|Video: More from Lynn Johnston on Charles M. Schulz and Peanuts|
|Written by Mike Baehr | Filed under video, Peanuts, Charles M Schulz||17 Aug 2011 2:31 PM|
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Category >> Charles M Schulz
Today's Online Commentary & Diversions:
• Review: "...[T]he cartoons in Willie & Joe: Back Home capture Mauldin at a low ebb personally, and ferociously inspired professionally.... The material in Back Home is bitter but witty, and remarkable for its courage. Given the platform of a major syndicate, Mauldin used his moral authority — as a firsthand observer of atrocity, venality, and want — to try and make his complacent countrymen feel a little shame. Where his wartime cartoons had said, 'I am one of you' to grunts in the trenches, his post-war work said, 'What the hell happened to you?' to the people who stayed home. At the time, the public rejected Mauldin’s lectures. Today they’re a blistering reminder that life after WWII wasn’t all suburban bliss and baby boom." – Noel Murray, The A.V. Club
• Review: "Told with humor and a great depth of sensitivity, these comics offer a human lens to an epic more often expressed in grandiose terms. Over the past couple of years Fantagraphics has amazed me consistently with its archival releases of seminal cartoonists' work, and Willie and Joe: The WWII Years is yet another fine example." – David Gutowski, Largehearted Boy
• Review: "Toth brought clarity and drama to the page — the equivalent of a top Hollywood director elevating rote material through elegant framing and camera moves.... Nearly every drawing in this book is purposeful and exciting, and they flow together to tell stories so clearly that the words are often superfluous. Setting the Standard is a treasure trove..." – Noel Murray, The A.V. Club
• Review: "...Jacques Tardi is certainly in Toth’s league when it comes to rendering seamy genre fare with real artistry. Like a Sniper Lining Up His Shot ... is a wonderfully wicked piece of work, tracking a hitman as he tries to sever all ties with his past and retire with his childhood sweetheart. The story’s a familiar one... but Manchette’s approach is especially violent and gory, with a tough twist ending. And Tardi picks up on the sadness underlying the brutality, sketching a black-and-white world where the choice to go to the dark side is irrevocable, no matter how hard characters work to wrest control of their fates." – Noel Murray, The A.V. Club
• Review: "...Belgian artist Olivier Schrauwen does a fine job of approximating the high weirdness of early-20th-century newspaper comics in The Man Who Grew His Beard, a collection of seven deeply strange short stories.... Schrauwen mixes ink and paint in ways that blur the distinctions between comics and fine art, and he brings back certain themes — instruction and erotica, primarily — that suggest how men try and fail to place parameters on the primal. But The Man Who Grew His Beard isn’t meant to be 'understood' so much as it is to be entered and experienced, in all its wildness." – Noel Murray, The A.V. Club
• Review: "Kevin Huizenga’s Ganges #4 continues the artist’s increasingly masterful hybrid of direct storytelling and experimental abstraction.... The story suits Huizenga’s style, since he can document both the familiar minutiae of daily life and the sense of unreality that takes hold whenever someone is up half the night. Huizenga works in visual motifs of endlessly branching possibilities and spiraling shapes, showing how becoming 'lost in thought' can be terrifying. In short: This is another terrific installment of a series that’s fast becoming a classic." – Noel Murray, The A.V. Club
• Review: "Mr. Twee Deedle, Raggedy Ann’s Sprightly Cousin: The Forgotten Fantasy Masterpieces of Johnny Gruelle... collects the strip that illustrator Gruelle created to fill the void left by Little Nemo when Winsor McKay departed The New York Herald. Though not as imaginative as McKay, Gruelle’s Mr. Twee Deedle was every bit as colorful and lavishly rendered, telling gentle fairy stories that explore a rich fantasy world existing in tandem with our own, like children having elaborate playtimes mere feet away from their parents’ more prosaic lives." – Noel Murray, The A.V. Club (NOTE: This review was based on samples of the strip provided to the reviewer; the book itself is incomplete and still in production.)
