Not many Online Commentary & Diversions links today but they're high-powered:
• List:Matthew J. Brady posts his top-20 Best Comics of 2009, with You'll Never Know, Book 1: A Good and Decent Man by C. Tyler at #10 ("It's an artful mix, matching a biographer's insight for detail with beautifully-flowing art and real emotions. If the next two volumes are this good, Tyler's work will be a modern classic, one for others to study for years.") and Low Moon by Jason at #8 ("It's funny, poignant, and, as always, full of insight about humanity, even though everyone is a strange animal creature. There can never be enough Jason.")
• Interview:Newsarama's Michael C. Lorah chats with Jason about his upcoming collection Almost Silent: "I'm grateful the books seem to have found an audience and are selling. It's not something I take for granted. There are better European cartoonits than me who have had problems finding an audience in America. I don't have a website or a blog so I don't have that much contact with readers except at signings and conventions. It's always good for the ego when some pretty girl says she's a fan."
• Tribute: In the Sun-Journal, Andy Rooney remembers his friend Bill Mauldin: "He was one of the great cartoonists who has ever been — in and out of the Army. I’ve looked at hundreds of cartoons he drew in my Stars and Stripes files, and he was a genius. His cartoons are still funny and perceptive." (via Journalista)
• List: At his blog Supervillain, Sean Witzke posts a massive Comics of the Decade roundup which includes Ganges by Kevin Huizenga ("The third one fucking rules"), I Killed Adolf Hitler ("I read this sitting in the train station in Philadelphia that they shot part of 12 Monkeys in, laughing very loudly") and The Last Musketeer ("Pompous blowhard saves the universe from Ming the Merciless by stabbing and chivalry. Stabbing and chivalry solve everything.") by Jason, and Prison Pit: Book 1 by Johnny Ryan ("Book of ‘09... If the point of comics is fucked up shit happening, this is the best fucking comic ever made.") (via Robot 6)
• Review: "Family histories isn’t a series of isolated events, in Tyler’s mind, but fluid — and sometimes jarring — tapestries of facts, memories, half-truths, and emotional resonances. Her father clearly doesn’t see things that way, and this first part of You’ll Never Know shows a potential rift in how father and daughter understand their lives, and how they think a war should be remembered. I can’t wait to read how this fracture develops, deepens, and perhaps closes up." – Walter Biggins, Quiet Bubble
• Review: "There's much to like here. I sort of assumed MOME would be more like Raw, in terms of pushing the envelope and extreme artiness and so on, but it's much more readable than that. ... Anthologies are always uneven, but this contains fewer stinkers than most, clearly a testament to Fantagraphics's editorial eye." – Hillary Brown, Shazhmmm...
• Review: "Few artistic creations merit the adjective 'lurid.' Strange Suspense leers confidently from the shadows of that small crowd. ... If the infected, deformed teens of Black Hole inspired the reader to linger on each page of that magnificent book, Strange Suspense is worth a look. And for the Ditko-curious, this isn't a bad place to start." – The Typing Monkey
• Review: "The Squirrel Mother is a compilation of stories created by Megan Kelso between 2000 and 2005, that Fantagraphics Books, faithful to its tradition, made a beautiful object, which delights the eye before the mind." – Pedro Cleto (translated from Portuguese)
• List:Paul Gravett names "The Best of 2009: Graphic Novels": No. 9 is Giraffes in My Hair: A Rock 'n' Roll Life by Bruce Paley & Carol Swain ("Paley combines so perfectly with his partner Carol Swain to capture Paley’s walks on the wild side as he journeys through sex, drugs and rock’n'roll, from hippy to punk. ... Hers has always been an utterly singular approach."); No. 13 is (appropriately) Pim & Francie: The Golden Bear Days by Al Columbia ("These distressed, distressing comics and illustrations repeat and escalate like a stuck record or never waking from a recurring nightmare."); and No. 14 is You'll Never Know, Book 1: A Good and Decent Man by C. Tyler ("A tender, bittersweet tribute from a daughter to a father and his military service in a beautifully crafted, tactile memoir.") (via The Comics Reporter)
• List/Review: At The HeroesOnline Blog, Dustin Harbin explains why Popeye Vol 4: Plunder Island is #5 on his Fave 5 of 2009: "These Popeye books are made with the kind of love and care and attention to detail that’s rare in comics — it’s clear that their publishers treat this material with reverence, and it makes it even more pleasurable to crack a new volume open each year."
