Oh lord, here comes Comic-Con! Robot 6's J.K. Parkin runs down the 20+ titles we'll be debuting (or at least selling pre-release copies of) at the big show in San Diego. Bring your wheelbarrow! (Note that there's still a question-mark on one or two of those titles pending confirmation from the printers. We'll be posting a definitive list of debuts, our signing schedule, and more information as the date approaches.)
The back page of the 2011 edition of the Comic-Con Annual magazine features the great moment at last year's San Diego con when Inkpot Award-winning manga-ka Moto Hagio met one of her inspirations, the great Ray Bradbury, and presented him with a copy of her book A Drunken Dream and Other Stories. Click the image for a larger scan and see another snapshot here.
In addition to the inductees selected by the judges, the nominees to be selected by voters and announced at Comic-Con this summer include comics scholar Bill Blackbeard, who edits our Krazy & Ignatz series, and Kim Deitch. You can also find the work of nominee Harvey Pekar in our Complete Crumb Comics series. Eligible voters can cast their ballot right here.
• Review/Roundtable:TIME/Techland's "Comic Book Club" roundtable of critics (Douglas Wolk, Graeme McMillan, Evan Narcisse and Mike Williams) discusses You'll Never Know Book 2: Collateral Damage by C. Tyler. Wolk leads off: "The first volume of You'll Never Know, Carol Tyler's projected three-volume series about her father's experiences in World War II — and all the family history connected to it — was my favorite graphic novel of last year. The new volume, Collateral Damage, is even stronger in a lot of ways."
• Photo of the Week: That's a funny one of Stuart Immonen at Robot 6
• Breaking News/Quote of the Week: "I think I was more opposed to the show moving to Los Angeles/Anaheim than I was in favor of it staying in SD or going anywhere else. I'm not even sure why I was opposed to it, because I love visiting L.A. But it would just feel like we let the terrorists win at that point." – our own Eric Reynolds, quoted at The Comics Reporter
• Review: "Originally serialized in the late ‘90s, this cartwheeling shaggy-dog story begins, like a lot of metafiction, with the semblance of reality... But by the time a frog demon reanimates a 19th-century French peasant whose brains it has eaten, it’s fairly clear that Deitch is making stuff up. The fun of [The Search for Smilin' Ed] is the way it constantly darts back and forth across the line between genuine show-business lore (a favorite Deitch theme) and delirious whole-cloth invention. ... Deitch’s artwork... is... utterly confident, building on the stylistic gestures of both the underground-comics scene that launched his career and the classic animation that inspired his talking-animal characters." – Publishers Weekly
• Review: "Some of the best comics of the last couple of decades are Jim Woodring’s wordless Frank stories. Dreamlike, idyllic and mind bendingly horrific visions are rendered with immaculate penwork and pacing. This tidy, near 200 page collection of black and white stories [The Portable Frank] is sufficient to put a permanent dent in your brain pan." – M. Ace, Irregular Orbit
• Review: "Fantagraphics cycles back to the first three years of Herriman’s Sunday Krazy Kat strips [in Krazy & Ignatz 1916-1918]. I do enjoy these early years of the kat kronikles — a bit more lyrical, a bit more varied, a bit less centered on the kat/mouse/cop routine. Yes, you need it. Of course." – M. Ace, Irregular Orbit
• Interview: In virtue of the Criterion Collection release of Crumb on DVD and Blu-ray, The A.V. Club talks to director Terry Zwigoff: "And I said, 'What did you think of it?' And he said, 'It was mortifying.' I said, 'Is it a bad film?' And he said, 'No, but I’m looking at myself in a mirror, so what am I supposed to say? Is it good? Is it bad? I just don’t want to look at it.' Something like that."
• Panel:The Comics Journal presents video of the "International Comics and Graphic Novels" panel at Comic-Con International last month, with Moto Hagio, Émile Bravo and others — part 1 is embedded above, with 4 additional parts at TCJ.com
Here's two more angles on the Ben Jones-decorated ice cream truck that Adult Swim parked outside of Comic-Con (originally reported here), taken by our own Eric Reynolds, and Brian Ralph has yet two more views over at the New Bodega blog.
• Review: "...[F]or the first time I realized that Prison Pit [Book 2] isn't a fusion-comics exploration of awesomeness in all its forms, but a horror-comics exploration of awfulness — of violence that maims and kills not just body but soul. Ryan is willing, even this early in a series I imagine will be able to last as long as he wants it to, to completely invert his instantly-iconic warrior, to make the audience root against him desperately, to feel dick-shriveling revulsion at his violence and pity for his victim. 'That fucking sucked,' CF says when it's all over. Understatement of the year. This book is a masterpiece of awfulness." – Sean T. Collins, Attentiondeficitdisorderly
• Review: "It isn't every day such a formidable body of work gets handed to us on such a shining silver platter — there are too few artists like Rand Holmes for that to be possible. But when it does happen, the comics world ought to stand up and take notice. Holmes may have been forgotten once, but Rosenkranz has put forth all mortal effort to make sure he won't be again, and in the process created what might be the best reprint book of the year. A must for fans of great comics art, the undergrounds, or the medium's history, The Artist Himself is in the end most essential as a truly great read. Don't let it pass you by." – Matt Seneca, Newsarama
• Review: "For anyone who has not entered Deitch’s universe, fear not: it is remarkably easy to access, one does not need a map to enter or understand. [The Search for Smilin' Ed] will most likely make you want to explore his other works, much of which have also been collected in graphic novels in recent years causing many to at last wake up and praise the Deitch!" – Robert Dayton, Roctober (hat tip: Bill Kartolopoulos)
• Review: "Werewolves of Montpellier stands out as another winner from Jason; in fact, perhaps it is one of his finest books yet. Somber and funny, and packed full of werewolves and romance, jewel heists and parties, Werewolves of Montpellier stands as another reason to make sure you’re reading Jason’s comics. If you’re not, you’re missing out." – Michael C. Lorah, Newsarama
• Review: "...Sammy the Mouse... for me has been a revelation, taking Zak Sally's natural cartooning chops away from some of the more densely-told and even sometimes predictable material from projects past and opening it up to a mix of classic cartooning tropes and the outright weird. ... It's enough for me to watch Sally explore the comics page, and at this point I think I'd watch him adapt the minutes from a school board meeting." – Tom Spurgeon, The Comics Reporter
• Interview:Anime Pulse presents an audio recording of their interview with Moto Hagio at Comic-Con International, with translation by Matt Thorn, as well as a transcript of the answers in Japanese
• Panel:The Comics Journal presents an audio recording from the “Graphic Novels: The Personal Touch” Panel, featuring Gabrielle Bell, Howard Cruse, Vanessa Davis, Larry Marder, Jillian Tamaki and Carol Tyler in a conversation moderated by Shaenon Garrity, recorded on Friday, July 23 at Comic-Con International
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