• List: The Austin American-Statesman's Joe Gross names Love and Rockets: New Stories #4 the best comic of 2011: "One of the wonderful things about seeing a masterpiece in the making is the mysterious feeling, the racing of the soul that takes place when it hits you that you are, in fact, seeing a masterpiece in the making.... Symphonic, tragic, revelatory, exciting and devastating as only great art can be, 'The Love Bunglers' is one of the best comics ever made."
• List:Paste ranks Dave McKean's Celluloid at #5 on The 10 Best New Comics of 2011: "The visionary art director behind The Sandman’s covers creates a coital masterwork that elicits beauty and excitement in equal measure.... Celluloid is a treasure of technical finesse and sensual mystique that transcends its potential controversy."
• List:Paste's list of The Ten Best Reissues/Collections of 2011 includes Walt Disney's Mickey Mouse Vol. 1: Race to Death Valley by Floyd Gottfredson at #9 ("Gottfredson had an animator’s knack for storytelling, and his layouts remain clear no matter how busy they get. Much of the humor is stilted by modern standards, but you’ll be too enthralled by the exciting plots and likable characters to care"), Jack Davis: Drawing American Pop Culture – A Career Retrospective at #7 ("Fantagraphics has finally given him the grand and serious treatment he deserves, without minimizing his goofy sense of humor"), and Walt Disney’s Donald Duck: Lost in the Andes in the #1 spot ("Barks’ strips combine high adventure with humor and subtle cultural commentaries, but they remain grounded in character... Lost in the Andes is a gorgeously packaged collection of some of the finest comics ever made.")
• List: At Poopsheet Foundation, Justin Giampaoli names Kevin Huizenga's Ganges #4 one of the "Best Mini-Comics & Small Press Titles of 2011": "It’s the continuing adventures of Glenn Ganges and his latest nocturnal outing, as he navigates his sleepless existence on a seemingly endless night. With the degree of interactivity occurring between the page and the readers, there’s as much technique on display here as there is original storytelling."
• List: Leeds, UK comic shop OK Comics posts their Top Ten Graphic Novels of 2011: "9. Like a Sniper Lining Up His Shot by Jaques Tardi published by @fantagraphics. A hitman's reluctance to perform one last job leads to an emotional breakdown. Legendary French comics artist Jacques Tardi on fine form."
• List:The Globe and Mail includes Pogo - The Complete Syndicated Comic Strips Volume 1: Through the Wild Blue Wonder by Walt Kelly in their "2011 gift book guide": "Fans of what for many is the greatest of all comic strips have waited a long time for this, the first of a projected 12 volumes (1949-1950) from the brilliant Walt Kelly. The congenial Pogo Possum and his swampland friends... spring to life in this collection of daily and Sunday comics, filled with Kelly’s characteristic wordplay. One hopes this will introduce a new generation to this comic, satiric masterwork."
• Review: "Pogo: The Complete Syndicated Comic Strips: Volume 1—Through the Wild Blue Wonder proves to be worth the wait.... Overall, the package serves Pogo well.... The biggest revelation of reading the first two years of Pogo is how polished and funny the strip was right from the start, and also how nearly every Pogo panel is a delight unto itself. Kelly didn’t necessarily build to big punchlines; he’d slip funny sight gags and memorable lines everywhere there was room. ...[T]here’s a classic Pogo moment on just about every page of this book." – Noel Murray, The A.V. Club
• Review: "Even now, Barks’ stories are clever and funny, as he leads the ducks into impossible situations and then gives them unexpected ways out. And they’re poignant in their own way, too.... What’s impressive about Fantagraphics’ Lost in the Andes is that it encourages both a fannish and an intellectual approach to the material. For those who want to skew highbrow, the book includes an appendix with scholarly analysis of each story.... And for those who just want to curl up with more than 200 pages of some of the best-written comics ever published, Lost in the Andes has all the square eggs, rubber bricks, golden Christmas trees, and races around the world that any kid or grown-up could ever want." – Noel Murray, The A.V. Club
