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Buz Sawyer Vol. 3: Typhoons and Honeymoons [Pre-Order]
Buddy Buys a Dump: The Complete Buddy Bradley Stories from "Hate" Comics Vol. 3 (2000-2013) [Pre-Order]
The Love Bunglers [Pre-Order]
more upcoming titles...
Category >> Carol Tyler
Today's Online Commentary & Diversions:
• Review: "Luminous really is the right word for the visuals here [in R.I.P.: Best of 1985-2004]: Their pure-white-on-pure-black construction makes every line and reverse-negative shading — carved out with scalpel precision — practically shine forth from the glossy black and white pages. Like Charles Burns’s inks or Drew Friedman’s stippling, Thomas Ott’s scratchboard work is art to be marveled at as much as read." – Sean T. Collins, The Comics Journal
• Review: "This initial collection is the perfect means of discovering or rediscovering Crane’s second magnum opus — spectacular, enthralling, exotically immediate adventures that influenced generations of modern cartoonists, illustrators, comics creators and storytellers. Buz Sawyer: War in the Pacific ranks as one the greatest strip sequences ever created: stirring, thrilling, funny and moving tale-spinning that is unforgettable, unmissable and utterly irresistible." – Win Wiacek, Now Read This!
• Review: "Deitch is one of the great originals of comics: wordy and discursive, but always compelling, with a detailed pen-and-ink style that incorporates a thousand grotesques while remaining essentially sunny and full of wonders. [...] Simply put, it's lovely to be in a world that not only contains a Kim Deitch, but celebrates him and lets him continue to create stories like [The Search for Smilin' Ed]; his continued career is almost enough to make me believe in his wilder flights of fancy." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Plug: "Tardi created this sucker in 1974, and it’s amazing how modern and even slightly avant-garde [The Arctic Marauder] looks today. Man, those Frenchies can do some cool comics, can’t they?" – Greg Burgas, Comic Book Resources
• Plug: Portable Grindhouse is the current Staff Pick of Strand Books' Miguel S.: "A deliciously low brow collection of VHS covers that should be in every artist or movie buff's bookcase. Witness in these pages gloriously smutty, cheesy art from days when one had to rewind your movies before returning them to the video store or face a $2 fine! Nostalgia indeed!"
Today's Online Commentary & Diversions:
• Review: "Though the episodic flow and gung-ho patriotism of the strips are simplistic in both content and conception, the depth they lack is greatly made up for by the vast, epic compositions that contain Crane’s spring-coiled bigfoot cartooning, the explosive you-are-there immediacy of his dogfights and shootouts, and the sensuous intensity of form and shape he brings to gorgeous women and vehicles of war alike. [...] Crane worked in broad strokes, which is what made him a great cartoonist; but in Buz Sawyer he also sometimes discovers quieter places, ones truly worthy of the sumptuousness with which he imbued every panel." – Matt Seneca, The Comics Journal
• Review: "Kalesniko is a major talent, and this book, which depicts a day stuck in traffic on a California freeway, presents considerable space for reflection, gossip, roman a clef and more. [...] Though the text of the story is rich and interesting, Kalesniko's art is amazing; manga-esque yet thoroughly Western, and richly expressive and subtle. Freeway will inevitably place high on many critic's year's-best lists." – Richard Pachter, The Miami Herald
• Review: "Political commentary often has a short shelf life, but Kreider's collection of cartoons and essays [Twilight of the Assholes] remains potent and pungent, despite its primary focus on the excesses and detritus of the Bush administration. There are no claims of fairness, balance, sensitivity or subtlety here. Kreider's sharp pen skewers holier-than-thou hypocrites, patently phony pious proselytizers, opportunists and idiots of all stripes — gleefully and without fear." – Richard Pachter, The Miami Herald
• Review: "With the core cast established, Segar takes more liberties with the formulas established in earlier books... and Segar continues to find new ways to play his cast off one another. How do Olive and Wimpy react when Eugene predicts Popeye will lose a prize fight for the first time ever? How does Popeye react to being a leader of men? It’s all here, all adventure and all hilarity. Fantagraphics, as you’ll know if you’ve been reading the series to date, continues to provide a gorgeous package – a towering book... with a striking die-cut cover. [...] Popeye Vol. 5: 'Wha’s a Jeep?' stands out as another winning classic comic strip collection, a reminder how great the medium has been and how dynamic it can still be." – Michael C. Lorah, Newsarama
