Carol Tyler brought some amazing collectibles to sell, including copies of You'll Never Know Book 1 signed by her dad (the "Good and Decent Man" himself) and a copy of the Twisted Sisters compilation signed by every contributor:
Brother Mario made a surprise appearance with the rest of the Hernandez clan for their Love and Rockets signing on Friday morning, which I only managed to capture with my crummy, crummy cameraphone.
Moto Hagio was joined for the second half of her signing by Carol Tyler, who brought flowers swiped from outside the convention hall.
Andrei Molotiu and Stephen DeStefano made their first Comic-Con signing appearances with us. Andrei, though best known for his work with abstract comics, is also a whiz with the representational sketch, as he proved in my sketchbook. Stephen obliged another fan with a 'Mazing Man sketch.
I missed getting any actual photos of Johnny Ryan & Esther Pearl Watson during their Friday signing, but here's their whiteboard sign-in. Esther's is particularly funny if you know the secret symbolic code from Unlovable.
Friday's final signing was a special treat as Blake Bell was joined by Wendy Everett, daughter of Bill Everett, subject of Blake's new book (and an almost-immediate con sell-out) Fire & Water.
I thought I could keep up with Online Commentary & Diversions while at Comic-Con. Ha ha ha ha ha.
• Coming Attractions: At Robot 6, Chris Mautner takes a look through the 46 (!!!) upcoming books listed in our Fall/Winter catalog (note: listed release dates may no longer be accurate and are all subject to change)
• History/Profile/Review: "What A Drunken Dream reveals is an author whose childhood passion for Frances Hodgson Burnett, L.M. Montgomery, and Isaac Asimov profoundly influenced the kind of stories she chose to tell as an adult. ... For those new to Hagio’s work, Fantagraphics has prefaced A Drunken Dream with two indispensable articles by noted manga scholar Matt Thorn. ... Taken together with the stories in A Drunken Dream, these essays make an excellent introduction to one of the most literary and original voices working in comics today. Highly recommended." – Katherine Dacey, The Manga Critic
• Review: "Anyone interested in the historical development of manga and the women who’ve contributed to the art form should read this book. I hope A Drunken Dream sells well enough for Fantagraphics or other publishers to consider putting out some of Hagio’s longer works. Her short stories are great, but I’d love to see what she does with a longer storyline." – Anna Neatrour, TangognaT
• Plug: "What Osamu Tezuka is to shonen and seinen manga, Moto Hagio is to shojo manga -- a true innovator who challenged and stretched the conventions of the medium by created touching, memorable and truly artistic comics stories. ... Fantagraphics had copies of the absolutely gorgeous hardcover edition of A Drunken Dream available for sale at their [Comic-Con] booth..." – Deb Aoki, About.com: Manga
• Interview:The Comics Journal's Shaenon Garrity sat down with Moto Hagio & translator Matt Thorn for a conversation at Comic-Con International: "I find it very embarrassing to read my very early work, but when you see the stories arranged chronologically it gives a good overall impression of my career. In Japanese, too, it’s common to present an author’s works in a sample spanning his or her whole career, so it’s turned out very much like that."
