344-page black & white 8.5" x 7" hardcover • $28.99 ISBN: 978-1-60699-523-5
Ships in: March 2012 (subject to change)
As Peanuts reaches the mid-1980s, Charles Schulz is still creating and playing with new characters, and in this volume Snoopy’s deadpan, droopy-mustached brother Spike takes center stage: Surrounded by coyotes in the desert where he lives and who are attacking him with rubber bands, he sends a frantic message to Snoopy who launches an expedition to save him. Then, he makes the long trek back to Snoopy’s neck of the woods accompanied by his only friend (a cactus, of course)… and throughout the rest of the book, pops up in hilarious, Waiting for Godot-style vignettes set in his native Needles.
In romantic news, the Peppermint Patty-Marcie-Charlie Brown love triangle of overlapping unrequited love heats up (well, kind of), while Linus continues to vociferously deny that he is Sally’s “Sweet Babboo”; of course, Lucy’s unsuccessful pursuit of Schroeder remains unabated. Also, a romance blossoms between two of Snoopy’s “Beagle Scout” birds. (We will pass over Spike’s brief attraction to one of the coyotes.)
In what is probably his most baroque and hilarious baseball-involved humiliation yet, Charlie Brown agrees to join Peppermint Patty’s team the “Pelicans” only to discover that he’s wanted not as a player but as a mascot… Linus gives up his security blanket and forms a support group for other kids who are trying to do the same… and Peppermint Patty manages to be held back in school (leaving a “Snoring Ghost” to take her place in the rest of the class that has advanced) and yet get to go on a European trip with her dad, sending back periodic dispatches from the road. All this plus appearances from Franklin, Rerun, and the rest of the gang in these strips from a period of Peanuts that’s far less well-known than the endlessly-collected 1960s and 1970s eras…
Download and read a 17-page PDF excerpt (3.1 MB) with all the strips from January 1983.
• Interview: At The Believer's blog, part 3 of Ross Simonini's 2008 chat with Jim Woodring: "[Frank]’s an agent representing my interests, my perspective. The world is never a settled matter to him. He’s always trying to discover what is really going on, and when he does find out, he gets a terrible jolt. Sometimes he is driven beyond the limits of sanity. As William Burroughs said: a schizophrenic is a guy who has just discovered what is really going on. That’s a paraphrase."
• Review: "The Peanuts of 1981 was an utterly professional entertainment machine, and still the pure product of Charles Schulz's own pen and mind. But its pleasures in the '80s were like those of watching a late-season baseball game between two teams out of contention: it doesn't mean anything, and won't have any real effect on anything, but it's a quite agreeable way to spend a few hours." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Review: "In addition to undermining the colonialist attitudes of Hergé and classic Disney cartoons with his R. Crumb-ish verve, Swarte also presents a clutch of perfectly packaged riffs on cartoon art. Having a Chris Ware introduction makes sense, given Swarte’s excruciating eye for architectural detail, and could help introduce Swarte to a larger audience, but the book [Is That All There Is?] may not need it — the art doesn’t speak for itself, it shouts." – Publishers Weekly
"The Puerto Rican slugger overcame family poverty, racial prejudice, and the language barrier to be voted the National League’s Most Valuable Player for 1966. Puerto Rican-born Santiago (In My Darkest Hour) superbly captures the kinetic excitement of baseball as well as Clemente’s skill and warm humanity on and off the diamond.... Highly recommended; buy several."
"First published by Fantagraphics in 2003 and nominated for an Eisner Award, this history of racial depictions in comics has been updated in both its content and its source list. Over 100 entries, each featuring a representative illustration and an instructive short essay, cover an international range of comics, from Moon Mullins through Tintin, Will Eisner, R. Crumb, Peanuts, Boondocks, and beyond."
• Plug: "The Fantagraphics reprint of the Mickey Mouse comic strip made by Floyd Gottfredson was already a gem in its first edition in two volumes separately, but with this new edition, with two volumes in a box and a lower price, it becomes essential." – CaraB (translated from Spanish)
• Interview (Video/Audio): Get comfy for an hour-long chat with Bill Griffith about Lost and Found: Comics 1969-2003 on Bob Andelman's Mr. Media podcast, presented in video and streaming audio formats: "I’m sure somebody will be offended, which will be nice — to still offend somebody after all these years. People who only know Zippy comics through King Features will probably be surprised to see that Zippy was more adult-oriented."
Here's an exciting discovery: the original art for an extra-long Peanuts strip that was done by Charles M. Schulz for the July 22, 1958 issue of Look Magazine and apparently never reprinted since then. The artwork is being offered for sale next month by Heritage Auctions — thanks to Rodrigo Baeza of Comics Commentary for the tip.