• Review: "The value in this volume [Unexplored Worlds: The Steve Ditko Archives Vol. 2] is not in the stories themselves... but in tracking how Ditko’s art develops. Amid the stock characters of hapless dullards, five o’clock shadow Everymen and saturnine businessmen and the typical rocketships and ray guns of the day, Ditko gains confidence and consistency in his depictions, and an ability to pack more information into fewer images and to guide the reader’s eye across the page for maximum impact. His ability to convey otherworldly horrors flowers as well..." – Christopher Allen, Trouble with Comics
• Review: "...[W]hy is Sergio Ponchione not regarded as one of the top artists in the field today?! [Grotesque #4] is absolutely gorgeous. Lush, bizarre, and moving. The type of comics art which you dwell on a single panel for minutes at a time. The amount of detail and skill in each drawing is astounding. The tones and colors along with the expressive line and brush work create a mood of deep inspection." – P.D. Houston, Renderwrx Productions
• Interview: The Comics Reporter's Tom Spurgeon talks to new TCJ.com honchos Dan Nadel & Tim Hodler about taking the reins of The Comics Journal's online presence: "The initial goal was and remains the creation of a genuine on-line comics magazine (as opposed to blog, or series of blogs), with all of the long-form essays, interviews, reviews, and visual features that come with it. In other words, yes, we're attempting a counter-intuitive web site strategy, in the hopes that quality content will draw people in. We're interested in making a magazine that has a place in the larger visual culture, and can be a go-to source for people seeking insightful writing about comics."
• Commentary: Robot 6's Sean T. Collins, on the new TCJ.com: "Since I’m writing for the thing, I may not be in the best position to comment about it, but quite aside from my own minor role in the proceedings, the move is a welcome and long-overdue one. [...] Handing the Journal‘s website to an experienced print/web editorial team with a clear vision of comics and how to talk about them, one that moreover has been on the leading edge of comics criticism for some years now, is a major step in the right direction."
• Interview: The Daily Cross Hatch's Brian Heater concludes his conversation with Stan Sakai: "I own the characters, so I can do basically whatever I want with him, as far as the story goes. Most of it is adventure, I’ve done romances, I’ve done mysteries — I even did Space Usagi, where he goes through outer space. I can pretty much do anything I want with him, so I never get bored. I’m having fun with Usagi, even after so many years."
• Interview: The Comics Reporter's Tom Spurgeon talks to Renee French: "I've been fishing around. I don't know if it's my age or what, but I'm confused. I have a bunch of obsessions that keep coming back. If I just kind of do something else, like these one-off drawings that I've been doing lately, it's not satisfying. I actually need to feel a little on-edge and crazy, I think."
• Interview: Seattlest's Hanna Brooks Olsen chatted with our own Larry Reid at Emerald City ComiCon yesterday and got "some pretty spectacular insight on what's going on" with us
• Feature: The Seattle Times' Janet I. Tu does her due diligence in her profile of Emerald City ComiCon and asks the president of Seattle's largest comics publisher about the event: "'It's mind-bending how big it is now and how influential,' said Gary Groth, who works at Seattle-based Fantagraphics Books, a graphic-novel and comic-book publisher, and edits the print edition of The Comics Journal, a magazine of news and criticism on comics and cartooning. Groth attributes the growth of such conventions to comics becoming a more integral part of pop culture. 'Or perhaps pop culture has become more comic-book-ized,' he said. 'You see it with comic-book movies or TV shows like Heroes. What used to be seen as essentially kids' entertainment has become grown-up entertainment.'"
• Commentary: Robot 6's Sean T. Collins comments on Alex Dueben's interview with Carol Tyler for that blog's parent site Comic Book Resources: "Having been sucked in by war fever myself several years ago, I find myself more and more moved by accounts of how even the most well-intentioned conflicts make a rubble of countless human lives, both the ones taken and the ones scarred, physically, economically, or emotionally. ...[Tyler is] doing vitally important work."
Today's Online Commentary & Diversions:
• Interview: Comic Book Resources' Alex Dueben talks to Carol Tyler about You'll Never Know: "I believe the damage leveled upon an entire generation of (primarily) men by WWII absolutely defined our Baby Boom generation. All that so called indulgence we've been accused of. Emotionally shut off children love hula-hoops! And drugs! Look at the bloody trail of bad relationships and general self-destructive behaviors we got into. Book I says, 'I hurt you to harm your children.' This is the legacy of war."