• Review: "Fantagraphics’ initial release of its new series of Carl Barks books is titled, Walt Disney’s Donald Duck: Lost in the Andes and reprints one of the most famous, and most BELOVED, comic book stories which Carl ever wrote and drew! ...I’m impressed with the quality of the publication. In my estimation, the coloring is excellent and the format engaging…. The critical essays composed by a number of Barks scholars are also insightful and well written.... In my opinion, as a Carl Barks fan, this initial volume is well worth acquiring!" – Carl Barks Fan Club Newsletter
• Reviews: "Two... giants of American illustration get the handsome coffee-table-book treatment with Jack Davis: Drawing American Pop Culture and The Art of Joe Kubert... The Kubert book — edited by Bill Schelly — is more text-heavy, covering Kubert’s early years as a journeyman penciler and inker on a slew of indistinct superhero and adventure comics, then exploring how Kubert developed the fine shading and gritty realism he’d become famed for starting in the late ’50s. The Davis book saves most of its biographical detail and critical analysis for the intro and appendix, filling the intervening 200 pages with full-sized examples of the half-cartoony/half-photographic approach that Davis brought to Mad magazine and countless movie posters. Both offer ample visual evidence of how two men found the 'art' in commercial art, turning work-for-hire assignments into opportunities to express their particular visions of the world." – Noel Murray, The A.V. Club
• Review: "To (re-)discover a first-rate critic, and read about a life that went wrong in a harrowing way, you must read Everything Is an Afterthought: The Life and Writings of Paul Nelson, by Kevin Avery.... This volume is exhilarating. Avery tells with great energy Nelson’s tale, with copious details about the active period of his subject’s life, and in so doing limns a portrait of a certain kind of pop-culture/bohemian existence in the late-70s. And Avery’s generous selection of Nelson’s writings are certainly among Paul’s best..." – Ken Tucker (Entertainment Weekly), The Best American Poetry
• Review: "What makes Wandering Son work is its slow-burn pace and calm atmosphere. It takes a delicate subject – transgender children- and explores it slowly and carefully. Much like its characters, it moves at its own pace, easing the reader into the characters’ lives.... I am really eager to read volume two of Wandering Son, though a little hesitant as well. I know that the road in front of Shu and Yoshino isn’t going to be an easy one and I don’t want to see them get hurt. But the fact that I’m talking about the characters as though they’re real people just shows how deep this manga has gotten under my skin." – Shannon Fay, Kuriousity
• Review: "Richard Sala is one of those creators that holds a fairly unique voice in comics. Many people have tried to replicate his off-beat brand of horror, but ultimately nothing out there quite like his. So with a new graphic novel called The Hidden out, the question for most people won’t be, 'Should I read it?' but 'When should I read it?'... The Hidden isn’t perfect... but what Sala does well, he does very well indeed. There’s quite a lot to love in The Hidden, with some scenes in particular that will stick with the reader for a long time." – Greg McElhatton, Read About Comics
• Plug: "Have you ever wondered what happened after 'Happily Ever After'? This graphic novel [Castle Waiting] is a modern tale that incorporates fairytale characters and settings. Funny, thoughtful and not at all what you'd expect." – The Victoria Times Colonist
• Interview:Wall Street Journal subscribers can read a Q&A with Jack Davis conducted last week in NYC by Bruce Bennett here: "Every time you went in to see Bill Gaines, he would write you a check when you brought in a story. You didn't have to put in a bill or anything. I was very, very hungry and I was thinking about getting married. So I kept the road pretty hot between home and Canal Street. I would go in for that almighty check, go home and do the work, bring it in and get another check and pick up another story." [Update: A clever reader has pointed out that non-subscribers can read the article in Google's cache]
• Profile:CNN's Todd Leopold profiles the great Al Jaffee: "After a bumpy several years in which he bounced like a pinball between his parents -- moving from Savannah, Georgia, to Lithuania, to one borough and then another of New York City, back to Lithuania and back again to New York -- art was something to hold on to, a way to establish an identity. He had no idea it would lead anywhere."
