This collection has been a long-time coming! On Friday, February 27th cartoonist, painter and activist Guy Colwell will be at Pegasus Bookstore in San Francisco for the release of Inner City Romance. This blood-pumpin', needle-stickin' collection features comics on social politics like racial activism, harassment, prison, black culture, ghetto life, the and the sex trade. It portrays the unpleasant realities of life in the inner city, where opportunities were limited and being on the lowest end of the economic ladder meant that one's vision of the American dream was more about survival than lifestyle choices.
Colwell will be in conversation with author Bob Levinabout his journey from cartoonist/painter to radical activist who utilized his craft to pass along a message. The talk starts at 7pm with a book signing to follow.
Pegasus Books Downtown 2349 Shattuck Avenue Berkeley, CA 94704
Here in one place are the definitive Comics Journal interviews with the cartoonists behind Zap Comix. Featuring: Supreme underground artist Robert Crumb on how acid unleashed a flood of Zap characters from his unconscious; Marxist brawler Spain Rodriguez on how he made the transition from the Road Vultures biker gang to the exclusive Zap cartoonists' club; Yale alumnus Victor Moscoso and Christian surfer Rick Griffin on how their poster-art psychedelia formed the backdrop of the 1960s San Francisco music scene; Savage Id-choreographer S. Clay Wilson on how his dreams insist on being drawn; Painter and Juxtapoz-founder Robert Williams on how Zap #4 led to 150 news-dealer arrests; Fabulous, Furry, Freaky Gilbert Shelton on the importance of research; Church of the Subgenius founder Paul Mavrides on getting a contact high during the notorious Zap jam sessions; and much more. In these definitive interviews, the Zap contributors open up about how they came to create a seminal, living work of art.
• Profile: David Berry of Canada's National Post profiles the Toronto-bound Jason: "'I guess I’m not the most talkative person myself, so most of my characters end up the same way,' says Jason (a.k.a. John Arne Sæterøy) who, true to form, conducted our interview over email from his current home in France. 'I just think silence can be more effective than a lot of words.' The truth of that is in the book he’ll be showing off at the Toronto Comic Arts Festival, Athos in America. The collection of short stories is in a lot of ways a quintessential distillation of his themes and tendencies, blending together his cast of mostly melancholy (and quiet) anthropomorphized characters, dryly existential humour, sparse but careful composition and plots borrowed but tweaked from Hollywood genres such as crime, science fiction and, in the case of the titular musketeer, historical derring-do."
• Review: "...Mauldin created great art. His illustrative skill still catches our eye. His depth of thought and feeling still draw us in. We ponder Willie and Joe. We weigh their posture. We stare into their ravaged eyes. Who are these men, we ask? Where did they come from? Where will their paths lead?... Mauldin’s creations are as isolated and as awaiting-of-an-unknown-fate as Vladimir and Estragon. Their foxhole encapsulates their existence with the totality of Nagg and Nell’s garbage cans. Day-by-day, Willie and Joe confronted their readers, making no progress but enduring.... Fantagraphics has honored... the survivors and the fallen, while enriching the rest of us with this collection." – Bob Levin, First of the Month (via TCJ.com)
• Plugs: Lawrence Ferber of Next Magazine mentions a few of our titles in his MoCCA Fest report: "Batman received a subversive skewing in Josh Simmons’ gleefully un-PC The Furry Trap(another of its screwy adults-only tales involves a rape-happy elf). Trap's publisher, Fantagraphics Books, will release volume three of excellent gender-bending coming-of-age Manga series, Wandering Son, this summer, along with a queer comics compilation edited by San Francisco’s Justin Hall, No Straight Lines."
• Plug: "I loved Nancy in childhood, and I love Nancy now. The accuracy and economy of Ernie Bushmiller’s art and the genial simplemindedness of his humor make an irresistible combination. So I am happy that Fantagraphics at last has published Nancy Is Happy: Complete Dailies 1943–1945." – Michael Leddy, Orange Crate Art
Stéphane Blanquet (France) Ivan Brunetti (USA- Chicago) Lilli Carré (USA- Chicago) Max Clotfelter (USA- Seattle) Al Columbia (USA) Ludovic Debeurme (France) Olivier Deprez (France) Nikki DeSautelle (USA- Detroit) Brecht Evens (Belgium) Andy Gabrysiak (USA- Detroit) Robert Goodin (USA- Pasadena) Dav Guedin (France) Gnot Guedin (France) Glenn Head (USA- New York City) Danny Hellman (USA- New York City) Paul Hornschemeier (USA- Chicago) Ian Huebert (USA- San Francisco) Kaz (USA- Los Angeles) Michael Kupperman (USA- New York City) Mats!? (USA- Oakland, CA) Fanny Michaëlis (France) James Moore (USA- New York City) Tom Neely (USA- Los Angeles) Mark Newgarden (USA- New York City) Paul Nudd (USA- Chicago) Onsmith (USA- Chicago) Emelie Östergren (Sweden) Paul Paetzel (Germany) David Paleo (Argentina) Bruno Richard (France) Martin Rowson (United Kingdom) Olivier Schrauwen (Belgium) Stephen Schudlich (USA- Detroit) Robert Sikoryak (USA- New York City) Brecht Vandenbroucke (Belgium) Wouter Vanhaelemeesch (Belgium) Jon Vermilyea (USA- New York City)
And original essays by: -Jeet Heer (Canada), on S. Clay Wilson -Bob Levin (USA- Berkeley, CA), on The Adventures of Phoebe Zeit-Geist by Michael O’Donoghue and Frank Springer -Ken Parille (USA- Greenville, NC), on humor in the work of Steve Ditko -Ryan Standfest (USA- Detroit), on Al Feldstein and “sick” humor at E.C. + interview with Al Feldstein