We're pleased to report that You'll Never Know Book 2: Collateral Damage by C. Tyler and Weathercraft by Jim Woodring are finalists in a diverse field of nominees for the 2010 Los Angeles Times Book Prize in the Graphic Novels category. Congratulations to Carol and Jim! (Also to Dash Shaw, nominated for his Pantheon book Bodyworld.) Winners will be announced on April 29; see here for the complete list of finalists in all categories.
Today's Online Commentary & Diversions includes links related to all of our artists with the initials L.M.:
• Review: "Tim Kreider is a great caricaturist, as his latest collection of cartoons, Twilight of the Assholes, attests. He has a real knack for portraying the unsightly physical traits of modern Americans– the rolls of fat, the paunchy stomachs, the jowls, flabby arms and chinless faces — that make up more of the current populace than we’d care to admit (myself included). Plus, he’s got a nice, razor-sharp wit that really cuts to the absurdity of a particular stance or issue, and he isn’t afraid to get nasty or break a taboo to make his point, which can be refreshing." – Chris Mautner, Robot 6
• Review: "Cleverly constructed, laconically laid out in the classic nine-panel-grid picture structure and rendered in comfortingly mundane style a la Charles Burns, King of the Flies is a landmark in metafictional mystery tales. [...R]eaders will have to wait for the concluding book to discover how this stunning, mesmerising amalgam of Twin Peaks, Desert Palms, Peyton Place, The Omen and Blue Velvet plays out. A stylish and magical portmanteau saga of a community cursed with an excess of human frailty – lust, rage, greed, despair and especially shallow selfishness – this is a story that will surprise, compel, distress and haunt anybody with even half an imagination. Darkly addictive, casually violent and graphically sexual, King of the Flies is 'adults only' and well worth waiting until you’re 18 for." – Win Wiacek, Now Read This!
• Review: "This is a story about purpose, inertia, the road blocks we throw up for ourselves and the ways in which we are forced to interact with a demanding and frequently demeaning world. This book feels intimate because unlike his past work, Sammy the Mouse has an immediacy to it that’s quite different in tone from his earlier, more distant (but no less visceral) comics. [...] Sally’s comics have an ugly physical quality to them that I’ve always liked, but the two-color process he uses here pushes the ugly/beautiful tension even further. [...] The care and thought that Sally put into adapting his comic into the Ignatz format shows on every page and makes the story resonate all the more." – Rob Clough, The Comics Journal
• Review: "It’s hard to decide which Ignatz book is the best-looking purely from an aesthetic standpoint, but Leila Marzocchi’s Niger has to be in consideration. It’s another series that’s dominated by two tones (in this case, rust red and a chalky blue) that’s remarkable to behold simply in terms of its mark-making. There’s a lushness to this series, in the way Marzocchi uses a scratchy technique that makes her figures and backgrounds look as though they were less drawn than constructed with dense webs of color. Her figures are fabulously exaggerated, all curves and bulbous noses. Everyone is larger than life, creating a sort of mysterious and slightly dark fairy tale atmosphere for this story. [...] It’s an easy comic to follow and probably the friendliest to non-comics readers in the Ignatz line. While its ideas are original, its familiar feel creates a certain immediate comfort level for the reader as they delve into a strange and beautiful world. It’s as though Niger is a favorite old fairy tale whose memory is just out of reach." – Rob Clough, The Comics Journal
• Review: "Instead of writing about the [Prince Valiant] series as a whole (or at least, those volumes I have read), I decided to do another one-page criticism. After much debate with myself I selected the page... dated December 1, 1940, appearing at the end of volume 2. In some respects this is a typical Hal Foster page, but in many ways it is not, which is partially why I chose it." – Derik Badman, The Panelists
• Plug: "ROY CRANE Mania! Just got my copy of Buz Sawyer: War in the Pacific, this and the Captain Easy volumes are long overdue. Thrilling stuff! Roy Crane is one of the unsung greats! Thrilling, charming, infectious masterful storytelling. Probably in my top five favorite cartoonists. Roy Crane drew some of the most subtly sexy women ever. ...[H]uzzah to Fantagraphics! Okay, I'm insane for Roy Crane. It may look old fashioned at first glance, but trust me, once you dive in you'll eat it up!" – Mike Allred