• Review: "In an historical moment when a cross-section of the population is waking up to the reality of brutal inequalities and the limited set of levers by which that might be expected to change, being reminded of past permutations of those same societal ills may prove hopeful or unbearable. It's hard to say. Either way, these are effective comics. The Road to Wigan Pier never manages the dead-on power inherent in much of Sacco's best work, but it's certainly worth any comics fan's time." – Tom Spurgeon, The Comics Reporter
• Review: "...[I]t is thrilling to see such a vital, and nearly forgotten, work of comics coming back into print, cleaned up and reorganized and ready to surprise a new generation of former kids.... Nuts is one of the best works, and one of the few single book-length works, by one of our time's best and most idiosyncratic cartoonists -- ...it is for everyone who really remembers how terrible and lonely and infuriating it can be to be a child." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Plugs:Robot 6's ongoing "Holiday Gift-Giving Guide" survey of comics creators rolls on, with Joey Weiser suggesting "For the comic strip enthusiast: Mickey Mouse by Floyd Gottfredson – Super engaging strips that are full of life and very funny. I’m very glad that Fantagraphics is publishing these." Caanan Grall also recommends "Fantagraphics’s Floyd Gottfriedson Mickey Mouse and Carl Barks Donald Duck libraries."
• Plug:Heroes Aren't Hard to Find's Andy Mansell rounds up some gift ideas for their upcoming holiday sale this weekend, including Gahan Wilson: Fifty Years of Playboy Cartoons: "This is one of the best books of the past year (or so). Gahan Wilson is the true heir apparent to New Yorker comic weirdo Charles Addams. His comics are twisted, macabre, beautifully rendered and above all–laugh out loud funny. This 3 volume set belongs in every serious comic fan’s library."
Comics Alliance kicks off their Holiday Gift Guide this year with a preview and recommendation of Walt Disney’s Donald Duck: Lost in the Andes. CA's Chris Sims says "with its beautiful design, interesting bonus material and masterful all-ages storytelling, it’s one of the few comics that I can wholeheartedly recommend to anyone.... The hardcover's packed full of feature-length stories, shorts, and even one-page gag strips, with the blend adventure and comedy that made Carl Barks so legendary -- and it's even got one of the craziest Christmas stories I've ever read -- all wrapped up in Fantagraphics' usual incredible design. It's hands-down one of the best gifts of the year..." Who are we to disagree!
• Review: "Shimura Takako’s story of two adolescents—a boy who wants to be a girl and a girl who wants to be a boy—isn’t exactly fast-paced in terms of plot, but [Wandering Son] book 2 continues the excellent work of book 1 and raises the emotional stakes a bit.... There’s... a slowly unfolding pleasure to Shimura’s story. Sensitive to the plight of young teenagers and potentially transgender youth alike, she’s managed to create a compelling story without including much that, considered in isolation, is particularly dramatic, which speaks to the realism of her efforts." – Hillary Brown, Paste
• Review: "This is really fantastic storytelling. Another review of this volume [Walt Disney's Donald Duck: Lost in the Andes] compared it to Tintin, and I think that’s very apt. There’s the adventures in foreign lands, the constant peril, the occasional wacky gags thrown in to alleviate said peril, and of course good old American ingenuity that, thankfully, never verges on jingoism quite as much as Tintin sometimes did.... I picked this up thinking it’d be a good chance to see if I liked Carl Barks and what the fuss was all about. Well, now I get it – and I’m hooked. ...[T]his is well worth the purchase for any fan of classic comics." – Sean Gaffney, Manga Bookshelf
• Review: "Kelly’s genius was the ability to beautifully, vivaciously draw comedic, tragic, pompous, sympathetic characters of any shape or breed and make them inescapably human and he used that gift to blend hard-hitting observation of our crimes, foibles and peccadilloes with rampaging whimsy, poesy and sheer exuberant joie de vivre. The hairy, scaly, feathered slimy folk here are inescapably us, elevated by burlesque, slapstick, absurdism and all the glorious joys of wordplay from puns to malapropisms to raucous accent humour into a multi-layered hodge-podge of all-ages accessible delight.... Timeless and magical, Pogo is a giant of world literature, not simply comics, and this magnificent edition should be the pride of every home’s bookshelf." – Win Wiacek, Now Read This!
