We've unearthed some hidden treasure:

Burne Hogarth's King Arthur Portfolio Vol. 2
by Burne Hogarth

6 black & white 11" x 17" prints • $125 reduced to $75
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Six beautifully produced prints depicting the rise and fall of Camelot in lush, detailed illustrations by a master of cartoon classicism. Printed with utmost quality and care on creamy, textured paper and housed in a sturdy folio, this is truly a deluxe collectors item. Out of print and lost in our warehouse for years, now available again at an affordable reduced price. Plate One of each set is signed and numbered by the artist. Originally produced in 1983 in an edition of 1500; these are the final 50 copies.

The latest Online Commentary & Diversions:

• Review: "Dash Shaw seems set to become a name to be reckoned with in comics... [The Unclothed Man in the 35th Century A.D.] is a wonderful introduction to Shaw’s work, and should certainly find its way into the hands of those craving more." – Grovel

• Review: "I'm so glad I started reading this series and can't wait to catch up. Usagi Yojimbo is that rare breed of animal comic that works for me, blending Sakai's cartoon style with a story that would not be out of place in Lone Wolf and Cub. Fans of comics set in historical Japan should definitely check this out. You'll be glad you did. I think it would also be a good fit for manga fans looking to try a non-Japanese comic. I enjoyed this book a lot, and look forward to reading more." – Panel Patter

• Review: "Yet another reason to love Fantagraphics is their meticulous sequential collections of classic newspaper strips such as... Hank Ketcham’s Dennis the Menace. This volume collects the strips from 1961 - 1962 in a huge 654-page volume. What has always stood out about the Dennis the Menace strips is that they were single panel cartoons. It takes an incredible level of talent write a single panel cartoon and Ketcham was one of the best. ... Truly a delight that has lost none of its humor in fifty years.  Grade A" – Tim Janson, The Gouverneur Times

• Review: "West Coast Blues might be an off-kilter story of insufficiently motivated violence and random ennui, but it's a gorgeous-looking one." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.

• Review: "...Ho Che Anderson's Sand & Fury... [is] a slightly twisty tale of sex, serial killers, and the supernatural, told very stylishly in black, white, and red. Blood and shadows therefore get a lot of play across Anderson's desolate southwestern landscapes; and although his lines can be thick and blocky, his figures evoke a good bit of emotion. There's a lot of nudity, a whole lot of violence, and so the plot can be boiled down to a very simple level: revenge, good vs. evil, etc. However, Anderson's anonymous main character, and the people she befriends, are more than just nominally sympathetic. I feel like I'm not doing the book justice, because it is a very raw tale, full of death and sex, and I liked it a lot." – Tom Bondurant, Robot 6

• Plug: Sequential spotlights Ho Che Anderson's Sand & Fury, saying it's "nice to see something new after he told Howard Chaykin he was giving up comics in the Comics Journal 300 interview."

• Plug: "King creator Ho Che Anderson has a brand new Scream Queen book, Sand & Fury. Ho's work always looks good, and I'm personally pretty happy to see this one..." – Chris Butcher, The Beguiling

• Interview: At Robot 6, Tim O'Shea talks to Ho Che Anderson about the new Special Edition of King ("That’s one thing I wish I could have done more of, slashing dialog, rewriting more of it, but at a certain point you gotta let it go. (Yes, George Lucas, I am talking about you.)") and his new graphic novel Sand & Fury ("To me, sex and horror or sex and violence seem to go naturally together. They seem to stem from the same twisted areas of our psyches. What scares us can often arouse us, sometimes despite ourselves, and vice versa.")

• Profile: CNN's Bob Greene pays tribute to Bill Mauldin on the occasion of the release of Mauldin's commemorative US postage stamp this month: "Mauldin, and his work, meant so much to the millions of Americans who fought in World War II, and to those who had waited for them to come home. He was a kid cartoonist for Stars and Stripes, the military newspaper; Mauldin's drawings of his muddy, exhausted, whisker-stubbled infantrymen Willie and Joe were the voice of truth about what it was like on the front lines." (hat tip to Walt Simonson)

• Commentary: At Comics Comics, Dan Nadel pulls a quote about Hal Foster from the interview with Burne Hogarth in The Comics Journal #166

Found on YouTube, a TV commercial for Excedrin pain reliever circa 1970 using an animated series of drawings by Burne Hogarth, cartoon classicist and great Comics Journal interview subject (as evidenced in The Comics Journal Library Vol. 5: Classic Comics Illustrators). Gary Groth, who passed this along, says "This is very fucking weird... I wish I'd known about this so I could've asked him about it."