• Plug: "[Love and Rockets: New Stories #3] was as amazing as folks said it was. No knock against Gilbert, but Jaime murdered it this time around, absolutely killed, fired on all cylinders, drowned it in ink. Jeepers, someone give that man a cartooning medal." – Evan Dorkin
• Plug: "I forgot how much I enjoyed reading Carol Tyler's comics when I was tripping over them in various anthologies in the 80's/90's. I stumbled across this book [Late Bloomer] while cleaning up in the basement where all the comics that don't fit anywhere sleep, and was happy to revisit these pieces, as well as material I hadn't read before. The perils of buying a book and putting it aside for too long. Funny, warm, human, honest, occasionally beautiful/heartbreaking 'life' comics." – Evan Dorkin
• Plug: "I love Roy Crane and I'm super-happy [Captain Easy Vol. 1] is in print. Cartoonists and cartoonist-wonks, take heed, there is some beautiful work to be pored over here. ...Crane = Master." – Evan Dorkin
• Plug: "Regular readers of this blog will be aware of the release of Stigmata (Fantagraphics) just a few weeks ago. Featuring expressionist master Lorenzo Mattotti's swirling, cross-hatched pen line as if the story were recounting the fading memory of a dream about a drunk who one day wakes up marked with stigmata. It's an intense and perfectly balanced story, in hard cover with a wonderful Mattotti painting on the cover and it deserves to be a flagship title for any graphic novel collection." – Dave's Comics
• Interview: At The Comics Journal, Ian Burns talks to Shaun Partridge, writer of the Josh Simmons-drawn Mome serial "The White Rhinoceros" (part 1 of 3): "I think fun is the law. You should really enjoy life and laugh. That’s what comedy’s all about. Which is also alchemical, because you’re taking something that is unpleasant and making jokes about it. You know, Dave Chappelle’s a master alchemist. Larry David’s an alchemist."
Today's Online Commentary & Diversions:
• Review: "Working in frenetic black and white, Eisner-award-winning Italian cartoonist Lorenzo Mattotti illustrates screenwriter Claudio Piersanti’s Stigmata with powerful art that drives a timeless fable of existential dreams. [...] Thanks to Piersanti’s workable script, Stigmata comes across as naturalistic and modernist in an old-school Hemingway style. [...] It’s an old story, but the heart that Mattotti and Piersanti bring to their comic keeps the work interesting.Mattotti’s character designs are as incredibly idiosyncratic as they are intense — their bodies are hulking masses, with exaggerated proportions and faces that don’t feel drawn so much as sculpted." – Ao Meng, The Daily Texan
• Review: "Segar's Thimble Theater was a nearly perfect blend of humor and adventure, with a cast of interesting oddballs (led by Popeye himself, of course) and a tone that could veer from high drama to low comedy within a couple of panels. And this Fantagraphics series is even closer to perfection, presenting Segar's work gorgeously on great big pages — it would be a much better world if all our artistic treasures were treated this well." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Coming Attractions: The latest "Graphic Novels Prepub Alert" from Library Journal's Martha Cornog spotlights Murder by High Tide: "Belgian artist Tillieux (1921-78) is well known in Europe for tightly plotted mystery-comedies, churning with action and spectacular roadway mayhem. Never before translated for Americans, his work suggests Hergé's Tintin but in moodier, Will Eisner-grimy settings."
• "Top News Stories of 2011" for the L.A. Times plus more sketches, portraits and caricatures, with commentary, by Steve Brodner
And more Things to See from the past week:
Time for lots more awkwardly-formatted year-end lists, a review from The Washington Post and much more in what might be the longest Online Commentary & Diversions ever:
• List: For the Las Vegas Weekly, J. Caleb Mozzocco counts down his top 5 comics of 2010:
#3: Temperance by Cathy Malkasian: "Blessed with a Dr. Seuss-like ability to evoke the most serious problems and bleakest emotions in personalized, original, timeless fantasy elements, Malkasian has constructed a graphic epic involving a handful of colorful, tragic characters and their interlocking lives."
#5: Werewolves of Montepellier by Jason: "A successful jewel thief disguises himself as a werewolf during heists, eventually attracting the attention of real, actual werewolves in Jason’s latest deadpan dramedy masterpiece. While that might sound like the protagonist’s most urgent problem, his doomed crush on neighbor-turned-friend Audrey is the only thing truly eating him."