• Review: "...I was extremely impressed by Santiago's artistic abilities. He manages to shift the comic page in ways you'd never think of for a biography, using all sorts of layouts, from jagged panels to Family Circus ovals to standard grid formats. His characters wiggle their way through when in motion, show their feelings on faces that are slightly oversized and full of expression, and sometimes contort themselves into shapes that aren't quite natural. It's an artistic tour de force and shows that bio comics do not have to be the stolid, one step at a time narrative that we often see. ...21 is an excellent book... Clemente is every bit the important figure in baseball history that Robinson was, and more people need to know his story. 21 is an excellent place to start, either for you or the baseball fan in your life." – Rob McMonigal, Panel Patter
• List: At MTV Geek, Brigid Alverson names Wandering Son by Shimura Takako one of The Best Manga Series of 2011: "Wandering Son is a delightful, quiet manga about a girly boy and a boyish girl.... This is not your typical gender-bender manga playing a gender switch for laughs (and fanservice); it's a quiet, subtle story of a boy coming to terms with himself."
• Review: "Believe it or not, music criticism was responsible for some of 2011's finest books, with Kevin Avery's impeccably researched Everything Is an Afterthought: The Life and Writings of Paul Nelson leading the pack.... Avery has done an outstanding job assembling a collection of the writer's work, fully illustrating why he was such an influential presence in his time. But, sadly, especially in our time, it also reads as something of a cautionary tale — ...you might wonder why on earth anyone would ever choose rock criticism as a career in the first place." – Bill Holdship, Detroit Metro Times
• Review: "I have no idea if it was part of cartoonist Johnny Ryan's overall plan for Prison Pit, but this latest book in the growing-to-classic-status series strikes me as a 'step-back' installment. This is where a series that was once less certain in the market place eschews some of the instant gratification of its first couple of books for the sake of layering in additional plot elements that look like they'll pay off further down the line. It's the kind of work that makes you think that its creator is thinking of the long-term as opposed to focusing solely on the short. Prison Pit had some of that particular swagger from the very beginning; this book seems even more settled and confident.... As was the case with the first two books, Johnny Ryan makes his case for mastery at a second, very specific genre, connected to the first through the extremes of expression involved." – Tom Spurgeon, The Comics Reporter
• Interview: At Memory Is Fiction, Craig Staufenberg talks with Wilfred Santiago: "Any subject or theme can work in comics, the narrative has unique, endless breakdowns. It’s a unique prism, anything that’s seen through it is distorted in a comic book way. The author, the cartoonist, just brings to light a particular side of that prism. I try to quit comics but it keeps pulling me back."
• Interview:Network Awesome Magazine has a fun Q&A with Richard Sala about the Invisible Hands animated shorts: "They used stop-motion. The staff would blow up my drawings onto colored paper and then cut out all the figures and movable parts. The pieces were then positioned on three layers of glass – to give depth – with the camera looking down. Next, the director, Denis Morella, carefully moved the pieces around – including the mouths, to match the dialogue – for each click of the camera. I grew up loving stop-motion – everything from Ray Harryhausen to Gumby – so, I thought doing the animation that way was pretty cool."
