• Review: "Originally appearing from 1958 to 1960, these insouciant, stylish, and thrilling dramas should appeal to readers of all ages. If they don't hook a whole new batch of bande dessinée fans, France needs to take back the Statue of Liberty in a huff.... Both stories zip by with nary a dull patch. Confections lacking in gravitas, they nevertheless own the supreme virtues of lightness and panache. Tillieux's art is always easy on the eye.... If Spielberg is looking for a second franchise after Tintin, he couldn't go wrong with Gil Jordan." – Paul Di Filippo, The Barnes & Noble Review
• Review: "Thanks to well known translator Matt Thorn, this volume is a very smooth read. I don’t often comment on such things, but Thorn took great care in interpreting and presenting this book, and it pays off in a very pleasing flow of text. The art is also quite lovely, very simplistic, and flows well from panel to panel. The color pages in the beginning have a beautiful, water color look to them. Fantagraphics has put out a gorgeous hardcover book with Wandering Son." – Kristin Bomba, ComicAttack.net
• Review: "Fantagraphics’ The Pin-Up Art of Humorama collects hundreds of racy cartoons from the once-ubiquitous tasteless humor mag.... The Fantagraphics edition, edited by Alex Chun and Jacob Covey, 'remasters' these toons with a two-color treatment that really captures the graphic feel of the mouldering pulps that still grace the ends of yard-sale tables in cities across America. It must be said that none of these are very funny, but they’re often quite beautiful and nostalgic." – Cory Doctorow, Boing Boing
• Review: "Every once in a while, a book comes along that is simply spectacular. This collection of [Mickey Mouse] comic strips by Floyd Gottfredson is a perfect example of how to present, analyze and reconstruct subject matter that is viewed differently today. The series editors (David Gerstein and Gary Groth) pull no punches in discussing why Mickey was carrying a gun or the use of slang that is noticeably offensive by today's standards. This is a wonderful vehicle for presenting historically accurate art. Other companies should take notice.... This is a stunning work. The historical presentation is flawless, as is the artwork." – George Taylor, Imaginerding
• Review: "[In Celluloid], McKean is attempting to subvert hardened notions of both comics and pornography. It's a book that gets the blood racing just as it raises questions that just won't go away about the nature of art, porn, and the male gaze.... By painting an erotic sequence with a surrealist's brush, McKean reveals the raw sexual current that underscores all pornography." – Peter Bebergal, Bookslut
• Review: "An unapologetically hard-core hardcover, Celluloid follows a young woman’s sexual epiphany... and feels almost like a silent, erotic Alice’s Adventures in Wonderland, with the White Rabbit and the rabbit-hole replaced by an ancient movie camera and a doorway to…somewhere else. By itself, typically, McKean’s technical mastery (beginning with pen and ink and finishing with photography) steals the breath away; ditto his visual motifs — involving fruit, say, or eyes. A bravura performance, Celluloid (which ends, by the way, with signal wit) constitutes an astounding fusion of the Dionysiac and the Apolline, in Nietzschean terms, and less invites reading than demands rereading." – Bryan A. Hollerbach, PLAYBACK:stl
• Review: "In the oneiric power of his work as a writer/artist, Jim Woodring enjoys few rivals in contemporary comics... Within the first ten pages of Congress of the Animals, calamity literally descends on poor Frank in the form of a wood-boxed croquet set. In the next ten, our bucktoothed, bobtail boyo suffers both a labor dispute and a credit crisis, and thereafter, in the U.S. in 2011, it should come as no surprise that things fast go from bad to worse; just for starters, Frank has to enter the working world. Ameliorating all of his tribulations, at least from readers’ vantage, are his creator’s nonpareil pen and undulant line — a quivery visual seduction courtesy of Higgins. Moreover, by the finale, Frank’s [spoiler redacted – Ed.] — so the little guy ain’t doin’ too bad, y’know?" – Bryan A. Hollerbach, PLAYBACK:stl
• Review: "LikeWeathercraft, this new work [Congress of the Animals] is completely silent, showcasing Woodring's amazing talent to convey a story without a word, with seemingly little effort. It's just an eye-popping visual feast of amazing illustrations in this crazy world where Woodring can put whatever he wants on the page, to a stunning end result." – Dave Ferraro, Comics-and-More (via the SPX Tumblr)
• Review: "How wrong I was to underestimate the powerful storytelling medium of the emerging graphic novel platform, especially when masterfully rendered by an author and artist as remarkably talented as Santiago. I expected an exciting visual presentation, and was not disappointed, as Santiago’s heavy-lined, representational graphic style was, in turn whimsical, arresting, quirky, and most of all, emotional. But I wasn’t prepared for the wonderfully passionate portrayal of the human side of Clemente’s legendary journey from Puerto Rico into baseball immortality.... Captivating, revealing, and dramatic, 21 accomplished through art, creative use of informed imagination, and pure passion, far more than I thought possible from a graphic novel. I believe I now have a more complete picture of Roberto Clemente, but not of his statistics, or even his style of play, or of his place in baseball history. I have a truer sense of his heart." – Mark W. Schraf, Spitball
Gracie: Charlie Brown! He's the one who thinks, "Life is going bad... I'm an awful person... Nothing good ever happens to me..." Dad: Would you be friends with him? Gracie: I would. I love him. My love for him goes to the ceiling of a skyscraper. But nothing good ever happens to him ever. Once he won a race -- that's probably the only thing he's ever won. And the prize was 5 free haircuts... Dad: Ha! Gracie: He's only got a twist of hair in front. And he's like, "Five free hair cuts? I don't have much hair to cut! And even if I did... my dad is a barber!" Dad: Poor Charlie Brown. Gracie: Yeah, nothing good ever happens to him. He's always getting teased for his perfectly round head.
