|Black Hole short film redux|
|Written by Mike Baehr | Filed under video, hooray for Hollywood, Charles Burns||18 Mar 2010 4:59 PM|
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Category >> Charles Burns
Bring on the Online Commentary & Diversions:
• List: Only the Cinema's Ed Howard begins counting down The Best Comics of the Decade: part 2 includes Black Hole by Charles Burns at #36 ("Few books do a better job of capturing the fear, and the excitement, of nascent desire and adolescent longing, as these diseased teens are driven mad by hormones and embarrassment"), Epileptic and Babel by David B. at #30 ("With his elegant style, dominated by striking blacks and contrasts, he invents numerous metaphors and visualizations for his brother's disease, treating the fight against the disease as a physical, mortal conflict"), Chimera #1 by Lorenzo Mattotti at #29 ("a rare pleasure from this elusive artist... a powerful work"), and The Squirrel Mother by Megan Kelso at #26 ("Kelso's work can be devastating in the way she pares down the excess to get at the essence of a particular moment or situation").
• Review: "…[A] fascinating treasure trove of an anthology... In addition to work by greats like Artie Romero, Rick Geary, and Mary Fleener, and 50 or so others, [Newave!] serves as the history of a movement." – Publishers Weekly
• Review: "Taken as a book that records a history, it’s pretty awesome. ... Newave! does include essays about minicomics and interviews with some of the creators. These are fun and provide a great look at how all of this came about." – Eden Miller, Comicsgirl (via Wow Cool)
• Review: "[Newave!] is really cool. ... It's great to see the kind of passion that was going on... when there was this explosion where people just wanted to do comics because they had a passion for drawing, for telling stories... It's just a book full of passionate comics... I definitely recommend checking it out..." – Steampunk Willy's Mad Comix Ride - The Comic Book Podcast (via Wow Cool)
• Review: "[I Killed Adolf] Hitler mixes elements of classic time travel science fiction fare with personal melodrama and a strange sense of humor that's unlike anything else in comics today. ... Jason pulls off some nice storytelling tricks when you aren't looking. ... The pacing of his story is refreshing, never getting bogged down, never moving too fast." – Augie De Blieck Jr., Comic Book Resources
• Review: "Culled from the latest Fantagraphics anthology of comics, edited by Glenn Head, this engaging survey runs the gamut of style and story. ... Even if most of the show is black-and-white, the collection confirms that some of today's most vigorous art comes from the hands of cartoonists." – Robert Shuster, The Village Voice, on the Hotwire Comics #3 art show at Scott Eder Gallery
• Interview: At Fatally Yours, Sarah Jahier has an enlightening Q&A with Dame Darcy: "My Dad is an artist, so is my uncle, brother, and a lot of my family. We are related to John Wilkes Booth and many of the guys in my family look like him (like a handsome villain). I [attribute] a lot of my family’s talent and good looks to Booth but also the craziness." I did not know that! (via The Beat)
Joe Alterio of the blog Indirect Collaboration (associated with the South by Southwest Interactive Panel) talks with Charles Burns and Gary Panter about their ongoing collaborative jam comics (like Pixie Meat, above). A sample:
Is there something about collaborative art that isn't there with solo art? Is it useful, or just a parlor game?
(via Hermenautic Circle)
The year's penultimate Online Commentary & Diversions:
• List: Comic Book Resources begins their countdown of the Top 100 Comics of 2009. At #82, "Because I Love You So Much" by Nikoline Wedelin: "Found in the pages of the recent anthology of Danish comics, From Wonderland with Love, this collection of strips about a mother who discovers that her daughter is being sexually abused by her dad is one of the most harrowing and utterly stunning stories about a difficult subject matter I've ever read and easily equal to the works of, say, Phoebe Gloeckner or Debbie Dreschler." (Chris Mautner)
• List: The Brazilian editions of The Complete Peanuts 1950-1952 and Dash Shaw's Bottomless Belly Button have been voted among As melhores HQs de 2009 (The Best Comics of 2009) by a panel of critics at O Globo (via The Comics Reporter)
• List: Robin McConnell of Inkstuds re-posts his Best of 2009 and Best of the 2000s lists previously run at The Daily Cross Hatch
• List: Comicdom continues their Top 100 of the 00s with Black Hole by Charles Burns at #2: "I start, taking for granted that with Black Hole, Burns played the blues of the pelvis with unparalleled mastery."
• Review: "...[A] love letter to 70s exploitation movies. Beto being Beto, there’s a depth of visual symbolism and complexity of character that provides an emotional structure to the narrative not seen in the source material that inspired these stories. ...Elmore Leonard meets Roger Corman. ... There’s a wonderful luridness to the story that Hernandez revels in... The Troublemakers... shows the artist at the height of his powers, capable of crafting characters with surprising depth even in the basest of genre stories." – Rob Clough, The Comics Journal
• Plug: Paul Constant of The Stranger picks up on our report of the recent Fletcher Hanks discovery and says "If you haven't read I Shall Destroy All the Civilized Planets! and its sister volume You Shall Die by Your Own Evil Creation!, you're in for a treat."
