• Review: "I really love comics. Reading a collection like Joe Daly's Red Monkey Double Happiness Book, I'm reminded of just why. ... It's drawn like a combination of Tintin, Dilbert, and King of the Hill. It's hilarious, both in terms of the plot and the one-liners. So, like so many other great comics, it's sui generis. ... Daly's plots move at a breezy pace, but his art is sharply detailed, and drawn expertly from a variety of perspective points. The palette is vibrant and fun. ...[T]his is some seriously funny shit." – Byron Kerman, PLAYBACK:stl
• Review: "Rickheit’s artwork [in The Squirrel Machine] is stunning, from the beautifully disgusting instruments to the ornate architecture. It’s like steampunk crossed with the animal-appropriating art of Damien Hirst or Ebony Andrews, with complicated machines adorned with the heads and torsos of unfortunate livestock." – Garrett Martin, The Boston Herald
• Review: "It's like a great adaptation of an old 1990s straight-to-video erotic thriller made unpredictable with a touch of magical realism. Hernandez's strength remains his depictions of women; like Love and Rockets, the female leads of The Troublemakers are both strong and believable, no matter how atypical their situations and dimensions may seem. – Garrett Martin, The Boston Herald (same link as above)
(Ed. note: As more end-of-year lists come in, we will collect the listed titles in a 2009 Critics' Picks category in our online shop, as we did for the 2008 Critics' Picks, in addition to noting them here on Flog.)
Today brings some big-deal Online Commentary & Diversions:
• Review: At Comics Comics, Frank Santoro declares The Troublemakers by Gilbert Hernandez "Best in Show" at APE and gives it a wordless review that says it all
• Review: "Translated into English for the first time since it was written, more than 25 years ago, Jacques Tardi & Jean-Claude Forest’s You Are Thereproves well worth the wait. Forest’s satirical, minimalist writing lampoons French society and human greed with equal skill, and Tardi has never done better art: It’s all deep, dark pools of blackness that perfectly match the pitch-dark humor of the writing. Equal parts Beckett and Kafka, the story explores the conflict between greedy speculators and the last heir of an aristocratic family whose land has been reduced to a series of precarious walls and towers. Tardi’s intricate, gorgeous art gets better and better until the book’s spectacular ending. It’s an absolute must-read for anyone interested in how European comics got to where they are today. Had this been translated earlier, it likely would be counted as one of the masterpieces of the rich period of the mid-’80s… [Grade:] A" – The A.V. Club
• Review: "One of the best things about Mome is that, as a reader, I feel like I'm getting work from each artist that's their 'A' material. [Lilli] Carré and [Dash] Shaw have many other outlets for publication, but it's clear that they take a special delight in having an outlet for their short story ideas. [Nate] Neal and Kurt Wolfgang have Mome as their primary outlet for publication, and clearly go all-out in every story. ... I'd like to see young artists like [Conor] O'Keefe and [Sara] Edward-Corbett grow more ambitious and perhaps even serialize a story in the anthology. Of course, seeing outstanding work from old favorites along with translated short stories of European artists has been another welcome trend for what continues to be a must-read book, issue after issue." – Rob Clough
• Profile: Robot 6's Chris Mautner, undoubtedly echoing the sentiments of many, makes his plea for a collection of the early work of Al Columbia
• Interview: Art historian and critic Catherine Spaeth talks to Abstract Comics editor Andrei Molotiu: "One thing that is interesting to me about abstract comics is exactly that they contain no preexisting narrative and therefore no excuse for a sense of diegetic time. You’re not following a story, so what you are left with are the actual visual elements on the page (panels, shapes) that move your eye from panel to panel but outside of a fictional time frame."