• Review: "Though [Like a Dog] may seem like a hodgepodge of bits of [Zak] Sally’s work, there is consistency in the overall feeling. Much of his work is a collection of personal demons -- his insecurities, self-doubt, anger, pain, sadness and darkness -- that are exposed in obvious and subtle ways. ... The grit of this collection lies in the sense that one has had a sideline view of an intensely cathartic therapy session." – Janday Wilson, two.one.five Magazine
• Review: "This is warts and all stuff, a young artist learning with every six pager. ... There is some juvenile pleasure to be had in the fact that these stories [in Strange Suspense: The Steve Ditko Archives Vol. 1] all predate the Wertham/Comics Code era, so there's quite a bit of blood, some severed limbs, and grisly comeuppance. And although still oscillating between styles and influences here, there is substantial growth... [E]ven in its infancy, Ditko's art is increasingly potent." – Christopher Allen, Comic Book Galaxy
• List: On Random House's Suvudu blog, Dallas Middaugh selects 2008's Bottomless Belly Button by Dash Shaw as #3 on the Top 10 Graphic Novels of 2009: "This book came from out of nowhere to great critical acclaim, and it pushed young Mr. Shaw in the spotlight as one of the most exciting new cartoonists in the field. ... This haunting story of a dysfunctional family twists and turns and stuck with me long after I read it."
• List: At Comic Book Galaxy, Marc Sobel counts down "The 15 Best Back Issues I Read Last Year," including Birdland by Gilbert Hernandez ("vastly underappreciated") and the entire run of Hate by Peter Bagge ("This series gets better with age")
• Review: "Dreams are probably the second most popular subject for autobiographical comics, however distantly they lag behind the events of waking life. But no one, to my knowledge, has attempted to create comics arising from the hypnagogic netherworld that lies between the sleeping and the wakeful states. Until now. Or maybe not. It’s hard to say precisely, which is what gives Kevin Huizenga’s Ganges #3 so much of its unique charm." – Rich Kreiner, The Comics Journal
• Review: "What the hell is going on here? What is this book, anyway? ...[Pim and Francie] is like the inexplicable artifact of a deranged mind... Columbia has a flair for the grotesque, which, when mixed with such cute cartooniness reminiscent of old-school Disney, makes for an especially creepy juxtaposition. ... It's a cascade of horror, page after page of mostly-unfinished nastiness, enough to stick in the mind and cause nightmares for weeks." – Matthew J. Brady
• Review: "At long last, a handsome, two-volume, slipcased set [of Humbug] brings back into print a pivotal, neglected portion of the oeuvre of Harvey Kurtzman and that of a cadre of gifted pranksters bent on smart satire." – Rich Kreiner, The Comics Journal
• Review: "With a new exhibition currently on view at Tony Shafrazi Gallery in Chelsea and his remarkable inclusion in the 2010 Whitney Biennial, Robert Williams seems more than ever the most likely candidate to represent the ways that late decadent American culture will be remembered by history. ... This is a late career artist at the top of his game, a shamefully overdue entry into still meaningful discourse of what art can be when it refuses to play by the rules, a monster of the imagination whose time has finally come." – Carlo McCormick, artnet
• Review: "Portable Grindhouse celebrates the sleazy kick of killing time in a slightly crappy video rental store, minus the inevitable arguments about what to rent or the possibility of your VCR eating the tape." – Dave Howlett, Living Between Wednesdays
• Plug:Robot 6's Chris Mautner is reading his stack of Comics Journal back issues "starting with #291, which features interviews with Tim Sale and Josh Simmons, as well as a great critical thinkpiece by Gary Groth on Ralph Steadman and Hunter S. Thompson. That alone was worth the cover price."
• Plugs: Some fun and appreciated name-drops from Tom Neely and Charles Bernstein in the 5th part of The Beat's year-end survey of comics pros
• Plug/Coming Attractions:Comic Book Resources' Greg Burgas comments on the January issue of Previews (our listings from which can be seen here): "Jacques Tardi's It Was the War of the Trenches, from Fantagraphics on page 256, sounds keen. It's a World War I book, so I'm sure it will be utterly depressing, but it still sounds worthwhile!"