• List: The bloggers at Robot 6 count down their choices for the best comics of 2010:
"7. Set to Sea: The story of a would-be poet who is shanghaied and learns about life at sea the hard way, Set to Sea is drawn in a series of single panels, each of which is a miniature masterpiece on its own. It’s a singularly economical way of telling a story, and Drew Weing makes each of his panels into a tight little world of its own." – Brigid Alverson
"4. You’ll Never Know, Book Two: Collateral Damage: [...] Tyler skillfully handles multiple strands of her story, using a variety of styles and formats for different episodes, slowly building a complete picture from several different sources." – Brigid Alverson
"16. It Was the War of the Trenches, by Jacques Tardi: French master Tardi does to the Great War what the Great War did to the bodies of millions of young soldiers: blow it wide open and root in the mess. Depicted primarily in an unyielding onslaught of widescreen panels, it’s like a slog through the trenches itself. Furious and full of contempt for war and its masters." – Sean T. Collins
"6. It Was the War of the Trenches by Jacques Tardi: Reading Trenches, you realize just how far afield, just how dead wrong most American (and British) had it in their depiction of war. Even Kurtzman’s war comics (which I love) seem like kiddie sermonizing, an overly sweet, sanitized warning, next to Tardi’s uncompromising depiction of WWI. You want to know how brutal war can be? You want to know how war should be depicted in comics – how to look the utter savagery, inhumanity and square in the eye using only pen and ink? This is how you do it." – Chris Mautner
"15. A Drunken Dream and Other Stories, by Moto Hagio: I gasped aloud repeatedly while experiencing the sheer loveliness of this book, a collection of short stories from throughout the decades by shoujo-manga pioneer Moto Hagio. Best of all, there’s a cake beneath all that icing, as Hagio’s stories are frequently sophisticated, moving, and unwilling to pull punches." – Sean T. Collins
"13. Prison Pit Book 2, by Johnny Ryan: Johnny Ryan journeys deeper than ever before into his inner ickiness and returns with an action-horror hybrid it’s almost impossible to 'enjoy' in the traditional sense of the word — and which thereby takes those two genres in stunning new directions." – Sean T. Collins
"11. Artichoke Tales, by Megan Kelso: A war comic like none you’ve ever read, Megan Kelso’s ambitious alt-fantasy is concerned not with conflict’s immediate carnage, but with its lasting effects on the societies engaged in it — economic, cultural, religious, familial, even geographical. I found it humanistic, unsparing, and fascinating." – Sean T. Collins
"10. Weathercraft, by Jim Woodring: It’s always darkest before the dawn, and the psychedelic body-horror of Jim Woodring has never been darker than it gets here. His hapless, villainous Manhog is made to suffer like you’ve seen few comics characters suffer before in any style or genre…only to emerge enlightened and overjoyed on the other side in a final act that feels like that first breath of fresh cool air after you’ve hidden your head under the covers in terror for minutes on end." – Sean T. Collins
"2. Weathercraft by Jim Woodring: [...] It’s a twisting, twisted, often bizarre, often disturbing but always gripping tale of one creature’s self-redemption and ultimate sacrifice told without words and often as enigmatically as possible. If you had any doubt that Woodring could still deliver after laying low for so long, consider them erased." – Chris Mautner
"7. Special Exits, by Joyce Farmer: ...[N]early every meticulously crosshatched panel [is] drawn as if [Farmer's] life depended on it. Maybe it did. This is a magnum opus no one expected to read, a brutally frank depiction of what it’s like for full lives you love to end, and it has the most painfully happy ending of the year. It made me cry. Don’t do what I almost did and ignore one of the year’s most moving comics." – Sean T. Collins
"3. Wally Gropius, by Tim Hensley: The first great comic of the Great Recession. Tim Hensley’s breakout graphic novel, previously serialized in the Mome anthology, seems like a send-up of silly ‘60s teen-comedy and kid-millionaire comics on the surface, but beneath lies as odd and accurate a cri de coeur about capitalism and consumerism as I’ve ever read. It also does things with body language I’ve never seen in comics, and is funny as hell to boot. There’s nothing else out there like it." – Sean T. Collins
"5. Wally Gropius by Tim Hensley: The funniest comic of the year, Gropius is both homage and raised middle finger to the kids comics of yore, chiding them for their superficiality and yet revealing in their sublime shallowness all the same. That Hensley managed to have his cake and eat it too in such a breezy fashion suggests he will be an artist to watch for in the coming years." – Chris Mautner