• Events: Vince Keenan has a brief recap of the Fantagraphics-sponsored comics panel at Seattle Bookfest
Your daily dose of Online Commentary & Diversions:
• Review: "Maybe it’s because blood and brain matter look somewhat more disturbing in the chunky, primitive black and white favored by famed French cartoonist Tardi, but there’s something particularly creepy about his adaptation of the late Manchette’s crime novel [West Coast Blues] that wouldn’t have been well served by color. ... Manchette’s plot is pure pulp, with a driving engine for a plot and a Lee Marvin-like inclination toward swift and unreflective action. Tardi’s art delivers the action with admirable punch and attitude to spare." – Publishers Weekly
• Review: "Rock Candy is a wonderful book. [Femke] Hiemstra's work is a tribute to folk tales and surreal nightmares.It could not be better portrayed than how designer Jacob Covey of Fantagraphics has done it.This compact book, in style with Hiemstra's art, depicts her imaginative work in a playful way.Sketches, examples and inspirations then give a look behind the scenes how Hiemstra's childhood dreams and nightmares are established.An absolute must!" – Cadoc.nl (translated from Dutch)
• Plugs: At Robot 6, Sean T. Collins runs down his SPX haul, including a bunch of our Ignatz Series titles
• (Wild) Things to see: Vice magazine has a series of strips they commissioned to tie in with the Where the Wild Things Are movie by some of our favorite cartoonists selected by Johnny Ryan; Josh Simmons contributed this strip and reveals a different one that was rejected (for PG-13 gore)
It's my pleasure to share the following announcement from C. Tyler:
Two things this Fall:
Saturday, October 17 from 10 - 4 come see me at the Duke Energy Center in downtown Cincinnati. "Books By the Banks" is the name of the event and I will be there signing my newest book You'll Never Know.
Miami International Book Fair , November 8 - 15. I'll be signing all weekend as part of the "Comix Galaxy" and on Friday afternoon giving a talk to education professionals: "What's So Funny About Teaching Comics." I will be hauling all those corny thrift store props that I use to jump start creativity in my classroom at UC's DAAP down to sunny Fla. (Including "The Motivator" and "The Lamp of Inspiration". This year's new additions: action items like a 1960s world globe that lights up/spins and a mechanical hamster running like hell on a wheel.) I hope the talk goes over with this crowd (!). Regardless, I can't wait to put my toes in the ocean.
Book II: Collateral Damage is due out this time next year (Fall 2010), so stay tuned!
If you've got pictures of Fantagraphics at SPX, let us know! Here's a few that we've found on our own or have been sent to us. Con reports abound on the web: Rob Clough has a good one to start with, and Sean T. Collins has audio from the Critics Roundtable panel featuring our own Gary Groth.
Gary Groth and Kim Thompson will be at next weekend's SMALL PRESS EXPO in Bethesda, MD, debuting a slew of new books, including:
• Zak Sally's LIKE A DOG
• Al Columbia's PIM & FRANCIE
• E.C. Segar's POPEYE Vol. 4
• Steve Ditko's STRANGE SUSPENSE
• Kevin Huizenga's GANGES #3
• Hans Rickheit's THE SQUIRREL MACHINE
• MOME Vol. 16
• Jacques Tardi and Jean-Claude Forest's YOU ARE THERE
... and more.
We have some very exciting signings as well. To wit:
KEVIN HUIZENGA: 12PM to 2PM
C. TYLER: 12PM to 2PM
GAHAN WILSON: 2PM to 4PM
HANS RICKHEIT: 2PM to 4PM
ZAK SALLY: 2PM to 4PM
MISS LASKO-GROSS: 4PM to 5PM
AL COLUMBIA: 5PM to 7PM
PAUL KARASIK: 5PM to 7PM
GAHAN WILSON: 12PM to 2PM
ZAK SALLY: 12PM to 2PM
KEVIN HUIZENGA: 12PM to 2PM
HANS RICKHEIT: 2PM to 4PM
C. TYLER: 2PM to 4PM
AL COLUMBIA: 2PM to 4PM
PAUL KARASIK: 4PM to 6PM
MISS LASKO-GROSS: 4PM to 5PM
Plus, several FANTAGRAPHICS-related panels:
Saturday, 12:30PM: Debut Cartoonists
Hans Rickheit (The Squirrel Machine) and Zak Sally (Like A Dog) join Ken Dahl and Eleanor Davis to discuss their new books debuting at SPX. Brookside Conf. Rm.
Saturday, 3:30PM: Critics' Roundtable
Fantagraphics Publisher Gary Groth joins Rob Clough, Sean Collins, Chris Mautner, Joe McCulloch, Tucker Stone and Douglas Wolk to share acute critical insights. Brookside Conf. Rm.
Saturday, 4PM: Paul Karasik's Fletcher Hanks Experience
Cartoonist, editor and educator Paul Karasik presents "The Fletcher Hanks Experience," an illustrated tour over the brutally surreal Hanks mindscape narrated by the late Fletcher Hanks, Jr. White Flint Ampitheater.
Saturday, 5PM: Gahan Wilson Spotlight
This year, Fantagraphics publishes Gahan Wilson: Fifty Years of Playboy Cartoons. Mr. Wilson will be joined onstage by publisher and editor Gary Groth to discuss his life and work. White Flint Ampitheater.
