Mark your calendars and buy your advance tickets now: The Book Table presents an evening with Charles Burns & Chris Ware on Tuesday, November 2nd at 7:30 PM at the Unity Temple in Oak Park, Illinois. Click here for all the details and to pre-order tickets. (Hat tip to Sandy Bilus.)

Make plans for Labor Day weekend in Seattle now! The Bumbershoot art and music festival promises to be the best in recent memory. In addition to performances by the likes of Bob Dylan, Neko Case, Hole, the Decemberists, Weezer and countless other bands, the festival includes a large exhibition of contemporary Seattle cartoonists.

Organized by Fantagraphics resident curator Larry Reid, "Counterculture Comix: A 30-Year Survey of Seattle Alternative Cartoonists" begins with Lynda Barry's work circa 1980 and continues through the present. The show reveals Seattle as the ancestral home of the alternative comix genre and examines the role comix played in Seattle's youth movement of the 90s, which penetrated popular culture globally.

Hundreds of original artworks, comix and related ephemera by an impressive roster of influential Seattle artists will be displayed including Lynda Barry, Charles Burns, Peter Bagge, Ellen Forney, Jim Woodring, Megan Kelso, Jim Blanchard, Roberta Gregory, David Lasky, Ted Jouflas, Justin Hampton, J. R. Williams, Pat Moriarity, Donna Barr, Mark Zingarelli, Michael Dougan, Jeremy Eaton, Jason T. Miles, and more.

See you in September.

Charles Burns returns to Seattle this fall with an art exhibition and book signing at Fantagraphics Bookstore & Gallery. Tentatively scheduled for Saturday, October 30. Trick and treat this Halloween! We’ll keep you all posted.

Daily clips & strips -- click for improved/additional viewing at the sources:

• Ellen Forney's on the cover (as both artist and subject, with her BF) of this week's issue of The Stranger

• On Facebook, Esther Pearl Watson's Unlovable Fan Page posts the most recent Unlovable strip from Bust

• Johnny Ryan says on his LJ "One of my comics will be in a group print show this weekend in France."

• Another really nice bird sketch (this time a Cooper's hawk) by Debbie Drechsler

• Meathaus posts scans of the latest issue of Charles Burns's Free Shit minicomic

• Josh Simmons & Wendy Chin drop themselves into their Quackers universe

• Kevin Huizenga illustrates a link to an article of interest

• Things in Derek Van Gieson's Abstraction House are really getting weird

• Here's this week's Truth Serum from Jon Adams

British magazine 125 has a pretty wild feature in its latest issue, No. 15: a photo tribute to Charles Burns' BLACK HOLE, featuring seven re-creations of Burns' classic mutant yearbook photos from the book/comic book series. The photos were taken by Max Oppenheim. Here's a couple:

Thanks to all the artists, attendees, and MoCCA staff & volunteers for helping make the 2010 MoCCA Art Festival our most successful ever! We sold out of numerous titles, some within hours (and to the chagrin of our artists who ran out of books to sign — sorry!), and had mobs of fans turn out for our signings.

I took a load of photos; some highlights are below, followed by an embedded slideshow with lots more shots (which you can also view full screen) and a mosaic of thumbnails to browse. You can also browse the full set of photos with captions on our Flickr page.

Our setup at opening time, dwarfed by the cavernous interior of the Armory.

Mome dudes Derek Van Gieson, Nate Neal, editor Eric Reynolds, and Jon Vermilyea.

Jaime Hernandez with a long line of fans.

Eric observes as Jaime & Adrian Tomine share a laugh; that's Todd Hignite, author of The Art of Jaime Hernandez, in the tan jacket.

Charles Burns & Jaime Hernandez.

Eric looks on in admiration as living legends Arnold Roth, Al Jaffee & Gahan Wilson sign and greet fans.

Hotwire editor Glenn Head and Squirrel Machine auteur Hans Rickheit.

We were all knocked out by this guy's Fantomah tattoo!

Kim Deitch & Paul Karasik.

Esther Pearl Watson, Miss Lasko-Gross & Sara Edward-Corbett form a trio of triple-named women.

Dash Shaw, Michael Kupperman & Charles Burns.

The End!

Bonus: We spotted Enid preparing to clobber a pair of amorous pandas in our mural-filled hotel.

Online Commentary & Diversions:

• List: We published 3 of "The 6 Most Underrated Comics of 2009" according to Robot 6's Chris Mautner, including Giraffes in My Hair: A Rock 'n' Roll Life by Bruce Paley & Carol Swain ("Swain's low-key, nonchalant art fits perfectly with Paley's tales of hippie wanderings and punk-era decadence, stripping the stories of any rock glamor and tinging them with a genuine sadness. Really, this book just underscores how talented and sharp an artist Swain really is") From Wonderland with Love: Danish Comics in the Third Millennium ("...Nikoline Wedelin's haunting, chilling Because I Love You So Much... still resonates with me months after I wrote this review. The unflinching regard for its subject matter is not going to have people beating a path to its door, but the sheer daring artistry on display deserved much  more attention than it got") and Gahan Wilson: Fifty Years of Playboy Cartoons ("It's a testament, not only to Wilson's genius (the material never flags or gets rote, no matter what the decade) but also to Fantagraphics skill in presenting this material in such a stellar fashion. Really, it was the best retrospective collection of the year, and I wish more people had noticed it.")

