The third volume of Fantagraphics’ reprinting of Carl Barks’s classic Donald Duck and Uncle Scrooge work, like the previous volume Uncle Scrooge: Only a Poor Old Man, focuses on the early 1950s, universally considered one of Barks’s very peak periods.
Originally published in 1951, "A Christmas for Shacktown" is one of Barks's masterpieces: A rare 32-pager that stays within the confines of Duckburg, featuring a storyline in which the Duck family works hard to raise money to throw a Christmas party for the poor children of the city’s slums (depicted by Barks with surprisingly Dickensian grittiness), and climaxing in one of the most memorable images Barks ever created, the terrifying bottomless pit that swallows up all of Scrooge's money.
But there's lots more gold to be found in this volume (literally), which features both the "The Golden Helmet" (a quest off the coast of Labrador for a relic that might grant the finder ownership of America, reducing more than one cast member to a state of Gollum-like covetousness) while "The Gilded Man" features a hunt for a rare stamp in South America — two more of Barks's thrilling full-length adventure stories.
But that's less than half the volume! This volume also features ten of Barks's smart and funny 10-pagers, including a double whammy of yarns co-starring Donald's insufferable cousin ("Gladstone’s Usual Very Good Year" and "Gladstone’s Terrible Secret"), as well as another nine of Barks's rarely seen one-page Duck gags… all painstakingly recolored to match the original coloring as exactly as possible, and supplemented with an extensive series of notes and behind-the-scenes essays by the foremost Duck experts in the world.
The fantastically newest Online Commentaries & Diversions:
• Review: Over at Read About Comics, Greg McElhatton cracks open a copy of Lewis Trondheim's newest English translation. "Ralph Azham Vol. Oneis a nice little surprise; what initially looks cute and fun is dark and enjoyable, and Trondheim’s gradual reveals of the story’s contents are strong enough that it makes reading the next volume a must. . . I’m definitely back for Book Two; this was a great deal of fun."
• Interview (audio): Robin McConnell of the Inkstuds podcast interviews Noah Van Sciver on The Hypo and his newest work online, Saint Cole on The Expositor.
• Interview:AV Club caught up with Jaime and Gilbert Hernandez during this year, the 30th Anniversary of Love and Rockets! Jaime could not see a future without Love and Rockets: "The only thing I can see in the future is I picture Love And Rockets number whatever way down the road and they have to explain: 'This special issue, Jaime died halfway through doing it. So there’s going to be some pages with just pencils on it and some blank pages. But we thought we owed it to him to finish it, to print it.' A half-issue and then, well, that’s it."
• Review: Steven Heller writes about Dal Tokyo by Gary Panter on The Atlantic: "Dal Tokyo might best be seen as a combination of nightmare, daydream, ramble, and sketch, with a decided stream-of-consciousness tone, which is not unlike Panter's own Texas lilting manner when talking. In fact, for all its eccentricity, Dal Tokyo is akin to a Texas tall tale."
• Plug (video): The short film Objects of Our Desire focuses on the project Significant Objects as part of the The Future of Story Telling series. The book is edited by Joshua Glenn and Rob Walker. “Stories are the foundation of what we do everyday,” Richelle Parham, the vice president and chief marketing officer of eBay.
• Review:Read About Comics and Greg McElhatton looked at Walt Disney's Uncle Scrooge: Only a Poor Old Man by Carl Barks. "The more I see of Barks’ comics, the more I kick myself for having taken this long to read them. . . If you haven’t experienced Barks’ Duck comics yourself, I think this is a great a place as any to begin. Definitely check it out for yourself. Highly recommended."
• Review:Blog Critics's Sixy Minute Manga reviews and summarizes Shimura Takako's Wandering Son Vol. 2. Lesley Aeschliman states ". . . the more minimal and simplistic art works for the story being told in this series. . . I would recommend this manga series to readers who have an appreciation for literature that concerns LGBT issues."
