The first Online Commentary & Diversions of the new year might be the longest one ever, so let's get to it:
• List/Review/Interview: As part of The Comics Reporter 's unique series of critical discussions on notable comics of the decade, Tom Spurgeon talks to Tucker Stone about Kevin Huizenga's Ganges: "That's the thing about Ganges #3 that makes it a unique comic -- it cannot be told in another medium and work. How are you going to write that down, that aspect of Glenn chasing his own thoughts and memories about completely personal, mundane life aspects, without drawing the character swimming around in his own head?" Elsewhere, Sean T. Collins responds to some of Stone's points
• List:Robot 6 lists The 30 Most Important Comics of the Decade. In part one, Safe Area Gorazde by Joe Sacco is at #19 ("What's more, it showed that comics could handle not only tough subject matters, but deal with timely, true-life subjects in a hard-hitting, journalistic fashion"). In part two, The Complete Peanuts is at #15 ("If you believe, as I do, that we are living in the Golden Age of Reprints, chances are The Complete Peanuts is your Exhibit A")
• List:Newsarama's J. Caleb Mozzocco names his top 10 comics of the year, with The Red Monkey Double Happiness Book by Joe Daly at #8: "...[W]hat he delivers in the two stories collected in this book are unlike anything else I’ve seen in popular comics."
• List: Joe McCulloch of Jog - The Blog prefaces his Top Ten Comics of 2009 list with a "Top Five Caveats of 2009" list of reprinted or unread comics which includes Supermen! The First Wave of Comic Book Heroes 1936-1941: ("Supermen!excited me... for suggesting a burning, manic soul of superhero comics, a reckless freedom differentiated from pulp writing and feature films by gnarled visual style while set apart from newspaper strips by virtue of a restless hunger to entertain quick and hard. It felt like the start of a future, and the comedown only hit when I realized I enjoyed it more than any new superhero comic of 2009") and The Squirrel Machine by Hans Rickheit. On the Top Ten list proper: West Coast Blues by Tardi & Manchette at #8 ("Teeming with fleshy characters prone to bleeding and puking, rippled with burn lines of existential dismay, the story keenly exploits how the thrills promised by bloody adventure outside the law segue into the terror of governmental systems failing to protect their cozy consumer citizens") and Prison Pit: Book 1 by Johnny Ryan at #4 ("as visceral and gory as fantasy throwdowns get, while remaining almost contemplative in its plain-paneled studies of bodily movement").
• List: Patrick Montfort, blogging at Articulate Nerd, names his Favorite Comics of 2009: at #10, West Coast Blues by Tardi & Manchette ("A masterfully constructed crime story with an unlikeable protagonist caught in an unlikely circumstance, this very French graphic novel is superior to anything I've seen in the genre from an American cartoonist"); at #9, Abstract Comics: The Anthology ("Handsomely designed and smartly edited... one of the year's most unique releases... thrilling"); at #8, Prison Pit: Book 1 by Johnny Ryan ("Refreshingly devoid of any literary or artistic pretensions, this first of what I hope will be many, many volumes nevertheless comes across as somehow one of the smartest and well crafted books of the year"); at #7, The Complete Peanuts 1971-1972 and The Complete Peanuts 1973-1974 by Charles M. Schulz ("Really strong stuff here, including the 'Charlie Brown wears a sack on his head to summer camp' sequence, surely the 'Poison River' of Peanuts"); and at #2, The Squirrel Machine by Hans Rickheit ("Reminiscent of the best work of David Lynch, there are a lot of powerful themes humming just beneath the surface of the creepy and dreamlike narrative. This one hit hard, and I can't wait to read it again. Really, really impressive")
• List: Cartoonist David Lasky's Best Graphic Novels of the Decade include Safe Area Gorazde by Joe Sacco at #8 ("More haunting and harrowing than any TV news report on the subject") and The Frank Book by Jim Woodring at #10 ("Jim Woodring's cartoon animal, Frank, learns about life (the hard way) in an odd, visually lush, surreal world")
• List:Newsarama's Henry Chamberlain names the comics he was most intrigued by in 2009, including The Squirrel Machine by Hans Rickheit ("Hans Rickheit has been producing work like this for years and he has perfected a certain haunted and exquisite comics style. Take it from me, this story of two very strange brothers is the real deal.")