• Interview:The Comics Reporter's Tom Spurgeon talks with Stan Sakai: "Usagi was first published 27 years ago, and that time I just concentrated on the next story. It was around maybe... I would say with book four, The Dragon Bellow Conspiracy. That was the first major storyline. It took maybe 10 issues or something, I'm not exactly sure. Maybe eight issues.... Before then, I was thinking, 'Usagi's going to be canceled any month.' [laughter] 'I can't spend too much time devoting myself to a long storyline.' But once I did that and got over that hurdle, that's when I realized that hey, this could go on for a long time."
• List:The Hooded Utilitarian begins revealing the top 10 results in their International Best Comics Poll, with Walt Kelly's Pogo coming in at #8
• Plug: "A trip to the comics shop yesterday netted me a copy of Drew Weing’s Set to Sea. It’s pure indulgence, because I have already read the story online, but Fantagraphics’ small, almost jewel-like presentation is really beautiful. Weing tells his story one panel at a time, and each panel could be framed as a work of art in itself, so having it in a book, without the clutter of the web, is a worthy investment." – Brigid Alverson, Robot 6
• Scene:Comic Book Resources' Marlan Harris gives a recap of our 35th Anniversary panel at Comic-Con — unfortunately it contains several factual errors, some of which I have endeavored to correct in the comments thread
• Review: "Macherot’s animals are cute and full of character, from the porcupine sheriff to the cigar-smoking, shop-keeping bird. Visually they resemble Walt Kelly’s Pogo, with backgrounds that will look familiar to anybody who ever watched The Smurfs cartoon.... There might be more slapstick than the average post-elementary school reader can appreciate, but the adorable art, amiable characters, and a thrilling late-story air battle will keep you interested until the end. Best of all are the brief glimpses at domestic country mouse mundanity, like Sibyl-Anne’s love for baking pies and the aside where she and Boomer talk about how nice a certain table and its parasol are." – Garrett Martin, Paste
• Review: "This series [Wandering Son] is beautiful, perfectly capturing that time at the age of 10 or 11 where naivety and confusion meet in the formative years of your young identity. Where androgyny is a fine thing, defined by its ambiguity and as distinct as any sex." – Tom Rosin, Page 45
• Review: "The Willie and Joe cartoons and characters are some of the most enduring and honest symbols of all military history.... Alternating trenchant cynicism, moral outrage, gallows humour, absurdist observation, shared miseries, staggering sentimentality and the total shock and awe of still being alive every morning, this cartoon catalogue of the Last Just War [Willie & Joe: The WWII Years] is a truly breathtaking collection that no fan, art-lover, historian or humanitarian can afford to miss. …And it will make you cry and laugh out loud too." – Win Wiacek, Now Read This!
• Review: "...[Willie & Joe: Back Home] features some of the most powerful assaults on the appalling edifice of post-war America ever seen. The artist’s castigating observations on how a society treats returning soldiers are as pertinent now as they ever were; the pressures on families and children even more so; whilst his exposure of armchair strategists, politicians and businessmen seeking to exploit wars for gain and how quickly allies can become enemies are tragically more relevant than any rational person could wish. ...[W]e have here a magnificent example of passion and creativity used as a weapon of social change and a work of art every citizen should be exposed to, because these are aspects of humanity that we seem unable to outgrow." – Win Wiacek, Now Read This!