• Review (audio):Deconstructing Comics podcast spend the full hour discussing A Drunken Dream and Other Stories. Tim Young and Kumar Sivasubramanian argue and agree on Moto Hagio's work in the book with stories that "dwelt on not fitting in, losing what you love, and other themes that could be depressing, but were usually expressed in innovative and compelling ways."
•Review: Gene Ambaum of Unshelved enjoys his read of Wilfred Santiago's 21: The Story of Roberto Clemente. Ambaum says, "I was intrigued how the author would fit his life story into a brief, illustrated book. It emphasized the major events that shaped his life, and the powerful, stark images made me feel like I experienced the tragic and poignant moments."
• Commentary:ComicBooked talks about the 90s and Fantagraphics' place within the context of pushing out music and the amazing album art of Charles Burns, Daniel Clowes and Peter Bagge.
The blackest ink in the pot of Online Commentaries & Diversions:
• Review:AV Club shows presidential love for Barack Hussein Obama and The Hypo. Noel Murray on Steven Weissman's book: "For the most part Barack Hussein Obama is just wild fun, built around the notion that a president can be easily reduced to his public image—and that we, the people, have the right to manipulate that image for our own delight." And Murray on The Hypo: "[Noah Van Sciverrenders] an American icon as a lumpen everyman, fighting through the same fog that many people find themselves in—even if few of those ordinary folks wind up in the Oval Office."
• Review:Publishers Weekly picks The Hypo by Noah Van Sciver as one of the best new books of the month. "Van Sciver’s psychologically astute examination of what might be termed Abraham Lincoln’s “lost years” (1837–1842) is as gripping and persuasive as the best historical fiction. . . .A thoroughly engaging graphic novel that seamlessly balances investigation and imagination."
• Review:Paste Magazine reviews Steven Weissman's newest book and Hillary Brown gives it a 8.1 (outta 10). "With its gold foil stamp and red, white and blue partial jacket, Barack Hussein Obama could well be a semi-official graphic rendering of a presidency. . . If this book is a portrait of anything, it shows the grind and the way that hope and idealism erodes when faced with the everyday, and that is valuable"
•Review:La Tempestad on Barack Hussein Obamaby Steven Weissman. Rough translation states "Through these pages, Weissman satirizes and creates a parallel reality of based on the stewards of American power."
• Review:MetroPulse enjoys reading Ralph Azham Vol. 1 "Why Would You Do That To Someone You Love" by Lewis Trondheim. Matthew Everett states "There’s action, drama, pratfalls, bad-ass mercenaries, and a last-panel surprise that promises future volumes will head off in entirely unexpected directions. . . Ralph Azham is off to a near-perfect start. It’s a quietly marvelous addition to the English-language catalog of a working world master. Get it while you can."
• Review:The Quietus peeks at Dal Tokyo by Gary Panter. Mat Colegate can barely contain himself: "Panter is probably one of the single most influential underground American cartoonists of all time, a kind of Ramones to Robert Crumb’s Jefferson Airplane, which makes his relative unknown status a bit baffling. A cartoonists’ cartoonist, maybe?. . . The man’s inks are practically sentient, devouring white space like it was candy floss as his crude likenesses become imbued with a very deliberate purpose, that of guiding the reader through Panter’s personal inferno: the urban Twentieth Century."
• Review:The Quietus continues comic coverage on Joe Daly's Dungeon Quest: Book Three. Mat Colgate states,"Dear J.R.R. certainly never had one of his characters wank off a gnome, did he? Indeed Dungeon Quest’s good natured, silly humour gives it much of its character and combines with Daly’s beautiful Charles Burns-esque artwork to make the book much more than the sum of its parts. It feels like a real labour of love and when you read it you’ll see why. Nerdgasm guaranteed. I’m in love with this comic."
• Review:Unshelved looked at Dungeon Quest: Book Three by Joe Daly. Gene Ambaum writes "I never know where this weird, Dungeons & Dragons-ish adventure will take me next. . . Every dungeon should have a vending machine [a la Dungeon Quest]! Makes more sense than turning a corner and finding an elf with a fully-stocked shop where there’s little to no foot traffic."