"2. High Soft Lisp / Love and Rockets: New Stories #3, by Gilbert Hernandez and Jaime Hernandez: This year I read nearly every comic ever created by Los Bros Hernandez; what a pleasure to discover at the end of my immersion that their two most recent comics are also two of their best, and thus two of the best comics by anyone. Gilbert and Jaime both tear furiously into love and sex in these two collections; what they find inside is ugly; what they do with it is beautiful." – Sean T. Collins
"3. Love and Rockets [New Stories] 3 by Xaime and Gilbert Hernandez: Gilbert’s contributions are great as usual (his work here and in the recently collected High Soft Lisp proves he’s no second banana brother), but it is Xaime’s 'The Love Bunglers/Browntown' that makes this volume so worthy of praise. A harrowing story of abuse, familial neglect and regret masterfully told, I defy anyone not to read this tale and not be devastated by its conclusion. Not a single line goes to waste here. To say it’s the best thing Xaime’s done is a stunning comment considering his lengthy and exemplary body of work, but there’s no question he’s raised the bar once again." – Chris Mautner
• Lists: Jason, Megan Kelso and Nate Neal all weigh in with their 2010/2011 commentary and favorites in Robot 6's massive survey of comics creators; other mentions of our publications include Temperance by Cathy Malkasian (Matt Silady); Love and Rockets: New Stories #3 by the Hernandez Bros. (Jason, Sam Humphries, Evan Dorkin, Vito Delsante, Dan Nadel, Kat Roberts); Special Exits by Joyce Farmer (Sam Humphries); Prince Valiant Vol. 2 by Hal Foster (Evan Dorkin); Captain Easy Vol. 1 by Roy Crane (Jason, Evan Dorkin, Dan Nadel); Four Color Fear (Evan Dorkin), Lucky in Love Book 1 by Stephen DeStefano (Jamie S. Rich); Set to Sea by Drew Weing (Joey Weiser); Wally Gropius by Tim Hensley (Dan Nadel, Adam Hines, Jason Little, James Kochalka); The Search for Smilin’ Ed by Kim Deitch (Dan Nadel); Weathercraft by Jim Woodring (Dan Nadel, Jason Little, Kat Roberts, James Kochalka); It Was the War of the Trenches by Jacques Tardi (Dan Nadel); Castle Waiting Vol. 2 by Linda Medley (Janet Lee); Billy Hazelnuts and the Crazy Bird by Tony Millionaire (James Kochalka); Werewolves of Montpellier by Jason (James Kochalka); and Artichoke Tales by Megan Kelso (M.K. Reed)
• List: The great Washington, DC bookstore Politics & Prose names their 2010 Graphic Novel Favorites, including:
"The Sanctuary by Nate Neal is one of the most adventurous, exciting, complex and beautiful graphic novels. [...] Nate Neal creates a language for the clan, and tells the entire story without any recognizable words, making The Sanctuary a quiet and dark collection of gestures and expressions."
"Pirus and Mezzo’s King of the Flies is a dark romp through a strange drug filled, sex crazed world of small town Europe. [...] Pirus and Mezzo aren’t afraid to tell a story full of our darkest desires and needs, but they’re also startlingly poetic."
"Weathercraft, by Jim Woodring, is a beautiful dream and a beautiful nightmare. [...] Weathercraft is page after page of utterly original, outrageous, wordless thrills. Somehow, in a place where confusion and chaos seem to reign, Woodring creates sense. The challenge and beauty of Weathercraft is taking hold of that sense, and letting it go when the dream becomes too beautiful to pass up."
"C. Tyler continues her inquiry into the true story of her father’s WWII experience with You’ll Never Know Book Two: Collateral Damage. Tyler’s colorful panels and line work is a welcome relief to the usual comics format; and her creative shifting of perspective and story... offer just the right amount of energy and relevance to make this book (and the previous volume) one of the best of the year."
"Hinging on one supernatural occurrence after another, the misadventures of Adele Blanc-Sec are surely one of the most welcome events this year. [...] This is a classic which should not be missed."
"...Moto Hagio’s story collection, A Drunken Dream, is a welcome and celebrated relief to the mainstream, translated Japanese comics, giving the reader a meaningful and deeply felt experience. ...Hagio’s exploration of loss... and identity... is equal to the best that any literature offers."
• List: Brazilian site Ambrosia names The Best Comics Published in the U.S. in 2010 — Alternatives and Classics, including:
It Was the War of the Trenches by Jacques Tardi: "The French Tardi is a versatile artist, a thorough storyteller of historical fact and fiction. The clean lines and light of his drawings refer to the style of another Frenchman, the revered Moebius."