• Review: "...Drawing Power... brings together an eclectic set of examples of comics being used to sell products. The pages are fun to look at — from Mickey Mouse pitching Post Toasties to Dr. Seuss illustrating ads for Esso Marine Products — but the topic is a little too large for a 120-page book, especially one so loosely organized. Then again, maybe that’s the point: to create a reading experience as chaotic and laced with odd beauty as cartooning itself." – Noel Murray, The A.V. Club
• Review: "I have long admired Woodring’s brilliant, hallucinatory, and bizarre Frank comics. But his work has taken a leap forward with last year’s Weathercraft and this year’s Congress of the Animals. The Frank world is one the reader benefits by being immersed in. What might seem a bit incomprehensible in a short strip blossoms into a dark Dionysian dream in these two graphic novels.... If I keep mention them together, it is because I believe they beg to be read together. They show different but complimentary sides of Woodring’s vision. And also because these two books combine to form, I believe, one of the greatest achievements in recent comics. If you are a fan of the strange, the uncanny, the bizarre, the hallucinatory, and the fantastic, I can’t recommend them enough." – Lincoln Michel, The Faster Times
• Review: For Magnet, Marc Bianchi of the band Her Space Holiday (they're good!) pens an appreciation of Charles M. Schulz's Peanuts, adding "A good place to rediscover the Peanuts is through the retrospective that Fantagraphics started releasing in 2004. They are complete and total masterpieces, from the elegant layouts provided by famed comic-book artist Seth to the wonderful guest introductions each volume has... If you are ever in a shop that carries these books, I highly suggest thumbing through one of them. Especially the earliest works (1950-1952 or 1953-1954). You are guaranteed to find something that in one panel can tear your heart apart and, in the next, put it back together again."
• Review: "To say that Wandering Son isn't a manga for everyone is perhaps stating the obvious, but despite the potential to make light of its cross-dressing, coming of age tale it proves itself to be an impressively subtle and considered take on growing up within this opening volume. ...[G]ive it time and you'll find an impressive, character-driven series beneath its simplistic surface that will both charm and fascinate you, leaving you rooting for its characters and wanting to follow them through to (you hope) eventual happiness." – Andy Hanley, UK Anime Network
• Review: "Supermen!: The First Wave of Comic Book Heroes, 1936-1941 promises to fill gaps in 'the origins and early development of superheroes and the comic book form.' Editor Greg Sadwoski has assembled an eye-catching collection of stories, magazine covers, and house ads showing unfamiliar faces from the first years of American adventures comics. ...Supermen! is most interesting for what didn’t lead anywhere.... Seeing what didn’t work or become the norm can be as illuminating as seeing what did." – J.L. Bell, Oz and Ends (via Robot 6)
• Plug: "...[D]espite his undeniable gift for crafting elegant and vibrant storytelling that transcends all genres, sadly there has never before been a comprehensive, affordably priced reprinting of Carl Barks' Disney work…until now. Fantagraphics Books recently announced that it will begin reprinting the entire catalog of the master’s Disney material, beginning with the release of Walt Disney’s Donald Duck: 'Lost in the Andes' by Carl Barks in October, 2011." – Bill Baker, The Morton Report
• Plug/Interview (Audio): On Boing Boing's Gweek podcast, guest Ruben Bolling (Tom the Dancing Bug) and hosts Mark Frauenfelder & Rob Beschizza discuss Carl Barks amongst themselves and The Carl Barks Library with our own Gary Groth
• Interview (Audio): The hosts of Comics Alliance's "War Rocket Ajax" podcast talk to Michael Kupperman about his new book Mark Twain's Autobiography 1910-2010, crafting his brand of humor and sundry other topics (such as bleu cheese): "It's about things taking the turn that you don't expect, the ball taking the bounce you don't expect. That for me is an example of trying to make the sentence end up in a place that's different from where it started."
• Tribute: At The Comics Journal, Kim Thompson's obituary of Francisco Solano López: "Argentina’s Francisco Solano López was a titan of South American comics, on a level with the great Alberto Breccia, the temporary honorary Argentinean (during the 1950s) Hugo Pratt, and the hugely influential writer Hector Oesterheld (who collaborated with all three)." (Excerpt courtesy TCJ's Tim Hodler)
Today's Online Commentary & Diversions:
• Review: "The initial cartoons in [Willie & Joe: Back Home] show Willie and Joe struggling to adjust to civilian life and usually failing, albeit not without letting out a sardonic quip.... Eventually Willie and Joe faded into the background, however, as Mauldin started focusing more on other problems facing returning grunts — a housing shortage, trouble finding work — and then rather savagely (and rather bluntly) went after racists and right-wing extremists.... The end result is a collection of cartoons that both read like the work of someone desperate to rage against perceived injustices as loudly as possible, but also seemingly desperate to demolish whatever status he has attained as quickly as possible... it’s a fascinating book..." – Chris Mautner, Robot 6
• Commentary: On his blog, Eddie Campbell says "I recently bought the Fantagraphics complete Mauldin's Willie and Joe in soft cover. Bill Mauldin is one of the indisputable geniuses in the history of cartooning and I consider it an obligation to have the best available collection of his work on my shelf," and goes on to make some fascinating observations about changes in Mauldin's cartooning during the war
• Tribute/Interview: Entrecomics presents a transcription of the final talk given in Spain by Francisco Solano López in 2008 (in Spanish), saying "We could do a review of his career, but it would not do justice either to the immense capacity for work by the author or the influence that some of the works to which he contributed... had on several generations of readers in different countries."