• Review:The Quietus focuses New York Mon Amour by Jacques Tardi. Mat Colgate states"Using only black, white and red, Tardi illustrates a seedy, roach-infested New York that’s utterly plausible. You can practically smell the trash on the sidewalks as you follow the hapless narrator’s spiral into madness and murder. . . .if you know anyone looking to take the plunge into comics, someone who’s interested in what the medium can do and the fascinating ways it can do it, then point them in this books’ direction."
• Review:BUTT Magazine sinks its teeth into No Straight Lines, edited by Justin Hall. "Justin’s 328-page anthology is a very thorough introduction to the world of GLBT comics. His knowledge on the subject is pretty extensive, probably because he’s been a fan of the medium since he was a kid. Justin tells me that’s how he learned to read. . . In fact, the entire collection features a healthy dose of realism from a genre usually characterized by fantasy."
• Interview: Brandon Soderberg of The Comics Journal interviews the elusive Josh Simmons on The Furry Trap and his recent short film, The Leader, plus horror in all aspects: "Often, the best horror is about losing. And maybe struggling to keep a shred of dignity while you do. But often, you don’t even get that. Sometimes, you get your throat cut while a clown is pulling your pants down. It’s not enough that you’re getting murdered, you’re being humiliated at the same time!" Simmons eloquently states.
• Review: Los Angeles Review of Books ponders Listen, Whitey! The Sights and Sounds of Black Power by Pat Thomas. Rickey Vincent says,"The book is meticulously detailed, reflecting Thomas’s skills as a researcher (and record producer), yet conversational in tone, balancing the voice of a rock critic with the heft of a historian. . .The book remains consistent with its vision, and Thomas delivers black power with authority."
• Commentary:SFWeekly talks about Love and Rockets' art show at the Cartoon Art Museum, Chris Hall explains "If Love and Rockets brought one innovation to the comics field, it could be its lack of misogyny. . . Love and Rockets has, from the beginning, been praised for consistently depicting strong, complex women characters."
• Commentary:Jordan Hurder posted some APE coverage on the Hernandez Brothers and our company: "Fantagraphics crushed this show. It helps that they had Los Bros celebrating 30 years of Love and Rockets and Jim Woodring was already there as a special guest, but there was a consistent buzz around their table, and there were lines for pretty much every signing they had."
• Commentary:Jaime, Gilbert and Mario Hernandez appeared at APE much to JK Parkin of Robot 6 's delight. "All three Hernandez Brothers were at the show, and when they hit the Fantagraphics table the crowds surrounded them."
• Interview:The Comics Reporter links to some great vids from SPX interviews with Jaime Hernandez, Gilbert Hernandez and Daniel Clowes.
• Review:Simcoe looks at Walt Disney's Uncle Scrooge: Only a Poor Old Man by Carl Barks. Glenn Perrett says, "The stories are entertaining and the illustrations are excellent with a wonderful use of colour. . . Walt Disney's Uncle Scrooge: Only a Poor Old Man will appeal to young and old."
• Review:Pat Afforo looks at Stigmata by Lorenzo Mattotti and Claudio Piersanti. "If anyone has not read it you are definitely in for a ride and it is not a smooth one at the very least. This book covers a lot of different topics: religion, redemption, reincarnation, sin, good vs. evil, and above all love."
• Review:AV Club has high hopes for Rich Tommaso and his future books starring The Cavalier Mr. Thompson. Noel Murray posits,"Tommaso’s talented enough that The Cavalier Mr. Thompson might one day be seen as the lurching beginning to something truly great. . ."
•Interview:The Guardian asks Chris Ware some questions. In answer to Rosanna Greenstreet's question 'Which living person do you most admire and why?' Ware answers,"For intellect: Art Spiegelman. For art: Robert Crumb. For poetry and vision: Gary Panter. For decency: Barack Obama. For genuine goodness: Charles Burns. For genius: Charlie Kaufman. For soulfulness and love: Lynda Barry. For words: Zadie Smith. For unique life's work and superhuman effort expended: Ira Glass, Dave Eggers."