• Interview: The final part of Brian Heater's interview with C. Tyler at The Daily Cross Hatch: "To me, it’s underground, and there’s other people who think, 'no way, it’s Mad Magazine.' Everyone has their place where it starts. There’s people now who say, 'Kramer’s Ergot is when it started for me.' Everyone has their place when they jumped off the diving board, into the pool of comics. The fact is, it’s continual."
• Profile: Gurldoggie takes a quick look at Joe Sacco in advance of his appearance in Seattle this week
• Events: The Covered blog celebrates its 1st anniversary and announces an art show at Secret Headquarters in L.A. in March
• List: Any best-of list that leads off with a Maria Bamford reference is all right with me. NPR's Glen Weldon rounds up his best graphic novels of 2009, including You'll Never Know, Book 1: A Good and Decent Man by C. Tyler ("...Tyler lets her warm, fluid art draw the parallels between herself and her father, and hint at a darker story behind it all") and Low Moon by Jason ("The deadest of deadpan humor. Jason's cartoony, utterly affectless characters interact is ways that are horrible, hilarious and sad — often at the same time.")
• List: Josh Flanagan of iFanboy names The Best Comics of the Decade, including Palestine by Joe Sacco: "More than any of the documentaries or news stories I've seen, Palestine shaped my view about what things are like in the Palestinean territories. Joe Sacco spent time with the people who live there, and explored the sticky, nearly untenable situation that persists today. Sacco's cartoons put a human face on the people involved, and it's a stunning work, comics or otherwise."
• List:Library Journal knows that no list of 24 Graphic Novels for African American History Month would be complete without King: The Special Edition by Ho Che Anderson: "Widely acknowledged as a masterpiece, this award-winning biography invokes King’s flaws, tragedies, and triumphs."
Don't miss an opportunity to get a sneak peek at some of the great books you'll be reading later this year at the FANTAGRAPHICS 2010 PREVIEW event this Saturday, January 9 at Fantagraphics Bookstore & Gallery in Seattle.
The opening from 6:00 to 9:00 PM coincides with the colorful Georgetown Art Attack featuring visual and performing arts presentations at several locations throughout the historic neighborhood. For details and a map visit www.georgetownartattack.com.
Fantagraphics Bookstore is located at 1201 S. Vale Street (at Airport Way S.) only minutes south of downtown Seattle. Open daily 11:30 to 8:00 PM, Sundays until 5:00 PM. Phone 206.658.0110.
By the way, multiple belated hat tips to Robot 6, whose roundups of end-of-year links have been invaluable to the last few installments of Online Commentary & Diversions. On with the links:
• List:Publishers Weekly announced the results of their 2009 Comics Week Critic's Poll; among the top vote-getters are You'll Never Know, Book 1: A Good and Decent Man by C. Tyler ("I love this autobiographical family story as much for the way Tyler weaves between her own life and her father's, as for its painterly, illustrative panoramas of suburban neighborhoods and army scenes." – Sasha Watson) and Tales Designed to Thrizzle Vol. 1 by Michael Kupperman ("Milk and other liquids may come out your nose as you read one of the funniest comics ever put to paper. Kupperman's droll absurdism is matched by a stiff, woodcut-like art style that underplays the sometimes outre concepts. A comedy diamond." – Heidi MacDonald). Humbug by Harvey Kurtzman et al, Low Moon by Jason, Luba by Gilbert Hernandez, Supermen!: The First Wave Of Comic Book Heroes 1936-1941, West Coast Blues Jean-Patrick Manchette and Jacques Tardi, and You Are There by Jacques Tardi and Jean-Claude Forest all received single votes in the poll
• List: At comiXology, Tucker Stone counts down his top 25 Best Comics of 2009, with Grotesque #3 by Sergio Ponchione at #23 ("...every once in a while, I get a reminder how vast the world of comics really is. Grotesque — European, unusual, brilliant — was one of those, an experimental passport to another universe"), Ganges #3 by Kevin Huizenga at #7 ("...Ganges captured the thing that all of us spend a lifetime doing — thinking — and turned it into something deserving of examination") and, in the top spot, Prison Pit: Book 1 by Johnny Ryan ("Aggro, obscene, hilarious, compulsive: Prison Pit. It wasn't just the greatest comic of the year, it was one of those comics that operated like the end result of a math equation, a definitive answer to the question of what comics are, and what they should be...")