• List: Matthew Price of The Oklahoman names his top 10 graphic novels of the decade, with Joe Sacco's Safe Area Gorazde at #9 ("Joe Sacco's nonfiction account of the war in Bosnia was among the best ever examples of graphic novel journalism.")
• List: Edward Kaye of Hypergeek selects The Best Graphic Novels of 2009, including Low Moon by Jason ("At times both bleak and humorous, these beautifully absurd stories will leave you as speechless as one of Jason’s silent characters."), Love and Rockets: New Stories #2 by the Hernandez Brothers ("Los Bros. Hernandez continue to blaze trails with their originality, and the comic industry is better for it. This essential collection should be on every fan’s shelf."), Luba by Gilbert Hernandez ("It’s an astounding collection of stories about family, life, love, and heartbreak... [W]hen you read all of these powerful tales together in one place, you realise that Beto has created an epic here, unrivaled in its scale and depth. Words fail to express just how wonderful this collection is."), Everybody Is Stupid Except for Me by Peter Bagge ("It’s a brilliant piece of work, and perhaps Bagge’s finest achievement to date."), Locas II by Jaime Hernandez ("These tales of the lives of Maggie, Hopey, and Ray, are some of the most enthralling, and sometimes bizarre, stories ever told in the comic medium.") and You Shall Die by Your Own Evil Creation! by Fletcher Hanks ("...[T]hese surreal tales from the dawn of the super hero are uncompromisingly vivid, brutal, and at times, completely insane!")
• List/Coming Attractions/Plugs:Hypergeek lists The Essential Comics and Graphic Novels of 2010, including Almost Silent by Jason ("Jason is one of the greatest cartoonists in the world") and the year's books from the Hernandez Brothers: The Troublemakers ("I loved Chance in Hell, so this follow-up is a must for me. Beto is a wonderful storyteller, and an astonishing artist, so you can't go wrong picking this up, even if you've never read any L&R!"), High Soft Lisp ("This collection is essential for all L&R fans, as it collects together many of Beto's stories from the second L&R series, for the first time."), Penny Century ("Another essential collection for fans of L&R, collection Xamie's Penny Century stories from the Penny Century series and from Love & Rockets Volume II."), and Love and Rockets: New Stories #3 ("If it's a tenth as good as the first two volumes, we're in for a treat!")
• Review: "Magnificent art. Panels that range from three or so across medium-sized panels and the occasional painfully detailed and colored super-sized panel. An ongoing story...with blood and gore even! Dooming predictions, wounds, loss and death. Fantagraphics is to be thanked for working so hard to produce a book [Prince Valiant Vol. 1: 1937-1938] that shows Foster's artwork in a decent size and with the colors corrected." – Fred Kiesche, The Lensman's Children
• Review: "For a change of pace, it's nice to delve into some work from the great Steve Ditko and find nary a spider-man nor a strange doctor among them. Fantagraphics provides the ideal venue for doing so in Strange Suspense: The Steve Ditko Archives Vol. 1... With the Fantagraphics logo on the sturdy spine, readers can expect — and receive — a top-quality package with crisp pages and handsome design. It's certainly attractive for some stories Ditko dismissed as 'junk,' but we all know there's treasure buried in trash." – Rod Lott, Bookgasm
• Review: "Issue #2 [of Sublife] saw a lot of [the] promise [of the first issue] fulfilled in a group of stories that ranged across both genres and visual styles... What connected each story was a common theme: the desire for family and the ways in which that need either created surrogate families or metastasized into something darker." – Rob Clough, The Comics Journal
• Plug:Robot 6 guest contributor Shaenon Garrity got Humbug for Christmas: "I love Harvey Kurtzman's failed magazine projects... Kurtzman never had much success in all his long career, but he had a talent for making smart people want to give him a hand... fun stuff. It's got a lot of work by Arnold Roth, whom I love."