• Review: "Visually, Tyler's style is unique in the comics world.... The scrapbook design of [You'll Never Know, Book 2: Collateral Damage] is just one of many remarkable decorative touches she adds. Color is tremendously important both in a narrative sense (identifying key times and characters) and an emotional sense (modulating feelings felt on a page in an expressive style). The complexity of her page design (changing formats on an almost page-to-page basis) is brought to earth by the simplicity of her character design. The result is what feels like an ornate, powerful and cohesive sketchbook/journal.... Most impressively, Tyler manages to bring a static kind of craft (a sketchbook) to life with panels that crackle with energy and movement. There are no easy outs or answers in Tyler's attempts to create, maintain and understand connections with her loved ones..." – Rob Clough, High-Low
• Essay:The Comics Reporter's Tom Spurgeon on Jaime Hernandez's The Death of Speedy, written for Team Cul de Sac's Favorites zine: "Hernandez's evocation of that fragile period between school and adulthood, that extended moment where every single lustful entanglement, unwise friendship, afternoon spent drinking outside, nighttime spent cruising are acts of life-affirming rebellion, is as lovely and generous and kind as anything ever depicted in the comics form."
• Commentary: "It could be seen as frustrating that I've still got five years to wait to complete the Peanuts collection, ...but in some ways it's nice. If they came out more quickly, there would be more of a feeling of urgency about ploughing through the strips, whereas I'm able to take a more leisurely approach, reading bits here and there. After all, they were only really meant to be read once a day. I don't buy many books these days, preferring to download them to my Kindle, but these books are definitely going to be a part of my life for as long as they'll last (or as long as I'll last, whichever comes first) and I do look forward to seeing 50 years of Schulz magic lined up on my shelves. I just need to work out where I'll put them all... Such is the life of a completist!" – James Ellaby, Lullabies from a Giant Golden Radio
• Analysis: At Robot 6, Matt Seneca examines a page from Ganges #2: "Kevin Huizenga is one of the cartoonists whose work addresses comics’ conflict between the abstract and the literal most frequently and interestingly. Huizenga’s attempts at using comics to mimic the visual effect of video games are especially notable: rather than creating the simulacrum of reality that the vast majority of comics do, what is brought forth instead is a simulacrum of a simulacrum, a copy of a copy, something already abstract abstracted further, its ties to reality stressed and stretched about as close to the breaking point as they can go."
• Interview:The Daily Cross Hatch's Brian Heater wraps up his 4-part conversation with Mome editor Eric Reynolds: "I think Mome actually got better as I actively stopped worrying about who the readership might be, and actively indulged my own interests.... I think that began to happen as early as the fifth or sixth issue. And I think, by the end of it — you can point to a lot of things that we probably would have leaned against publishing at the beginning."
• Profiles: Following the news that the Xeric Foundation is discontinuing its publishing grants, the writers of Robot 6 spotlight some of their favorite past grant recipients, including Megan Kelso and John Kerschbaum
• Awards:The Oregonian's Steve Duin congratulates his Oil & Water collaborator Shannon Wheeler on Wheeler's Eisner Award win last weekend
Okay, we can't offer you the ninety-minute wait in ninety-degree weather outside the convention center, the greasy ten-dollar pizzas, the terrifying crush of Saturday afternoon attendees here to get an autograph from a Battlestar: Galactica co-star, or the sight of costumed attendees who apparently only chose the Flash costume because their more appropriate pick, Jabba the Hutt, was out. But what we can do is this!
SORRY YOU WON'T GET THE EARLY BOOKS?
The following books will have their world premiere in San Diego. If you order them directly from us we will have them sent to you directly from our main U.S. distributor's warehouse where they land on their journey from overseas in August, which means you will be getting your copy a few days before even the first of our distributors get them. (Note: U.S. orders only. Rush shipping not available — choose Media Mail from the shipping options to avoid being overcharged.) To this list we will even add The Armed Garden, The Cabbie, and Walt Disney's Mickey Mouse by Floyd Gottfredson Volume 2, three books that for various reasons will miss San Diego and thus you will really be the first customers to get!
You can preview many of those books right now here on our website, and the rest of them shortly after our web guy comes back from San Diego! Just hit those links above and you'll see links to download PDF excerpts, and stay tuned for our usual photo and video previews.
Part of everyone's San Diego experience is to ask the Fantagraphics moguls penetrating questions such as "Where the hell is Pogo?" and "Why don't you publish XXXX??" and "Which Jacques Tardi album should I buy first?" For this weekend only, if you have a question for Gary Groth, Kim Thompson, or Eric Reynolds, add your question to your order and whoever you're addressing will personally answer it!