• Feature: At New Orleans-based website Gambit, Alex Woodward looks at Oil and Water — "As the book gets deeper south and deeper into the complexities and relationships of oil to the Gulf and its people, the stories get murky and collide, mimicking an ebb-and-flow that at first is much like oil and water, then gradually homogenizes. The Portlanders come to grips with their own misconceptions, and the characters that were once miles away from their lives become embedded into their own." — and talks to the book's creators (writer Steve Duin, artist Shannon Wheeler and editor Mike Rosen)
• Review: "...Mark Twain's Autobiography 1910-2010... is mainly an excuse to insert Twain, Zelig-like, into every decade between 1910 and today. Of course he made a lot of money in the 1920s and lost it all in the 1930s. Of course he and Albert Einstein were repeatedly struck in the head by a hammer-wielding monkey. And of course he sleeps with Mamie Eisenhower ('this lady was one hot dish.') It's all told in Kupperman's Marx Brothers-style absurdist deadpan voice, and if you like Tales Designed to Thrizzle, then you'll love this book. It's packed with laugh-out-loud moments..." – Paul Constant, The Stranger
• Review: "Gahan Wilson's Nuts features kids talking the way adults really talk... The kids in Nuts are vain, covetous, not so very bright, and they stagger around, reeling, from one unpleasant surprise to the next. They get their hair cut ('Sometimes I wonder if it's just that he's a lousy barber...') they look at some gory magazines, ('We're just not ready for that shit') and they attend funerals of uncles ('My God—I never saw them acting this way before! They've all fallen apart!'). Weirdly, by giving his kids the vocabularies of adults, he really captures the neuroses of childhood. We begin life as we live it now: Dazed, angry, and bitter at our own fundamental lack of control." – Paul Constant, The Stranger
• Review: "Fantagraphics has a nice introduction giving a brief biography of Kelly, and describing many of the struggles he had with Pogo and syndication. There is also a fantastic notes section at the end, which points out historical trivia as well as giving the context for some of the strips.... It’s possible that the appeal of Pogo may be lost on folks who are so used to everything that it influenced, be it talking animal comedies or political satires. Doesn’t matter to me, though. This strip is funny, well-drawn, and features a huge mass of likeable characters doing entertaining things. Put it together with Fantagraphics’ excellent presentation, and you have a definite must-buy." – Sean Gaffney, Manga Bookshelf
• Review: "Greg Sadowski and Fantagraphics’ Setting the Standard is perhaps the best book on Alex Toth that has been published thus far... Sadowski takes a straightforward, comprehensive approach and so Setting the Standard can rest comfortably on the bookshelf next to Fantagraphics’ other excellent recent collections of essential comics such as Hal Foster’s Prince Valiant, Roy Crane’s Captain Easy and Buz Sawyer and Carl Barks’ Disney epics.... There are... many passages of thoughtful comics storytelling. The romance work is often brilliantly articulated and visualized... Toth’s handling of horror and suspense is intuitive, sometimes harrowing and exhibits his more radical inventions.... In Sadowski’s book, Toth’s work speaks for itself and the artist likewise. The book’s assemblage and design are very well done to make a package which is pulpy but tasteful, not cheap nor overly slick, not high/low cute or old-boy sentimental. It provides a complete and important body of work by a great cartoonist." – James Romberger (contributor to the final Mome), The Hooded Utilitarian
• Review: "The good news: it’s here, it’s real. The better news: it’s incredible. Walt Kelly’s lively, robust, and poetic world is faithfully and lovingly produced in this, the first of a proposed twelve volume series. The hardcover is printed horizontally, maintaining the integrity of the 'strip' format, with ample margins to avoid any gutter-loss. Fantagraphics knew this first volume would be scrutinized by hardcore Pogofans, and they’ve outdone expectations, dating each strip, providing historical context for the more esoteric 1940s references, and even reproducing the color Sunday strips.... Through the Wild Blue Wonder is one of our Best Comics and Graphic Novels of 2011, and there might not be a better gift this holiday for the historical and literary comics fan." – Alex Carr, Omnivoracious (Amazon.com)
• Review: "The usually tight-gripped Disney empire agreed to turn over their most treasured property to Fantagraphics (yes, again!). The results are eye-opening, featuring a Mickey that might be unfamiliar to most present-day fans. The stories are dense, packing plenty of dialogue into the strips — and the themes are darker than the bright-eyed, factory-sealed tales of today. Mickey is multi-dimensional in the first volume, Race to Death Valley, making rash decisions without much concern for everyone’s safety. Thankfully, Minnie is by his side to both reign him in and sometimes encourage his recklessness. The reproduction is crisp — the black inks are meticulous in their separation, and the book is augmented with over 50 pages of essays and Mickey esoterica. Volume 2, Trapped on Treasure Island, published last month, and Fantagraphics has a gift edition slipcase that contains both volumes. This dynamic look is a revelation in the life of the character who started it all for Disney." – Alex Carr, Omnivoracious (Amazon.com)
• Plug: At Comic Book Resources' "Black Friday Comics Shopping Guide": "Fantagraphics is all over the legacies of some of the best artists ever to work for the Walt Disney company with Floyd Gottfredson's Mickey Mouse, vol. 1 ($29.99) and Carl Barks' Donald Duck ($24.99). Disney's most famous characters need no introduction, but their modern incarnations are so far from their roots that these collections will surprise anyone seeing these strips for the first time. Any of these volumes is a guaranteed smile."
