This interview was conducted by Comics Journal editorial intern Christine Texeira and proofread by TCJ's Kristy Valenti and myself. Thanks to all! –Ed.

Christine Texeira: This catalog is a reprinting of an original DeMoulin Bros. catalog from 1930, but there were other DeMoulin Bros. catalogs and earlier catalogs from competing companies (Pettibone, etc.) — why this catalog in particular?

Charles Schneider: Catalog #439 cannot be topped. It has nearly all of the devices ever created by the company. All of the stops were pulled out and the kitchen sink was thrown in. It is the best and final edition of this sort of thing and it's likes will never be seen again. It was, as historian John Goldsmith has stated, the "Christmas wishbook" of the DeMoulin Brothers. They put the most insane and ultimately super-wackiest things in it after YEARS of MADCAP creating. This was their final bid at creating lovingly crafted, truly inventive, deliciously surreal, nasty and often diabolically cruel works of art that were both appealed to the highest and lowest of aesthetics all at once. Often decadent dandies make the most merciless pranksters.

CT: Can you define exactly what "burlesque paraphernalia" and "side-degree specialties" are?

CS: They are props, devices, gags and gadgets designed to assist fraternal orders on creating dramatic, pseudo-esoteric initiation (or hazing) dramas.

CT: Can you give us a little history of pranks and fraternal organizations?

CS: Fraternal organizations discovered that they could gain members by increasing the fun and outrageous drama of the initiation "rituals." It is fun to be part of a "secret" club. And after going through a humiliating prank initiation, it was all the more fun to anticipate a friend's face — when he goes through the same gauntlet of goats and shocks!

CT: Specifically: fraternal organizations, like the Freemasons, never took part in any of these pranks — who did? How were they affiliated to established fraternal organizations, like the Freemasons?

CS: Groups such as The Modern Woodmen of America, the Knights of the Maccabees, The Woodmen of the World, the Knights of Pythias, The Improved Order of Redmen, The Elks, the Odd Fellows were just SOME of the groups that used the DeMoulin Bros. creations. Often, men would be members of multiple groups. Some people are just "joiners," and collect membership cards like badges. The[re] might be a member of the quite serious Freemasons, as well as groups which focus more on social interaction and networking.

CT: How were masks, wigs, beards, costumes, etc. used in "side-degree" initiations vs. traditional initiations?

CS: The wigs, costumes and beards etc. were used in the initiation skits. In fact, there are suggestions given for various costumes to be worn in connection with specific devices. Such as — wearing a donkey or tramp or "yellow kid" head while leading a man to his potential spiked and electrified doom.

[Read more...]

Online Commentary & Diversions:

• Review: "What to say about Catalog 439? It's a crazy-arse thing, full of richly illustrated intricate drawings of smartly dressed men torturing each other with ridiculous devices. [...] What you get with this book then is not just a fascinating glimpse into a little known corner of American social history, but the template for many of the ad pages from the silver and bronze age comics that so many of us comic collectors love. I really enjoyed it and, although it isn't about comics, I would recommend it to anyone with an interest in the history of comic book advertising." – Dom Sutton, London Loves Comics

• Review: "At this point, I don’t know what else there is to say about Jamie Hernandez or Love and Rockets. I suspect that one day he’s going to make a truly terrible comic, if only because he must feel at least a little bit bad about showing nearly every other creator up so often. ...Penny Century is yet another masterpiece from a guy who turns them out seemingly like clockwork. If you haven’t read it, you need to. ...Jamie Hernandez’s exploration of life continues as an unimpeachable standard for comic book mastery." – Michael C. Lorah, Newsarama

• Review: "[Artichoke Tales] is far and away the best comic I've ever read from Megan Kelso, succeeding on almost every level. Her clear-line style gives an airy ease to her often detail-heavy drawings of nature and the people who inhabit it; similarly, her complex exercise in fantasy worldbuilding — and I don't mean detailed maps with funny names, I mean real worldbuilding, constructing cultural and religious and economic structures rooted in environment and history and exerting macro and micro influence across the lives of all the characters involved — is subsumed into an absorbing, briskly moving house-divided family soap opera. [...] I dug this book to a degree that surprised me and look forward to returning to it. It's a rich vein of alt-fantasy being tapped here." – Sean T. Collins, Attentiondeficitdisorderly

• Review: "Kelso's simple line and rounded forms belie the seriousness of the story. [...] Ultimately, Artichoke Tales is not so much a story about conflict as a story about the people reacting to the conflict, doing their best to live lives of integrity in a land of constant unrest. Although good intentions are often thwarted, it ends on a note of hope." – Brigid Alverson, Graphic Novel Reporter

• Plug: "I picked [A Drunken Dream and Other Stories] up at San Diego and it's one of those 'seminal' manga works that actually lives up to its hype. If you like Tatsumi, this is a good bet." Lydia Park, Ask Yavin IV (Funny, we don't remember seeing her at San Diego... That's a joke because she's a cartoon character.)