Sunday, 1PM: Carol Tyler Q & A
Carol will discuss her new book You'll Never Know: A Good and Decent Man with comics critic Douglas Wolk. White Flint Ampitheater.
Sunday, 1:30PM: Source-Based Comics
Kate Beaton, Paul Karasik, Ed Piskor, and R. Sikoryak discuss what it means to make creative works of adaptation, parody, and historical fiction. Brookside Conf. Rm.
Sunday, 3:30PM: Future of the Comic Book
Discuss the future of the comic book format with publisher Alvin Buenaventura, and cartoonists Kevin Huizenga, Matthew Thurber, Hellen Jo and Noah Van Sciver. Brookside Conf. Rm.COMING IN EARLY 2010:
BUT WAIT, THAT'S NOT ALL!
To celebrate the great Gahan Wilson's rare convention appearance at SPX 2009, we have a very special offer for SPX attendees. In early 2010, we will be publishing GAHAN WILSON: 50 years of Playboy Cartoons, a massive, three-volume hardcover collection of his work. Designed by Jacob Covey, it's going to be absolutely STUNNING:
SPX attendees will have the opportunity to PRE-ORDER the book at the show get a limited edition (150 copies) silkscreen print signed by Mr. Wilson at the show! Even better, we are going to include FREE SHIPPING for the book (and believe me, you'll be happy you didn't have to lug this thing around SPX, it's HUGE) when it ships and knock $25 off the $125 retail price!
For $100, you will get the book, an exclusive signed print, free shipping, and the chance to meet one of the great cartoonists of the 20th Century! Here's what the print looks like:
These will be available on a first-come, first-serve basis. Don't miss out!
September is a-cumen in with Online Commentary & Diversions:
• Review: "[The Red Monkey Double Happiness Book], about a monkey-footed man who muddles around a beach community in South Africa, is amazing... Both stories are laid-back, funny, and entertaining... Totally [recommended]. [Joe] Daly is one of my favorite new talents in comics, and... this is... one of my top five comics to be released this year so far." - Paul Constant, The Stranger
• Review: "You'll Never Know... is a daughter's pursuit of her father's untold war story as she seeks to recover what he has wilfully held back from her... [Carol] Tyler manages to unravel the saga brilliantly at every level of narrative and artistic execution. Basic training for the war, courtship of her mother that happens almost simultaneously, the invasion of north Africa and conflicted events in the artist's own life with husband, daughter and father in turmoil emerge seamlessly. Memory and the present flow together, make sense together... After all this time, the second world war has grown closer to comic art in the best sense." - Paul Buhle, Morning Star
• Interview: At The Daily Cross Hatch, Brian Heater begins a multi-part Q&A with The Squirrel Machine creator Hans Rickheit: "I kind of live in my own insular world. The notion that anyone reads my comics other than myself is kind of weird and mystical."
We received the list of our nominees for this year's Ignatz Awards. It's a good lookin' list, and we're especially proud to have staffer Jason T. Miles nominated for Outstanding Comic! As is traditional, we've put all of our nominated titles on sale -- 15% off for a limited time! Click here to browse & buy. Recipients of the brick will be announced at SPX on September 26. For all the nominees, head to the SPX website for the official announcement.
Tim Hensley, Mome (Fantagraphics), Kramer's Ergot #7 (Buenaventura)
Congratulations to everybody, including T. Edward Bak, nominated for Outstanding New Talent even before his amazing Mome story was eligible, and Dash Shaw, nominated for Outstanding Online Comic for Bodyworld.
A new week brings an avalanche of new Online Commentary & Diversions:
• Profile: For the Philadelphia Inquirer, Tirdad Derakhshani looks at the past, present, and future of Prince Valiant: "The release Tuesday of Prince Valiant, Vol. 1: 1937-1938, the first in a new series of gorgeously printed, hardcover Valiant collections from Fantagraphics Books, served as a bittersweet reminder of the century-long rise and eventual decline of a great American art form, the comic strip."