SORRY YOU CAN'T TAKE ADVANTAGE OF DESPERATION SALES?
On the last day of the convention, as Gary, Kim, and Eric survey the piles of unsold books and "God, do we have to lug all these back home?" panic sets in, suddenly fantastic sales deals begin to materialize faster than you can say "HOW MUCH for that Box Set?" Therefore we are not only offering 20% OFF EVERYTHING on our website — use coupon code FANTACON11 at checkout — but a whopping 50% OFF ALL our biggest and heaviest books (see them all here — note that items are discounted 40%, which works out to 50% when the coupon discount is applied) during the convention and beyond, from Thursday, July 21 (that's today!) through Monday, July 25 — and you won't even have to lug them home or pay all those extra baggage fees! We'll send them to you!
Fantagraphics is puttin' the "comics" back in Comic-Con as we head to San Diego this week with a slew of scintillating signings, almost two-dozen dynamite debuts, and a collection of comics sure to please any comics fan... and fill those enormous free tote bags they give away at the door.
Friday, July 22nd: • 10:30-11:30 Comics Arts Conference Session #5: Critical Approaches to Comics: An Introduction to Theories and Methods— Matthew J. Smith and Randy Duncan with panelist, Andrei Molotiu. [Room 26AB] • 1:00-2:00 Comics Arts Conference Session #6: Wordless Comicswith Andrei Molotiu. [Room 26AB] • 12:00-1:00 CBLDF Master Session 3: Jaime Hernandez [Room 30CDE] • 1:00-2:00 Publishing Queer: Producing LGBT Comics and Graphic Novels with moderator Justin Hall [Room 9] • 1:00-2:30 The Golden Age of the Fanzine moderated by Bill Schelly. [Room 24ABC] • 10:30-11:30 Cartoon Network Comedy: Regular Show/The Problem Solverz and More! The Problem Solverz talent includes Ben Jones, John Pham, and Jon Vermilyea. [Room 6A]
• List:School Library Journal names Linda Medley's Castle Waiting Vol. 2 one of "39 Graphic Novels That Kids Can't Resist": "Both volumes of Castle Waiting are vivid and enchanting, as any good fairy tale should be. Handsomely bound and printed on rich, creamy paper, the most important element — the story — is charming, filled with slowly building plots and compelling characters, and the slow pace means readers can spend the summer hours with some good company.... With clean black-and-white art and impeccable pacing, Castle Waiting remains a favorite for older kids and younger teens."
• List: Rick Klaw's "Top Ten of the Half Year '11" at The Geek Curmudgeon includes Joe Daly's Dungeon Quest at #9 ("Littered with violence, inappropriate sexual innuendos, misguided bravado and infused with hilarity, Dungeon Quest... promises a uniquely entertaining graphic novel experience.") and 21: The Story of Roberto Clemente by Wilfred Santiago at #3 ("In this emotionally moving biography, the Puerto Rican Wilfred Santiago magnificently chronicles the often tragic life of this icon.... Santiago expertly traverses Clemente's tribulations, losses, and success with ease and skill. His portrayal of the baseball games rank among the finest ever attempted in this medium. Under the masterful hands of Santiago, 21 evolves into far more than just a biography of a sports figure. It showcases a life worth emulating.")
• Profile: "...21: The Story of Roberto Clemente... is drawn with a jagged whimsy that gets at the sudden sharpness of a baseball game's action, the frenzy that comes from out of nowhere to temporarily replace the long, slow stretches of waiting, scratching, spitting and eyeballing opponents that are endemic to the sport. The result is a captivating work that reflects the complexity of Clemente (1934-1972), a dedicated humanitarian as well as an uncommonly gifted athlete.... 'I knew the culture he came from, because I came from the same place,' [Wilfred] Santiago says. 'And there was a mythic aspect to him that was part of the story I wanted to tell. Comic books bring a different kind of narrative that's not possible in any other medium — not books, not movies.'" – Julia Keller, Chicago Tribune
• Review: "A little boy is mistaken for his older sister and is bewildered by the feeling that this stirs in him. Thus begins the story of the Wandering Son, a daring fairy-tale about two unusual children in the time before the riot of puberty and their struggles with who they are and who they want to be.... The artwork in Wandering Son is appealing and sensitive.... Wandering Son mercifully isn’t a political screed and its characters, equally mercifully, are not pressured into making political points out of their inner lives.... They are allowed under that protective charm 'kawaii' to explore their feelings and identity and are treated with the utmost compassion and dignity by their author. That makes Wandering Son a most compelling fantasy... Wandering Son chooses for the most part to dwell on the possibility of choice, of self-knowledge and the love of a friend who knows your secret." – Michael Arthur, The Hooded Utilitarian
• Review: At his High-Low blog, Rob Clough re-posts his Sequart review of the first 5 volumes of Mome: "I can't help thinking of Mome as the comics equivalent of a baseball farm league club. You know you're good if you're invited by the major league club to come on, but there's an expectation of getting better, of being productive, of working hard in order to become great. And the creators in this book seem to range across a wide variety of ages and levels of experience, much like a minor league baseball team. Some are raw rookies, others have been laboring in obscurity for years and are just now getting an opportunity at the big time."