• Review: In the interest of balance, Byron Kerman of PLAYBACK:stl loves Johnny Ryan but didn't care for Prison Pit Book 1

• Commentary: I don't check in with the TCJ message boards as often as I should -- there's some good discussion of the new volume of The Complete Peanuts going on over there (via ADD at Comic Book Galaxy)

• Panel: The concluding installment of The Comics Journal's presentation of a never-before-published panel discussion between Charles Burns, Chip Kidd, Seth and Chris Ware, moderated by Jeet Heer, that occurred October 29, 2005 at the International Festival of Authors in Toronto, Canada, turns things over to audience Q&A

Online Commentary & Diversions:

• Review: "There are two types of war stories: war as the great human drama, man accomplishing amazing feats in the most horrible of circumstances, or war as the great human tragedy, the ultimate loss of life without any rhyme or reason.  Tardi’s book fits very firmly into the latter category. ... Ink-soaked and gory, Tardi’s detailed renderings drive home the grotesquery of the war and the ordeal of the young men fighting in it. ...It Was the War of the Trenches creates an aura of loss, regret and terror." – Michael C. Lorah, Newsarama

• Interview: Listen to the Inkstuds roundtable on Newave! The Underground Mini Comix of the 1980s with editor Michael Dowers and artists  Mary Fleener, Wayno, and Colin Upton — I haven't tuned in myself yet but apparently there's dirt on the early days of Fantagraphics

• Panel: In the second part of The Comics Journal's presentation of a never-before-published panel discussion between Charles Burns, Chip Kidd, Seth and Chris Ware, moderated by Jeet Heer, that occurred October 29, 2005 at the International Festival of Authors in Toronto, Canada, discussion turns to Peanuts and Krazy Kat

• Appreciation: "There are lots of things to love about [Steven] Weissman: his art (from the kids-who-look-like-middle-aged-people of his early work, to the light, beautiful strokes that characterize his later stuff), his nuanced understanding of what it's actually like to be a kid, his intransigent weirdness. But the thing I've really been digging about him lately is the strangeness of his sound effects." – Ben Owen, Parabasis

Online Commentary & Diversions:

• Review: "The quality of [Gilbert] Hernandez's cartooning is unassailable. Part of the reason [High Soft Lisp] is so hard to quantify is his uncanny ability to shift focus on a moment's notice, effortlessly jumping from one character to another, suggesting whole thought processes and histories with just a handful of images." – Jason Michelitch, Comics Alliance

• Review: "The sort of horror Columbia presents in Pim & Francie works even better without the trappings of recitation and the cause and effect on which they depend. This sort of dread-inducing fright functions without regard to the recognizable comforts of logic and the niceties of narration. This is visceral, elemental terror that generally festers below — or alongside invisibly — human reckoning. ... Frontwards, backways, sneak-a-peek sideways, it all packs a monumentally disturbing wallop." – Rich Kreiner, "Yearlong Best of the Year," The Comics Journal

• Plugs: The Gosh! Comics Blog highlights recent arrivals Penny Century by Jaime Hernandez ("This volume picks up right after Perla La Loca left off, beginning with the now out-of-print graphic novel Whoa Nellie! which is probably the best female wrestling comic in town") and It Was the War of the Trenches by Jacques Tardi ("Since only a fraction of Trenches was ever available to us English-speaking folk it’s a nice to see the whole lot of it in one place.")

• Panel: The Comics Journal presents the first part (of three) of a never-before-published panel discussion between Charles Burns , Chip Kidd, Seth and Chris Ware, moderated by Jeet Heer, that occurred October 29, 2005 at the International Festival of Authors in Toronto, Canada

• Interview: The Daily Cross Hatch 's Brian Heater, who says "Released late last month, Fantagraphics’ massive collection, Newave, has already made a strong case for its place on 2010’s list of most essential reissues," talks to the book's editor Michael Dowers: "I’ve always been into art and stuff, so I thought that [minicomics] would be fun to do. I used to do paintings, I did a bunch of wood carving, I built a few stringed instruments. I was always doing things with my hands. It wasn’t until I discovered minicomics that it just all came together. I never dreamed that, 30 years later, I would be writing a book about this stuff."

This 2007 short film adaptation of Charles Burns's Black Hole by director Rupert Sanders seems to be making the rounds again. I can't locate any info out there as to why or how this was made, but it's worth a second look.