• Plug: Deb Aoki's Manga Gift Guide at About.com Manga includes Wandering Son Vols. 1 & 2 by Shimura Takako: "This critically acclaimed series is available as over-sized hardcovers, which makes them especially gift-worthy, but the story is also charming and sensitive in a way that doesn't bash the reader over the head with a preachy agenda. Volume 2 is due out soon, so get that too if you can."
"Carl Barks’ 1974 painting 'The Sport of Tycoons,' which features the iconic image of Scrooge McDuck swimming in his gold-filled vault, sold at auction last week for a record $262,900," reports Robot 6. You'll be able to buy our hardcover collection which includes the comic the painting is based on for less than 0.01% of that amount next June, in case your liquid assets aren't swimmable.
This week's comic shop shipment is slated to include the following new titles. Read on to see what comics-blog commentators and web-savvy comic shops are saying about them (more to be added as they appear), check out our previews at the links, and contact your local shop to confirm availability.
"It’s certainly Fantagraphics’ week, with the release of two amazing reprint volumes." – Johanna Draper Carlson, Comics Worth Reading
240-page full-color 7.5" x 10.25" hardcover • $24.99 ISBN: 978-1-60699-474-0
"Fantagraphics' reprinting of the complete Carl Barks duck comics, wisely, starts not with the master funny-animal cartoonist's earliest material but with a period in which he was firing on all cylinders: the late-'40s era of grand adventure stories, four of which appear here alongside some shorter stories, one-page gags, and explanatory material. Shorter version: this is where you'll find the square eggs." – Douglas Wolk, Comics Alliance
"I was so impressed by Fanta’s Mickey Mouse: Race to Death Valley, a book that I would have never guessed I would enjoy so much, that I’m eagerly looking forward to discovering this hidden treasure." – Johanna Draper Carlson, Comics Worth Reading
308-page black & white/color 11.25" x 9.25" hardcover • $39.99 ISBN: 978-1-56097-869-5
"And if I’m really binging, I’d add the first volume of Fantagraphics’ Pogo collection..." – Brigid Alverson, Robot 6
"Splurge-wise, how unfair is the universe for making the color, one-volume Bone available on the same day as Fantagraphic’s Pogo: The Complete Syndicated Comic Strips, Volume 1?... Bone and Pogo are especially impossible to pick between, even with the massive price difference." – Michael May, Robot 6
"...[T]he collection of Walt Kelly’s Pogo that hits stores this week is gorgeous. I have some of Fantagraphics’ previous Pogo volumes and this one blows them away." – Roger Ash, Westfield Comics Blog
"It’s difficult, when contemplating reading such an acclaimed classic, not to worry that the material won’t live up to the expectations created by the praise, or to wonder if the strip was fresher in its original time. (Especially with strips that comment on contemporaneous events, especially political ones.) I have no fear with Pogo, because if nothing else, the characters are so darn cute and well-cartooned, I know I’ll enjoy seeing them." – Johanna Draper Carlson, Comics Worth Reading
"Fantagraphics has been promising a complete reprint of Walt Kelly's wonderful comic strip for four years or so now (after reprinting the first few years' worth in paperback in the '90s). They apparently had some difficulty finding high-quality sources, but they've really gotten it right -- this looks fantastic. And this volume actually delivers more than its title suggests: besides the 1949 and 1950 syndicated strips (daily and Sunday), it includes Pogo's four-month run, from October 1948 to January 1949, in the New York Star." – Douglas Wolk, Comics Alliance
"Another big, big, BIG one is Walt Kelly. Essential satire from a master, Kelly's strip ran from 1948 until his death in 1973. This collection was first announced in 2007 and has finally arrived. Necessary stuff, comics fans." – Librairie Drawn & Quarterly
144-page black & white 7.75" x 9.75" hardcover • $19.99 ISBN: 978-1-60699-492-4