Prince Valiant: 1939-1940 (Vol. 2) by Hal Foster: "Exquisite reissue of the adventures of Prince Valiant, with the magnificent original colors."
The Littlest Pirate King by David B.: "Accustomed to living with sea monsters, plundering ships and murdering sailors, a group of scary undead pirates has its routine radically transformed when they are forced to care for a child. David B.... uses his beautiful and dark art to adapt a fun text by Orlan."
• List: At Comics Worth Reading, Johanna Draper Carlson names Castle Waiting Vol. 2 by Linda Medley the Best Graphic Novel of 2010: "Exceptionally illustrated fantasy revolving around everyday life among a stunning cast of unusual characters who make their own unusual family in an abandoned castle."
• Review: "Saucy, bold, enigmatic, gently funny, reassuringly romantic; brimming with human warmth and just the right edge of hidden danger Castle Waiting [Vol. 2] is a masterpiece of subtly ironic, perfectly paced storytelling that any kid over ten can and will adore. Moreover, if you’re long in the tooth or have been around the block a time or two, this fantastic place can’t help but look like home." – Win Wiacek, Now Read This!
• List: At The Casual Optimist, Dan Wagstaff names Jason's Werewolves of Montpellier one of his Favourite New Books of 2010: "Ostensibly the book is about a thief called Sven who disguises himself as werewolf to rob people’s apartments and incurs the wrath of the town’s actual werewolves. It is, however, as much about friendship, identity, loneliness, and, ultimately, Sven’s unrequited love for his neighbour Audrey. [...] The whole book is achingly brief, but Werewolves of Montpellier is possibly my favourite Jason book to date." (Via Robot 6)
"14. Artichoke Tales (Megan Kelso) [...] Kelso's simple lines beautifully capture the emotional turmoil of the characters and move the action along fluidly. This title caught me by surprise with how much I enjoyed it — it looks deceptively simple, but there's a lot going on in this ambitious book."
"10. The Extraordinary Adventures of Adele Blanc-Sec (Volume 1) (Jacques Tardi) [...] This story is full of broad characters and is really silly, but it's a really riveting, often funny book that you can't help but love to spend time with, featuring some of Tardi's best art period. Plus pterodactyls in Paris!"
"6. Love and Rockets: New Stories #3 [...] The Hernandez Brothers' third annual release of Love and Rockets is their best yet. Gilbert Hernandez has long been a favorite artist of mine and he offers some pretty dynamic stories this time around as well... Jaime develops his characters effortlessly as he produces what may be one of the best offerings of his career."
"4. Castle Waiting (Volume 2) (Linda Medley) [...] This book is overflowing with great characters, the story unfolding cinematically to Medley's beautiful cartoony art. The domestic life that readers glimpse with these volumes is an absolute pleasure to behold, and I really enjoy the time I spend with the people in this title, as they explore the castle and unlock some of its mysteries while settling in. A real treasure."
"1. The Littlest Pirate King (David B. & Pierre Mac Orlan) – My favorite comic that I read this year is David B.'s comic adaptation of the prose story by French writer Pierre Mac Orlan. ...David B. elaborately illustrates this world with amazing mastery of the craft. The coloring, the pacing and panel arrangements, and the world of these pirates pillaging ships and being general menaces all make for a fun, engaging experience. This book contains some of the most beautiful panels that I've seen in years, and confidently sits at the top of my list for best of the year."
• List: On his MadInkBeard blog, Derik Badman lists Love and Rockets: New Stories #3 as one of the Best Print Comics of 2010: "This is Jaime doing what he does best, advancing the lives of his characters, adding to their histories, introducing side characters, and generating an emotional impact." (Via Robot 6)
• List: On The Forbidden Planet International Blog Log, Martin Steenton of Avoid the Future names his top 3 Best of the Year: "...Drew Weing’s Set to Sea is one of the most beautifully-rendered graphic novels you could hope to see ever, let alone from within the past twelve months. [...] From start to finish, Set to Sea feels like a true classic; the graphic novel equivalent of Treasure Island, if you will. If you’re the sort of parent that doesn’t mind exposing your children to a few gory moments, I like to imagine that this is the book you’ll give them to usher them into their lives as comic readers. Think what a cool mum/dad you’d be."