• Coming Attractions:Robot 6 surveys numerous comics pros as to what they're looking forward to in 2010: in part 1, Evan Dorkin mentions several of our upcoming reprint collections; in part 2, Chris Schweitzer mentions Drew Weing's Set to Sea (July); in part 3, Jamie S. Rich mentions Lucky in Love by Chieffet & DeStefano
• Interview:The Daily Cross Hatch's Brian Heater continues (in part 3 of 4) his conversation with Carol Tyler: "I thought I could knock it out really quickly. That’s not case. But that’s not really stopping me, or anything. It’s just that, if it takes another six months to make this nicer, sweeter, and more wonderful, I want to. At first I thought I could get it all out in one package. I had it ready. But I’m not person who can write a script and then go illustrate it. I’m intuitive and I’m intuiting my way into this huge subject matter that hits me like a rock. There’s times when I can’t work because it makes me cry."
• Profile:Comic Book Resources' Shaun Manning talks to Dash Shaw about The Unclothed Man in the 35th Century A.D.: "I realize that some people think of comics as being storyboards, or as some kind of preliminary work for a movie, and that's very funny to me. But usually the people who think that are film-industry people who think EVERYTHING is preliminary work for a future film! A book, play, whatever! Ha!"
• Survey:The Beat's year-end survey of comics pros includes the following responses. From Jay Lynch: "When I think of comics in the 00s I think of: Johnny Ryan." From Mike Dawson: "What was the biggest story in comics in 2009? The Comics Journal moving almost exclusively online."
• Reviews: "Locas ll collects a huge amount of comics featuring a more mature Maggie, finding and losing romance with people like Ray (one part Chandler victim, another part mod hobo), 'Frogmouth' (painfully sexy but achingly annoying), and reunions with Hopey and others in a strange relational ballet set in SW America. It’s a weird, flat plain of bizarre sex and twisted circumstance that would be the first collection of comics I would recommend for any adult wanting to get a handle on the aesthetics of the art form since it became culturally relevant to do so.... Meanwhile, Fantagraphics has also just put out a new issue of the Comics Journal #299, which has an incredible narrative by lawyer-outsider art-underground advocate Bob Levin... Levin is the writer of several books on the struggle of comics and the counter-culture and transgressive fringes, and because of him #299 of TCJ is THE book about comic art to buy this year.... Mome... is the current multi-artist series that has critics in the comics world and outside of it regularly amped.... The last few issues of Mome have really hit a hot-run of quality, and though some stories are more straightforward and others are expressionistic, all the art is always sweet." - Chris Estey, KEXP
• Review: "Comics journalism is mostly an oxymoron, but The Comics Journal, on the eve of its 300th issue, is a scholarly, intellectual publication.... [F]or intelligent discussion of current and past graphic storytelling and its creators (the current issue features an incredible story of an ahead-of-its-time genre-spanning anthology from the seventies that was never published), this is indeed an oasis of comics journalism." - Richard Pachter, The Miami Herald
• Review: "...[A]wesome to behold.... When life and love, of a sort, finally do reassert themselves at [The Squirrel Machine]'s end, it's horrifying and drawn in a fashion that makes it look less like a natural thing and more like a terrible apparition, or a special effect." - Sean T. Collins
• Analysis: For Comics Comics, Dash Shaw pens an appreciation of the work of Tim Hensley: "It’s like what he chooses to draw in the environment (and what he chooses not to draw) is determined by some graphic Feng Shui. When his comics are at their most beautiful, these environments function both as the story’s world and abstractly... With his best dialogue, a line that you first read as being surreally disconnected on a second reading is funny and on a third reading reveals a wider scope of the story."
