• Review: "Though he was one of the genre’s pioneers, Roy Crane’sCaptain Easy is arguably the most idiosyncratic of all the adventure strips. But it’s this blend of loud slapstick, young-boys-styled adventure and blatant sex appeal that make Captain Easy such a winning, fun strip to read." – Chris Mautner, Robot 6
• Review: "From any other culture this type of story would be crammed with angst and agony: gratuitously filled with cruel moments and shame-filled subtext, but Takako Shimura’s genteel and winningly underplayed first volume in this enchanting school saga [Wandering Son]... is resplendent with refined contentment, presenting the history in an open-minded spirit of childlike inquiry and accepting optimism that turns this book into a genuine feel-good experience." – Win Wiacek, Now Read This!
• Lore:Kim Deitch's "Mad About Music: My Life in Records" column continues over at TCJ.com, with the new fourth installment turning to the early days of rock 'n' roll
• Review: "...[Wandering Son] is absolutely fantastic and deserves every one of the awards it will doubtless win. ...[I]t’s an honest look at what Shu and Yoshino are going through. There’s no magic pool, no funny crossdressing, no easy solution to the dilemma that these two face. What I also like about the series is that its secondary characters are often just as interesting as the main pair: they’re all in fifth grade, after all, when everyone is struggling with their identities and the consequences thereof. Shu and Yoshino just get the worst of it." – Ted Anderson, The Hub (YALSA)
• Review: "Woodring’s someone whose work demands repeated reads. For longtime fans, Congress of the Animals is another puzzle piece in Woodring’s complicated world of art. For newcomers, it’s likely going to be the first enjoyable step of discovering that world and Woodring’s back catalogue." – Nick Dean, Skyscraper Magazine
• Plug:Seattle Weekly's Brian Miller recommends Jim Woodring's appearance at Elliott Bay Book Company tomorrow evening and says of Congress of the Animals, "Frank's adventures take place in a kind of Byzantine fun-house phantasmagoria of windows-slash-orifices, faces without faces, and extruded intestines. The spirit is like Disney meets Hieronymus Bosch, a comic surrealism in which Frank undergoes an exile and return from his beloved home."
• Review: "In this selection [Captain Easy, Soldier of Fortune Vol. 2] Roy Crane’s irrepressible humour comes perfectly into focus and this enchanting serial abounds with breezy light-hearted banter, hilarious situations and outright farce... This superb hardback and colossal second collection is the perfect means of discovering or rediscovering Crane’s rip-snorting, pulse-pounding, exotically racy adventure trailblazer. The huge pages in this volume... provide the perfect stage to absorb and enjoy the classic tale-telling of a master raconteur. This is storytelling of impeccable quality: unforgettable, spectacular and utterly irresistible. These tales rank alongside the best of Hergé, Tezuka, Toth and Kirby and unarguably fed the imaginations of them all as he still does for today’s comics creators." – Win Wiacek, Now Read This!
• Interview: At New York magazine's Vulture blog, Jennifer Vineyard talks to Lou Reed about adapting Edgar Allen Poe for The Raven (among other topics): "Do you know what it’s like to try to rewrite one of the most famous poems in the history of the world? It’s a can’t-win situation. No one is ever going to say that the rewrite is better than the original. That’s not going to happen."
• Interview: At the Suicide Girls website, Alex Dueben talks to Dave McKean about his new book Celluloid: "It’s always a bit strange doing something that is exclusively about sex and putting it out for people to look at. There are people who are bound to draw some sort of parallel between you as an individual and the stuff you’re putting in the book, which is not necessarily there to be drawn, but people do. So I tried to keep my identity out of it as much as possible."
• Profile:Time Out Chicago's Jonathan Kinkley profiles local boy Wilfred Santiago: "21: The Story of Roberto Clemente is a lovingly written and superbly illustrated biography of the baseball legend.... Stylistically, he considers himself something of a chameleon, tackling each challenge with a new visual approach. 'Actors change accents to play different characters,' says the artist, 'and I have the same graphic flexibility to interpret different kinds of stories.'"
This week's comic shop shipment is slated to include the following new title. Read on to see what comics-blog commentators and web-savvy comic shops are saying about it (more to be added as they appear), check out our previews at the link, and contact your local shop to confirm availability.