• List: Johnny Bacardi's Personal Best of the Decade includes Eightball #22 by Daniel Clowes
• Review: "Each [panel] almost vibrates with the frenetic, desperate energy of the characters as they try to pull off their cons. That energy explodes in the final pages, as the story comes to a dramatic but ambiguous conclusion. In the end, the work offers an homage to B-movies while standing out as a graphic novel. The Troublemakers will please long-term Hernandez fans. It also should serve as a good introduction to newcomers looking to jump into the Love and Rockets universe." – Publishers Weekly
• Review: "...Giraffes [in My Hair], a collection of anecdotes from Bruce Paley's teens and twenties on America's countercultural fringe, is a breezy read. ... Swain's art rarely calls attention to or gets in the way of itself, and in that it meshes seamlessly with Paley's deadpan 'here's what happened' narrative style, his reluctance to overstate or oversell the import of the anecdote reminiscent of Harvey Pekar's." – Sean T. Collins
• Review: "...[The Comics Journal] has reached issue 300 and is celebrating with a fascinating collection of creator-chats as industry tyros and giants come together to interview, share, bitch and generally shoot the breeze about graphic narrative: a tactic that makes this the most compelling read of the year for anyone truly interested in what we all do and why." – Win Wiacek, Now Read This!
• Review: "Fantagraphics Books continues its series devoted to chronologically packaging [Peanuts] and has not missed a step along the way. ... I’m pleased to inform that the latest edition, the twelfth in the series, is as lovingly curated as the first... [I]t is nice to know that one of the form’s greatest achievements is being held up as the accomplishment it really is." – Dw. Dunphy, Popdose
• Review: "[In Sam's Strip] Walker and Dumas clearly take pleasure in working in callbacks to classic comic strips... [and] many of the metatextual gags are funny and fun. ... Dumas’s drawings of classic comic-strip characters are excellent... The result is a frustrating, compelling curiosity: the soul of an underground comic trapped in the mortal coil of a Hi and Lois." – Shaenon Garrity, The Comics Journal
• Events:Star Clipper is sponsoring a screening of Ghost World at Schlafly Bottleworks in St. Louis tonight — oh jeez, in like half an hour! — and copies of the graphic novel and other Clowes books will be on sale
The first Online Commentary & Diversions of the new year might be the longest one ever, so let's get to it:
• List/Review/Interview: As part of The Comics Reporter 's unique series of critical discussions on notable comics of the decade, Tom Spurgeon talks to Tucker Stone about Kevin Huizenga's Ganges: "That's the thing about Ganges #3 that makes it a unique comic -- it cannot be told in another medium and work. How are you going to write that down, that aspect of Glenn chasing his own thoughts and memories about completely personal, mundane life aspects, without drawing the character swimming around in his own head?" Elsewhere, Sean T. Collins responds to some of Stone's points
• List:Robot 6 lists The 30 Most Important Comics of the Decade. In part one, Safe Area Gorazde by Joe Sacco is at #19 ("What's more, it showed that comics could handle not only tough subject matters, but deal with timely, true-life subjects in a hard-hitting, journalistic fashion"). In part two, The Complete Peanuts is at #15 ("If you believe, as I do, that we are living in the Golden Age of Reprints, chances are The Complete Peanuts is your Exhibit A")
• List:Newsarama's J. Caleb Mozzocco names his top 10 comics of the year, with The Red Monkey Double Happiness Book by Joe Daly at #8: "...[W]hat he delivers in the two stories collected in this book are unlike anything else I’ve seen in popular comics."
• List: Joe McCulloch of Jog - The Blog prefaces his Top Ten Comics of 2009 list with a "Top Five Caveats of 2009" list of reprinted or unread comics which includes Supermen! The First Wave of Comic Book Heroes 1936-1941: ("Supermen!excited me... for suggesting a burning, manic soul of superhero comics, a reckless freedom differentiated from pulp writing and feature films by gnarled visual style while set apart from newspaper strips by virtue of a restless hunger to entertain quick and hard. It felt like the start of a future, and the comedown only hit when I realized I enjoyed it more than any new superhero comic of 2009") and The Squirrel Machine by Hans Rickheit. On the Top Ten list proper: West Coast Blues by Tardi & Manchette at #8 ("Teeming with fleshy characters prone to bleeding and puking, rippled with burn lines of existential dismay, the story keenly exploits how the thrills promised by bloody adventure outside the law segue into the terror of governmental systems failing to protect their cozy consumer citizens") and Prison Pit: Book 1 by Johnny Ryan at #4 ("as visceral and gory as fantasy throwdowns get, while remaining almost contemplative in its plain-paneled studies of bodily movement").
