Two great C. Tyler multimedia features to share with you: first up, the Inkstuds radio programme has an extensive and lively conversation with Carol in downloadable and streaming audio. Next, the American Legion website presents a series of video interviews with Carol and her University of Cincinnati students detailing the program whereby the students collaborate with veterans on graphic memoirs of the veterans' combat experiences. Click here for the introductory article and here to jump straight to the video (screencap above).
Hoo-ee, it's time for our post-MoCCA Online Commentary & Diversions catch-up. It's going to take a while to sift through 4-5 days of the comics blogosphere, so to start with these are mostly links that have been sent to me:
• Review: "In what is obviously a labor of love, [C.] Tyler tells the story of her father's time during WWII and her parents' early relationship, skillfully interweaving it with Tyler's own story... provid[ing] a moving, personal portrait of one member of what's become known as 'the greatest generation.' Tyler's use of colored inks gives the line drawings an inviting depth of emotion... The drawings speak with an even greater richness thanks to the evocative words that appear within and around them, commenting upon and adding to the action portrayed in the panels. An important contributor to independent comics since the 1980s, Tyler has made a name for herself with the quirky warmth of her autobiographical stories, and this wonderful book [You'll Never Know Book 1: A Good and Decent Man] is a thoughtful work that greatly adds to the language of the graphic memoir." - Publishers Weekly (Starred Review; scroll to end of page)
• Review: "Jason’s books have always had a cinematic feel, and he seems to examine this more than ever with direct tie-ins to film concepts playing major roles in several of the stories... [A]ll of the stories in Low Moon are entertaining, and fans of Jason should be more than happy to digest five new comics from one of the best in the business." - William Jones, Graphic Novel Reporter
• Review: "Now, Fantagraphics has brought out The Wolverton Bible... I love that Wolverton's Adam and Eve look like Cary Grant and Rita Hayworth, and that the images of Noah’s Ark have the beautifully clean look of a wood carving. Dramatic scenes such as Abraham’s sacrifice of Isaac, the devastation brought by locusts, and Samson’s blinding, showcase the artist’s talent for visceral, visual storytelling." - Leigh Stein, The New Yorker
• Review: "...[T]he newest issue of Michael Kupperman's mind-bending humor mag, Tales Designed to Thrizzle #5. Six Reasons Why Michael Kupperman Is A Genius (A bullet-pointed review...)" by Rob Clough, High-Low
• Review: "Peter Bagge's Neat Stuff saw the cartoonist at the height of his expressionistic style, and marked the beginning of the mature work he would exhibit in Hate and elsewhere... required reading for Hate fans... Anyone interested in fearless pop-culture satire, not just Peter Bagge, should have a look." - Luke Arnott, suite101.com
• Review: "Blazing Combat reprints all 4 issues of the ground-breaking war series... These are fascinating stories... drawn by some of the top talent in comics... [who] did some of their finest works for this short-lived publication. This new package from Fantagraphics Books is a handsome hardcover... the design work is A+, this time by Adam Grano." - Gary Sassaman, Innocent Bystander
• Interview: Comic Book Resources' Shaun Manning talks to editor Andrei Molotiu about the forthcoming anthology Abstract Comics. Sample quote: "I think that, oftentimes, abstract comics do end up maintaining more of that graphic energy [of superhero comics], and I think that they can draw attention to this very powerful tool in the vocabulary of comics that may have been lost in a number of art and alternative comics."
• Interview: Cartoonist Scott Nickel asks 20 questions of "one of the best cartoonists of his generation," Peter Bagge. Sample quote: "The idea of being a cartoonist was an appealing one to me as a kid, though not as appealing as being a rock star or baseball player."
• Interview: I can't remember if we've linked to this 2008 North Shore News Q&A with Peter Bagge before: "Anyone who claims they're speaking for an entire generation should be stoned to death!"
• Events: Thanks to Comic Book Resources' Timothy Callahan for picking some stuff up at our table at MoCCA and posting a photo of Miss Lasko-Gross signing A Mess of Everything; CBR's Kiel Phegley picks up some of the festival buzz; Publishers Weekly has some Fantagraphics scoop in their MoCCA report as well
• Things to see: Spain's Entrecomics presents a gallery of all of Daniel Clowes's front and back covers for Eightball. Clowes's back cover strips are some of his funniest work, and the later issues feature some stunning wraparounds, so it's well worth checking out. Here's Part I and Part II
Douglas Wolk raves in the New York Times Book Review yesterday about Carol Tyler's ambitious memoir YOU'LL NEVER KNOW. "It's impossible not to compare ‘You'll Never Know' with Art Spiegelman's 'Maus,' the first great graphic novel about what happened to a cartoonist's father during World War II," says Wolk. "Tyler's book is a vivid, affecting, eccentrically stylish frame built around a terrible silence."
And, as an added rare bonus, her father, 90 year old World War II veteran Chuck Tyler -- subject of the book -- will also be there to sign copies.
A Cincinnati Exclusive!!!!