• Review: "Deadpan dialogue, drawings that move from panel to panel with the strange and deliberate force of kung fu performance art, and a subtle interweaving of humor and angst come together to make [Werewolves of Montpellier] a brief knockout of a book." – Publishers Weekly (Starred Review)
• Review: "...[T]his cartwheeling shaggy-dog story begins, like a lot of metafiction, with the semblance of reality... But by the time a frog demon reanimates a 19th-century French peasant whose brains it has eaten, it’s fairly clear that Deitch is making stuff up. The fun of [The Search for Smilin' Ed] is the way it constantly darts back and forth across the line between genuine show-business lore (a favorite Deitch theme) and delirious whole-cloth invention. There are stories within stories, unreliable explainers, secret passageways that lead from one part of the tale to another." – Publishers Weekly (Starred Review)
• Review: "Wally Gropius is a book that’s constantly lying to the reader, with a terrifying chaos roiling just immediately below its surface. The book is a flood of visual and textual information, but the information itself is near constantly false. ... For me, it’s a book that lies constantly, that lies at its very core, but that nevertheless ends up getting at a greater truth of things. And so, yeah: I thought that was pretty neat." – Abhay Kholsa, The Savage Critics
• Review: "There’s more derring-do [in Prince Valiant Vol. 2: 1939-1940] than you can shake a sword at! Foster’s stories are filled with vivid, colorful characters, none more engaging than the aptly named Valiant and his never-ending quest for adventure. The artwork is breathtaking. Foster’s figures are handsome and graceful whether eating a sumptuous feast or fighting on a crowded battlefield. ... Even if the age of chivalry is not your flask of ale, Foster’s art and storytelling will win you over." — Rich Clabaugh, The Christian Science Monitor
• Review: "This book is why Fantagraphics is one of the best and most important comic publishers in the business today. [Blazing Combat] is a series that could have easily been forgotten to the ages but Fantagraphics always is at the forefront of making sure important works of sequential art are remembered. ... This is a brilliant collection of stories that should be required reading. Intelligent, gripping stories and fantastic art! Grade A +" – Tim Janson, Mania and Newsarama
• Review: "Formally inventive and emotionally acute, Bottomless Belly Button indeed proves to be all those things: as fascinating and affecting a depiction of family ties as Jonathan Franzen's The Corrections or Wes Anderson's The Royal Tenenbaums." – Ed Park, Los Angeles Times
• Plugs: Alex Carr of Amazon's Omnivoracious blog has Weathercraft by Jim Woodring ("I am woefully ignorant when it comes to Woodring’s Frank comics, and this looks like the weirdest place to start") and Dungeon Quest Book 1 ("After The Red Monkey Double Happiness Book, I will read anything Joe Daly produces") on his summer vacation reading list
• History: For the Los Angeles Times, Ben Schwartz compiles an oral history of the 1980s heyday of L.A. alternative comics with Matt Groening, Gilbert & Jaime Hernandez, David Lynch (!), and Gary Panter
Like Moto Hagio, Carol Tyler added a little something extra to her white-board sign-in for her signing for the premiere of You'll Never Know Book 2: Collateral Damage. I had to take off soon after helping get her set up and snapping these pics, including the one below of her yukking it up with Eric Reynolds, but hopefully I'll have more to report after her Friday signing.
• Review: "A book that sticks with you like a virus, Woodring's newest collection of tales of vague morality and definite oddity [Weathercraft] keeps intact his status as one of comics most eccentric auteurs. ... Woodring's wordless story is a looping and circumstantial affair, concerned more with fantastically rendered backgrounds — his starkly layered landscapes play like minimalist woodcuts of the deepest unconscious — than matters of plot and story. There is a creeping message of sorts, about the wages of greed and what happens to curious cats, but it's mired in a universe of deeply strange beauty and not always easy to divine." – Publishers Weekly (Starred Review)
• Review: "...[A] gorgeously-produced best-of collection from shojo manga creator Moto Hagio, A Drunken Dream and Other Stories... The material showcased here has been assembled from across thirty years of Moto’s career, and shows her switching nimbly between storytelling modes. On the face of the evidence there was very little she could not do, some things she did well, and a few things she did magnificently. ... This book’s further evidence that 'shojo' need not be thought of as closed-ended and insular a category as “science fiction” once was." – Serdar Yegulalp, Genji Press
• Review: "Where most American gag strips were about the silly things that happen every day, Peanuts was about how to keep on living when you don't get what you want. It was still vital and true at this point [1973-1974], even if more and more of the stories focused on Snoopy quaffing root beers with Bill Mauldin, or writing bad novels, or playing tennis." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Review: "Medley has a real talent for character, and she does a wonderful job of exploring and expanding upon standard fairy tale tropes. With her signature creation, Castle Waiting, she takes the bare bones of several well-known stories and redrafts them to account for the human element. ... The first volume of Castle Waiting... is available in a gorgeous hardcover edition from Fantagraphics Books... and the finished product is stunning..." – Stella Matutina
• Plug: "Megan Kelso's Artichoke Tales... is earning comparisons with epics like Cold Mountain and The Thorn Birds, and Kelso's nimble, cartoonish two-color art will remind readers of Marjane Satrapi's Persepolis. – Michael Bagnulo, Shelf Awareness
• Interview:Stephen DeStefano talks shop in a "Cartoonist Survey" Q&A with David Paccia of David-Wasting-Paper: "I recall when I first got to DC Comics as a teenager, Joe Kubert lectured me on starting my reference file. This way, no matter what I wanted to draw, I always had a photo to reference. In this age of Google Image Search, the idea of a reference folder seems positively quaint!"