• Review: "...Al [Columbia] decided to dredge up old ghosts, unfinished pieces, trifles he had thrown away then reconsidered and offered them up to us as proof that he hasn’t forgotten us. This 240-page book [Pim and Francie: The Golden Bear Days, Fall 2009]... has certainly filled in some gaps for me as to what goes on in Columbia’s mind... There seems to be something both amazing and horrifying around every corner, in any dark space, in the thick of the forest, in the bulbous eyes of maniacal creatures and the straight realistic lines of buildings that all have a dark window somewhere... It is truly a viscous treat and I am sure this one will never wash off." - Rachael M Rollson, Panel to Panel
• Review: "Though Low Moon doesn’t have the slow-building impact of Jason’s longer works, he’s still one of comics’ best storytellers, and it’s always a treat to spend time in his world of off-brand pulp clichés and not-always-so-funny animals. [Grade] B+" - The A.V. Club
• Review: "Jason is an immensely skilled artist capable of manipulating his self-restricted vocabulary to stretch space and time. Low Moon moves in a slow burn as the two antagonists move closer to their eventual showdown. In what is probably the best story in the book You Are Here, time moves more quickly as a father and son attempt to deal with the alien abduction of the father's wife. The father builds a rocket while the son grows up and has a life of his own. Eventually they pile into the rocket, and things end badly, but perhaps a bit more emotionally than with the other stories." - Michael Buntag, NonSensical Words
• Review: "Rage of a different kind in Everybody Is Stupid Except for Me and Other Astute Observations by Peter Bagge. This collection of satirical rants from the American libertarian magazine Reason... is philosophically more about punk individualism than Ayn Rand, and artistically the heir to 1980s indie comics. Indeed, Bagge is an indie star, famous for his wonderfully elastic cartooning style and punk-inflected comedies." - Roger Sabin, The Observer
• Review: "These are good comics [in Everybody Is Stupid Except for Me and Other Astute Observations], fun to read and definitely funny, definitely searing and when he hits a target he gets it right. Also there’s something to be said for the journalist tone of the writing and the structure of the strips would translate well into a proper newspaper, were he so inclined." - Ibrow
• Review: "For fresh talent in comics, you have to go to the anthologies and there's none better at the moment than Mome... the highlight [of Vol. 15] is Dash Shaw's hallucinatory story about a tidal wave, which uses swaths of colour and elongated panels to create a sense of vertigo." - Roger Sabin, The Observer (same link as above)
• Review: "Schulz had gone from a fairly grounded sense of consensus reality to Snoopy's flights of fancy to outright weirdness... That seems to be the essence of Sparky Schulz to me: even with the pressure of the daily grind and his position as the lynchpin of what had become a vast empire, Schulz wrote to amuse himself... At his best in this volume [The Complete Peanuts 1973-1974], Schulz gave the readers some of the best stories of his career." - Rob Clough
• Review: "Ace cartoonist Jordan Crane makes a curious split comic choice. The first half [of Uptight #3 ], 'Vicissitude,' is the opening chapter of a brooding adult tale of marital dysfunction and deceit, while the second, 'Freeze Out,' is a kid’s story, the further adventures of Simon and his cat Jack, who were featured in Crane’s great graphic novel, The Clouds Above. Miraculously, the pairing works — each is superior in its own genre — but you might want to wait until 'Freeze Out' is collected on its own before showing it to your kids." - John Seven, Worcester Magazine
• Review: "Blazing Combat (Fantagraphics, 2009) collects the entire run in a beautiful, incredibly well-bound hardcover book... The stories' tone is very 1960s, ironic with a cynicism stemming from brokenhearted humanism." - Carol Borden, The Cultural Gutter
• Review: "Needless to say, I love the streak of darkness that permeates [Charles] Burns' work. I mean that both figuratively and literally, as his one-of-a-kind illustration style is at-a-glance recognizable because of his heavy use of black ink... That starkness emphasizes the cruel features on the faces of his characters - deep wrinkles, harsh teeth, beady eyes and unflattering noses, to say nothing of the occasional freak. Like the look of his characters, Burns is one of a kind, and Skin Deep is a good introduction to the man's singular vision - a good way to get your toe wet before diving in." - Rod Lott, Bookgasm
• Review: "[A.B.] Frost looked like he was painting with the line…on a half-dozen cups of coffee. Trust me, that’s hard to do... Also, it looks like Fanta-Graphic Books might have brought Stuff and Nonsense back in print in 2003. [Yes. -Ed.] Pick up and copy and be ready to weep - this work is untouchable." - Tony DiTerlizzi
• Plug: "Carol Tyler's You'll Never Know is my favorite book of the year thus far. This memoir/biography/scrapbook is both formally challenging and emotionally devastating. Any critic serious about compiling a year-end list needs to keep this book under consideration." - Rob Clough, Robot 6 (guest contributor)
• Tweet: "Still, the most beautifully designed bk so far this yr is still IMO Fantagraphics 'The Brinkley Girls': http://bit.ly/CSYpH Swoon-worthy." - bookjones