• Plug: "This is amazing news — one of my favourite cartoonists finally receives his due. I was starting to think that he had slipped through the cracks of cartoon history. ...[Rand Holmes] was a fantastic draftsman, surprisingly old-school, and his meticulous inking something that I could only ever hope to dream to aspire to." – Rod Filbrandt

• Plug: "...[T]he second volume of [Johnny Ryan's] battle epic Prison Pit... is amazing, nasty, and Lovecraftian." – Ryan Sands, Same Hat!

• Interview: "Newsarama: Billy Hazlenuts is like a children’s fable gone wrong, reminiscent in way of the old, dark Grimm Brothers tales with a modern, high-octane approach.  Is that what you’re going for? Tony Millionaire: Take a closer look at those Grimm's Fairy tales, or even better, Hans Christian Anderson, and you'll tell me my stories are chocolate milk sopped on toast compared to that stuff."

• Roundtable: The participants in The Comics Journal's roundtable on The Best American Comics Criticism file their first response posts: Here’s Caroline Small, Ng Suat Tong and Jeet Heer

• Commentary: Robot 6's "Quote of the Day" comes from our very own Gary Groth

Online Commentary & Diversions:

• Review: "Underground feminist comic artist Farmer’s account of how she looked after her aging parents [Special Exits] is a quiet wonder. ... Farmer renders everything in busy, densely packed black-and-white frames whose cluttered look mimics the dusty house, its surfaces thick with cat hair and memories. The story is stunning for its antisentimental realism, as well as for the glimpses of fantasy... that flicker by like ghosts." – Publishers Weekly (Starred Review)

• Review: "Billy Hazelnuts and the Crazy Bird is kind of horrifying, but hilarious nonetheless, and so lovingly detailed that one can’t help but enjoy reading it. ... It’s as crazy and weird as one would expect from a Millionaire story — and laugh-out-loud funny to boot. ... But it’s the humanity of his characters and their emotions that serve as our way into the story. ... The dense linework gives everything volume and weight, along with a leap-off-the-page energy. ... Millionaire’s narrative world is built on zany chaos, and a true storytelling wonder to behold. Yet, while it would be a scary and nightmarish place in which to live, it’s sure fun to spend some time there." – Matthew J. Brady, Indie Pulp

• Review: "Delving into the hidden world of secret societies of the Victorian Age in America, Charles Schneider blows the lid on the craziness... These revelations are culled from listings in DeMoulin Brothers Catalog No. 439... The actual catalog is a wishbook of possible DIY projects for the clever or crazy... As retail histories go, this is a vibrant one — if nothing else, it lets you know what foolishness your grandfather was up to when he looks back to the good old days and bemoans 'these kids today.' At least these kids today aren’t making a habit of using a Lifting And Spanking Machine on their friends." – John E. Mitchell, The North Adams Transcript

• Review: "Jack Cole was a brilliant artist and one of the most significant figures in American comics. ... In essence, these are single panel cartoons, beautifully composed and drawn as you would expect, accompanied by a gag or punchline. They are pleasing to look at and vaguely amusing, to be sure, but there is none of the surreal, chaotic, rollercoaster quality to be found in Cole’s comic book art. There is nothing too objectionable [in Classic Pin-up Art of Jack Cole] either, unless you regard cheesecake as commodification – which you’re perfectly entitled to do, of course." – P.P.O. Kane, The Compulsive Reader

• Interview: Comic Book Resources' Shaun Manning talks to Jason about his new graphic novel Werewolves of Montpellier: "Originally, I had thought the two werewolves would kill Igor, to make it more personal for Sven to go after them. But it just seemed so typical, it's what would have happened in any Hollywood film. It just didn't interest me. A conversation about looking at girls asses or the politeness of Frenchmen is more interesting."

• Interview: Caustic Cover Critic's Peter Lutjen talks to Bob Fingerman about book design: "My book Connective Tissue was my art, but the designer, Jacob Covey, completed it with his design and I was delighted. I really admire Jacob's work."

• Interview: At The Daily Cross Hatch, Brian Heater talks to Robert Pollard about his collage art: "It’s inspired by a recurring dream I used to have when I was in high school and college. In my dream was an unattended record store with racks and rows full of record sleeves by imaginary or dreamt rock bands. Needless to say, I was very disappointed when I awoke [and discovered] that it wasn’t real. Now it sort of is. At least slightly more real than the dream."