You'll Never Know Book One: A Good and Decent Man is published by Fantagraphics of Seattle. It tells the story of the 50-something author's relationship with her World War II veteran father, and how his war experience shaped her childhood and affected her relationships in adulthood. "You'll Never Know" refers not only to the title of her parents' courtship song from that era, but also to the many challenges the author encountered in uncovering the difficult and painful truths about her Dad's service.
You'll Never Know makes full use of Tyler's virtuosity as a cartoonist: stunningly rendered in detailed inks and subtle watercolors, it plunges the reader headlong into the diverse locales: her father's wartime experiences and courtship, her own childhood and adolescence, and contemporary life.
C. Tyler is an accomplished artist who has been drawing comics for over thirty years. Her work has appeared in numerous publications and has two other solo books, Late Bloomer and The Job Thing, also by Fantagraphics. She teaches a class in comics at the University of Cincinnati's DAAP School of Art.
"If you want to find out what happened to Willie and Joe after they got home from World War II, You'll Never Know is the perfect place to start. C. Tyler's graphic novel, passionately conceived and brilliantly drawn, extends the range of Bill Mauldin to cover the aftershock of the Last Good War on the warriors who fought it and the collateral damage to their families. Not since Catch-22 has anyone probed the secret heart of the Greatest Generation with this kind of raw, icon busting courage." -Tom Mathews (Our Fathers' War: Growing Up in the Shadow of the Greatest Generation)
"One of the true greats of the 'underground' generation." -Chris Ware
"Her work has the extremely rare quality of genuine, authentic heart." -R. Crumb
Another late dose of Online Commentary & Diversions:
• List: CBC Radio's "Canada Reads: The Book Club" host Hannah Sung kicks off voting on the "Top 10 Graphic Novels" with Ghost World: "I love Dan Clowes’s clean, graphic style. I love Enid’s glasses, I love how everything is 'lame' and I love that Enid expresses how much she hates Sassy magazine even as she reads it."
• Interview: The Daily Cross Hatch's Brian Heater wraps up his 3-part talk with Michael Kupperman. Sample quote: "But of course the point of humor is that you always want it to look easy. You don’t want it to look like you spent two hours on your 140 character line — not that I’ve ever done that [laughs]."
• Interview: The Metabunker's Matthias Wivel talks to Steffen Maarup, editor of From Wonderland with Love: Danish Comics in the Third Millennium, debuting at MoCCA this weekend. Sample quote: "My selection process was pretty much as simple as picking what’s good; so stories that were original, did interesting things with the medium of comics, or touched me in some way."
Once more, Online Commentary & Diversions goes on vacation tomorrow.
• Profile/Review: Cincinnati Magazine talks to C. Tyler about You'll Never Know Book 1: A Good and Decent Man, calling it "a dense, triangulated tale (war and madness; father/daughter coming-of-age; familial reconciliation) made accessible by Tyler’s detailed yet straightforward storytelling and impeccable renderings... Switching artistic styles to connote the passage of time, Tyler’s graphic narrative deftly moves between her childhood and her father’s war experiences, between dream sequences, real time, psychology, and family lore. The book transcends mere documentation; it is a valentine sealed in genealogy, footnoted in history."
Pay attention: there's some must-read stuff in today's Online Commentary & Diversions!
• Review: "Castle Waiting #15 - I love that Linda Medley is completely ignoring what makes her setting so interesting for the D&D set and focusing on the characters." - Kevin Church
• Review: "Although aiming at twenty-somethings also interested in getting laid, getting wasted and getting rich, [in Rocky Vol. 2] Kellerman nonetheless manages to move beyond the ever-fertile grounds of the battle of the sexes, bodily functions and morning-after guilt-trips to produce a lot of work that is truly fresh, funny and uniquely personal." - Win Wiacek, Now Read This!