• Interview: At HiLobrow, Joshua Glenn presents a previously unseen 2002 Q&A (missing the Qs) with Kim Deitch: "Yeah, Waldo represents individualization. His edges can’t be smoothed off — even by me. That’s why I try not to over-use Waldo. If I haven’t got a good idea with him, I’ll let him sit on the shelf for years." (Via ¡Journalista!)
• Profile: The Cincinnati Enquirer's Lauren Bishop spotlights the Comic-Con-bound Carol Tyler: "It's sure to be quite a different experience from the last time Tyler attended Comic-Con, in 1988, when she received the inaugural Dori Seda Memorial Award for Best New Female Cartoonist. 'When I went, it was pretty small,' she says. 'I slept on somebody's floor.'"
• Review: "Instead of bringing to mind old black & white stories and advertisements, the color [Tales Designed to] Thrizzle now mines the endless well of cheap, awful color comics. The color scheme is so heavily into the CMYK scheme of old four-color comics, and employed so luridly, that the reader is once again forced to dig into each panel slowly. ... Kupperman can jab you with a quick joke like a fake ad or a cover for an old comic called 'Cowboy Oscar Wilde,' or he can wrestle you into submission with a shaggy dog joke. ... With... subtle changes, Kupperman has managed to keep the top humor periodical fresh." – Rob Clough, The Comics Journal
• Review: "This most recent compilation is the finest presentation of the Mr. Natural strips I’ve ever seen and is a must-buy for any Crumb fan whether they’ve been there since he first made his appearance in Zap or are coming on board with The Book of Genesis. Either way, this is not to be missed." – Joe Keatinge, Neon Monster
• Review: "Reading [Charles M. Schulz's] wonderful comics is enjoyable and comfortable, sort of like wearing a worn, favourite sweater. Fantagraphics Books has done a good job putting Schulz's cartoons together in a nice book. Whether you're watching Peppermint Patty skating and being coached by Snoopy, Snoopy dealing with a broken leg, or Lucy still pulling the football away from Charlie Brown at the last second The Complete Peanuts: 1975 to 1976 is a humourous, welcome reprieve from a stressful, often screwed up, world. Thanks Mr. Schulz!" – Glenn Perrett, Simcoe.com
• Review: "Like some Uncle Wiggly story gone mad — or perhaps Krazy Kat in disguise — Tony Millionaire’s mad cake batter boy goes on a frantic rampage to return a baby owl to its mother and embarks on an adventure that is in no way as linear as my sentence implies. Millionaire really does channel the cartoonists of the early 20th century, while still giving the work [Billy Hazelnuts and the Crazy Bird] a quality that’s somewhat reminiscent of ’70s underground comics — and it’s kid-friendly to boot! Good fun with good energy." – John Seven, Worcester Magazine
• Review: "I picked up Carol Tyler's You'll Never Know, Book One: A Good and Decent Man from the library on the strength of recommendations I have seen for it all over the web, and it didn't disappoint me... Tyler has a nice diary style that seems intimate and friendly but is also quite sophisticated. ... There aren't too many comics about middle-aged women, and it was nice to read about something other than youthful rebellion and angst for a change." – Brigid Alverson, Robot 6
10:00-11:00 Publishing Comics— Four publishers—Matt Gagnon (BOOM!), Gary Groth (Fantagraphics), Dallas Middaugh (Del Rey Manga), and Mark Siegel (First Second Books) -- each from a different part of the comics industry, discuss what's involved in running a publishing company and in creating and fostering a unique comics ideology. Moderated by Graeme McMillan (Techland). Room 8