"The 1936-1937 Sunday installments of Roy Crane's proto-lots-of-things adventure comic strip continue." – Douglas Wolk, Comics Alliance
"...I’d also consider one of the nice collected editions of vintage comics that is coming out this week; the Fantagraphics Captain Easy collection looks tempting..." – Brigid Alverson, Robot 6
"Magnificent color adventure comics from Roy Crane, published as crisply as modern collection technique allow. I'm reading this right now." – Tom Spurgeon, The Comics Reporter
"CONFLICT OF INTEREST RESERVOIR: Captain Easy, Soldier of Fortune: The Complete Sunday Newspaper Strips Vol. 2 (1936-1937) will in all likelihood give you what the title indicates, in addition to an illustrated introduction by Paul Pope, an essay by the late Bill Blackbeard and comments by editor Rick Norwood..." – Joe McCulloch, The Comics Journal
• Review: "...[Walt Disney's Mickey Mouse] is not just a great Mickey Mouse comic, it's one of the best comics of all time.... When Gottfredson took over the Mickey Mouse newspaper strip in 1930, he created stories that still hold up eighty years later as solid well-done comics. That alone would be an incredible achievement, especially considering how few stories from the era even seem readable to a modern audience, but Gottfredson takes things to an entirely different level with comedy that's still funny and adventures that are genuinely thrilling.... As to the book itself, Fantagraphics has done their usual amazing job of design on it... The strips are crisp, there's a ton of bonus material (including biographical information, details on the process, and a bunch of additional strips), and the book even feels nice in your hands while you're reading it. They did a seriously remarkable job putting it together, which is fitting considering how good the material is.... It's a great collection, and one of the few that anyone who likes any sort of comics could — and should — pick up and enjoy." – Chris Sims, Comics Alliance (all emphasis his)
• Review: "It feels like there's been an onslaught of pirate stories in the last several years, but Jason's deadpan visual style mixed with Vehlmann's absurdly dark humor make for a special tale of skullduggery.... Hilarity and adventure ensue, but not without a tremendously affecting and emotionally complicated final scene, making [Isle of 100,000 Graves] a wild ride in the truest sense of the term." – John Seven, Worcester Magazine
• Plug: "Legendary writer Bagge (Hate) and artist Hernandez (Love and Rockets) teamed up ten years ago for this comic [Yeah!] about a spunky all-girl, all-universe rock band. Now the whole series has been collected for the punk/sci-fi girl in your life." – Dan Kois, New York
• Interview: Christopher John Farley has a brief Q&A with Paul Hornschemeier at The Wall Street Journal's Speakeasy blog: "I tend to write far more than I draw, I may have an image pop into my head, but those are usually just isolated points of inspiration: from there the writing takes over."
This second of four volumes reprints in full color the rare Captain Easy Sunday pages from the 1930s. Roy Crane’s Soldier of Fortune, Captain Easy, fights for gold in the frozen north, is mistaken for a bandit, protects a formula for artificial diamonds, is stranded on a desert island, visits the tiny Balkan country of Kleptomania, and faces a firing squad. Captain Easy hobnobs with millionaires and bums and beautiful girls (of course), and winds up in the middle of a full scale war. In short, it’s another rousing series of adventure and humor encapsulating the gallantry, derring-do, and rough-and-tumble innocence of a bygone era and a bygone genre, written and drawn with panache, and practically painted in a vibrant spectrum of colors that you have to see to believe.
Special features of this volume include a foreword by series editor Rick Norwood, an illustrated introduction by fellow cartoonist and Crane aficionado Paul Pope, an essay by the late Bill Blackbeard, and a gallery of rare Captain Easy comic book covers.
Long before the first superhero, Roy Crane’s courageous, indomitable, and cliff-ganging rough guy served as the template for characters that later defined comic books, and set the aesthetic standards for the newspaper strip. Crane’s mastery is why Peanuts creator Charles Schulz said of him (circa 1989): "A treasure. There is still no one around who draws any better."
144-page full-color 10.5" x 14.75" hardcover • $39.99 ISBN: 978-1-60699-391-0
Ships in: June 2011 (subject to change) — Pre-Order Now
This second of four volumes reprints in full color the rare Captain Easy Sunday pages from the 1930s. Roy Crane’s Soldier of Fortune, Captain Easy, fights for gold in the frozen north, is mistaken for a bandit, protects a formula for artificial diamonds, is stranded on a desert island, visits the tiny Balkan country of Kleptomania, and faces a firing squad. Captain Easy hobnobs with millionaires and bums and beautiful girls (of course), and winds up in the middle of a full scale war. In short, it’s another rousing series of adventure and humor encapsulating the gallantry, derring-do, and rough-and-tumble innocence of a bygone era and a bygone genre, written and drawn with panache, and practically painted in a vibrant spectrum of colors that you have to see to believe.