• List: Patrick Montfort, blogging at Articulate Nerd, names his Favorite Comics of 2009: at #10, West Coast Blues by Tardi & Manchette ("A masterfully constructed crime story with an unlikeable protagonist caught in an unlikely circumstance, this very French graphic novel is superior to anything I've seen in the genre from an American cartoonist"); at #9, Abstract Comics: The Anthology ("Handsomely designed and smartly edited... one of the year's most unique releases... thrilling"); at #8, Prison Pit: Book 1 by Johnny Ryan ("Refreshingly devoid of any literary or artistic pretensions, this first of what I hope will be many, many volumes nevertheless comes across as somehow one of the smartest and well crafted books of the year"); at #7, The Complete Peanuts 1971-1972 and The Complete Peanuts 1973-1974 by Charles M. Schulz ("Really strong stuff here, including the 'Charlie Brown wears a sack on his head to summer camp' sequence, surely the 'Poison River' of Peanuts"); and at #2, The Squirrel Machine by Hans Rickheit ("Reminiscent of the best work of David Lynch, there are a lot of powerful themes humming just beneath the surface of the creepy and dreamlike narrative. This one hit hard, and I can't wait to read it again. Really, really impressive")
• List: Cartoonist David Lasky's Best Graphic Novels of the Decade include Safe Area Gorazde by Joe Sacco at #8 ("More haunting and harrowing than any TV news report on the subject") and The Frank Book by Jim Woodring at #10 ("Jim Woodring's cartoon animal, Frank, learns about life (the hard way) in an odd, visually lush, surreal world")
• List:Newsarama's Henry Chamberlain names the comics he was most intrigued by in 2009, including The Squirrel Machine by Hans Rickheit ("Hans Rickheit has been producing work like this for years and he has perfected a certain haunted and exquisite comics style. Take it from me, this story of two very strange brothers is the real deal.")
• List: Matthew Price of The Oklahoman names his top 10 graphic novels of the decade, with Joe Sacco's Safe Area Gorazde at #9 ("Joe Sacco's nonfiction account of the war in Bosnia was among the best ever examples of graphic novel journalism.")
• List: Edward Kaye of Hypergeek selects The Best Graphic Novels of 2009, including Low Moon by Jason ("At times both bleak and humorous, these beautifully absurd stories will leave you as speechless as one of Jason’s silent characters."), Love and Rockets: New Stories #2 by the Hernandez Brothers ("Los Bros. Hernandez continue to blaze trails with their originality, and the comic industry is better for it. This essential collection should be on every fan’s shelf."), Luba by Gilbert Hernandez ("It’s an astounding collection of stories about family, life, love, and heartbreak... [W]hen you read all of these powerful tales together in one place, you realise that Beto has created an epic here, unrivaled in its scale and depth. Words fail to express just how wonderful this collection is."), Everybody Is Stupid Except for Me by Peter Bagge ("It’s a brilliant piece of work, and perhaps Bagge’s finest achievement to date."), Locas II by Jaime Hernandez ("These tales of the lives of Maggie, Hopey, and Ray, are some of the most enthralling, and sometimes bizarre, stories ever told in the comic medium.") and You Shall Die by Your Own Evil Creation! by Fletcher Hanks ("...[T]hese surreal tales from the dawn of the super hero are uncompromisingly vivid, brutal, and at times, completely insane!")