Today's Online Commentary & Diversions:
• Review/Interview: Vice's Nick Gazin looks at The Complete Peanuts 1981-1982 — "I expected that the quality of the Peanuts comics would be waning by now, but I’m still laughing at the jokes and recognizing the personalities of characters I know in the gang.... It’s a beautifully designed, thick, brickish volume with lots of memorable storylines.... All in all it’s a beautiful two years worth of Charles Schulz’s creative output. It’ll make you laugh, it’ll make you think." — and talks to Monte Schulz about his dad's work on the strip — "The early 80s were a strange time for us. In 1981, Dad underwent quadruple bypass surgery after feeling in poor health for most of the previous year. The idea of surgery terrified him, but the medications he’d been taking had left him so debilitated that surgery became the option he was forced to consider. So he had the procedure and survived, and found a wealth of material from the experience, which he poured into his strip." — and his own career as a writer
• Review: "Jaques Tardi has already proven with West Coast Blues that he is just the man for the job when it comes to illustrating the particular brand of noir crime Jean-Patrick Manchette so deftly dished out. There’s a palpable feeling of safeness when you open [Like a Sniper Lining Up His Shot] — nothing to do with the subject matter, of course, but with such certifiable masters captaining the ship you’re quite willing to... [trust] that it will lead somewhere totally unexpected, which it does.... Remember that feeling you got in your guts just before the end of Kiss Me Deadly? It feels a bit like that. The first page grabs you roughly by the hair and the book happens in those split seconds before the last page punches your lights out." – Hayley Campbell, The Comics Journal
• Review: "Fantagraphics Books has done an excellent job putting the comic strips of Mickey Mouse in this impressive volume.... Also included in this book is a section on 'The Gottfredson Archives: Essays and Archival Features.' Fans of Mickey Mouse or cartoon strips will enjoy the wonderful stories and illustrations of Floyd Gottfredson created approximately 80 years ago and beautifully presented by the publisher." – Glenn Perrett, Simcoe.com
• Interview: At art:21 Thea Liberty Nichols talks to Lilli Carré: "I frequently switch back and forth between working on comics and animation. Sometimes it’s nice to be able to work with pages, where I can really focus on the details and nuances from one panel to the next, and an overall page composition. After I’ve been working on something like that for a while, it feels very freeing to switch to working on an animation, and draw 12 drawings for every second of film. It becomes much looser in terms of each individual drawing, and is more about the overall feel and movement." (Via The Comics Reporter)
Today's Online Commentary & Diversions:
• Interview? (Audio): Tony Millionaire appeared on host Benjamen Walker's radio show Too Much Information on WFMU — we haven't had a chance to listen yet so we don't know exactly what form it takes but you can download or stream the episode here
• Profile: At GALO Magazine, Emily Crawford Misztal talks to Nate Neal and looks at his debut graphic novel The Sanctuary: "While the language and the ways of the characters in the book will be unfamiliar to readers, the motives that drive them are as old and familiar as the sun. Neal sees the ancient setting as a way to get at the core of what it means to be human—in any era. 'It is a chance for me to examine human behavior on a more universal level,' Neal said. 'Sex, power, revenge, the primal stuff, is underneath everything that we do. There’s more covering over what we do now. With the cavemen, I can strip everything away and get right down to it.'"
• Commentary: At Robot 6, Brigid Alverson examines the topic of aging as "the final frontier" of comics storytelling and praises creators such as Joyce Farmer and Carol Tyler for their handling of the subject matter (in Special Exits and You'll Never Know, respectively)
• Feature: Rob Lammle of mental_floss posts an entertaining list of "10 Peanuts Characters You've Probaby Forgotten" — devotees of our The Complete Peanuts series will be familiar with some of them, and some of them give hints as to what to expect in future volumes!