• Interview: Comic Book Galaxy's Alan David Doane presents an exactly-decade-old chat with Barry Windsor-Smith, conducted on the occasion of the release of OPUS Vol. 1: "I mean, if I'd really wanted to sell it, I could have called it 'Tits Galore' or something like that." (I pulled the goofiest quote, but really, it's a substantive read.)
This Saturday, get yourself to Williamsburg for an incredible comics event! With a lineup of guest artists including (from the extended Fantagraphics family) Gabrielle Bell, Charles Burns, Kim Deitch, Michael Kupperman, Mark Newgarden, Gary Panter, David Sandlin, Frank Santoro, Dash Shaw, R. Sikoryak and many many more, an amazing slate of programming, and a stellar group of exhibitors, all organized by our esteemed pals and colleagues at Desert Island and Picturebox, the first annual Brooklyn Comics and Graphics Festival is an absolute can't-miss! (Except we won't be there, wah.) Click here for all the info, including schedule, directions, and the full program.
Online Commentary & Diversions:
• Review: Minnesota Public Radio enlists Tom Kaczynski to talk about Dash Shaw's new book The Unclothed Man in the 35th Century A.D.: "They're stories full of nuance and expression, done in a very accessible style, but very fresh and modern." Listen at the link above (segment begins at 1:40), and find out about Tom and Dash's collaboration for the next issue of Mome here
• Review: "Charles Burns offers a glimpse of what might happen if EC Comics existed today with three tales of intrigue and absurdity in this softcover reissue... [of Skin Deep]. A master of the unearthly atmosphere — David Lynch has nothing on him — Burns unleashes tales of a man transplanted with a dog’s heart, a failing marriage with an alarming secret, and, best of all, an evangelist’s son’s encounter with God and his path to millions because of it. At once cautionary, creepy and curious, Burns is consistently one of comics’ deepest thinkers." – John Seven, Worcester Magazine
• Review: "The Troublemakers is the second in a series of graphic novels adapting movies starring or co-starring Rosalba 'Fritz' Martinez from the popular Love and Rockets series. An adaptation of a fictional movie starring a fictional character… I can totally dig that. ... Well, Hernandez has totally captured the look and feel of a B-movie with this one. You’d swear that Roger Corman, Russ Meyer or Samuel Z. Arkoff had a hand in it somewhere… only it’s a whole lot prettier because the guy is a hell of an artist. ... The characters are all very distinct and memorable and the story keeps you intrigued from page one to 120. It actually feels like you’re watching a movie while reading it. ... One can imagine a young Quentin Tarantino taking in a Saturday afternoon viewing of The Troublemakers and being quite inspired." – Chad Derdowski, Mania.com
• Review: "...[A] phallic-galactic odyssey of epic proportions... Prison Pit, the latest [Johnny] Ryan work published by Fantagraphics, is just that, an apologia for sidereal 'poor taste' able to shake the guts of the average reader of comics... Yes, he has hit the target with a homemade bomb and high destructive capacity. Ryan, bastard, you've nailed it." – Alita Comics blog (from mangled Google translation)
• Review: "Jordan Crane is a pretty incredible cartoonist, and this issue of his anthology series [Uptight] demonstrates that wonderfully, with two stories that are different enough that it's impressive that they came from the same creator, but both beautifully drawn and well-told." – Matthew J. Brady
featuring series editors
Thursday, October 22, 7–9PM
Come celebrate the release of this essential volume of the year’s best American comics at The powerHouse Arena. Series editors Jessica Abel and Matt Madden will join the authors for a discussion, readings, slide shows, signings and more.
Comics writer Alan David Doane, oft-linked in our "Daily OCD" posts, has a new E-book compiling a decade's worth of his interviews with comics notables such as Peter Bagge, Charles Burns, Colleen Coover, Renee French, Roberta Gregory, Paul Hornschemeier, Johnny Ryan, Barry Windsor-Smith, and Dirk Deppey (not to mention a slew of non-Fantagraphics folks too). You can download the book, aptly titled Conversations with ADD, for free at the Comic Book Galaxy website.
A new week brings an avalanche of new Online Commentary & Diversions:
• Profile: For the Philadelphia Inquirer, Tirdad Derakhshani looks at the past, present, and future of Prince Valiant: "The release Tuesday of Prince Valiant, Vol. 1: 1937-1938, the first in a new series of gorgeously printed, hardcover Valiant collections from Fantagraphics Books, served as a bittersweet reminder of the century-long rise and eventual decline of a great American art form, the comic strip."