• Events: The Beat reports that Lilli Carré's short film "Head Garden" which you can watch here) is among the films selected for the first annual SPX Animation Showcase

We have two new releases scheduled to find their way to comic shops this week. You can check out extensive previews for each book at their respective links below so you can be an informed consumer before taking your money down to your local shop. As usual, we'll let the blogosphere do our plugging for us:

Catalog No. 439: Burlesque Paraphernalia and Side Degree Specialties and Costumes
Introduction by Charles Schneider; essay by William D. Moore; appreciation by David Copperfield

240-page black & white/color 6.5" x 9.75" softcover • $22.99
ISBN: 978-1-60699-367-5

"...[A] mail-order tome of electrical cages, creepy costumes, and other casual torture devices. DeMoulin [Bros.] marketed these gadgets to men's social clubs, who were all too happy to subject new recruits to shocking see-saws and detonating flower pots." – io9

"I think Midtown’s fucking with me? Or, Fantagraphics is releasing a 240-page reproduction of a 1930 catalog from De Moulin Bros. & Co., specializing in dangerous-looking props to use in lodge initiations and such. Featuring a new appreciation by David Copperfield, in his first Fantagraphics appearance since retiring the Anton Drek pseudonym." [Ha ha ha! - Ed.] – Joe McCulloch, Comics Comics

"I can't tell if this is really cool-sounding or if that title reads like an unfortunate google translation." – Tom Spurgeon, The Comics Reporter

Mome Vol. 19 - Summer 2010
by various artists; edited by Eric Reynolds

128-page color/b&w 7" x 9" softcover • $14.99
ISBN: 978-1-60699-349-1

"A new Gilbert Hernandez story is set for this latest edition of Fantagraphics’ house anthology, along with the start of a 'satiric psychedelic epic' from writer Shaun Partridge and artist Josh Simmons. Also: Olivier Schrauwen, Tim Lane, T. Edward Bak, more." – Joe McCulloch, Comics Comics

"The 'short pieces by regular contributors' paradigm for Fantagraphics' anthology series seems to have mostly gone out the window; instead, this volume involves Josh Simmons pushing some buttons, Olivier Schrauen doing a piece that looks like a Paper Rad/Winsor McCay mash-up, Gilbert Hernandez with one of his weird-ass Roy stories, and so on." – Douglas Wolk, Comics Alliance

"I'm a regular reader of this square-bound anthology series, but even if I wasn't I'd be picking this up for the debut of a new story by Gilbert Hernandez featuring the always awesome Roy, as well as a new 'satiric psychedelic epic' by Josh Simmons and a guy who for some strange reason wants to call himself The Partridge in the Pear Tree." – Chris Mautner, Robot 6

"This is a really good issue, leaning more towards Eric Reynolds' 'I edited Dirty Stories and my own comics can be terribly frightening' side than his art comics side. Some very potent, troubling short stories and some unorthodox yet beautiful-looking comics art." – Tom Spurgeon, The Comics Reporter

Here's a nice little bonus feature for you: Back in January, The Greenville Advocate covered Charles Schneider's visit to their town to research the DeMoulin Bros. and take photos for his Introduction to the book Catalog No. 439: Burlesque Paraphernalia and Side Degree Specialties and Costumes. Click the image above for a much larger, legible version. Thanks to Daniel Clowes for providing the scan.

io9 has a sneak peek at our forthcoming book Catalog No. 439: Burlesque Paraphernalia and Side Degree Specialties and Costumes, described as "a mail-order tome of electrical cages, creepy costumes, and other casual torture devices. DeMoulin [Bros.] marketed these gadgets to men's social clubs, who were all too happy to subject new recruits to shocking see-saws and detonating flower pots."

Catalog No. 439: Burlesque Paraphernalia and Side Degree Specialties and Costumes
Introduction by Charles Schneider; essay by William D. Moore; appreciation by David Copperfield

240-page black & white/color 6.5" x 9.75" softcover • $22.99
ISBN: 978-1-60699-367-5

Ships in: June/July 2010 (subject to change) — Pre-Order Now

Do you wish to separate the jolly good fellows from the dour sour pusses from those who seek to ASCEND TO THEIR SIDE DEGREES — but you suffer from lack of imagination when it comes to constructing elaborate hazing rituals and DEVICES? Does fake vomit, joy buzzers and a party pack of fake moustaches only produce yawns, rather than giggles, among your once-merry members? Well, look no further than Catalog No. 439: Burlesque Paraphernalia and Side Degree Specialties and Costumes, in which the manufacturers De Moulin Bros. & Co. from Greenville, Ill. feature the finest electro-dropo benches, goat-shaped tricycles, electric branding irons (and much much more)!