• Review: "Yes, both of these books are like kryptonite to good taste. But there are a couple of big differences between what Johnny Ryan is doing in Comics Are for Idiots!, his latest Blecky Yuckerella strip collection, and what he's doing in Prison Pit, his ultraviolent action-comic debut... The four-panel Blecky strips often feel like a breakneck race to the punchline through some kind of bizarre obstacle course requiring the basic premise of the gag to get more ridiculous with each panel... Ryan's rep as altcomix's premier overgrown juvenile delinquent is well deserved--and don't get me wrong, you can absolutely enjoy Prison Pit on that level--but the poetic savagery he depicts here is the work of a grown-ass man." - Sean T. Collins
• Review: "[Delphine], Richard Sala's contribution to Fantagraphics's prestigious Ignatz Series, is some of his strongest and most personal work yet... He sets his pop-cultural influences aside this time to lead us down a grimmer path... As for the art -- well, what can I say? It's recognizably Sala's, and at the top of his game, but taken to the next level, in that the usual precision of his black-and-white work is here inflected with sepia washes that give an added visual dimension to the murkiness of the hero's experience... The heavy dustjackets, with such gorgeous full-color art not only front and back but on both big inside flaps, deliver a lush visual and tactile experience that no bonus gallery in a collection will be able to duplicate... By whatever route you get here, I highly recommend this." - Curt Purcell, The Groovy Age of Horror
• Review: "Even when she's not especially inspired, Dame Darcy creates superior goth comics: cheerfully mean-spirited, idiosyncratically stylish, and oozing with surreal ichor... In [Meat Cake #17], Darcy indulges her goth tropes and her feminism: men are tormented, sisterhood is affirmed, and light-hearted squick is relished by all. And, as always, Darcy's eccentric drawing is a joy, with perspective, proportion, and visual logic all flattened out to fit into geometrically obscure but oddly elegant patterns." - Noah Berlatsky, The Comics Journal (reprinted at The Hooded Utilitarian)
• Plug: "The big story here [in The Comics Journal #299] is Bob Levin's spectacular essay on Michel Choquette and his never-completed comics anthology... Sadly, the project never got off the ground, and Levin details in his typical stellar fashion why and how. It's a fascinating tale, one well worth your $12." - Chris Mautner, Robot 6
• Plug: "This is a particularly excellent issue of TCJ, thanks to Bob Levin's magnificent 50-page... history of 'The Someday Funnies'... You really need to read it." - Douglas Wolk, Comics Alliance
• Interview: Seth continues discussing his design work for The Complete Peanuts in the final part of Brian Heater's interview at The Daily Cross Hatch: "Schulz’s work is right there in the book. Every line in those strips is his. But the design stuff is just design stuff. It’s a setting to put a gem in. The setting is not the gem."
• Things to see: At the Covered blog, Anthony Vukojevich does a Gilbert Hernandez Birdland cover
Scheduled to hit comics shops in the USA tomorrow: The Comics Journal #299, featuring Bob Levin's amazing investigation into the lost anthology The Someday Funnies, the Journal interview with Josh Cotter, Myron Waldman's Eve and lots more.
Visit our product page for more details and for links to free excerpts on the TCJ.com website. Your local shop can confirm availability if you give them a buzz beforehand.
The Pirates and the Mouse author Bob Levin tracks down the El Dorado of comics, a lost collection of unpublished strips by 190 of the world’s most important cartoonists, including Will Eisner, Vaughn Bodé, Jack Kirby, Harvey Kurtzman, Art Spiegelman, Arnold Roth, Bill Griffith, Ralph Steadman, Don Martin, Gahan Wilson, Jeff Jones, Guido Crepax — even William Burroughs, Tom Wolfe and Frank Zappa! The comics were assembled in the 1970s by Michel Choquette (creator with Neal Adams of National Lampoon’s Son o’ God comics) for a book called Someday Funnies, which never saw print. Levin and Choquette reveal for the first time the whole catastrophic story of what might have been the comics anthology of the century.
Also in this issue: Sean T. Collins interviews Skyscrapers of the Midwest’s Josh Cotter; Noah Van Sciver's cartoon interview with King Cat's John Porcellino; our classic comics section features Myron Waldman’s Eve, with an introduction by Mark Newgarden; our usual smattering of insightful and incisive columns; reviews of Kramers Ergot 7, The Times of Botchan, Chaykin, Clowes, Tezuka and many more!