Buried in one of the longest threads on TCJ (this year), our commander-at-the-helm Gary Groth released the list of stories to be included in our fourth Carl Barks Library publication. Currently, it clocks in around 240 pages, full-color splendor and as always, a perfect gift book for Disney fans
The next Barks book will be titled “The Old Castle’s Secret” and will contain the following stories:
“The Old Castle’s Secret” (natch) “In Darkest Africa” “Wintertime Wager” “Watching the Watchman” “Wired” “Going Ape” “Spoil The Rod” “Bird Watching” “Horseshoe Luck” “Bean Taken” “Rocket Race to the Moon” “Donald of the Coast Guard” “Gladstone Returns” “Links Hijinks” “Sorry to be Safe” “Sheriff of Bullet Valley” “Best Laid Plans” “The Genuine Article” “Pearls of Wisdom” “Foxy Relations” “Wintertime Wager” first appearance of Gladstone Gander “Watching the Watchman” “Going Ape” “Spoil The Rod” helloooo Pulpheart Clabberhead “Donald of the Coast Guard” “Pearls of Wisdom” “Foxy Relations”
The weekend's newest Online Commentaries & Diversions:
• Plug: The best footnote IN THE WORLD? appeared on Grantland's excerpt of Marvel Comics: The Untold Story written by Sean Howe. It refers to Marvel's idea of hiring Gary Groth. . . Look for footnote 7.
•Review: Johnny Ryan'sPrison Pit: Book 4 is reviewed on Nick Gazin's Comic Book Love in #73 and Mr. Ryan himself is interviewed. . . via text. "There's no point in trying to explain Prison Pit. You can only experience it to understand it. Start buy buying all of them at once if you haven't yet. . . It wears its intentional stupidness and violence on its sleeve while also showing off Johnny Ryan's sophisticated sense of composition and black and white ink prettiness."
• Review: Comics Bulletin likes Rich Tommaso's The Cavalier Mr. Thompson. Nick Hanover says, "Tommaso's distinctly minimalist, animation-influenced style adds another seemingly disparate element that actually serves to enliven the material all the more, finding some sweet spot between the Coen Brothers and Popeye."
• Plug:Comics Alliance lists their favorite covers of the month and include Rich Tommaso's The Cavalier Mr. Thompson. Andrew Wheeler says,"I'm drawn to the graphic simplicity of this cover. It plays with scale, line and color in creative ways, and the composition pulls it all together."
• Review: Rick Klaw at RevolutionSF flips through Dungeon Quest 3 by Joe Daly ". . .rousing adventure and ass-kicking action — all staged in front of fantastic backdrops replete with strange vegetation, ancient ruins and steampunk imagery."
• Commentary:The Beat reports on an SPX panel with Daniel Clowes and his editors, Alvin Beaunaventura and Ken Parille, for The Daniel Clowes Reader. Hannah Means-Shannon states,"Clowes, who appeared energetic and amused by such a large crowd commented that working on the retrospective book with Buenaventura was a welcome thing because he’s 'lonely and working all the time'so it was 'fun to have someone to hang out with'. . . Little details provided by Buenaventura and Clowes about the research process set the scene for comedy, including Buenaventura rifling through Clowes’ closets constantly and 'measuring his art' while Clowes wondered what dirty laundry the writer might dig up that he had forgotten about."
• Review: Rob Clough of High-Low picks up The Squirrel Machine, which is being reprinted in soft cover next spring, by the creeptacular Hans Rickheit. "Rickheit's stories tend to take place in a more upscale, reserved and even Victorian setting, which befits his delicate, sensitive line. . . Rickheit strikes at the heart of what it means to be human: connecting with other emotionally and physically, seeking to express oneself through art, investigating the world around us--in other words, to be emotionally and intellectually curious."