• Review: "...Young Romance: The Best of Simon & Kirby’s Romance Comics isn’t just a book of some minor historical interest; it’s a genuinely entertaining and artful set of comics, and in some ways more readable than Simon and Kirby’s adventure stories.... Simon’s plots deal with jealousy, class conflict, mistaken identity, selfishness, and selflessness — the romance staples — while Kirby’s art makes these tales of passion and deceit especially dynamic, with deep shadows and a mix of the glamorous and the lumpen. ...Simon and Kirby... depict[ed] a world of darkness and heavy emotion, inhabited by clean-looking people in pretty clothes." – Noel Murray, The A.V. Club
• Review: "Though not a novel per se, The Life and Death of Fritz the Cat does tell a story of sorts, about Crumb’s evolution as an artist, from the mild-mannered greeting-card designer who drew cheeky doodles in his spare time, to the prickly satirist who’d use Fritz as a way to comment on the sick soul of the ’60s and his own at-times-unwieldy success." – Noel Murray, The A.V. Club
• Review: "Nuts wasn't action-packed or boldly satirical. Just the opposite, in fact -- it was subtle and thoughtful, with what I'm guessing was a heavy autobiographical element on the part of Mr.Wilson.... You might not have grown up when Wilson did, or when the [National Lampoon] was published, or when I first read these strips years ago, so the details have changed. But I'm willing to bet the emotions our hero felt remain almost exactly the same, no matter what generation is reading about him. And, of course, Gahan Wilson's cartooning is what makes the strips special." – Will Pfeifer, X-Ray Spex
• Review: "There are few collections of comics that you can truly describe as 'beautiful art'; however, Fantagraphics’ series of Prince Valiant trades is absolutely stunning to look at and is easy to write flattering things about, because it is so flattering for a reader’s eyes to behold Foster’s artwork crisp, clear, and huge in all its splendor. The fourth volume of Prince Valiant, which collects all the Sunday pages in full color from 1943 to 1944, is just wonderful, whether you are 4 or 94; it is a totally engrossing experience to dive into the world of the adventurous prince on these pages." – Drew McCabe, ComicAttack.net
• Interview:The Comics Reporter's Tom Spurgeon talks with Zak Sally about his new self-published, self-printed collection of Sammy the Mouse: "I've gotten out three issues of Sammy in five years, and in that five years I've had two kids, I've been married. My life has changed extraordinarily. That's just the way art works, you know. I was doing issue #2 -- maybe #3, I can't remember -- and there was stuff going on in my life. Six months later I look at that issue and I was like, 'Oh my sweet God.' It was absolutely reflective of what had been going on at the time, and I was completely unaware of it. I just think that's part of it, and that's the way it works."
• Interview: At Nummer 9, Erik Barkman has a Q&A (in Danish) with Johan F. Krarups (editor Matthias Wivel describes it as a "commentary track") about his contribution to the Kolor Klimax: Nordic Comics Now anthology
• Plug: Heidi MacDonald of The Beat looks forward to Jaime Hernandez's God and Science: Return of the Ti-Girls: "We can’t help but think that all of the people calling for great superhero stories featuring women will find Ti-Girls a masterpiece, as well, an entire superhero universe made up of nothing but superheroines of various shapes and sizes. It’s jaunty Jaime to be sure, but even so probably one of the best superhero stories of the last decade."
• Plug: "Fantagraphics is still the gold standard for classy newspaper strip collections. I’m afraid people are getting jaded now about how the wonderful Peanuts volumes are chugging right along year after year, but it’s worth pointing out that they continue to be everything anyone could ever want from an archive edition. What’s more, Fantagraphics followed it up with these new Floyd Gottfredson Mickey Mouse collections." – Greg Hatcher, Comic Book Resources
• Plug: Found this nice nugget in Laura Hudson's interview with Chris Onstad at ComicsAlliance: "Jim Woodring is great, and is one of those people who will honestly admit to you that, 'Yeah, my brain's a little f**ked up.' His comics are sort of a manifestation of his brain. It works for him. He's a really wonderful guy. He has this big three-story place with big, gothic abbey rope hanging in front of the front door. The rope rings a little bell to let you know that someone's at the door. One time it rings in the foyer so his wife opens the door, and there's this little cat there that came in from the road. So they let the cat in, shut the door, and we all go about our night. Then we watched Popeye for two hours. That's Jim. And he does all of his work based on hallucination. None of it's set in reality. Uncanny things that make me feel strange happen [in his comics]."