THE TRUE STORY OF HOW MICHEL CHOQUETTE (ALMOST) ASSEMBLED THE MOST STUPENDOUS COMIC BOOK IN THE WORLD
Issue No. 299 of The Comics Journal [in-stores August 2009, premiering at the 2009 San Diego Comic-Con] unearths a long-lost treasure: Way back in 1970, satirist/editor Michel Choquette conceived a mammoth anthology of new comics from all over the world by just about every cartoonist imaginable circa 1970 (as well as such unimaginable cultural icons as Federico Fellini and Frank Zappa). All of the contributors were to riff on the 1960s, creating a comics snapshot of that decade, but the project kept growing in ambition until it reached a scale that scared off its publishers. Today, bookstore shelves are filled with comics collections and graphic novels, but in 1970, there was no Watchmen or Persepolis. Even Art Spiegelman's Pulitzer-winning Maus had yet to be published. To publishers of the time, Choquette's dream book was an enormous folly and one by one they backed out of negotiations, leaving Choquette, who had spent all his book advances traveling the globe enlisting contributors, to disappear into relative obscurity.
But by the time publishers had gotten cold feet, Choquette had already assembled an astounding array of comics contributions from 190 of the most influential comics creators and cultural figures of the 1960s and '70s, including: Jack Kirby, William Burroughs, Harvey Kurtzman, Art Spiegelman, Will Eisner, Arnold Roth, Don Martin, Michael O'Donoghue, Ralph Steadman, Tom Wolfe, Wally Wood, Bill Griffith, Barry Windsor-Smith, Gahan Wilson, Moebius, C.C. Beck, Vaughn Bodé, Harlan Ellison, Shary Flenniken, Albert Uderzo and René Goscinny, Russ Heath, Doug Kenney, Patrice Leconte, Chris Miller, Denny O'Neil, Roy Thomas, as well as the aforementioned Fellini and Zappa. It was a legendary compilation of the comic art form that would give heart palpitations to anyone who ever loved comics or was alive in 1970, but no one has seen it all except for Choquette.
Comics Journal writer Bob Levin tracked Choquette down and discovered that this long-lost El Dorado of comics still exists in storage. In an epic article, Levin follows Choquette's path across continents and countries as the would-be anthologizer encounters a cultural Who's Who of the '60s and '70s (Salvador Dali! Gloria Steinem! Jann Wenner! Jorge Luis Borges! Bianca Jagger!), collecting art that will, in part, see print FOR THE FIRST TIME EVER in the pages of this issue.
TCJ #299 also features an interview with SKYSCRAPERS OF THE MIDWEST creator Josh Cotter, a gallery of MYRON WALDMAN AND EVE strips with an introduction by Mark Newgarden, essays by Noah Berlatsky, R.C. Harvey, Matthias Wivel, and the usual assortment of reviews (KRAMERS ERGOT 7!), news and criticism from the best writers-about-comics in the field.
THE COMICS JOURNAL #299 [August 2009] • 208 pages • $11.99 U.S. • ISBN 978-1-60699-147-3
• Review: "...Supermen!: The First Wave Of Comic Book Heroes 1939-41 pulls together some of the goofiest, most innocent, most violent superhero comics ever penned... The forematter (a lovely, insightful, nostalgic essay by Jonathan Lethem) and the afterword (a collection of bibliographic and historical notes on each strip) make perfect bookends for the hot stuff in the middle. This is pure and unadulterated Id, the kind of thing that inspired a moral panic about the corruption of the young. It's every bit as potent today." - Cory Doctorow, Boing Boing
• Review: "Miss Lasko-Gross takes us into the skankiest basement makeout sessions of our teenage despair in [A Mess of Everything]... Her fictional stand-in figures out how to work the system and achieves redemption through beautifully ugly comics that aptly capture the darker hallucinogenic melodramas of teenage geekdom." - Richard Gehr, The Village Voice
• Review: "[A] wild and woolly collection of pre-Superman supermen... As Jonathan Lethem notes in his introduction, our appreciation for the bizarre otherness of these characters in retrospect suggests that our contemporary icons might well appear no less 'totally opaque and infinitely awkward' to future readers." - Richard Gehr, The Village Voice (same link as above)
• Review: "Rory Hayes was nuts. I mean, really, truly insane... Hayes was tapping into a rich vein of paranoia and insanity that was truly disturbing... Rory Hayes work has the authentic voice of a true outsider artist, a genuine madman in a world full of posers... Where Demented Wented... is a fascinating collection and well presented. Recommended." - Colin Upton, Inkstuds
• Review: Poopsheet praises Petey & Pussy by John Kerschbaum, noting the "deeply weird cast" of characters, the "unpredictable plots in which everybody winds up humiliated and covered in one horrible substance or other, which is just what they all deserve. All this is, of course, very, very funny. John is a ninja of comedy timing," and a story moment that "makes you happy to read comics."
