Online Commentary & Diversions returns from the U.S. holiday:
• List:About.com: Manga places Moto Hagio's A Drunken Dream and Other Stories at #19 on their list of "50 Essential Manga for Libraries": "Collected for the first time in a gorgeous hardcover edition, A Drunken Dream offers a rare glimpse into the work of one of Japan's most distinctive and influential creators in shojo manga, and heck, manga, period. Worth recommending to both older teen and adult readers alike."
• Review: "Hagio draws these stories as if a full symphonic score were playing in the background. Her delicate, razor-thin pen line expertly captures her characters’ wide-eyed, open-mouthed anguish effectively. [...] I, certainly, am very glad that Fantagraphics made the effort (and judging by the exceptional production values it was a tremendous effort) to get this book out there ...because... beyond Hagio’s historical significance, [A]Drunken Dream [and Other Stories] is a book that deserves attention." – Chris Mautner, Robot 6
• Review: "Ever since it was announced in March (was it really that long ago?), I’d been looking forward to reading [A Drunken Dream and Other Stories] by legendary Moto Hagio. [...] It would be a real shame if Fantagraphics didn’t get any supportive business from this collection and demand for more. [...] I’m looking forward to reading more, and adding to the crying list!" – Sunday Comics Debt (who also provides the following two links)
• Review: "BUY. THIS. BOOK. No, seriously, buy it now. [...] I don’t think there is a single thing wrong with this book; Hagio-sensei touches on each of the topics she chooses to use with such perfection and …delicacy? that you can’t help but be amazed at how she does it. [...] I can’t wait for the next volume of manga Fantagraphics chooses to put out! They did a beyond amazing job with [A Drunken Dream and Other Stories]." – Kelakagandy's Ramblings
• Plug: "This week... everything fades in the presence of a newly-released collection of short manga from shojo pioneer Moto Hagio, A Drunken Dream and Other Stories. [...] Simply put, this book is gorgeous. [...] This is a release I’ve been eagerly anticipating since its announcement. Visit your local bookstore to find out why." – Melinda Beasi, Manga Bookshelf
• Review: "'Greatest Generation' hoopla will never seem the same after You’ll Never Know: Collateral Damage, book two in Carol Tyler’s sprightly but relentlessly honest 'graphic memoir'... [T]his is the story of not just a family but a generation, or two or three. And all are told with a saving dash of humor. Tyler’s form, a mix of scrapbook, diary, and cartoon panels, is likewise messy and eccentric, but it pays off in layered textures and viewpoints. Two famous precedents, Art Spiegelman’s Maus and Marjane Satrapi’s Persepolis, seem almost one-dimensional by comparison." – Eric Scigliano, Seattle Met
• Review: "While there aren’t necessarily many surprises in the story, Set to Sea is more about the savoring of a series of vivid moments (both for the lead character and the reader) than any sort of narrative complexity. With each page acting as a single panel, the true joy of reading Set to Sea is luxuriating in Weing’s intense crosshatching and detail. [...] Indeed, in a book whose visuals have such a powerful impact, Weing’s decision not to overwrite (and especially not to over-narrate) was his wisest. With nearly 70 of the book’s pages appearing as silent, the result was a book that understood and maximized its charms." – Rob Clough, The Comics Journal
• Interview:Nicola D'Agostino presents the original English text of the Drew Weing interview which ran at Comicsblog.it so you don't have to struggle through the mangled autotranslation: "So one day in 2005, I drew a panel with a guy sleeping. The only thing I knew about him was that he was a big fellow. I spent more than a year adding to it bit by bit, just improvising panels as I went. I started Set to Sea with no idea that it would be set in the past, or even set on the sea, so to speak!"
• Review: "...[T]he Billy Hazelnuts books are safe for children, while still being unique and complex enough for adults. Here Millionaire combines a gung-ho adventure spirit with a tempered yet still present darkness — two strains that have been the keys to so much of the greatest children’s literature. [...] Tony Millionaire is a genius and the Billy Hazelnuts books may be his best work. Imagine if Beatrix Potter had dropped acid with the 60s underground comix crowd or if A.A. Milne had collaborated with Franz Kafka. If you love fun, hilarious, and plain weird stories, then Billy Hazelnuts is for you." – Lincoln Michel, The Faster Times
• Profile/Preview: A gallery of images from the book accompanies this article: "See the work of Dan DeCarlo in the book The Pin-Up Art of Dan DeCarlo, published by Fantagraphics, which plunges into an alternate universe where Betty, Veronica, Sabrina grew up and live out situations that summed up the lewd sexual desire of men in the time before the sexual revolution of the twentieth century." – Ambrosia (translated from Portuguese)
• Interview: At his Cats Without Dogs blog, Jason presents a brief Q&A he recently did with the Spanish newspaper El Periodico de Catalunya: "I can hear the voice of a woman, from somewhere above me. 'Don't cry,' her voice says. 'One day you will see Neal Adams at a comic book convention in America.'"