• List/Coming Attractions/Plugs:Hypergeek lists The Essential Comics and Graphic Novels of 2010, including Almost Silent by Jason ("Jason is one of the greatest cartoonists in the world") and the year's books from the Hernandez Brothers: The Troublemakers ("I loved Chance in Hell, so this follow-up is a must for me. Beto is a wonderful storyteller, and an astonishing artist, so you can't go wrong picking this up, even if you've never read any L&R!"), High Soft Lisp ("This collection is essential for all L&R fans, as it collects together many of Beto's stories from the second L&R series, for the first time."), Penny Century ("Another essential collection for fans of L&R, collection Xamie's Penny Century stories from the Penny Century series and from Love & Rockets Volume II."), and Love and Rockets: New Stories #3 ("If it's a tenth as good as the first two volumes, we're in for a treat!")
• Review: "Magnificent art. Panels that range from three or so across medium-sized panels and the occasional painfully detailed and colored super-sized panel. An ongoing story...with blood and gore even! Dooming predictions, wounds, loss and death. Fantagraphics is to be thanked for working so hard to produce a book [Prince Valiant Vol. 1: 1937-1938] that shows Foster's artwork in a decent size and with the colors corrected." – Fred Kiesche, The Lensman's Children
• Review: "For a change of pace, it's nice to delve into some work from the great Steve Ditko and find nary a spider-man nor a strange doctor among them. Fantagraphics provides the ideal venue for doing so in Strange Suspense: The Steve Ditko Archives Vol. 1... With the Fantagraphics logo on the sturdy spine, readers can expect — and receive — a top-quality package with crisp pages and handsome design. It's certainly attractive for some stories Ditko dismissed as 'junk,' but we all know there's treasure buried in trash." – Rod Lott, Bookgasm
• Review: "Issue #2 [of Sublife] saw a lot of [the] promise [of the first issue] fulfilled in a group of stories that ranged across both genres and visual styles... What connected each story was a common theme: the desire for family and the ways in which that need either created surrogate families or metastasized into something darker." – Rob Clough, The Comics Journal
• Plug:Robot 6 guest contributor Shaenon Garrity got Humbug for Christmas: "I love Harvey Kurtzman's failed magazine projects... Kurtzman never had much success in all his long career, but he had a talent for making smart people want to give him a hand... fun stuff. It's got a lot of work by Arnold Roth, whom I love."
• Coming Attractions:Robot 6 surveys numerous comics pros as to what they're looking forward to in 2010: in part 1, Evan Dorkin mentions several of our upcoming reprint collections; in part 2, Chris Schweitzer mentions Drew Weing's Set to Sea (July); in part 3, Jamie S. Rich mentions Lucky in Love by Chieffet & DeStefano
• Interview:The Daily Cross Hatch's Brian Heater continues (in part 3 of 4) his conversation with Carol Tyler: "I thought I could knock it out really quickly. That’s not case. But that’s not really stopping me, or anything. It’s just that, if it takes another six months to make this nicer, sweeter, and more wonderful, I want to. At first I thought I could get it all out in one package. I had it ready. But I’m not person who can write a script and then go illustrate it. I’m intuitive and I’m intuiting my way into this huge subject matter that hits me like a rock. There’s times when I can’t work because it makes me cry."
• Profile:Comic Book Resources' Shaun Manning talks to Dash Shaw about The Unclothed Man in the 35th Century A.D.: "I realize that some people think of comics as being storyboards, or as some kind of preliminary work for a movie, and that's very funny to me. But usually the people who think that are film-industry people who think EVERYTHING is preliminary work for a future film! A book, play, whatever! Ha!"
• Survey:The Beat's year-end survey of comics pros includes the following responses. From Jay Lynch: "When I think of comics in the 00s I think of: Johnny Ryan." From Mike Dawson: "What was the biggest story in comics in 2009? The Comics Journal moving almost exclusively online."