• Reviews: Andrew Wheeler rounds up a lot of books, including Willie & Joe: The WWII Years by Bill Mauldin ("Not just one of the best books of comics to come out last year, not even one of the best books to come out in 2008, but an excellent, essential, carefully-designed work of real historical importance and vital art... a great monument to one of the best cartoonists of the 20th century"; Petey & Pussy by John Kerschbaum ("Another one of those books that makes me laugh out loud and then feel guilty about it; this is probably offensive to many people, disgusting to more, but uncomfortably funny for nearly all of us... The stories are drawn in a tight, clean style, and are full of things I don't want to describe on the open Internet. I laughed a lot; I'll admit that"); Fuzz & Pluck: Splitsville by Ted Stearn ("...like Mark Beyer's Amy + Jordan, only much better drawn and with a coherent story"); The Maakies with the Wrinkled Knees by Tony Millionaire ("grotesquely gorgeous art"); and The Last Musketeer by Jason ("a wry and very entertaining story")
• Review: Stripper's Guide on Jerry Dumas & Mort Walker's Sam's Strip: "...one of the most delightful and intellectually daring strips that ever appeared in newspapers... And Fantagraphics has done it up in a perfect package. The reproduction quality is top-notch, and they've given us a superb bonus -- a section of annotations by Jerry Dumas and Brian Walker... if you are a comic strip fan and you don't have this book on your shelf then there is something really wrong with you. Seriously. Go buy the book."
• List: Ben Towle names some favorites from 2008 including Most Outrageous by Bob Levin ("...fascinating... a fantastic book..."); Petey & Pussy by John Kerschbaum ("What more can I say? This book’s #%&*in’ hilarious. Oh, I guess this: it’s also beautifully drawn."); and Fuzz & Pluck: Splitsville by Ted Stearn ("beautiful")
• Review: For The Savage Critics, Sean T. Collins says The Last Lonely Saturday by Jordan Crane is "pretty much the best love story in comics form I've ever come across... It's an intelligent, moving, beautiful, terrific little comic."
• Review: Rob Clough says that Beasts! Book 2 "mingles myths, warnings, fairy tales, correctives, and genuinely unexplained phenomena and allows its artists to run with them. The end result is a consistently beautiful, lovingly assembled book that forms a kind of metacommentary on the entire notion of the fantastic."
• Review: The SF Site's "Nexus Graphica" says R. Crumb & David Zane Mairowitz's Kafka is "a terrific guide to Kafka's life and work — Mairowitz deftly sums up Franz' family/Jewish/pre-Holocaust European experiences and influences, and Crumb's heavy inkings lend the exact tones of darkness to recreations of both Kafka's life — and work." (See sidebar)
• Preview: The First Post presents a slideshow of images from Humbug, saying "the short-lived Humbug [was] an exquisite satirical work that, over its 11 issues, routinely equalled MAD in its displays of creative genius... providing a level of trenchant satire that was almost unheard of at the time."
• Preview: Bryan Munn, in "hyping" The Complete Peanuts 1971-1972, states "Now that two whole decades of Peanuts have been reprinted in the deluxe hardcover format published by Fantagraphics and designed by Seth, we can really get a sense of what a huge achievement this project is and will continue to be for a generation."
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