• Feature:USA Today Pop Candy's Whitney Matheson spotlights Jim Woodring and his giant pen project: "I can't wait to see the pen and the drawings! (Also, can we start a campaign to get a live demonstration in New York?)"
• Commentary: At The Hooded Utilitarian, Ng Suat Tong surveys the use of buildings in comics and then looks specifically at architecture in Josh Simmons’s House
• Reviews: "Both of these books — Blake Bell's Fire and Water: Bill Everett, The Sub-Mariner, and the Birth of Marvel Comics and Steven Brower's From Shadow to Light: The Life and Art of Mort Meskin — do fine jobs of chronicling the artists' lives and careers. [...] The Everett book... is beautifully designed by Adam Grano and as much an art book as biography. Filled with great examples of Everett art — some of which is from the Everett family's own archives — this book opens up a whole new arena for appreciation of this almost lost seminal artist. The Mort Meskin book is fascinating, too. Brower and the Meskin sons do a great job in capturing what the artist was really like, both in his career and his home life. [...] Again, it's an impressive package (something I think Fantagraphics has become famous for) and a welcome addition to any comics fan's library." – Gary Sassaman, Innocent Bystander
• Review: "Four Color Fear: Forgotten Horror Comics of the 1950s is... a cool collection of stories that definitely would have given me nightmares if I read them as a kid. ...Fantagraphics... puts together a wonderful package once again. Some of these stories are almost unreadable, but all of them are enjoyable and strange and wonderful in their own way." – Gary Sassaman, Innocent Bystander
• Review: "The Best American Comics Criticism, edited by Ben Schwartz, is a fascinating collection of assertion, appraisals, debate, reconsiderations, and recollections about comics. This thick, superbly-selected anthology features extremely well informed, exceptional voices... With a fantastically rendered cover by Drew Friedman (spot the critic!), this is a huge assortment of fantastic writing about a field that has had many parallels with and tendrils in rock and pop. If you’re yearning to own a non-music comics book of criticism that isn’t something from the academe yet still creates an alternate world of popular culture magic to teach how to rail and rave and expose and detail, The Best American Comics Criticism is the book to buy." – Chris Estey, The KEXP Blog
• Review: "Fantagraphics always produces beautiful books, but this is one of my favorites they have ever published. [...] A few weeks ago, I carefully slid You’ll Never Know off the shelf. I was ready for it. It was time. It was a deeply emotional read. [...] The art and lettering is stellar in You’ll Never Know, filled with little details that make every page - especially full page panels. [...] You’ll Never Know is excellent example of autobiographical/biographical non-fiction sequential art, and has made my short list of favorite graphic non-fiction..." – Syndicate Product Covert HQ
• Plug: "Norman Pettingill is an underground cartoonist's underground cartoonist. His obsessive linework, his out-of-control hillbilly wonderland — and even his medium — wood, all make for a fascinating experience. And yes, the cover of this book is plywood." – Benn Ray (Atomic Books), Largehearted Boy
• Feature:Seattle Weekly's Brian Miller previews the "Counterculture Comix" exhibit at Bumbershoot and talks to curator Larry Reid
• Coming Attractions: "For me, and I admit I have specialized taste, the best news coming out San Diego was the announcement that Fantagraphics is going to reprinting Floyd Gottfredson’s Mickey Mousecomic strips, which really was during the 1930s one of the great adventure strips. This will be hard for anyone who hasn’t read Gottfredson’s work to believe, but his Mickey Mouse was as rousing as Roy Crane’s Captain Easy and as rich in invention as Barks’ longer Duck stories." – Jeet Heer, Comics Comics
This book is available with a signed bookplate as a FREE premium! The bookplate has been uniquely designed for this book, and each bookplate is printed on acid-free cardstock and hand-signed by the author. (Click here for more books available with signed bookplates.) Please select your preference above before adding the item to your shopping cart. Note: Signature plates are VERY limited in quantity and available only WHILE SUPPLIES LAST.