• Review: "Four Color Fear is editor Greg Sadowski's commemoration of horror publishers other than dominant Entertaining Comics ... [T]his volume contains many... complete tales, giving the reader a sense of how hard it was to meet the genre's three main requirements: sudden fear, ample gore and twist endings, all in the space of six to 10 pages. [...] One leads off with this fraught question: 'Have you ever heard a strange voice whisper, "Come with me into the Blackest depths of evil"?' To which I would have answered in the 1950s, 'What took you so long to ask?'" – Dennis Drabelle, The Washington Post (via Newsarama)
• Review: "Johnny Ryan is in my mind is one of the best modern humorists in comics today. It's not the kind of humor that's gonna get him invited to lots of prestigious awards ceremonies, but you can not deny that this shit [is] funny! Seriously for all those people who have not read a Johnny Ryan book for whatever stupid reason, pick [FUC_ __U _SS __LE] up. There's gonna be something in here that will make you laugh or puke or laugh and puke at the same time. It's an awesome awesome book. Loved it all the way through." – P.D. Houston, Renderwrx Productions
• Review: "Taking quotes from people who met King, journeyed with him, and experienced his teachings and shortcomings firsthand, the book gives readers an honest and refreshing take on the man that became a legend. The art in King is a sight to behold... While some will undoubtedly walk away with the impression that this take on King’s life somehow lessens his impact on society, others will hopefully find that the humanistic aspect enhances the appreciation of his determination to make a change. Rating: ★★★★1/2" – Matt Peters, Pads & Panels
• Plug: "Mascots is a beautiful new book by Ray Fenwick collecting a series of color paintings on found book covers. [...] You must all surely concur that this new book establishes Ray Fenwick as the foremost satirist-illustrator-typographer-poet-designer of our time." – Matt Forsythe, Drawn
• Plugs: At The Moviefone Blog, David Brothers recommends "Comic Books for Movie Buffs"; his picks for war movie fans and samurai movie fans, respectively:
"...It Was the War of the Trenches shows how war simultaneously dehumanizes and strengthens our connection to life. The dehumanization derives from the fact that soldiers who die in this book tend to do so alone, or by surprise, and life just goes on. The strengthening point, however, is due to how the soldiers eagerly grasp what life they have left, despite their situation. It Was the War of the Trenches is heartbreaking and maybe a little funny, but more than anything, it's fulfilling."
"...Usagi Yojimbo is not only deadly serious, but a fantastic read. Sakai clearly knows the era he's writing stories about very well, and his research shows. If not for the funny talking animals, this series would be fantastically realistic. With them, though, it's a series that hits many of the same high points as classic Kurosawa, but often from a fresh angle."
• Survey: The Beat's year-end/looking-forward survey of comics pros (part one) includes a classic Peter Bagge quip ("What was the biggest story in comics in 2010?" "No one has any money") plus input from Noah Van Sciver
• Analysis: In an academic paper published in the University of Florida's interdisciplinary comics studies journal ImageTexT, Joel Simundich examines "Translation, Transparency, and Genre" in Jason's The Iron Wagon (recently reprinted in What I Did)
• Interview: On his Princess Sparkle Pony blog, Peter Huestis presents a transcription of his 1995 interview with Jim Woodring which was published in Hypno Magazine: "I never use any of my dreams in the Frank stories. I've evolved a way of writing those stories that I adhere to pretty much all the time. I go down into this ravine near my house and hide in the bushes and write in my notebook. I write the stories out in words. I'll write an opening line like, 'Frank has a heavy heart.' If I like that for an opener, I will ask why he has a heavy heart. Sometimes I get an answer and sometimes I don't."
• List/Plug/Coming Attractions: The Millions names among their Most Anticipated books of 2011 two by Alexander Theroux: this month's The Strange Case of Edward Gorey ("Part biography, part artistic analysis, and part memoir of a long friendship, with exclusive interviews conducted shortly before Gorey’s death, this book is generally accepted as the most comprehensive portrait of Gorey ever written") and July's Estonia ("The book emerges from Theroux’s time spent in the former Soviet republic while his wife was on a Fulbright Scholarship. Ever observant, Theroux uses Estonia and its people as a lens through which to look back at America"); elsewhere at The Millions, Theroux himself weighs in on his Year in Reading
• Coming Attractions: Various sources weigh in on our Carl Barks news, including Douglas Wolk at TIME.com – Techland, Laura Hudson at Comics Alliance, somebody at The Beat, Alan David Doane at Trouble with Comics, and Arthur at Disney Comics Worldwide
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