• Analysis: Jordan Hurder, Chance Press examines the collaborations between Jacques Tardi and Jean-Patrick Manchette: "Tardi is a fantastically celebrated cartoonist who has been at the forefront of the industry in France for 35 years. In contrast to his slow burn, Manchette shot out ten crime novels over the course of ten years, redefined and reinvigorated the French crime novel, became hugely influential, and died of cancer in the 1990s.... The compatibility between the two artists is uncanny; maybe a better critic could point out exactly why in just a few words, or maybe it’s one of those matchups that works without needing explanation." – Jordan Hurder, Chance Press
• Commentary:Gary Groth remembers Christopher Hitchens in "My Dinner with Hitch" at The Comics Journal
• History: Speaking of our dear leader, David Hine presents some scans from an issue of Gary's pre-Fantagraphics fanzine, Fantastic Fanzine (hat tip to Dan Nadel at TCJ.com)
• List:Oil and Water by Steve Duin & Shannon Wheeler is #5 on Comics Bulletin's Top Ten Best Graphic Novels of 2011, with Jason Sacks saying "This book is very much about misconceptions and preconceptions, about how we all can feel inadequate when facing enormous problems and how little we often feel we can do in when facing even the small incidents in our lives -- let alone the large ones."
• Review:Booklist's starred review of Nuts by Gahan Wilson (previously reported here) is now featured online: "The scenarios include summer camp, going to horror movies, being sick and obsessing about it, making models, eating too much, not knowing the answer (or even the subject) in school, selecting comics in the local cigar store, and other normal-enough stuff that holds the potential for humiliation, failure, and maybe worse. In Nuts, that potential is always realized and, as memory colors it, so uproariously that you just about choke with laughter. For sheer hilarity, this is Wilson’s masterpiece." – Ray Olson
• Plugs:Comics Alliance's Andy Khouri runs down their Holiday Gift Guide to Deluxe Edition Comics and Art Books, including:
"You've read our effusive praise for the incredible cartooning and hilariously grim Mickey Mouse stories of Floyd Gottfredson, and this excellent two-volume set leaves you with few excuses for not reading these classic comics for yourself.... It's hard to go wrong with this as a gift for your comics fan friends (or yourself), as it's a superlative example of the form from one of its greatest masters."
"I can tell you from personal experience that even one of these books makes a fantastic present, but to give the gift of the complete Love and Rockets is to provide your friend or loved one with a reading experience richer than virtually any other."
"Charlie Brown and the Peanuts gang are often associated with the holiday season (also with Halloween, and that counts), so there's no better time to give to yourself or your loved ones one or all of Fantagraphics' hardcover collections of Charles Schultz's beloved cartoon strip. Reprinted in chronological order with the highest production values, any one of these books would make an auspicious addition to any bookshelf."
• Plug: "Reading cartoons is a good way to relax and the latest volume of The Complete Peanuts covers the years 1979 and 1980.... The strips with Woodstock and Snoopy are particularly funny. This latest collection of Charles M. Schulz's Peanuts cartoons would make a nice gift." – Glenn Perrett, Simcoe.com
• Review: "The book is lovingly made and the strips presented with care and pleasure. But is it any good? Oh yes. It's funny and charming, bursting with witty wordplay and vivid characters you love immediately. You can see the influence the Marx Brothers and Krazy Kat and Mark Twain had on Pogo and its love of silly grammatical puns and Southern dialect. And you can see the influence Pogo had on Doonesbury and Calvin & Hobbes... In short, read Pogo and you can immediately see it slide into the pop cultural matrix and how it drew upon the work that came earlier, moved forward the art form of comic strips and influenced artists after it for generations to come. But most of all you'll laugh..." – Michael Giltz, The Huffington Post
• Review: "The only real problem with this beautifully produced book [Jack Davis: Drawing American Pop Culture ] is that it’s much, much too short.... The art reproduces gorgeously, scanned in many cases from the original material, and the volume as a whole is an effort to give Davis the respect he deserves as a legitimate artist.... A few essays, slotted at the front and back of the back, rather than next to the art itself, place him in context and give some biographical details, but the work, with Davis’s fluid, effortless line and gift for characterization, speaks for itself." – Hillary Brown, Paste
• Review: At Greek site Comicdom, Tomas Papadimitropoulos looks at Mark Twain's Autobiography 1910-2010 by Michael Kupperman: "Δεν είμαι σίγουρος αν είναι ο καλύτερος τρόπος για να γνωρίσεις τον Kupperman και τις ιδιαιτερότητές του, αλλά σίγουρα θα ικανοποιήσει (και θα χορτάσει) τους fans του (ίσως και αυτούς του Twain – ο Αμερικανός συγγραφέας δεν έγινε γνωστός για το συμβατικό χιούμορ του, άλλωστε), οι οποίοι θα βρεθούν σε γνώριμα μεν νερά, αλλά με κάποιες καλοδεχούμενες διαφορές."
