Blog spotlights Mome Vol. 18 and the softcover editions of Abandoned Cars and Blazing Combat among the week's new arrivals at their shop

• Interview: Blog de Cómics surveys Johnny Ryan for his favorite comics, movies, food, etc.

Online Commentary & Diversions:

• Reviews: At Comics Alliance, Jason Michelitch examines Our Gang Vol. 4 by Walt Kelly and Blazing Combat in the context of the "golden age of reprints," saying "Both are excellent books that reward both casual readers out for cheap thrills and stodgier folks who want some textual and contextual analysis to roll around in like a pig in a pen." He describes Blazing Combat as "an anti-war comic made up not of didactic preaching but of rough, unsentimentalized views of war with graphic violence and moral ambiguity front and center, produced at a time when America was ratcheting up its involvement in Vietnam and the public had yet to widely turn against it." He also says "Our Gang... [is] a lot of fun. There are lady rasslers and fake matter transporters and escaped lions and a character named Boo Boo the Illustrious Clown," and praises Kelly's "elegant... cartooning + dialogue driven style". 

• Reviewer: At Comic Book Galaxy, guest reviewer Blake Bell looks at the Golden Age Marvel Omnibus Vol. 1

• Smurf: The Comics Reporter's Tom Spurgeon comments on Adam Grano's Smurf plea

We've got three softcover collections hitting comic shops this week. Read on for more info and for comics-bloggers' comments on the week's releases:

Abandoned Cars (Softcover Edition)
by Tim Lane

168-page black & white 7.5" x 9" softcover • $18.99
ISBN: 978-1-60699-341-5

Pick your favorite of the two alternate covers in person! At Comics Comics, Joe McCulloch calls it a "fascinating 2008 story study of the great American mythological drama." The Comics Reporter's Tom Spurgeon praises this new edition of "the debut book from the muscular cartoonist Tim Lane."

Blazing Combat (Softcover Edition)
by Archie Goodwin & various artists

208-page black & white 8" x 10" softcover • $19.99
ISBN: 978-1-60699-366-8

At Comics Alliance Douglas Wolk notes of the original series "it managed to get shut down after four issues, basically because its philosophical stance was 'war is horrible and futile, and by the way American soldiers are slaughtering innocent civilians in Vietnam.'" The Comics Reporter's Tom Spurgeon calls it "an absolute must-have reprint of Archie Goodwin's Warren-era war comics. No one with even a tiny bit of interest in war comics could fail to like that Blazing Combat book."

Our Gang Vol. 4 (1946-1947)
by Walt Kelly

112-page 7.25" x 9.5" full-color softcover • $14.99
ISBN: 978-1-60699-322-4

It's "scooping up another 112 color pages of Kelly’s franchise work," says Joe McCulloch at Comics Comics. The Comics Reporter's Tom Spurgeon mentions the new volume, maybe not in the most flattering way, but we appreciate it anyway.

Much more information, including sneak peeks in the form of PDF downloads and video/photo slideshows, is available at the links above, as always. Smart shoppers know it's always good to check with your local shop in advance to confirm availability.

Online Commentary & Diversions:

• List: Adam McGovern of ComicCritique.Com declares Miss Lasko-Gross to be Writer/Artist of the Year ("Vividly imaginative in tricky layouts, intricate patterns and hallucinatory neverlands yet starkly perceptive of everyday details and personality, immune to art-star mythology while stockpiling stuff of legend, Lasko-Gross is capable of anything — but can’t help doing right") and her A Mess of Everything the #3 Graphic Novel of the Year ("Lasko-Gross creates the least wholesome and most healthy youth memoirs you’re likely to read. Tales of adolescent insight, creativity, trauma and folly for those who like to learn their lessons with minds of their own"); Gilbert Shelton's "Last Gig in Shnagrlig" from Mome Vols. 13-15 to be Strip of the Year ("With a style that seems strung from spider-webs, popping veins, worried brow-wrinkles and tangled vines and an eye for absurd posturing, both undiminished by five decades and whatever art-supplies he’s been sniffing, Shelton’s dystopian vaudeville is a vision you can never predict of species-wide misbehavior which remains, alas, just like you remembered it"); and Lilli Carré's "The Carnival" from Mome Vol. 14 to be Short Story of the Year ("A bittersweet, tragicfunny story of the luminous, enchanting worlds just beyond the outskirts of nowhere")