• Interview:The Daily Cross Hatch's Brian Heater continues his conversation with Mome editor Eric Reynolds: "I don’t know if there’s an official reason. I just felt like the time had come. It had been over five years. I’m really happy with it. I’m proud of what we did. But at the same time, there are always compromises you make along the way. I felt I’d already run my course with it. I could have kept it going. I sort of set myself up with a template that was fairly easy to do, three or four times a year."
• Review: "Excellent quality reproduction of the cartoons, interesting texts...; a supreme book treatment by a 'bibliophile publisher': something that convinces even the most recalcitrant Disney collectors to buy something that they might already have seen and have read the contents of the first volume in multiple dressings and in multiple languages, and possess it in different forms." – Luca Boschi, Il Sole 24 Ore (translated from Italian)
• Plug: "Mickey Mouse 'Race to Death Valley' has the first MM strips from 1930-32 by Floyd Gottfredson, considered the finest of all the MM artists and much collected. Several complete episodes and a wonderful 68-page section devoted to essays, early Mickey artwork and special features. I'm eager to sit down and digest it all myself." – Bud Plant
• Review: "Schulz's jokes are fine; his characters are likable and instantly recognizable; and Peanuts is never dull. But, in these years, it settled for being a consistently entertaining standard comic strip rather than digging any more deeply than that into the sources of human sadness and discomfort." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Plugs: The latest "Comics College" reader's guide from Chris Mautner at Robot 6 delves into George Herriman and Krazy Kat: "If you... want to dig deeper, the next logical choice is Fantagraphics’ lovely collection of Sunday strips, dubbed Krazy & Ignatz.... If all those books seem like too much shopping for you, Fantagraphics has collected much of the same material in two hardcovervolumes, with a presumed third one coming along the way sometime in the near future.... Fantagraphics has announced their intention to collect the daily Krazy Kat strips as well, but that’s down the line a bit. In the meantime, there are really only two ways to get a solid sampling of the daily strip, one of which is The Kat Who Walked in Beauty, an oversize tome that pairs together strips from the 1910s and 1920s, as well as some other Krazy-related ephemera."
• Plug: "Fantagraphics Books publishes one of my all-time favorites; Jason, short for John Arne Saerterøy. Jason’s animal people inhabit satirical but celebratory genre pieces. In about 50 pages, Jason’s The Last Musketeer tells the story of Athos, the last depressed musketeer in the 21st century. A meteor hits Paris, and Martians start invading. Before too long, Athos stows away to Mars to save the Martian princess in order to save Earth from total annihilation." – Victoria Elliott, The Daily Texan
Ran out of time on Friday's Online Commentary & Diversions, so it's combined with links from the weekend:
• Review: "Now Fantagraphics has risen to the fore with [Walt Disney's Mickey Mouse Vol. 1:] Race to Death Valley... It’s a pretty spiffy package, sharply designed and full of smart, well-written essays that provide a rich portrait of the artist and his times, as well as some great comics.... As impressive as Gottfredson's work is, it's in the ancillary materials or 'special features' that makes this book really shine. Editors Gary Groth and David Gerstein have gone the extra mile here... With its shameless abundance of riches, Mickey Mouse Vol. 1 sets a new standard in reprint publication." – Chris Mautner, Robot 6
• Plug: "Only a small handful of Gottfredson's collected works have been published and most are out of print. He pioneered a trendsetting style of adventure comics, though in his lifetime remained largely unrecognized.... Fantagraphics has kindly republished a bit of the Gottfredson Mickey run in their new book [Walt Disney's Mickey Mouse Vol. 1:] Race to Death Valley, beautifully restored [and] repackaged..." – Green Apple Books
• Review: "The latest volume of The Complete Peanuts: 1979-1980 continues with Charles Schulz’s herculean output of his beloved comic strip. Schulz supplies the customary laughs in stand-alone gag strips and some short 'continuing' storylines.... As I have said in previous reviews, Fantagraphics does such a marvelous job with these hardcover Peanuts volumes. From the cover by designer Seth, to the crisp black-and-white reprinting (3 dailies per page, 1 Sunday per page), to the handy index to help you find your favorite strip, Fantagraphics takes creating a permanent archive of this beloved humor strip very seriously. Children of all ages should all get their hands on this American treasure." – Rich Clabaugh, The Christian Science Monitor
• Commentary: Mike Sterling makes a few observations about The Complete Peanuts 1979-1980: "SPOILER ALERT: Peppermint Patty gathers evidence and uses skeptical, critical thinking to resolve her particular issue here."