10:30-11:30 Spotlight on Moto Hagio— Comic-Con special guest Moto Hagio is considered to be the mother of shōjo (young girl) manga. Her large body of work is renowned the world over, and Fantagraphics Books is publishing a new collection of her short stories, Drunken Dreams. Celebrate her first-ever visit to the U.S. at this special Q&A session, moderated by Matt Thorn, associate professor in the department of manga production at Kyoto Seika University in Japan. (Thorn decided to translate shōjo manga into English after reading Thomas no Shinzō by Moto Hagio in the mid-1980s). Room 5AB
12:00-1:00 Spotlight on C. Tyler— Comic-Con special guest C. Tyler is known for her personal brand of storytelling. Her latest book, You'll Never Know, Book 1: A Good and Decent Man chronicles the story of her father's life during World War II and interweaves it with her own story. Fantagraphics publisher Gary Groth interviews Tyler about her work. Room 4
2:00-3:00 Graphic Novels: The Personal Touch— You know when you read it: that certain something that sticks out in a graphic novel. It's the personal touch, a work that draws on the life of the creator or the people around him or her. Call the work autobiographical, call it reality—many times it results in truly personal and inspiring comics. Comics creator and journalist Shaenon Garrity (Narbonic, Skin Horse) talks to Comic-Con special guests Gabrielle Bell (Cecil & Jordan in New York), Howard Cruse (Stuck Rubber Baby), Vanessa Davis (Make Me a Woman), Larry Marder (Beanworld), Jillian Tamaki (Skim), and C. Tyler (You'll Never Know Book 1: A Good and Decent Man) about their very personal work. Room 4
2:00-3:00 Peanuts Turns 60— On October 2, 1950 the Peanuts comic strip launched in seven American newspapers. Little did anyone know the impact this comic strip would have around the world for decades to come. Nearly 60 years later, Peanuts appears in over 2,200 newspapers, in 75 countries and 21 languages. The animated specials have become a seasonal tradition and thousands of consumer products are available in every country around the world. Moderator Jerry Beck (animation historian/cartoon producer/consulting producer to Warner Bros., Universal, and Disney), Comic-Con special guest Jeannie Schulz (widow of Peanuts creator Charles Schulz), Paige Braddock (creative director of Charles M. Schulz's studio in Santa Rosa), Andy Beall (fix animation lead for Ratatouille, Wall-E, UP), Stephan Pastis (creator of Pearls Before Swine), and Marge Dean (general manager, W!ldbrain Animation Studios), present an in-depth foray into the work of Charles M. Schulz and what new things fans can look out for from Peanuts. Warner Premiere is joining the celebration with a sneak peek of something all new from Peanuts that fans won't want to miss. Room 25ABC
3:00-4:00 Spotlight on Émile Bravo— Eisner Award 2010 nominee -- three nominations for My mommy is in America and she met Buffalo Bill (Fanfare/Ponent Mon) -- and Comic-Con special guest Émile Bravo makes an illustrated presentation: "Graphic Writing, Comics as Calligraphy," with Michele Foschini (BAO Publishing, Italy) and Stephen Vrattos (Captain Gravity; www.heroesinmycloset.com), followed by a Q&A. Room 4
3:30-4:30 Comics Design— How do pages of art become a book? Six designers -- Mark Chiarello (DC Comics), Adam Grano (Fantagraphics), Chip Kidd (Random House), Fawn Lau (VIZ), Mark Siegel (First Second Books), and Keith Wood (Oni Press)—discuss what's involved in the process of comics design, and the importance of design to a book's critical and consumer reception. Moderated by Chris Butcher (The Beguiling). Room 26AB
• List:Library Journal's Martha Cornog names You'll Never Know, Book 1: A Good and Decent Man by C. Tyler as one of "12 Graphic Novels for Father's Day": "A newly single parent trying to understand her middle-aged self, Carol Tyler sets out to find the real human being and the real soldier behind her World War II veteran dad's familiar and taciturn persona. Her colorful, historically detailed art re-creates the wartime period expressively, and this first in a trilogy inspires curiosity and empathy for those who serve but don't talk about it much. Everything is connected, and the past is never just the past."