• Review: "I spent most of this week reading the new, paperback edition of Blazing Combat ... [T]he artistry on display is so mind-boggling, particularly in the case of Crandall, Heath and Severin, that it seems churlish of me to not recommend this book simply because of a few overly and obviously ironic twists. The creators clearly had a real love for this kind of material, so much so that [I] wish things had tipped slightly in their favor a bit more, and that the market had made at least a little more room for war comics when as the silver age gave way to the bronze." – Chris Mautner, Robot 6

• Review: "...I love the art, with great layouts, nice thick lines, and coloring that's somehow both rich and muted. Even when I don't like the characters or find their actions believable I still love the way everything looks. And the elliptical structure was a smart choice because it adds at least a little bit of mystery; instead of just reading to see what happens next you keep going to better understand what's already happened. I don't know if the stories were published individually anywhere, but Hallorave is basically the first book of King of the Flies, with two more on the way. I'm interested to see how closely they intersect with each other." – Garrett Martin, Shazhmmm...

• Review: "Based on a crime novel by Jean-Patrick Manchette, West Coast Blues is an existential comic by master cartoonist Jacques Tardi. It's colorless crime as only the French can do it, with despicable characters waxing philosophical on film and high-risk sex even while on the run from clumsy assassins. ... Plenty of crime stories revolve around the bizarre preoccupations of its characters and just as many are centered around the plight of the common man thrust into extraordinary circumstances. But Tardi really brings it home, offering a messed up story about messed up people who do some truly messed up things. While only 80 pages, it's a robust read. ... As compelling as this short yarn is in terms of the writing, the real draw here is Tardi. ... His style is comparable to Herge's, if not quite as clean. His characters are expressive and his architecture's pretty damn impressive. ... Big ups to Fantagraphics and editor/translator Kim Thompson for assembling a really lovely English language edition of this book." – Paul Montgomery, iFanboy

• Commentary: "You would think I'd have more to say about teaching 'Human Diastrophism,' one of my favorite comics in the classroom, but this was my fourth pass at the story and most of the classroom surprises have been played out. The greatest remaining challenge is just the problem of extracting one storyline from Gilbert Hernandez's long-running Palomar setting and fitting it into a single week of class discussion." – Marc Singer, I Am NOT the Beastmaster

• Interview: In this video, Vito Delsante talks to Jaime Hernandez at Jaime's appearance at Jim Hanley's Universe in NYC last Friday, April 9 (via ¡Journalista!)

• Interview: "'Digital vs. paper? That’s a totally bogus debate,' [Peter] Bagge told Wired.com in an e-mail interview. 'There will always be both. Whichever one you want, you got it!'" Well that solves that!

We are exceedingly pleased to report that Fantagraphics publications and artists received a record 18 nominations for the 2010 Eisner Awards. To celebrate, we're offering these titles at 18% off for a limited time! Click here for the full sale selection. (Sale is valid for online and phone orders only.) Winners will be announced at a ceremony on Friday, July 23, 2010 at Comic-Con International in San Diego. Congratulations to all the nominees! Fantagraphics' nominations are as follows:

• Best Short Story: "Because I Love You So Much," by Nikoline Werdelin, in From Wonderland with Love: Danish Comics in the Third Millennium  

• Best Single Issue: Ganges #3, by Kevin Huizenga

• Best Humor Publication: Drinky Crow's Maakies Treasury, by Tony Millionaire

• Best Humor Publication: Everybody Is Stupid Except for Me and Other Astute Observations, by Peter Bagge

• Best Anthology: Abstract Comics, edited by Andrei Molotiu

• Best Adaptation from Another Work: West Coast Blues, by Jean-Patrick Manchette, adapted by Jacques Tardi
• Best U.S. Edition of International Material: West Coast Blues, by Jean-Patrick Manchette, adapted by Jacques Tardi

• Best Archival Collection — Strips: The Brinkley Girls: The Best of Nell Brinkley's Cartoons 1913-1940, edited by Trina Robbins
• Best Publication Design: The Brinkley Girls, designed by Adam Grano

• Best Archival Collection — Strips: Gahan Wilson: Fifty Years of Playboy Cartoons, by Gahan Wilson, edited by Gary Groth
• Best Publication Design: Gahan Wilson: Fifty Years of Playboy Cartoons, designed by Jacob Covey

• Best Archival Collection — Strips: Prince Valiant, Vol. 1: 1937-1938, by Hal Foster, edited by Kim Thompson

• Best Archival Collection — Comic Books: Blazing Combat, by Archie Goodwin et al., edited by Gary Groth

• Best Archival Collection — Comic Books: Humbug, by Harvey Kurtzman et al., edited by Gary Groth

• Best Writer/Artist — Nonfiction: Carol Tyler, You'll Never Know: A Good and Decent Man
• Best Painter/Multimedia Artist: Carol Tyler, You'll Never Know: A Good and Decent Man

• Best Comics-Related Periodical: The Comics Journal, edited by Gary Groth, Michael Dean, and Kristy Valenti

• Best Lettering: Richard Sala, Delphine (Fantagraphics), Cat Burglar Black (First Second)

Online Commentary & Diversions:

• List: For Library Journal, Tom Batten recommends a handful of recent "Classic Graphic Novels," including The Left Bank Gang by Jason: "Supporting his highly imaginative and quirky storytelling, Jason's deceptively simple cartooning carries a great deal of intensity in each line."