• Analysis: At Taking Its Time, Jeff Hayes writes on the use of Jacques Tardi's It Was the War of the Trenches in an academic setting, specifically the high school English classroom: "In using a text like It Was the War of the Trenches, democratic education is being practiced. It is not just because of how the book is constructed visually; we must look at it also as an artifact of importance in presenting how another culture views historical events-how those events may or may not have affected the lives of others we do not think of in the rush of war and the aftermaths that follow as we choose what is important in history and what is not."
Lynn Johnston has generously placed her entire foreword to the new volume of The Complete Peanuts (1981-1982) online for everyone to read at her For Better or For Worse website (online headquarters for her beloved long-running newspaper strip). Read, enjoy, pass along and (of course) order the book here.
Today's Online Commentary & Diversions:
• List: To the surprise of few, The Hooded Utilitarian's International Best Comics Poll tops out with Charles M. Schulz's Peanuts in the #1 spot. HU editor Noah Berlatsky writes, "If you like charming, Peanuts is charming, and if you like dark, it’s dark, but it isn’t just charming, or just dark, or even just charming and dark. There are countless ways to like Peanuts, which is no doubt why it — deservedly, inevitably — tops this poll."
• Review: "The squeaky-voiced character from the animated shorts was especially bold in his daily newspaper comic strip [Walt Disney's Mickey Mouse]. Its memorable continuities were largely the responsibility of one man: Floyd Gottfredson. ...Gottfredson and his collaborators crafted two-fisted tales that remain entertaining, thrilling and funny up to 80 years on.... This inaugural issue in a planned Gottfredson library is a handsome hardback, prepared with the same care as Fantagraphics's archive of Charles Schulz's Peanuts." – Owen Heittman, The Australian
• Review: "Sibyl-Anne vs. Ratticus is a wonderful time and read!... The writing and art are grade A for this, and I cannot recommend it enough. It does have a feeling much like Peyo’s Smurfs, but I prefer Macherot’s Sibyl-Anne over it. His story telling is a bit more better put together, and action scenes are more exciting (if one has to compare to something, that is). Plus Sibyl-Anne is just cute.... Sibyl-Anne vs. Ratticus has something every comic lover can enjoy." – Drew McCabe, ComicAttack.net
• Review: "Knowing me, if I wait until I’ve finished all 624 pages of [The Comics Journal #301], I’ll never get around to reviewing it, so I figured I’d just do it in parts. After a solid Introduction by Editor-in-Chief Gary Groth, in which he extols Crumb’s virtues as a cartoonist, and explains the reason Genesis deserved TCJ’s lengthiest critical symposium ever (the reason is that Groth thinks the book deserves it), we get a long and surprisingly warm and easygoing chat between Groth and Crumb. Neither has ever come off this…normal." – Christopher Allen, Trouble with Comics
Just arrived in our warehouse and ready to ship:
344-page black & white 8.5" x 7" hardcover • $28.99
With this volume, The Complete Peanuts ventures into the lesser-known 1980s, and Peanuts fans are sure to find plenty of surprises.
In Snoopy-family news, Spike is drafted into the Infantry (don’t worry, it’s only Snoopy’s imaginary World War I army), and a brand new brother, “Marbles” (with the spotty ears) takes his bow. We also see two major baseball-oriented stories, one in which Charlie Brown joins Peppermint Patty’s team, and another in which Charlie Brown and his team lose their baseball field.
In other stories, Peppermint Patty witnesses the “butterfly miracle,” Linus protests that he is not Sally’s “Sweet Babboo,” Sally (in an unrelated sequence) gets fat, the Van Pelts get into farming, and two of the most eccentric characters from later Peanuts years, the hyperaggressive Molly Volley and the whiny “Crybaby” Boobie, make a return engagement.
Charles Schulz’s Peanuts world will never grow old, and Fantagraphics’ complete reprinting of this masterpiece, now in its eighth year — still lovingly designed by world-class cartoonist Seth — has firmly established itself as one of the very finest archival comic-strip projects ever done.
Download an EXCLUSIVE 15-page PDF excerpt (602 KB) containing all the strips from January, 1981!
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two 344-page black & white 8.5" x 7" hardcovers in a custom slipcase • $49.99
A boxed set of the fifteenth and sixteenth volumes of The Complete Peanuts, designed by the award-winning graphic novelist, Seth. Shipping shrinkwrapped, with volumes 1979-1980 and 1981-1982 packed in a sturdy custom box designed especially for this set, it's the perfect gift book item. (For more information on the contents of each volume, see the individual product listings linked above.)
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