• Review: "Some of the very first autobiographical works on the French bande dessinée scene, these little gems were a genuine game-changer for cartoonists and storytellers... Superbly skilled at switching imperceptibly from broad self-parody to cripplingly painful personal revelation, wild surrealism to powerful reportage and from clever humorous observation to howling existentialist inquisition, Trondheim’s cartoon interior catalogue is always a supremely rewarding and enjoyable experience and, as these ancient texts [Approximate Continuum Comics] prove, always has been." – Win Wiacek, Now Read This!
• Review: "[Blake] Bell is our guide into this rich history of Bill Everett... Bell includes several pieces of artwork and comics that has rarely been seen. A true testament to a man who lived comics throughout his entire life and loved it with a passion...[I]t’s important not only to remember the characters, but the men behind them. Bell’s book here on the life and times of Bill Everett [Fire & Water], and his other biographical material on Steve Ditko, is a testament to that." – Chris Marshall, Collected Comics Library
• Interview: Hillary Chute talks to Joe Sacco for The Believer; I'll use their pullquote: "When you draw, you can always capture that moment. You can always have that exact, precise moment when someone’s got the club raised, when someone’s going down. I realize now there’s a lot of power in that."
• Interview:The A.V. Club's Sam Adams talks to Joe Sacco: "I think if I hadn’t studied journalism I might have taken a different approach, and I’m not saying my approach is the only way you can tell a story journalistically. But because I actually studied it, detail is important and accuracy is really important, so it’s not just about having an accurate quote. The problem with doing things the way I try to do them is that it’s not just an accurate quote, it’s an accurate image of what a place looks like. An absolute literal group of images? You might as well go to a photographer for that. But whatever interpretation I do of it, it has to be informed by reality."
• Profile:HiLobrow's Joshua Glenn on Dame Darcy: "If she sounds like too much to handle, that’s because she is; now you know why her comic is called Meat Cake — they’re two decadent foods, so why not combine them? Darcy’s world is a child’s garden of verses overrun by drunken mermaids, grave-robbing French maids, and Vitalis-groomed cads. If this sort of thing sounds like your cup of spooky-kooky tea, read Meat Cake..."
• Profile: "I made my quarterly pilgrimage down to the Fantagraphics store in Seattle yesterday, and that store never ceases to amaze anyone who walks into it. From the curator/owner to the punk rock pictures on the wall, to the awesome collection of Fantagraphics titles, traditional comics, underground comics, and some adult stuff tucked away in the back room under the stairs, the entire store is a place to go explore the darker side of comic books." – Dan Morrill, Comics Forge
Residents of San Francisco should head over to the Cartoon Art Museum tonight as they welcome author Monte Schulz! Schulz will talk about growing up with his father, Peanuts artist Charles M. Schulz, and how "Sparky" influenced his own writings. It's sure to be an engaging evening for all!
Following the presentation, Schulz will be signing copies of his latest novel, The Last Rose of Summer. The Cartoon Art Museum is located at 655 Mission Street in San Francisco. The event runs from 7:00 pm to 9:00 pm, and is free and open to the public!