• Review: "Winning a coveted Jury prize at the 2010 Angouleme festival, Dungeon Quest succeeds on so many levels: the art and character design are superb, the dialogue is acerbic yet measured, the page construction has a flow to it that verges on perfection, the meter of the storytelling is spot-on, and, most importantly, it’s actually really funny. ... As the first volume in a series projected to last for a good few books yet, readers are advised to party-up with the cast of Dungeon Quest immediately." – Martin Steenton, Avoid the Future

• Review: "The series only lasted four issues, but it is among the high points of 1960s comics, and this handsome collection is one of the most welcome reprint volumes of the last few years. ... Blazing Combat showed comics readers the gritty downside of war..." – Robert Martin, The Comics Journal

• Review: "...[S]ome books just leave a reviewer pointing and jabbering, unable to coherently explain what he's just been through or to find any words that will adequately explain what he has seen. The Squirrel Machine is a book of [this] kind... Reading The Squirrel Machine is very much like watching some German Expressionist movie: it's a series of alternately wondrous and appalling scenes, clearly connected by some kind of logic, the true meaning of which resolutely remains beyond the knowledge of the viewer." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.

• Plug: The fine folks at Librairie D&Q say "Now in store is this little jewel just published by Fantagraphics Books. On top of being a well-researched collection of underground mini-comix of the 1980's, this book compiles pages and pages of interviews and commentary on the creative, edgy, weird and free-spirited post-Crumb scene. While it may not necessarily represent the global landscape of underground comix in the 80's (one could argue it needs more wemin-ahtists, for example), Newave! is definitely a praise-worthy sampler of work most often hidden in the shadows of the underground comix movement of the late 1960s and early 1970s."

• Plug: Roberto C. Madruga of Evolve Happy on Luba by Gilbert Hernandez: "The story is Hernandez at his best and the artwork is simplistically gorgeous."

• Plugs: The latest Robot 6 "What Are You Reading?" roundup includes several Fantagraphics mentions, and guest contributor Ng Suat Tong on the black & white Prince Valiant Vol. 1: 1937-1938 from Libri Impressi, available in the U.S. exclusively from us: "The new Fantagraphics and Portugese books are the only way one should read Foster's masterwork."

• Analysis: At PopMatters, Oliver Ho compares and contrasts two stories from B. Krigstein Comics and Strange Suspense: The Steve Ditko Archives Vol. 1: "The strangeness comes not so much from the individual stories, but from the way each comic and artist appears to be a sort of mirror image of the other."

• Links: Love & Maggie begins their detailed, annotated breakdown of the second entry on their list of the top 10 issues of The Comics Journal, #59

• Profile: Comic Book Resources' Kelly Thompson looks at the work of Gabrielle Bell

• Interview: The Comics Journal's Kent Worcester presents an edited transcript of his on-stage interview with Tom Kaczynski from the 2009 MoCCA festival

Blazing Combat (Softcover Edition)
by Archie Goodwin & various artists

208-page black & white 8" x 10" softcover • $19.99
ISBN: 978-1-60699-366-8

Ships in: April 2010 (subject to change) — Pre-Order Now

THE LEGENDARY ANTI-WAR COMIC COLLECTED FOR THE FIRST TIME IN ITS ENTIRETY, NOW IN A 2010 SOFTCOVER EDITION.

Written by Archie Goodwin and drawn by such luminaries as Frank Frazetta, Wally Wood, John Severin, Alex Toth, Al Williamson, Russ Heath, Reed Crandall, and Gene Colan, Blazing Combat was originally published by independent comics publisher James Warren in 1965 and ’66. Following in the tradition of Harvey Kurtzman’s Two-Fisted Tales and Frontline Combat, Goodwin’s stories reflected the human realities and personal costs of war rather than exploiting the clichés of the traditional men’s adventure genre. They were among the best comics stories about war ever published.