And a text by: Roland Topor (France), 100 Good Reasons To Kill Myself Right Now, translated into English for the first time by Edward Gauvin
• Review: "This mammoth collection [What Is All This?] presents five decades of Dixon: sex, frustration, and attempts at deeper communication, mostly missed. The 62 stories evoke neuroses, delusion, banality, and everyday absurdities in deceptively simple sentences... There are echoes of Ernest Hemingway and prefigurings of Raymond Carver's lower-middle-class minimalism infusing tales of scrappers and scrapers... Usually sublime, sometimes sloppy, and occasionally bewildering, these stories are a testament to an impressive career spent too much under the radar." – Publishers Weekly (Starred Review) [Temporary link]
• Review: "With its mix of sci-fi, romance, tragedy and comedy, A Drunken Dream is a memorable manga journey that shouldn't be missed or dismissed. [...] Drawing from deeply-felt personal experiences, Hagio draws stories for every person who has felt like an outsider, who has regretted past actions that can never be erased, or who has longed to be accepted for being who they are, not what people want them to be. These ideas sound so simple — but when touched by Hagio's pen, this is punch-in-the-gut powerful. [...] ★★★★1/2" – Deb Aoki, About.com: Manga
• Review: "While they may not be standard children’s books, they are fun and entertaining and full of stuff kids would like, without being obscene or intended for mature audiences. They are the kind of books you would want your kid reading if your kid wasn’t a total dork. [...] You get the feeling of reading old fairy tales, where the Prince wasn’t always charming, the villains would erect down right disturbing and evil plots against the characters and the story, or just the world in general was presented as a harsh reminder of reality. [...] Tony [Millionaire]... really lets his imagination run with his latest book, Billy Hazelnuts and the Crazy Bird. [...] With or without children, you can feel good about reading this book." – Brian Jones, Flash Flood Media
• Review: "Artichoke Tales is by any definition a remarkable book — the first graphic novel by Megan Kelso, who has so far worked largely in the short story form, and a book that displays at every page Kelso’s unique voice as a graphic storyteller and the care and attention she lavished on this project over the past several years. [...] This is a beautiful book, at times a heartbreaking book. One feels the precision and thought behind every word, every line, all of it edited down and arranged to a spareness that is paradoxically lush and textured." – Jared Gardner, Guttergeek
• Plug: "[Rip M.D.] seems to be a comic more geared to a juvenile public, but should be pretty cool because there are a lot of monsters, really violent werewolves, zombies, and best of all, vampires that do not sparkle!" – Submundo Mamão (translated from Portuguese)
• Profile: "Some artists seem to have had greatness as their destination as surely as if a tracking device had been implanted in their genes. Some veer toward it capriciously like a demon had seized the wheel. They start with a talent — to which they feed — in bites and gulps — their times; and, once expressed, the result is… YOWL! One of these was the underground cartoonist Greg Irons, the subject of Patrick Rosenkranz’s overlooked — and fascinating — retrospective You Call This Art?!!" – Bob Levin, The Comics Journal
• Review: "Peter Bagge’s not-so-yearly update on the life and times of his signature character Buddy Bradley takes up about half of Hate Annual #8... It’s a funny story with a confident, natural progression and some keen observations to make... [T]his is... a welcome renewal of one of alt-comics’ most treasured series… [Grade] A-" – The A.V. Club
• Review: "The mid-’70s found Schulz pushing the strip further and further into the oddball, mixing fantasy and reality in extended storylines... The strip as a whole feels less scrappy and more settled in this era, though it’s no less inspired, and Schulz was clever enough to keep working his own state of mind into the finished product. The Complete Peanuts: 1975 - 1976 collects comics clearly drawn by a successful man still nagged by feelings of inadequacy not easily explained away… [Grade] A-" – The A.V. Club
• Review: "Don’t be misled by High Soft Lisp’s cover. This isn’t just comic book smut or an adult version of Archie. Gilbert Hernandez has created some of the most fleshed-out and memorable women in comics since launching Love and Rockets with his brother Jaime in 1981. Their breasts might be outsized, but so are their minds and souls." – Garrett Martin, Boston Herald
• Review: "Fantagraphics’ fourth oversized collection of Elzie Segar’s legendary Thimble Theatre strips, famous as the birth place of Segar’s notorious Popeye the Sailor, continues the winning standard set by earlier editions. ... Fantagraphics’ enormous format remains among the best-looking strip reprints available." – Michael C. Lorah, Newsarama
• Review: "Levin’s is not often a forceful tone; he digs up information and can deliver it in a scholarly enough manner, but also will follow his muse, digressing into dry humor and even an admitted Faulknerian flight of fancy. He’s fully engaged, grappling with the facts and the issues as he uncovers them, and the reader grapples right along with him. [Most Outrageous] is a much more compelling book for the fact that Levin doesn’t try to wrap it all up in a bow." – Christopher Allen, Comic Book Galaxy