The first volume of You’ll Never Know showed Carol’s initial, sometimes difficult attempts at grappling with her father Chuck’s traumatic World War II experiences by bringing them to light. As Book 2 begins, she is startled to discover that Chuck’s decision to suddenly, after 60 years, open up to her on the subject has motivations that go far beyond his desire to reveal his past — putting even more pressure on an already explosive relationship. In any event, Carol finally begins to delve into, and re-tell, Chuck’s horrific wartime experiences in Italy (which are worse than even she had imagined).
But back in the present, the cycle of family dysfunction continues as Carol’s own daughter runs into her own trouble, leading Carol into further exploration of her family’s buried traumas and sorrows — with an expanded reprinting of the out-of-print “The Hannah Story,” Tyler’s superb chronicle of the short life and accidental death of her older sister, a heart-rending story (named one of the “100 Best Comics of the 20th Century” in a Comics Journal survey) that in turn sheds light on her parents’ subsequent lives and patterns of behavior. Everything is connected, and the past is never just the past...
Influential comix artist Carol Tyler will appear in at Fantagraphics Bookstore in Seattle on Saturday, September 11 from 6:00 to 9:00 PM to present her two-volume graphic memoir YOU'LL NEVER KNOW with an exhibition of original art and book signing. This will mark Tyler's fist visit to the Northwest.
Carol Tyler's career in cartooning began as a graduate student in painting at Syracuse University in the early 1980s. She later moved to San Francisco and began a lasting relationship with underground comix legend Justin Green. Her work soon found its way into seminal female comix anthologies Twisted Sisters and Wimmen's Comix. Fantagraphics Books later published her autobiographical works THE JOB THING (1993) and LATE BLOOMER (2005.)
Tyler's ambitious trilogy YOU'LL NEVER KNOW examines her relationship with her father and his experiences in World War II. The first volume, A Good and Decent Man, explores how his war experience shaped her childhood and affected her relationships in adulthood. The recently published second volume, Collateral Damage, delves deeper into her father's horrific wartime exploits in Italy and her current cycle of family dysfunction. Her delicate line quality and watercolor technique add depth and urgency to this compelling memoir. Bestowed with prestigious industry awards and nominations, as well as universal critical acclaim, Tyler's achievement is unparalleled in recent years. According to the New York Times Book Review, "It's impossible not to compare You'll Never Know with Art Spiegelman's Maus, the first great graphic novel about what happened to a cartoonist's father during World War II... Tyler's book is a vivid, affecting, eccentrically stylish frame built around a terrible silence."
Fantagraphics Bookstore & Gallery is located at 1201 S. Vale Street, only minutes south of downtown Seattle. This event coincides with the colorful Georgetown Second Saturday Art Attack featuring visual and performing arts presentations throughout the historic neighborhood. Phone 206.658.0110.
Listing Information: CAROL TYLER: YOU'LL NEVER KNOW Book signing and opening reception Saturday, September 11, 6:00 to 9:00 PM Exhibition continues through October 6, 2010 Fantagraphics Bookstore & Gallery 1201 S. Vale Street (at Airport Way S.) Seattle, WA 98108 206.658.0110 Open Daily 11:30 to 8:00 PM, Sundays until 5:00 PM
• Review: "...[F]or the first time I realized that Prison Pit [Book 2] isn't a fusion-comics exploration of awesomeness in all its forms, but a horror-comics exploration of awfulness — of violence that maims and kills not just body but soul. Ryan is willing, even this early in a series I imagine will be able to last as long as he wants it to, to completely invert his instantly-iconic warrior, to make the audience root against him desperately, to feel dick-shriveling revulsion at his violence and pity for his victim. 'That fucking sucked,' CF says when it's all over. Understatement of the year. This book is a masterpiece of awfulness." – Sean T. Collins, Attentiondeficitdisorderly
• Review: "It isn't every day such a formidable body of work gets handed to us on such a shining silver platter — there are too few artists like Rand Holmes for that to be possible. But when it does happen, the comics world ought to stand up and take notice. Holmes may have been forgotten once, but Rosenkranz has put forth all mortal effort to make sure he won't be again, and in the process created what might be the best reprint book of the year. A must for fans of great comics art, the undergrounds, or the medium's history, The Artist Himself is in the end most essential as a truly great read. Don't let it pass you by." – Matt Seneca, Newsarama