• Review: "Jack Cole... was undeniably a master of his craft, with deft, lovely lines and a witty sensibility. This new book, Classic Pin-Up Art of Jack Cole, from Fantagraphics focuses mostly on the titillating and gracefully naughty one-panel comics done for the Humorama publishing concern. ... This is the best sort of cheesecake. The historical text piece puts these works and the career of Mr. Cole into context, and creates a fascinating, entertaining, and timeless volume. ...I'm betting you'll read it again and again. Author rating: 9/10" – Jeremy Nisen, Under the Radar
• Review: "Jack Cole is known for creating Plastic Man, the superhero whose limbs can stretch. But the artist also drew cartoons capable of making readers’ other parts stretch, and the proof is in the prurient pudding of Classic Pin-Up Art of Jack Cole, newly available in paperback from Fantagraphics Books. The 100 pages’ worth of cartoons of comely, curvy cuties come culled from low-rent men’s digest magazines of the 1940s and 1950s — now-forgotten rags with happy-go-lucky names like Romp, Joker and Laugh Riot. But Cole’s contributions are visually indelible." – Rod Lott, Bookgasm
• Review: "With Woodring’s skill, I never found myself confused [by Weathercraft], at least, more than you’re supposed to be. I’ve never read a statement by Woodring saying this, but I always got the impression he wanted you to work for the meaning behind his stories. Even if it’s not the case, I highly enjoy the process. In one graphic novel, I got what I think may have been a love story, a treatise on spiritual enlightenment and sometimes just a whole lot of fun." – Joe Keatinge, Neon Monster
• Analysis: "[Weathercraft], which centres on the evolutionary and spiritual journey of Manhog, is breathtakingly original, and looking at it just brings home to me how timid many of us in this business are. ... These works, Weathercraft and Rupert [the Bear], should be poles apart, and yet they have much in common; both are brilliant ideas, both are brilliantly drawn, both 'exist' in fully imagined worlds, worlds familiar enough to be like the world we know, but different enough from the world we know for magic to happen. It may be a fanciful notion on my part, but I can see much more craft in these two magical comic creations than chaotic meanderings, and I'm relieved." – Rod McKie
• Review: "And as with other works like Shadowland and Boulevard of Broken Dreams, it’s nearly impossible not to be sucked in [by The Search for Smilin' Ed], as Deitch digs deeper and deeper into his own seedy universe. It’s also impossible not to pull the old volumes off the shelf for another exploratory re-read. I wouldn’t be entirely surprised to discover even more sprawling themes amongst the seemingly dissonant puzzle pieces, the pursuit of which will be a downright blast." – Brian Heater, The Daily Cross Hatch
• Review: "Over the last few decades, Jim Woodring has been drawing a series of wordless, blissfully cruel slapstick fables, set in a world of grotesque entities and psychedelic minarets: half unshakable nightmare, half Chuck Jones cartoon filtered through the Bhagavad Gita. Weathercraft... flows so smoothly and delightfully from each image to the next that it’s easy to ignore that it has its own idea of sense, which may not jibe with anybody else’s." – Douglas Wolk, The New York Times
• Review: "For those who find the work involving enough, Weathercraft will resonate with them on some emotional level — there's moments that unnerve, moments that touch — and while it is an immersive experience, the comic, especially in its hardcover form, operates most like a testimony of events. It's a comic, through and through, but it hews closer to a religious tome than it does a Love & Rockets installment." – Tucker Stone, comiXology
• Review: "It’s better to experience Woodring’s work than to try and understand it. Weathercraft focuses on Frank’s frequent nemesis Manhog — a representative of humanity at its morally weakest — as he goes through multiple stages of degradation on his way to almost achieving a higher consciousness. The humanoid mongrel Frank hangs around the edges of the story with his loyal pets, but Weathercraft is mainly about how Manhog — and by extension the reader — sees how sick, freaky, and beautiful the world can be… [Grade] A-" – The A.V. Club
• Review: "Megan Kelso is best known for elegant, small-scale comics... with a historical or memoiristic bent. So it’s surprising and wonderful that Artichoke Tales, her first novel-length work, is the sort of world-building fantasy story that comes with a family tree and a map on its endpapers. ... Kelso’s ligne claire artwork is consistently sweet and airy, depicting blobby, dot-eyed characters whose body language says as much as their words. The approach provides a likable surface for a story with much darker and stickier depths, about a land whose cultural heritage is rotting away in the aftermath of a civil war." – Douglas Wolk, The New York Times