• Review: "...Al [Columbia] decided to dredge up old ghosts, unfinished pieces, trifles he had thrown away then reconsidered and offered them up to us as proof that he hasn’t forgotten us. This 240-page book [Pim and Francie: The Golden Bear Days, Fall 2009]... has certainly filled in some gaps for me as to what goes on in Columbia’s mind... There seems to be something both amazing and horrifying around every corner, in any dark space, in the thick of the forest, in the bulbous eyes of maniacal creatures and the straight realistic lines of buildings that all have a dark window somewhere... It is truly a viscous treat and I am sure this one will never wash off." - Rachael M Rollson, Panel to Panel
• Review: "Though Low Moon doesn’t have the slow-building impact of Jason’s longer works, he’s still one of comics’ best storytellers, and it’s always a treat to spend time in his world of off-brand pulp clichés and not-always-so-funny animals. [Grade] B+" - The A.V. Club
• Review: "Jason is an immensely skilled artist capable of manipulating his self-restricted vocabulary to stretch space and time. Low Moon moves in a slow burn as the two antagonists move closer to their eventual showdown. In what is probably the best story in the book You Are Here, time moves more quickly as a father and son attempt to deal with the alien abduction of the father's wife. The father builds a rocket while the son grows up and has a life of his own. Eventually they pile into the rocket, and things end badly, but perhaps a bit more emotionally than with the other stories." - Michael Buntag, NonSensical Words
• Review: "Rage of a different kind in Everybody Is Stupid Except for Me and Other Astute Observations by Peter Bagge. This collection of satirical rants from the American libertarian magazine Reason... is philosophically more about punk individualism than Ayn Rand, and artistically the heir to 1980s indie comics. Indeed, Bagge is an indie star, famous for his wonderfully elastic cartooning style and punk-inflected comedies." - Roger Sabin, The Observer
• Review: "These are good comics [in Everybody Is Stupid Except for Me and Other Astute Observations], fun to read and definitely funny, definitely searing and when he hits a target he gets it right. Also there’s something to be said for the journalist tone of the writing and the structure of the strips would translate well into a proper newspaper, were he so inclined." - Ibrow
• Review: "For fresh talent in comics, you have to go to the anthologies and there's none better at the moment than Mome... the highlight [of Vol. 15] is Dash Shaw's hallucinatory story about a tidal wave, which uses swaths of colour and elongated panels to create a sense of vertigo." - Roger Sabin, The Observer (same link as above)
• Review: "Schulz had gone from a fairly grounded sense of consensus reality to Snoopy's flights of fancy to outright weirdness... That seems to be the essence of Sparky Schulz to me: even with the pressure of the daily grind and his position as the lynchpin of what had become a vast empire, Schulz wrote to amuse himself... At his best in this volume [The Complete Peanuts 1973-1974], Schulz gave the readers some of the best stories of his career." - Rob Clough
• Review: "Ace cartoonist Jordan Crane makes a curious split comic choice. The first half [of Uptight #3 ], 'Vicissitude,' is the opening chapter of a brooding adult tale of marital dysfunction and deceit, while the second, 'Freeze Out,' is a kid’s story, the further adventures of Simon and his cat Jack, who were featured in Crane’s great graphic novel, The Clouds Above. Miraculously, the pairing works — each is superior in its own genre — but you might want to wait until 'Freeze Out' is collected on its own before showing it to your kids." - John Seven, Worcester Magazine
• Review: "Blazing Combat (Fantagraphics, 2009) collects the entire run in a beautiful, incredibly well-bound hardcover book... The stories' tone is very 1960s, ironic with a cynicism stemming from brokenhearted humanism." - Carol Borden, The Cultural Gutter
• Review: "Needless to say, I love the streak of darkness that permeates [Charles] Burns' work. I mean that both figuratively and literally, as his one-of-a-kind illustration style is at-a-glance recognizable because of his heavy use of black ink... That starkness emphasizes the cruel features on the faces of his characters - deep wrinkles, harsh teeth, beady eyes and unflattering noses, to say nothing of the occasional freak. Like the look of his characters, Burns is one of a kind, and Skin Deep is a good introduction to the man's singular vision - a good way to get your toe wet before diving in." - Rod Lott, Bookgasm
• Review: "[A.B.] Frost looked like he was painting with the line…on a half-dozen cups of coffee. Trust me, that’s hard to do... Also, it looks like Fanta-Graphic Books might have brought Stuff and Nonsense back in print in 2003. [Yes. -Ed.] Pick up and copy and be ready to weep - this work is untouchable." - Tony DiTerlizzi
• Plug: "Carol Tyler's You'll Never Know is my favorite book of the year thus far. This memoir/biography/scrapbook is both formally challenging and emotionally devastating. Any critic serious about compiling a year-end list needs to keep this book under consideration." - Rob Clough, Robot 6 (guest contributor)
• Things to see: Tim Lane ponders "What would it be like to punt the Venus of Willendorf into outer space from the surface of the moon?” and "...but WHAT about THE CHILDREN?"