• Review: "For anyone who has not entered Deitch’s universe, fear not: it is remarkably easy to access, one does not need a map to enter or understand. [The Search for Smilin' Ed] will most likely make you want to explore his other works, much of which have also been collected in graphic novels in recent years causing many to at last wake up and praise the Deitch!" – Robert Dayton, Roctober (hat tip: Bill Kartolopoulos)
• Review: "Werewolves of Montpellier stands out as another winner from Jason; in fact, perhaps it is one of his finest books yet. Somber and funny, and packed full of werewolves and romance, jewel heists and parties, Werewolves of Montpellier stands as another reason to make sure you’re reading Jason’s comics. If you’re not, you’re missing out." – Michael C. Lorah, Newsarama
• Review: "...Sammy the Mouse... for me has been a revelation, taking Zak Sally's natural cartooning chops away from some of the more densely-told and even sometimes predictable material from projects past and opening it up to a mix of classic cartooning tropes and the outright weird. ... It's enough for me to watch Sally explore the comics page, and at this point I think I'd watch him adapt the minutes from a school board meeting." – Tom Spurgeon, The Comics Reporter
• Interview:Anime Pulse presents an audio recording of their interview with Moto Hagio at Comic-Con International, with translation by Matt Thorn, as well as a transcript of the answers in Japanese
• Panel:The Comics Journal presents an audio recording from the “Graphic Novels: The Personal Touch” Panel, featuring Gabrielle Bell, Howard Cruse, Vanessa Davis, Larry Marder, Jillian Tamaki and Carol Tyler in a conversation moderated by Shaenon Garrity, recorded on Friday, July 23 at Comic-Con International
My picture-taking fell off on the last day of Comic-Con as things got even more hectic with last-minute wheeling & dealing, including our Sunday-only 20%-off-everything sale. Here are a few things I managed to capture:
Peter Bagge chats with Scott McCloud (while our own Eric Reynolds and D&Q 's Jessica Campbell watch from a distance)...
...and with Jeffrey Brown, visiting from the neighboring Top Shelf booth (while our own Jason T. Miles confers with Sparkplug's Dylan Williams in the background).
Pete keeps his Inkpot trophy handy while Stephen DeStefano diligently signs and sketches.
And it was over! Here's me & Janice, all packed up & ready to go, with mixed feelings. Thanks to our booth neighbors at BloodFire Studios for this last shot (and for loaning us their handtruck at the very beginning):
We did a few things differently this year, most notably a smaller booth and smaller staff, but sales and enthusiasm seemed to be greater than last year. And while there are "teachable moments" every year, this was overall as smooth and successful a Comic-Con as I can remember in my brief history with the company. Thanks to all the staff, volunteers, artists, family members, professional colleagues and especially the fans who helped make Comic-Con 2010 another great show!
This is somewhat belated news, but we didn't get the photo uploaded until just now: Peter Bagge, Moto Hagio and C. Tyler were all awarded with Inkpot Awards at Comic-Con this year! Above, Peter and Carol pose with their trophies; Moto didn't bring her trophy to her signings, so if anyone has photos of her receiving or holding the award, we'd love to see them!
Carol Tyler brought some amazing collectibles to sell, including copies of You'll Never Know Book 1 signed by her dad (the "Good and Decent Man" himself) and a copy of the Twisted Sisters compilation signed by every contributor:
Brother Mario made a surprise appearance with the rest of the Hernandez clan for their Love and Rockets signing on Friday morning, which I only managed to capture with my crummy, crummy cameraphone.
Moto Hagio was joined for the second half of her signing by Carol Tyler, who brought flowers swiped from outside the convention hall.
Andrei Molotiu and Stephen DeStefano made their first Comic-Con signing appearances with us. Andrei, though best known for his work with abstract comics, is also a whiz with the representational sketch, as he proved in my sketchbook. Stephen obliged another fan with a 'Mazing Man sketch.
I missed getting any actual photos of Johnny Ryan & Esther Pearl Watson during their Friday signing, but here's their whiteboard sign-in. Esther's is particularly funny if you know the secret symbolic code from Unlovable.
Friday's final signing was a special treat as Blake Bell was joined by Wendy Everett, daughter of Bill Everett, subject of Blake's new book (and an almost-immediate con sell-out) Fire & Water.