• Review: "South African comic book writer/artist Joe Daly’s Dungeon Quest: Book One takes a hilariously askew look at the madness of fantasy quest games. ...[R]eaders with a high tolerance for absurdity and a healthy sense of humor about the subject matter will probably love what's on offer here." – Matt Staggs, Suvudu
• Review: "Watching [Wally] and his equally gangly, geometric cohorts stretch and sprint and smash their way across Hensley's brighly colored backgrounds and block-lettered sound effects is like reading your favorite poem — or even... Wally Gropius itself — as translated into a language with a totally different alphabet. ... And wonder of wonders, the book finds its own way to be really funny amid all these highfalutin hijinks..." – Sean T. Collins, Attentiondeficitdisorderly
• Review: "[Wally Gropius] has quickly become one of my favorite graphic novels. ... The comic is too odd to be described as 'commentary.' It seems far more synthetic than parodic: it blends recognizable influences into something truly new... The plot of Wally Gropius has been described as surreal or random, but it’s coherent and far more complex than I first thought... The book is an encyclopedia of cartoony facial expressions and bodily gestures, and should be studied at the CCS as such. WG radiates a real sense of joy, of 'cartooning unfettered.' ... Hensley is one of the best, and most idiosyncratic, writers of text in comics." – Ken Parille, Blog Flume
• Review: "[Daniel] Clowes isn’t as zany as he used to be, so there’s a void to be filled here, and Wally Gropius does that ably: The hardcover collects Hensley’s Gropius stories from the anthology seriesMome (with a little extra material thrown in), and his immaculate, vaguely ’50s style owes as much to Mort Walker, Archie Comics, and other vintage teen-humor strips as it does to Clowes. ... [Grade] B" – The A.V. Club
• Review: "...Captain Easy follows a mysterious agent-for-hire as he travels exotic lands, battling bad guys. ...Crane’s art is stunning, combining simple cartoony figures with richly detailed backgrounds in clever, colorful layouts. It isn’t even necessary to read the dialogue or captions to follow the action; just scan Crane’s dynamic lines, which make every panel look like a unique work of pop art… [Grade] A-" – The A.V. Club
• Review: "I was pretty excited when I found out that Fantagraphics was publishing an anthology of The Best American Comics Criticism. ... Editor Ben Schwartz did a great job selecting pieces that comprise a vibrant narrative of the industry. From graphic novels with literary aspirations to comics about capes, the breadth of content in here is really fantastic. ... But of all the essays in the book, only one is written by a woman. That’s a big let down." – Erin Polgreen, Attackerman
• Plug: "Drew Friedman is the master American caricaturist of our time. Not only are his portraits of the famous so realistic, they induce double takes, but he also captures truths about personality and draws out (pun intended) the funny in everyone." – Michael Simmons, LA Weekly
• Plug:G4 drops a nice mention of "the ongoing and lovingly assembled Complete Peanuts series" in their review of the Snoopy Flying Ace game for Xbox 360
• Interview:Comics Comics' Nicole Rudick sat Al Columbia down for his most candid and revealing interview ever: "So, yeah, I can still draw Pim and Francie. They’re a lot of fun to draw. Almost too much fun. You start to get intoxicated working on them. It’s like, 'This is too much fun. This shouldn’t be allowed. This shouldn’t be legal.' I always put it aside because it just gets me too . . . they’re very intense and fun and maybe fun upsets me."
• Interview:The Daily Cross Hatch's Brian Heater concludes his conversation with Gene Deitch: "I hate the term '2D.' That’s bullshit. They put us in that category. They say they’re making 3D. They’re not 3D. What Pixar does is not 3D because it’s shaded. The screen is flat. It’s a flat picture. It’s just an illusion."
• Profile: Taylor Dungjen of University of Cincinnati student newspaper The News Record profiles U of C faculty member C. Tyler: "You might say Tyler is a proud American. You might even call her a patriot. She says she is a liberal hippie chick who supports American troops."
C. Tyler has a couple of great public appearances coming up in Cincinnati and environs over the next couple of weeks. First she'll be reading from her book You’ll Never Know Book 1: A Good and Decent Man at the Cincinnati Art Museum, Sunday, June 13 at 12:30, with a book signing to follow. Then, she'll be presenting a comics workshop for teens called "Rated G for Graphic" at the Clermont County Public Library's Ameila & Williamsburg branches on Monday & Tuesday, June 21-22. Space is limited — you can pre-register at the library website.
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