• Review: "Just like Heartbreak Soup and Locas, Lubais hard to put down, and Beto’s art gets better as it gets more experimental... there’s tons of good material here, and the humongous format can’t be beat in terms of bang for your buck." - The A.V. Club
• Review: "The 'family history' graphic novel subgenre can feel overdone at times... but volume one of Carol Tyler’s autobiographical You’ll Never Knowis the kind of smartly conceived, affectingly personal work that makes comics and memoirs look fresh... Carol Tyler works wonders with colored pencils and offbeat page designs... the breadth of her visual imagination is so impressive that... overreach is excusable. Also impressive: the thematic complexity of You’ll Never Know... [Grade] A-" - The A.V. Club
• Review: "The handsome hardcover collection The Brinkley Girls brings together a generous sampling of [Nell] Brinkley’s work, leaning heavy on her stories of industrious women and the he-men they love... Brinkley’s art is so drop-dead gorgeous that readers may long to razor out every page to hang on the wall. [Grade] A-" - The A.V. Club (same link as above)
• Review: "...the fantastic Brinkley Girls hardcover put out by Fantagraphics... you would be doing yourself a favor by checking it out. Curse you Fantagraphics, I'm trying to save money you bastards." - This Is Why I Hate You
• Review: "Sally gets the cover in this 11th volume of The Complete Peanuts... Schulz is still in top form here in my opinion. There are few books I laugh at more, or enjoy more thoroughly than these fine collections. Highly recommended!" - Todd Klein
Your Online Commentary and Diversions for the day:
• Review: "It’s great to read comics that are fun, inventive, and delighting in the medium instead of dour, 'relevant,' and procedural. Supermen is a teasing look at a truly Golden Age." - Dave Lartigue, Dave Ex Machina
• Review: "Never before reprinted, Fantagraphics recently collected Humbug, complete with new essays, interviews, and annotations, in two handsome hardback volumes. [...] Jack Davis and Will Elder... elevated the comic-book parody beyond the standards of Mad and Trump. For Humbug, Davis produced some of the best work of his long career. Al Jaffee... tackled varied topics... all with equal skill and irreverence..." - Rick Klaw, San Antonio Current
• Review: "Blazing Combat... features a collection of some of the most beautiful black and white comic art you have ever seen... It also features interviews and some of the most beautiful printing I have seen. Honestly, put down those monthly comics for a week and buy something you will enjoy a lifetime. From cover to cover, this book is what keeps me in comics." - Jimmy Palmiotti, Newsarama
• Review: "Supermen! The First Wave of Comic Book Heroes 1936-1941 is the book I've been waiting for - a crazed whirlwind tour through the raw badlands of early superheroes, the best and the weirdest of the early days... Fantagraphics Books has assembled 20 of these quirky gems into a nicely designed, affordable full-color paperback. It's like a roadmap of alternative history, where you can imagine that a character like Stardust the Super Wizard became a star... It's one of the best comic collections of the year. Bring on a sequel!" - Nik Dirga, Blogcritics
• Profile: The University of Cincinnati describes how faculty member C. Tyler, inspired by her graphic memoir You'll Never Know, is teaming up her students with military veterans to tell the veterans' stories in comics format, in order to help veterans talk about their experiences and share them with the civilian public to increase awareness of veterans' issues
You’ll Never Know is the first graphic novel from C. Tyler (Late Bloomer) and sure to be one of the most acclaimed books of the year. It tells the story of the 50-something author’s relationship with her World War II veteran father, and how his war experience shaped her childhood and affected her relationships in adulthood. “You’ll Never Know” refers not only to the title of her parents’ courtship song from that era, but also to the many challenges the author encountered in uncovering the difficult and painful truths about her Dad’s service — challenges exacerbated by her own tumultuous family life.
You’ll Never Know is Tyler’s first first full-fledged graphic novel (after two volumes of short stories). Unlike many other graphic memoirs which have opted for simple, stylized drawings and limited color or black and white, You’ll Never Know makes full use of Tyler’s virtuosity as a cartoonist: stunningly rendered in detailed inks and subtle watercolors, it plunges the reader headlong into the diverse locales: her father’s wartime experiences and courtship, her own childhood and adolescence, and contemporary life. The unique landscape format, and the lush variety of design choices and rendering techniques, make perusing You’ll Never Know like reading a family album — but one with a strong, compelling, sharply told story.
You’ll Never Know’s release schedule and format emulate those of Chris Ware’s Acme Novelty Library: three beautifully designed, large-format hardcover volumes released annually to complete a trilogy of astonishing breadth, depth, and sensitivity.
Uh oh, I'm starting to post Twitter reviews. We're through the looking glass here, people.
• Review: "Jaime Hernandez again shows mastery in portraying both recognizable situations and complex emotions [in The Education of Hopey Glass]. The illustrations are beautiful. The man has achieved perfection with his drawing style." - Koen (translated from Dutch)
• Review: "Linda Medley's Castle Waiting... [is a] beautifully designed volume... 457 pages of glorious black and white illustration... The artwork is absolutely charming, hearkening back to older pen-and-ink styles, but with a cartoony touch to it. The characters are individually realized, both by the art and the writing... This would be a good comic book to give to younger people, perhaps especially if you know a girl who likes comics but is turned off by more mainstream fare... The twining of the fairy tales with the story is deftly and delightfully done. I love this series." - Little Bits of Everything
• Review: "Tales Designed to Thrizzle #5... [is] a comedy rag and reads like Monty Python writing a comic: lots of absurdity and naughty silliness coupled with incorrect history and ever-so-subtle statements here and there. Plus the art is spectacular! Michael Kupperman really makes it feel like you're reading some weird alternate-universe cartoon book from the 30s or something and it just makes the whole thing feel so weird, it's great!" - Timmy Williams, The Daily Cross Hatch
• Review: "Blazing Combat from Fantagraphics. Outstanding 1960's Warren goodness. Archie Goodwin et al. artists at their best." - John Siuntres (Word Balloon), on Twitter
• Plug: "I also came upon Michael Kupperman's Tales Designed to Thrizzle Vol. 1. Even though I've read most of this material in periodical form, it's still a joy to revisit Kupperman's absurd, hilarious universe." - Chris Mautner, Robot 6 "What Are You Reading?" [ed. note: I'm going to have this book up for pre-order here on the website this week if it kills me]