• Review: At his blog Mandorla, Santiago Garcia looks at the latest chapters of Jaime Hernandez's "Locas" saga: "Estas últimas semanas he comentado que uno de los mejores tebeos que he leído en el 2011 ha sido 'The Love Bunglers,' historieta que Jaime Hernandez ha publicado en los números 3 y 4 de Love and Rockets: New Stories. Pero no había dicho nada sobre ella todavía, quizás porque es de esas historietas sobre las que uno se queda casi sin nada que decir. Son demasiado inmensas para encerrarlas en un puñado de palabras. Pero eso es lo que tenemos aquí, un puñado de palabras, así que vamos a dejar que lleguen hasta donde lleguen, al menos."
• Interview: The writer of Straight 2 DVD blog talks with editor Michel Gagne about Young Romance: The Best of Simon & Kirby's Romance Comics: "I quickly realized that if someone didn’t make an effort to preserve this material, most of it would vanish into oblivion. That’s when it hit me! Perhaps I should be the one to start the ball rolling. I had been itching to do a comic book preservation project for many years and this would be the perfect opportunity."
• Plug: "Another comprehensive package is going to take a bit longer to collect: the complete Peanuts library from Fantagraphics.... Currently the collection has progressed to the early 1980s, where the strip is at its peak... There's nothing that says 'holidays' like the Peanuts gang. Didn't all of us watch A Charlie Brown Christmas and A Charlie Brown Thanksgiving a thousand times?" – Andrew A. Smith, Scripps Howard
• Scene: At Examiner.com, Christian Lipski reports from the Oil and Water discussion group at Bridge City Comics recently, which was crashed by writer Steve Duin, artist Shannon Wheeler and editor Mike Rosen: "Those who had attended the team's convention panels and saw video clips from the trip tended to expect more of a straight travelogue, and were surprised by the addition of fiction to the equation. On the other hand, it was noted that the reader could identify with the observers as an entry into the story. The characters also allowed Duin to tell a side of the story through the reactions of outsiders. 'I think that Fantagraphics was as surprised as you guys,' the author confided."
• Plug: At The Huffington Post, Dave Scheidt's "2011 Holiday Gift Guide Comic Books" include Tales Designed to Thrizzle Vol. 1 by Michael Kupperman: "The funniest comic you've never read. Laugh out loud funny. Spastic, bizarre and gut busting. Fans of Saturday Night Live, Mad Magazine and just anyone who likes to laugh will love this book. A fair warning, if you read this book in public, you will laugh like a mad man and most likely frighten people like I did."
"Kelly's Pogo is a masterclass in wordsmithing, satire, and relatable art. Although this collection apparently doesn't get to the more overtly political satire that made Pogo so famous, it does promise to be a great look at the start of an important and quintessential comic strip. The statements Kelly makes in these early stories are about character relationships, design, and humor as well as use of the English language in surprising and touching ways. This is the surely the ground floor of what looks to be the next great collection series in comics literature."
"Charles M. Schulz's relatable characters are literally part of the fabric of my being. Peanuts helped forge my earliest appreciation for sequential art and, funny as it seems, philosophy. I can't wait until the day I have a shelf filled with every strip ever starring Snoopy, Charlie Brown, Pig-Pen and the rest of the Peanuts gang."
• Plugs:iFanboy's "2011 Holiday Gift Guide: Lost Treasures," written by Paul Montgomery, includes:
"Mickey’s grown soft in his old age, but back in the day he was my kind of bastard. Dude’s a straight up rascal, and launches headlong into danger, starting with the seminal 'Race to Death Valley.' Floyd Gottfredson’s wily take on the character is revered by the best cartoonists, and Fantagraphics has packaged these earliest serial strips from the 30s in some truly handsome volumes. Take advantage of the two volume slipcover edition for a great value and the publisher’s now signature excellence in presentation."
"Every year, the top item on my own Christmas list is the annual box-set collecting Fantagraphics’ latest volumes of Charles Schulz’s Complete Peanuts.... Watching Chuck and Snoopy evolve from their original designs of the early 50s to the more familiar iterations I grew up with in the Funnies is an incredible experience."
"Turns out it wasn’t that easy navigating the Arctic Ocean from Russian to France at the turn of the 20th century. If you dig on Poe and Verne and antique diving helmets, this woodcut melodrama is just for you."
"Years in the making, this new collection of Walt Kelly’s Pogo dailies and weekend strips does due justice to a comic that ought to be as much a household name as Peanuts or Doonesbury.... Mix in Kelly’s whimsical, lyrical 'Swamp speak' and you’ve got some real poetry on your hands."
"This is as beautiful a book as I’ve purchased this year, and the stories within have much to offer both children and adult fans of visual storytelling and even comedy. Barks knew how to contract a joke, and this is a masterclass."
• Plug:Robot 6's Michael May makes an unexpected choice when spotlighting upcoming titles listed in the current issue of Previews: "The Big Town- Charles Schulz’ son wrote this novel (the last in his jazz-age trilogy) about the end of the Roaring Twenties and 'the role of business, crime, morality, and love in our lives.' It’s not comics, but it sounds ambitious and transporting."
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