A nice short Online Commentary & Diversions update:
• List:Comicdom continues their Top 100 of the 00s with Chris Ware's Acme Novelty Library at #3: "Whatever the format, or content of the story, each issue of Acme Novelty Library is a special 'objet d'art,' which is part of the vision of an author who redefined what can be considered 'comics' and provided us new ways of storytelling." (from Google translation)
• Review: "The list of excellent graphic novels released in 2009 seems to grow with every other book read, and [You'll Never Know, Book 1: A Good and Decent Man]... stands out even in its crowded field. Carol Tyler really makes a name for herself with this 'graphic memoir,' as the cover calls it, demonstrating an incredible grasp of storytelling structure and a layering of personal and historical incident into a complex, cohesive whole that illuminates her own life along with her subject's. It's an impressive achievement, and as the first volume of a projected trilogy, it's indicative of the quality to come." – Matthew J. Brady
• List: Joe Gross of the Austin American-Statesman names notable comics of 2009, including Pim & Francie by Al Columbia ("It's a bit like peeking at J.D. Salinger's notebooks, if his notebooks were pure nightmare fuel") and You'll Never Know, Book 1 by C. Tyler ("A terrific addition to the canon of literature about baby boomers, their parents and their children")
• List: Greek site Comicdom names Ivan Brunetti's Schizo #4 to the #4 spot on their Top 100 of the 00s countdown. From the Google translation: "With words or silence, with an excellent sequence between the panels and embroidered with punchlines, reading this comic becomes a personal matter, even though the association, the painfully honest confession, is more or less familiar to everyone."
• List:Fústar awards The Clanging Gong of Doom for "Weirdest & Most Brain-Searingly Wonderful Book of the Year" to You Shall Die by Your Own Evil Creation! by Fletcher Hanks, which "might be testament to rage-filled, borderline psychosis – but it's thrillingly vital and magnificently (uniquely) strange for all that."
• Review: "...[T]he great pleasures of each story [in The Red Monkey Double Happiness Book] are the odd, idiosyncratic details Daly includes, and the way in which he reveals them. ... I’ve never read anything like it—and now I want nothing more than to read more of it." – J. Caleb Mozzocco, Newsarama
• Review: "Sublife Vol. 2... is John Pham’s gorgeously designed one-man anthology book, including about a half-dozen stories of various genres, formats, sensibilities and even art styles, each impeccably laid out on longer-than-it-is-high, 8.5-by-7-inch rectangular pages. ... They’re all pretty great on their own, and taken all together, they make up a downright remarkable book." – J. Caleb Mozzocco, Newsarama (same link as above)
• Review: "...[C. Tyler's] autobiographical comics display a shocking, unruly wholesomeness: they are visually and morally beautiful, suffused with a scrap-doodle amateurism and palpable maternal love... You’ll Never Know, Tyler’s newest book, is modeled on a scrapbook and is a tribute to craftsmanship, much like the home repair and plumbing we see her father, the 'good and decent man' of the title, often undertaking. ... Tyler mitigates this directness of heart with a dynamically pesky drawing style, splattering each panel with the democratic debris of life." – Ken Chen, Rain Taxi
• Review: "While we’re torturing geeks, I have to put in a good word for Andrei Molotiu’s Abstract Comics: The Anthology... The collection has a wealth of rewarding material, some of it awkward, some groundbreaking — on the whole, it is a significant historical document that may jump-start an actual new genre." – Doug Harvey, LA Weekly
• Review: "Some of the writing [in Humbug] may seem a bit quaint in our ‘irony coming out our asses’ present day, but the artwork is uniformly mind-blowing. ... This collects the whole ill-fated run in a luxurious hardbound package including top-notch background material. Worth it for the mammoth Arnold Roth & Al Jaffee interview alone." – M. Ace, Irregular Orbit
• Plugs: In an interview with Newsarama, Chris Ureta Casos of Seattle comic shop Comics Dungeon gives a nice shout-out to our recent reprint efforts and names Paul Hornschemeier's Mother, Come Home as a personal all-time favorite
• Plug:Robot 6's Chris Mautner got our collection of Jerry Dumas and Mort Walker's Sam's Strip for Christmas ("you can sense the two of them having fun")
• Interview:The Wall Street Journal's Jamin Brophy-Warren has a brief Q&A with Gahan Wilson: "The other thing that dawned on me was we were destroying the planet or at least we were destroying it as a feasible environment. There’s a little grandiosity in saying we’re destroying the earth — we’re just screwing it up so we can’t live. For one, that was hilarious that we’d be determined to continue and it keeps getting worse and worse."
• Interview:The Daily Cross Hatch's Brian Heater continues his conversation with Carol Tyler: "I…can’t…the secret of life? I’m not giving away the secret! I’ll just tell you this — it’s funny around here, because I have to go and pick up dog poop or something. And I’ve heard something like, 'Robert and Aline [Crumb] are in the New Yorker, this week. Oh, they’ve got ten pages.' And I’m just picking up dog poop, but I’m happy, for some reason. I’m happy!"
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