Not only does this 1930 catalog, reproduced with marvelous 21st century machinery, provide tightly rendered pen-and-ink period illustrations and detailed product descriptions, it also has helpful how-tos and scripts to aid in the pulling of these pranks on initiates!

(WARNING: Fantagraphics Books is in no way responsible for any resultant maiming, crippling, immolation, or disfigurement resulting from the construction and/or use of devices pictured in this catalogue. At least, we don’t think so.)

Today, DeMoulin Bros. & Co. is one of the largest suppliers of costumes for marching bands in the United States. But in 1930 the company produced an amazing array of props and devices created specifically to be used in minor “hazing” of candidates in the side degrees of various fraternal organizations. The great 1930 DeMoulin Bros. & Company Fraternal Supply Catalog No. 439 is truly a holy grail for the prankster, arm-chair sadist and those interested in the some of the zanier historic arcana lurking behind that neighborhood odd-fellows lodge.

This is the ultimate desert-island book for pranksters looking for something edgy and new to dream about, Rube Goldberg-like devices created to instill terror and bemused respect, before the candidate ascends to receive a more sublime form of illumination. All in good fun, it is — or was — the American way!

Download an EXCLUSIVE 24-page PDF excerpt (1.5 MB).

Video & Photo Slideshow Preview (view in new window):

Online Commentary & Diversions:

• Review: "So Fantagraphics recently released The Search for Smilin' Ed, which was serialized a while back but also contains a brand-new story as well. ...Deitch really puts a lot on the page. And, for the most part, it's pretty fascinating. But I was struck by something in the book, and I must ask: Is this comic racist? ... Deitch has a grand time twisting the way reality presents itself, bringing together his entire career in cartooning so that it all exists in the same odd universe. Deitch's intricate artwork completes this surreal adventure — it's an astonishing piece of detailed work, with monsters lurking in panels and scenes shown from different viewpoints to add interesting nuances. Deitch mixes his own, 'real' world skillfully with Waldo's imaginative one into a haunting phantasmagoria, with strange creatures flitting through our consciousness and then disappearing. It's a very wild comic that asks the reader to enter this topsy-turvy world and accept what's going on. For the most part, we do." – Greg Burgas, Comic Book Resources

• Review: "Kelso's... thin lines, empty figures, expressive curves and powerful shading are a delight to look at... I also think that the scope of the story has a lot of appeal, and the persistent theme of every character finding themselves incapable of staying anywhere near their closest family is probably a relatable one to many. ... Artichoke Tales is at its finest when it delivers the banality of life from the pretense of grandeur..." – Jason Michelitch, Comics Alliance

• Review: "At its core, [Set to Sea] is imbued with appropriately romantic notions of what living one’s life truly means. ... Weing is something of a classicist in his artistic approach, from the E.C. Segar influence he clearly wears on his anchored sleeve to his garish use of hatching—but the style suits the subject matter quite well. Much care has clearly gone into every page. And the result is a satisfying, if brief read." – Brian Heater, The Daily Cross Hatch

• Review: "Joe Daly’s Dungeon Quest is at once the most self-aware and metatextual of the recent spate of fantasy-inspired alt-comics, as well as the one most devoted to the sheer fun of exploring a space and dealing with its inhabitants. ... Above all else, Daly is funny, and never pursues cheap laughs. His line mixes clear-line simplicity with occasional psychedelic weirdness; bending the borders of reality is a trademark of his narratives. When Daly lays down a genre story over this template, the resulting stories are enjoyable on several levels." – Rob Clough, The Comics Journal

• Review: "Read 2 pages a day [of The Kat Who Walked in Beauty], every so often, for 6+ months to get through this. I was very inspired by it...the world of it, the forms. The world has changed a lot since Mr. Herriman drew these strips. Some real groaners in here, but some good jokes too." – Kevin Huizenga, Husband vs. Wife

• Interview: Newsarama's Michael C. Lorah talks to Cathy Malkasian about her new graphic novel Temperance: "What I wanted to touch upon was our current state of engaging in distant wars and how these have altered the lives of returning soldiers and their loved ones. This and the increasing taste for violence in our cultural palette. Do these currents rise together? Is the latter a reaction to the former? I still don’t know, but I have a feeling we’re seriously rearranging the role of violence in our collective mind."

• Interview: Fangoria's Nick Masercola talks to Charles Schneider, fraternal consultant for our forthcoming book Catalog No. 439 - Burlesque Paraphernalia and Side Degree Specialties and Costumes: "The DeMoulin Bros. catalog is an incredible distillation of the best and craziest pranks and stunts, created in a beautifully crafted style for grown-ups!"

• Analysis: Jeet Heer at Comics Comics on Ernie Bushmiller's Nancy; Kevin Huizenga responds on his New Construction blog