Blazing Combat ended after its fourth issue when military post exchanges refused to sell the title due to their perception that it was an anti-war comic. Their hostility was fueled by the depiction of the then-current Vietnam War, especially a story entitled “Landscape,” which follows the thoughts of a simple Vietnamese peasant rice-farmer who pays the ultimate price simply for living where he does — and which was considered anti-war agitprop by the more hawkish members of the business community.

Writer Archie Goodwin and the original publisher James Warren discuss the death of Blazing Combat and market censorship as well as the creative gestation of the series in exclusive interviews.

Download an EXCLUSIVE 19-page PDF excerpt (3.4 MB) containing the first three stories. Also, click here to read Michael Catron's introduction to the book.

Video & Photo Slideshow Preview (view in new window):

Online Commentary & Diversions have seen their shadow:

• List: Our pal Bully the Little Stuffed Bull has started his annual Fun Fifty countdown. In the first installment, coming in at #46, Blazing Combat: "War, huh! What is it good for? Absolutely nothin'... aside from bringing us this gorgeous archive edition of a classic comic every war comics fan oughta have in their library."

• Review: "Back in the days of Factsheet Five, I used to order tons of minicomix. Most were mediocre, but a few were terrifically good and that made it worth the risk to send in the fifty cents or so that they cost. ... Fantagraphics just released a massively thick (900 pages!) anthology of minicomix called Newave! The Underground Mini Comix of the 1980s , and it's a treat." – Mark Frauenfelder, Boing Boing

• Review: "In Strange Suspense, Ditko already shines as a masterful designer of sinister mansions, ornate gateways and demonic doors and furnishings... And finally, there’s no mistaking those trademark Ditko faces, leering with evil or sweating and wide-eyed with terror, often lit or looking up from below. ... It is a pleasure to follow Ditko’s youthful artistic progression and there is a noticeable refining and streamlining of his drawing, going for greater clarity and impact. ... These morality fables are seldom subtle or surprising... but it’s Ditko’s artistry that elevates these mostly standard comic book nasties. ...[T]he $39.99 ticket is good value, and this is a weighty, hard-packed, deluxe package..." – Paul Gravett

• Review: "Successful art engenders powerful emotion in its observers. How do I know that Al Columbia's Pim & Francie is an amazing work of art? Because it seriously made me feel ill. Uncomfortable. It made me question my sense of aesthetics; played havoc with my expectations. It's unquestionably an amazing book. ... Rating: 8/10" – Jeremy Nisen, Under the Radar

• Plug: Boing Boing's David Pescovitz previews Esther Pearl Watson's upcoming painting exhibit and says "Unlovable is a terrific comic"

• Commentary: At The Daily Cross Hatch, Box Brown reproduces the epochal letters page from Ivan Brunetti's Schizo #2 (reprinted in Misery Loves Comedy) as part of a new column on cartoonists' letters to cartoonists

Today's Online Commentary & Diversions:

• List: On the Forbidden Planet International Blog Log, guest critic Chris Marshall's top 10 graphic novels of 2009 places Blazing Combat in a tie for 4th place: "There was a time when War Comics told War Fact. They showed us the blood, death, camaraderie and horror. [This] series did just that and didn’t hold back."

• Review: "Fantagraphics has truly pulled out all the stops on the production of [Gahan Wilson: Fifty Years of Playboy Cartoons], giving it such marvelous style and pizzazz. ... But it’s the content, of course, that is truly king. If the 20th century was indeed the American century, then Wilson is a cartoonist who had a hell of a time chronicling it, mocking it, signifying it, and holding it up to the light—albeit through his own twisted lens... The work is tremendous and witty and, as always with an excellent retrospective, it offers the reader an excellent chance to walk back in time through decades of experiences, memories, turbulences and triumphs, and just plain old human oddities. What’s truly amazing is how, for more than 50 years, Wilson rarely misses a witty beat." – John Hogan, Graphic Novel Reporter

• Preview/Plug: FEARnet presents some favorite pages, with commentary, from Portable Grindhouse: The Lost Art of the VHS Box

• Plug: Chris Jacobs of Sub Pop Records plugs the "predictably, really great" Mome Vol. 17, which includes artwork by Rick Froberg, who plays in Sub Pop band Obits, and the release party this Sunday at Bergen Street Comics in Brooklyn, where Rick will be signing

• Plug: There's much love for Jordan Crane at French blog La Soupe d'Espace

• Plug: At Comic Book Galaxy, Johnny Bacardi, a Jaime Hernandez partisan when it comes to Love and Rockets, says "But this upcoming Troublemakers looks kinda interesting... despite my preference for Jaime, I think I'll pick this up when I see it..."