• Review: Chad Parenteau reviews Hans Rickheit's newer Folly on We Got Issues. "Rickheit clearly wrestles with the meaning and purpose of his work with every page he creates, as other artists do. Hans might be consider rude for speaking so out loud about it if more people hung around long enough to listen. Me, I’m so ensconced in his Underbrain, I’m taking notes."
• Review:Comic Impact soaks up The Crackle of the Frost by Jorge Zentner and Lorenzo Mattotti. John Mueller states, "Frost is a sharply written book that takes the reader deeper into a character’s psyche more than any other comic in recent memory. Still, as well-written as the book is, what will undoubtedly get people to pick it up is the sensational art by the acclaimed Mattotti. . . the styles of the art can jump from impressionism to expressionism, symbolism to Hopper-esque realism often within the space of just two panels."
• Review:Bookgasm reviews The Crackle of the Frost by Jorge Zentner and Lorenzo Mattotti. JT Lindroos thinks,"THE CRACKLE OF THE FROST is realistic in a manner very few graphic novels are, pinpointing a phantasmagorical and poetic vision of human relationship in its naturally nonlinear movement. It’s also a perfect example of a work that might appeal to someone not customarily interested in comics"
• Interview:The Chicago Tribune talks to Chris Ware about life, comics and Peanuts. "When he was a child, Ware connected deeply with Charlie Brown, he said. He remembers connecting so deeply that he sent Charlie Brown a valentine." Fitting that Fantagraphics has published work by both.
• Commentary: Hannah Means on The Beat comments on the SPX Ignatz Awards. "The presence of the Hernandez brothers at SPX this year brought a great deal of energy, and often hilarity, and the Ignatz awards were no exception."
• Commentary: Hannah Means covered the Brooklyn Book Festival on The Beat including the 'Sex and Comics' panel that included Gilbert Hernandez. She describes, "Hernandez was asked whether he has used sex in his works as a plot device, but countered this possibility rather precisely by explaining the undesirable tendency of depictions of sex to slow down plot movements rather than usher them along."
• Interview (audio): Sean T. Collins interviewed Gilbert Hernandezrecently at SPX. Check out the full interview today.
• Interview: Vince Brusio caught up with Jaime Hernandez on the Northeast Coast Tour and interviewed him for PREVIEWSworld.
• Plug: On Forbidden Planet's Desert Island series, Gary Northfield said he could not live without Buddy Does Seattle by Peter Bagge and I Shall Destroy All Civilized Planets by Fletcher Hanks, edited by Paul Karasik. "This guy knew exactly what he was doing; his panels are graphically stunning, boldly drawn in full manipulation of the crude 4 colour printing processes being used to churn out the pulpy monthly comics. Monthly adventure comic books were in their infancy and finding their feet and Hanks was ploughing his own crazy, psychopathic path" meanwhile "Peter Bagge’s deranged, yet no doubt closely auto-biographical soap opera is an expert lesson in slice of life story-telling and comic book narrative."
It's beginning to look a lot like Christmas around here, with more advance copies of holiday-themed books arriving at our door. Hitting shelves in November, it's the third book in our smash hit Carl Barks Library series, Walt Disney's Donald Duck: A Christmas for Shacktown! Another snappy hardcover collection of some of the greatest comics ever made, presented with our usual commitment to quality... need we say more? How about a 24-page excerpt with the Table of Contents and a big chunk of the featured title story? See that, and pre-order copies for under the tree and on your shelves, right here.
The fastest 'ping' of Online Commentaries & Diversions:
• Review:iFanboy makes Carl Barks man of the month when Uncle Scrooge: Only a Poor Old Man is Book of the Month. Conor Kilpatrick writes a truly superb review and says "Carl Barks’ genius is not only about his wonderful art. He was an excellent storyteller who used his stories to not only tell jokes and send these characters on great adventures. He also told us about how they were as people and used them to examine real issues."
• Interview (audio): Love and Rockets' Gilbert Hernandez showed up on the short-n-sweet comiXology podcast today. The interview also coincides with the newest collection of work from Gilbert and brother, Jaime, coming out on comiXology the same day as the store release. The very beginning of Love and Rockets in the form of Heartbreak Soup and Maggie the Mechanic is now also available for your e-reading pleasure.