"...[A]ll the really cool, must-have books are in the splurge category this week (as usual). In one corner, after years and years of fits and starts and delays and promises galore is the first volume of Fantagraphics Complete Pogo collection, Through the Wild Blue Wonder. In the other corner we have the first volume in Fantagraphics other, other, other big reprint project, Donald Duck, Lost in the Andes, which collects some great stories by the masterful Carl Barks.... Just forget about your budget this one time. Your bank account will understand." – Chris Mautner, Robot 6
"CONFLICT OF INTEREST RESERVOIR: Oh shit, Disney animation showdown. Walt Disney’s Donald Duck Vol. 1: Lost in the Andes presents the first in a line of hardcover Carl Barks reprints, newly re-colored with all of the supplements you’d expect; $28.99. In the opposite corner, Pogo – The Complete Syndicated Comic Strips Vol. 1: Through The Wild Blue Wonder begins a comprehensive 12-book collection of the Walt Kelly strip in b&w and color; $39.99. And while I don’t think the 144-page, Deepwater Horizon spill-focused graphic novel Oil and Water has anything to do with Disney, it does mark a comics-writing appearance by longtime writer-on-comics Steve Duin, teamed with artist Shannon Wheeler; $19.99." – Joe McCulloch, The Comics Journal
• Review: "Rick Marschall and Warren Bernard’s Drawing Power is a provocative visual examination of the wonderful world of cartoon advertising.... Marschall and Bernard have mixed an unusual batch of artistic and economic history. After reading this book, you’ll never look at comic strips and capitalism the same way again." – Michael Taube, The Washington Post
• Review: "It's a little silly for me to do the full-disclosure tap dance... I'm quoted ten times in Kevin Avery's Paul Nelson biography-collection-tribute, Everything Is an Afterthought, and thanked prominently in the acknowledgments.... [The book is] better than you might figure.... With Nelson, the wild card was Avery, an unknown from Utah whose national track record starts here. But he's done inspired, diligent work. Constructed from a greater proportion of direct quotes than is normally deemed proper, the biography is doubly gripping as a result... And though the critical analyses that triggered this admiration shone less brightly than I'd hoped, the narrative writing I'd put less stock in compensated." – Robert Christgau, The Barnes & Noble Review
• Review: "Over the past decade, probably the single biggest frustration we've experienced here at The Copacetic Comics Company was the inability to offer customers the opportunity to experience the magic of Carl Barks in book form.... The influence on American culture of the Disney duck comic books Carl Barks wrote, penciled, inked and lettered for roughly a quarter century is incalculably large.... Carl Barks is one of the true titans of comic books, one of the very few who can hold their own with the likes of Jack Kirby, Will Eisner, Harvey Kurtzman and R. Crumb. His fluid cartooning and storytelling is simply unmatched.... Now, at last, ...his collected works will once again become available for North American readers... in what — based on the evidence of the first volume — is sure to be the most outstanding edition ever produced.... The Fantagraphics edition of The Carl Barks Library is ideal in almost every way and is sure to be the definitive edition of the works of this great comics master." – Bill Boichel (we presume), The Copacetic Comics Company
• Interview:Comics Bulletin's Jason Sacks sat down for a chat with Bill Schelly about chronicling the life and art of Joe Kubert: "Think of the effect he's had. It's like an amplifier. He's used amplification through all his students. His philosophy about good storytelling techniques, solid drawing fundamentals and all those things he's imbued in all those students who go out to every field of artistic endeavor and, in fact, internationally. So his effect is really international."
• Plugs: "Just in time for Christmas, Fantagraphics has published the first volumes of two archival comics series that promise to be amazing.... Carl Barks’s Donald Duck: Lost in the Andes — is a beautiful, 240-page, full-color collection... If you’ve got kids, it’s a terrific introduction to Barks’s DD mythos.... Walt Kelly’s Pogo was one of the great hilobrow comic strips of all time.... Go, Fantagraphics, go!" – HiLobrow
• Astrology: We totally almost missed that VICE talked to Dame Darcy about The Day of Elevens.
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