• Review: "Jacques Tardi is pretty awesome, y’all. But then, you already knew that.... This sucker [The Arctic Marauder] is from 1974. Sadly, it looks more avant-garde and progressive than a lot of comics that are released today.... The entire book is an absolutely gorgeous piece of artwork." – Greg Burgas, Comic Book Resources
• Review: "Joe Daly tells stories about slackers with an obvious love and a clear eye; he's attuned to the oddball notions and unlikely turns that their lives take, and crafts stories about quirky people that don't turn into catalogs of quirks themselves.... Dungeon Quest is a goofy, silly series, and it's not for readers who need their comics-format violence to be deadly serious and full of clenched teeth. But for those of us who have grown out of that limited conception of comics yet still want energetic adventure stories that know how silly they are, it's just the thing." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Plug: "...I’ve recently read Fantagraphics’ gorgeous new printing of The Extraordinary Adventures of Adele Blanc-Sec, which absolutely blew me away. I’m always impressed by people like Jacques Tardi, who can build these deep, rich worlds out of really loose, simple linework. It’s definitely not a skill I have. The book also has pterodactyls menacing early-1900′s Paris, so it’s pretty much required that I love it." – Aaron Alexovich, guest Robot 6 "What Are You Reading?" contributor
• Profile: The Chicago Tribune's Christopher Borrelli catches up with Ivan Brunetti: "At 25, he started Schizo, a comic so caustic — and offensive and frantic, but with the thick black palate of classic newspaper strips — friends routinely asked if he would be arrested. It partly detailed his life as a copy editor at a local university press, and the homicidal daydreams that came to him while on the job. He declined to say at which press. 'It wasn't to shock,' he says. 'It was an unguarded look at how I felt, and I was probably losing my mind.'" (Via Spurge.)
• Interview:The Daily Cross Hatch concludes presenting Brian Heater's MoCCA panel conversation with Gahan Wilson: "You have to be straight with kids. Kids see right through you if you’re not. So you do your best—you get this little sweet kid and you’re telling them a story, and you want them to enjoy it, and it helps them. You’re this big grownup and there’s this little kid, and you’ve got to be gentle with them, because you’re this hulking thing. So that’s part of it. You do what any decent person would do with a kid, which is you be nice to the bugger. Because they need it. They can use it."
The Online Commentary & Diversions hamster wheel started spinning a little too fast, but I think I've got it back under control now:
• Feature: For Largehearted Boy's "Book Notes" feature, Wilfred Santiago creates a musical playlist for 21: The Story of Roberto Clemente: "Golden age animation has been a big influence on my work and the graphic novel itself is very musical. It would be interesting to see the shape that it would take as a feature film. So here is what the 21 soundtrack would sound like."
(The following links are via the Largehearted Boy link above:)
• Review: "The graphic novel  is a beautifully wrought Clemente collage, following the hitter from the impactful events of childhood through his career as a Pirate and up to his untimely death. While there were several poignant dramatic through lines, the book’s strength lies in its brilliant visuals, which far outweigh its strictly biographical content. In addition to his many other notable qualities, like his humanitarianism and his greatness as a player, Clemente was a beautiful man, with a striking physicality. Drawing on this aesthetic truth, Santiago stuns and heightens it, with an imaginative and dramatic illustrative style, with its palette of Pirates yellow, and orange and black. The oral tradition of myth-making is put into visual form here." – Ted Walker, Pitchers & Poets
• Review: "The comic book biography is alive and well in 21: The Story of Roberto Clemente... In 21, Wilfred Santiago, who was also born in Puerto Rico, uses the language of comic books to tell the story of Clemente’s life as something like the arc of the hero’s journey or as a heroic epic.... 21 captures what made Clemente unique. However, Santiago uses the medium of the comic book in a unique way to tell the story of man who represents the best of us. [Grade] A-" – Leroy Douresseaux, I Reads You
• Review: "...I love a good graphic novel biography. Well as those of you who are familiar with the great baseball player and humanitarian that Roberto Clemente was already know, it would be hard to tell his story in any media and for that story not to be powerful. ...21 ... is a handsome production... [and] an... EXCELLENT graphic novel." – Ralph Mathieu, Ich Liebe Comics!