• Plug:The Comics Reporter talks about this weeks' releases and Love and Rockets: New Stories #5 is of course, at the top of the list. Tom Spurgeon says, "The follow-up to last summer's devastatingly good issue isn't as devastating, but it's still really good. Lots of Borneo in the Jaime story. I find that character alternately hilarious and terrifying."
• Review:Another Mag happily turns the pages of Sexytime edited by Jacques Boyreau. Laura Bradley states, "[this] oversized book. . . is a glorious portrait of taboo-busting 'porn chic'. Curated by author-filmmaker-curator Jacques Boyreau, the 100+ re-mastered posters vary in style – some with amusing imagery and tag lines, some darkly surreal, some sleek and stylish; all hosting kitsch appeal."
The fully charged Online Commentaries & Diversions:
• Review:School Library Journal will happily be lending out copies of Flannery O'Connor: The Cartoons to library patrons. Francisca Goldsmith says, "O’Connor’s viewpoint as a college student during the early years of World War II at an all-female Southern institution adds another layer of texture, too, for contemporary teen artists and observers of places and situations that fall outside popular media’s scope."
• Review: On Comics Worth Reading, Johanna Draper Carlson checks out Walt Disney's Mickey Mouse Vol. 3: High Noon at Inferno Gulch by Floyd Gottfredson, edited by David Gerstein with Gary Groth. "While the strips are surprisingly entertaining to readers not used to such a vibrant version of the title character, I enjoy the supplemental material just as much. The introduction by Thomas Andrae puts the work in context and point out key observations that aid in getting more out of the comics."
• Review:AV Club thumbs through the finest of our collection. Flannery O'Connor: The Cartoons, edited by Kelly Gerald, features "a Barry Moser introduction into how O’Connor used the medium and a Kelly Gerald-penned look at how O’Connor’s early life influenced her art. The Moser and Gerald pieces are so well-researched that they’d be worth reading even without the cartoons between them." Noel Murray continues onto Mort Meskin's Out of the Shadows, "Not tied down to any one character, Meskin was free to work in a variety of genres, most of which are represented here: jungle adventure, supernatural horror, westerns, science fiction, romance, crime, etc." The trip down comics-memory-lane makes at stop at Uncle Scrooge: Only a Poor Old Man by Carl Barks: "[the stories] are just as rich in their original form, packed with clever plans, narrow escapes, and a lead character who enjoys amassing and hoarding his huge fortune, even though it makes him a little nutty." On Walt Disney's Mickey Mouse Vol. 3: High Noon at Inferno Gulch by Floyd Gottfredson, Murray points out, "[editors] Gerstein and Gary Groth have assembled the usual outstanding array of contextual material, including a Gottfredson-inspired Italian Donald Duck strip from 1937 that helped seed that country’s still-fertile contributions to Disney comics…"
• Review: Nick Gazin at Vice looksSexytime up and down. The Jacques Boyreau-edited collection is a mighty fun read because ". . . every one of the posters in this book is fascinating for one reason or another. It might just be that design is so ugly that even the lowest-level design from the 70s is better than the best of what anyone's making right now. . . Portable Grindhouse was a nearly-perfect book and so is this one."
• Plug:Comic Book Resources mentions the The Art of Joe Kubert edited by Bill Schelly and mainstream comics. Augie De Blieck Jr. says, "I learned a lot about Joe Kubert from Fantagraphics' biography on him that I read last fall. It immediately made me want to go buy some reprints of 50 year old DC material that I previously had no affection for." Kubert was a master and will be missed.
• Review:San Francicso Chronicle reviews No Straight Lines edited by Justin Hall. Charlie Wells writes, "Hall's book provides a striking example of how entwined the history and literature of the gay rights movement have been since the early days of the battle.