Special features of this volume include a foreword by series editor Rick Norwood, an illustrated introduction by fellow cartoonist and Crane aficionado Paul Pope, an essay by the late Bill Blackbeard, and a gallery of rare Captain Easy comic book covers.
Long before the first superhero, Roy Crane’s courageous, indomitable, and cliff-ganging rough guy served as the template for characters that later defined comic books, and set the aesthetic standards for the newspaper strip. Crane’s mastery is why Peanuts creator Charles Schulz said of him (circa 1989): "A treasure. There is still no one around who draws any better."
• List: In light of the impending end of the anthology, Robot 6's Chris Mautner names "The six best stories in Mome" (to date... there's one issue yet to go)
• Review: "Hernandez of Love and Rockets continues his obsessive study of faux Z-movies featuring L&R character Fritz, a lisping, freakishly large-chested post-ingenue. This latest offering [Love from the Shadows] is imaginatively staged, beautifully drawn and deftly dialogued, with odd discordant undertones and psychosexual notes that include incest and insanity." – Richard Pachter, The Miami Herald
• Review: "More stoner/fantasy silliness from Daly. There seems to be more of a focus on plot and creating lengthy action sequences than in previous. The jokes don’t seem as frequent, or at least are more subtle this time around. [...] Dungeon Quest Book Two is still a fun romp, especially if you’re at all familiar with the fantasy genre or role-playing games in particular." – Chris Mautner, Robot 6
• Review: "Crane's drawings are clear, simple, rounded. They combine perfectly with the primary colors used in printing newspapers. His characters were drawn more cartoonish than realistic, with free and lightweight lines, without much concern for details. In layout, Crane was able to explore the space of the entire page of the Captain Easy strip, alternating horizontal and vertical panels to get a more dynamic effect. The author also used horizontal panels to show beautiful panoramic images of fights and persecution." – Gustavo Guimaraes, Ambrosia (translated from Portuguese)
• Interview: At The Rumpus, Ted Wilson has a fun chat with Jim Woodring: "People sometimes avoid me but not because I am or am not a garbageman. I really have no idea what you are asking. Do people avoid garbagemen? Not in my experience. In fact I learned that some women simply cannot resist a man in any kind of a uniform. I’m not kidding."
• Interview:Paul Gravett presents a transcription of the Comica-sponsored conversation between Dave McKean and Lorenzo Mattotti which took place in London last month: "I had read Piersanti’s novels, When he was buying a portfolio of mine, we were introduced. A French publisher wanted a short comic for an anthology about religion, so I asked Claudio because I knew he was interested in philosophy and spiritual problems. He had the idea of a man who finds he has stigmata wounds on his hands and doesn’t know what to do." (via The Comics Reporter)
• Interview: At The Comics Journal, Ken Parille talks to Ivan Brunetti about teaching comics: "To me, art is not about talent, it’s about hard work. It’s about developing one’s intelligence, thoughtfulness, and sensitivity. To some degree, the potential for these things seems to vary, implying they are perhaps innate, but I think anything can be nurtured (or neglected). Something might not come easy, but it can be learned. It’s matter of will, desire, determination, and hard work."
• Feature: At the Drawing Words & Writing Pictures blog, Best American Comics series co-editor Matt Madden spotlights Alexey Sokolin's "Life, Interwoven" from the Abstract Comics anthology as a 2010 Notable Comic: "The comic is made entirely of hatching lines, scribbles, swooping lines, and, way down beneath it all, hints of representative imagery. It almost looks like what began as a conventional comic mutated as the marks and lines broke free of the images. It’s also interesting the way the comic can read either as a six page comic, a series of six drawings (a sextich?), or six iterations of the same page being increasingly overwhelmed with line."
As previously noted, Ernie Bushmiller and Jack Jackson have been inducted via judges' choice into the Eisner Hall of Fame. Winners will be announced at a ceremony on Friday, July 22, 2011 at Comic-Con International in San Diego. Browse and order all of our 2011 nominated titles here, and see here for links to past years' award honorees. Congratulations to all the nominees!
The 2013 Fantagraphics Ultimate Catalog of Comics is available now! Contact us to get your free copy, or download the PDF version (9 MB).
Preview upcoming releases in the Fantagraphics Spring/Summer 2013 Distributors Catalog. Read it here or download the PDF (26.8 MB). Note that all contents are subject to change.
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