• Plug: "21: The Story of Roberto Clementeby Wilfred Santiago, a graphic novel by an illustrator and writer from Puerto Rico, received a nice write up in a recent issue of Sports Illustrated (linked here)... If we could only have found it at the book store. Sports shelves? Graphic novels? You give it a shot." – Tom Hoffarth, Los Angeles Daily News
• Review: "...Mattotti is an artist who is equally concerned with complex imagery and sharp storytelling — attention to that combination leads us to what makes Mattotti so great. Claudio Piersanti wrote a very crisp script for Stigmata, and Mattotti illuminates the story deftly, probably because he has a real appreciation for well told stories.... If one’s standard for great cartooning is drawing that tells a story without a shred of vagueness, Mattotti’s work on the events described above is thrilling in its virtuosity. But this is a work of art far more potent than a simple story well-told. Mattotti’s two extremes — that of high level storytelling and drawing that suggests unique emotions — exist side by side without any fuss." – Austin English, The Comics Journal
• Review: "While the core timeline of Freeway is only a few hours of frustration spent in traffic, Alex’s mind wanders through past fiction and reality, present fact, and fantasy. Kalesniko, who himself worked at Disney as an animator, designed his main character as an anthropomorphic dog. The result is a wistful, innocent, and somewhat naive protagonist who is coming to the realization that his childhood dreams aren’t quite turning out as he planned.... It is definitely worth the challenge of meandering through the crammed vehicles to reach those poignant moments of Alex’s life, moments many of us share in our own versions of our adult selves." – Ashley Cook, Giant Fire Breathing Robot
• Review: "Less able graphic novelists might scare themselves silly with the scope of this book, but Mark Kalesniko’s attention to detail in all aspects of his craft — the backgrounds, the emotional ranges of the characters and the slow but steady-paced urbane drama — blends the components together masterfully.... [Freeway] is deeply sophisticated and literary. It deals with humanity’s big questions – love, death, life, and what we do with our time. It’s funny, touching, heart-warming, tragic and very engaging." – Andy Shaw, Grovel
• Review: "Gilbert’s sketches actually give an insight into how he feels about his characters, and as a reader, I found myself understanding the characters a bit more, just by looking at his drawings.... The work in the ‘Jaime’ section is quite beautiful and well drawn, however, it does not give further insights into the ways in which Jaime sees his characters, or what he has planned for them... To sum up, Love and Rockets Sketchbook Volume 2 is pretty awesome." – Lisa Polifroni, lisaloves2read
• Interview: At Inkstuds, a 2008 conversation with Johnny Ryan conducted and with illustations by Josh Bayer: "It’s interesting that you bring it up because people always demand that artists deliver some sort of meaning and truth, and when that truth’s hideous they throw up their arms and get upset and have hurt feelings and it’s 'you’re ruining people’s lives.' There’s conflict; you want the art to be true, but don’t want to be shown stuff that makes you feel bad, you can’t make people feel good all the time, it's not true, the object is to make people feel something. There’s no rule that it has to be something good."
• Interview:The Daily Cross Hatch wraps up their serialization of the transcript of Brian Heater's MoCCA panel conversation with Peter Bagge: "I used to worry about what my peers thought. That’s a big mistake. Never worry about what your peers think, because then you always find out that they would have done it in a heartbeat. [Laughter] If you take anything away from this conversation, it should be 'fuck Dan Clowes.'"
• Feature:The Seattle Times' Marian Liu previews our Charles Peterson: Taking Punk to the Masses exhibit at Fantagraphics Bookstore & Gallery: "'I was wondering why this kid was bothering to take photos,' said Larry Reid, curator of the Fantagraphics show, of Peterson. Now, flipping through the photos, Reid remembers each scene as if it happened yesterday. Drawn to the energy of the music, Reid was a good decade older than many in the scene then. He shepherded the artists by promoting their shows and allowing them to play in his gallery's basement. 'I can recognize the artists by their shoes,' said Reid, looking through the photos."
• Plug: "For a reality check, I turned to a former Rolling Stone colleague and friend who always seemed to have a better line on all things cultural than anyone else around and a way of stating his position in a manner that set him apart, way apart, from other music writers — make that writers, period — of his time, and boy does he put today’s snarky music press to shame. This would be the late Paul Nelson... (Nelson’s life and work are getting their just due in September with the publication of a long-awaited, diligently researched biography by Kevin Avery, Everything Is An Afterthought: The Life and Writings of Paul Nelson. Full disclosure: Yours truly was among those Avery interviewed. But buy the book anyway.)" – David McGee, The Bluegrass Special
• Plug: "I’m in the process of reading an advance of Everything Is An Afterthought, Kevin Avery’s biography and selected works of the music critic Paul Nelson. Reading Nelson’s writing reminds me how of the role that he and other music critics of the time — our own John Swenson included — played in creating the myth of New York City for me." – Alex Rawls, OffBeat
• Plug: "Back in 2003, Lou Reed paid tribute to poet Edgar Allen Poe with his sprawling The Raven, which didn't exactly strike a positive chord with the many critics and fans at the time. Nevertheless, Reed will now be revisiting that album with a new illustrated book. The book, also titled The Raven, was made in collaboration with Italian illustrator Lorenzo Mattotti.... We originally called The Raven 'bizarre and thoroughly uneven.' We'll have to see if this new illustrated spin helps to make the entire album a bit more rewarding." – Alex Hudson, exclaim.ca
At The Beat, Brady Russell reports and shares photos from a recent exhibit of never-before-seen sketches and correspondence by Charles M. Schulz at SPACE 1026 in Philadelphia. I have mixed feelings about sharing this link: it's fascinating, but also a bit voyeuristic, as the material is highly personal in nature and was obviously never intended for public consumption, and I can't imagine Sparky would consent to having it displayed if he were alive.