• Review:Chicago Tribune likes the premise of the Significant Objectseditedby Joshua Glenn and Rob Walker but was not bowled over by the micro-fiction. Christopher Borrelli said, " . . . attaching a story is partly the appeal of a farmer's market, a Happy Meal. The right back story for a brand such as Apple, the editors argue, helps build a phenomenon. . . A note about the physical book, itself a gorgeous, significant object. . ."
• Review: Recently found a Robot 6 review from SCAD cartoonig professor and cartoonist, Chris Schweizer, on Chris Wright's Black Lungbefore it was signed to Fantagraphics. According to Schweizer, his opinions still hold true: "It’s a graphic novel, both in its vernacular term and in a more literal sense, violent and horrible and poetic at the same time – the sort of thing McCarthy might write if he were more interested in pirates than cowboys or Appalachians."
• Plug: Torsten Adair posts on The Beat how to order and find those SPECIAL Halloween comics that your store may or may not give out for free. Buy a stack of 20 comics for $5 and this exclusive Spacehawk comic by Basil Wolverton can be yours! "You should offer to pay for them in advance, since the comics shop will most likely consider these unusual items, and be hesitant to place the order. Of course, if they’re a cool store, they are probably participating in Halloween ComicFest, and will be happy to add your order to their store order."
• Plug: Speaking of shopping, Johanna Draper Carlson gives some tips on finding that first volume of Wandering Son by Shimura Takako on Comics Worth Reading. Good news though, the second printing will arrive within the month!
• Plug: Tom Spurgeon gets worked up over the Daniel Clowes Reader on The Comics Reporter. Fantagraphics is releasing a "Ken Parille-edited book on Dan Clowes in early 2013. Ken Parille's stuff is routinely pretty great. . . Count me in."
That's our pal Gavin Lees in Reykjavik at Nexus, the only comic shop in Iceland, with their giant sign for Walt Disney's Donald Duck: Lost in the Andes by Carl Barks! Thanks Gavin for sending the pic (and for the post title and lead-in which I stole from his email).
While reading a particularly engrossing book or graphic novel, it is not abhorrent to combine the experience with a fine drink. We are not above such fun.
In the weekly article from iFanboy, Comic Shots picks one tasty drink and pairs it with a delicious read: Walt Disney's Uncle Scrooge: Only a Poor Old Man. Josh Christie waxed on quite a bit about Carl Barks' stories. "I was, perhaps, predestined to love these new editions of Barks’ classics. Nevertheless, these stories tap into something deeper – they are, at their core, good stories. Barks’ characters are funny and charming, and their constant scheming (be it in an attempt to save a dollar or to thwart the Beagle Boys) is wildly creative."
Christie read the book while sipping only the fanciest beer imaginable at a whopping $150 a bottle. So we here at the ol' homestead came up with our own drink that you can make at home (if you are of drinking age) that also rings true to Scroogian sensibilities. It's a lil' take on the screwdriver called the Scrooge Diver.
1 part vodka (cheap, of course)
1/2 part cranberry juice
one stolen sugar packet (Scrooge's kitchen is FULL of free condiments)
Orange juice to the top with three ice cubes and enjoy while reading the best of Carl Barks in "Only a Poor Old Man." In the end, we actually used FREE VODKA which is better than cheap (in Scrooge's eye) thanks to the Jason Sacks of the Comics Bulletin who handed out special apple vodka at Comic-Con this year. Uncle Scrooge enjoys a soda below.
If mixing drinks isn't your thing, maybe you'd enjoy drinks with comics labels. For the past seven months, Elysian Brewing Company in Seattle has created some very special beers with Charles Burns art as part of the 12 Beers of the Apocalypse. With names like Maelstrom, Ruin and most recently, Torrent: you know that these are not your average beers. We claim no responsibility for you waking up in the post-apocalyptic/neo-punk/dystopian world of your dreams.
If you are in Seattle and have missed such excellent apocalyptic parties at Elysian Brewing Company and its satellite pubs, Tangletown and Elysian Fields, you've got August through December to make up for it! Check with your local co-op or grocery store to see if they carry Elsyian's 12 Beers of the Apocalypse.