• Review: "Hell fuckin’ yeah. New Prince Valiant. Fantagraphics really does these reprints right. While they could easily pump out lazy reissues of the same poorly recolored old strips like everyone else did before them, they actually go ahead and find the original colors and it’s like nothing you’ve ever seen before. Unless you were reading Prince Valiant in the newspaper back in the early 40s. [...] The whole story is sick as hell from beginning to end. [...] What a book! For thirty bucks you get to own some of the prettiest comics that anyone's ever seen printed up like no one's ever done." – Nick Gazin, Vice
• Review: "Well, Fantagraphics Books has been printing some hefty collections of Peanuts for several years — each volume covers two years and has an introductory essay and an index (so you can easily find Joe Cool or all the references to Bo Derek). The bulk of the book, of course, is just the strips themselves, offered in chronological order without annotation or commentary so they can speak for themselves. They sent me their latest, 1979-1980, which is already the fifteenth volume in the series (and they still have twenty years to go). But you can pretty much start anywhere and be guaranteed a wonderful collection." – Jonathan Liu, Wired
• Review: "Fantagraphics’ new collection of the first two volumes [of Adèle Blanc-Sec]... in a sturdy hardback format is, if not a revelation, certainly the best presentation the material has had in English. Kim Thompson’s translation brings out the sardonic inelegance of Tardi’s dialogue much better than Lofficier’s workmanlike adventure-script translation from nearly twenty years ago, the colors are much more vibrant, and the linework better preserved... and they’re built to last, the definitive version of the work. ...Tardi is a deep cynic who uses the breathless, endlessly-deferred structure of serialized comics to comment on the futility of action and the wretchedness of history’s march. Tardi’s meticulously detailed, enormously evocative Paris is a place to luxuriate in again and again..." – Jonathan Bogart, FA
• Plug: "A new graphic novel by Jim Woodring? A mere year after the great Weathercraft? Yes, somehow, in between dreaming about his giant steel nib pen, Woodring managed to draw a whole new book." – Heidi MacDonald, The Beat
• List:PLAYBACK:stl's Steve Higgins puts What I Did by Jason on his Top Graphic Novels of 2010: "In my recent review of What I Did, I stated, 'Each story on its own is unquestionably superb, and readers will delight in the moods Jason evokes and the artistic techniques he employs. Together the stories in What I Did are sterling examples of Jason’s fantastic skill as both an illustrator and a storyteller that are well worth the purchase in spite of their vast differences in tone, style, and content.' And it’s still true."
"Love and Rockets: New Stories #3 — [...] While shocking scenes gave Gilbert's stories of cultural and commercial exploitation a fresh horror, the emotional aftershocks of Jamie's stories of personal loneliness, loss and violation haunted me all summer." – Suzette Chan
"The second hardcover volume in Linda Medley's Castle Waiting series is a fantasyish, girl power fairy tale — and so much more." – Rebecca Buchanan
• Review: "Each change, each mutation is the beginning of a thought without a defined path that will take the reader into the recesses of his mind. It can be simple aesthetic sensory enjoyment, perhaps of ravishing beauty, perhaps creepy horror; it can be a profound reflection on the significance of humanity or a simple gag in the purest tradition of slapstick. Either option is good: the silent Frank stories are surely a shock that spins the reader's neurons at high speed, a total reset of the system of established reality that leaves the mind in a renewed state of equilibrium. A masterpiece..." – Álvaro Pons, El País (translated from Spanish)
• Review: "[King of the] Flies is essentially about moments, one strange moment after the other. It brings to mind David Lynch but it should also bring to mind Alfred Hitchcock. Rigorously planned out ahead of time, his best work retains the freshness and kinetic energy of so many strange moments perfectly timed. Undoubtedly, Flies will be more than a string of moments and will have an ending as poetic as its best scenes." – Henry Chamberlain, Geekweek
• Review: "Prince Valiant comics are constantly being reissued around the world, but this collection began in 2009, published by Fantagraphics, is special for its concern with restoring Foster's work with the utmost fidelity. The original art was respected and carefully reconstructed from the original proofs and other sources of high quality. The publication in color, in hardcover and on luxurious opaque paper is just right. It is a definitive edition and a fitting tribute to the art of Hal Foster." – Gustavo Guimaraes, Ambrosia (translated from Portuguese)
• Review: "Jason’s tales of the distracted and listless existences of dog-faced Europeans are so consistently excellent that it’s almost predictable, but while [Werewolves of Montpellier] has his usual skilled construction and subdued colour palette, there’s also some rather good characterisation." – Grant Buist, The Name of This Cartoon Is Brunswick
• Review: "These strips can be a comfort, an amusement, can provide a moment to stop and think. Here [in The Complete Peanuts 1950-1952] you see Charlie Brown before his shirt gets the zig-zaggy stripe; how Linus was introduced as a baby as was Schroeder. You see the small common things that set the groundwork for what would become a life’s work." – Jenny Spadafora, 12frogs
• Profile: Sean O'Toole of Johannesburg's The Times tracks down Joe Daly: "I'm partly curious to see if he looks like his character Steve, described by Millennium Boy as an 'old orangutan mama.' The thin, bearded, slightly awkward man I meet in Observatory isn't apish, nor does he wear a bathrobe à la Jeff Lebowski. He also doesn't have lactating boobs, which Steve briefly grew in a strip appearing in Scrublands, Daly's first US book from 2006." (The Comics Reporter has additional commentary on the article.)
• Profile:Mania's Niko Silvester puts Moto Hagio in the "Creator Spotlight" with a brief overview of her career
• Interview (Audio): Get ready for an epic Inkstuds interview as Al Columbia joins host Robin McConnell for a 2-hour chat
• Plug: "If you’ve not been checking out Fantagraphics’ Complete Peanuts series, I would highly recommend that you start doing so! They are archiving Peanuts every story that Shulz ever wrote, in gorgeous hardcover collections, that contain one to two years of the strip, starting from 1950. It’s one of the best archive projects out there, and I can’t recommend collecting them highly enough!" – Edward Kaye, Hypergeek
344-page black & white 8.5" x 7" hardcover • $28.99 ISBN: 978-1-60699-438-2
Ships in: March 2011 (subject to change) This item will be available for order on its release date. Stay tuned for updates.
Charles Schulz enters his fourth decade as the greatest cartoonist of his generation, and Peanuts remains as fresh and lively as it ever was.
(How do we know it’s 1980? Well, for one thing Peppermint Patty gets herself those Bo-Derek-in-“10” cornrows — Peanuts’ timelessness occasionally shows a crack!)
That said, The Complete Peanuts 1979-1980 includes a number of classic storylines, including the month-long sequence in which an ill Charlie Brown is hospitalized (including a particularly spooky moment when he wonders if he’s died and nobody’s told him yet), and an especially eventful trek with Snoopy, Woodstock, and the scout troop (now including a little girl bird, Harriet). And Snoopy is still trying on identities left and right, including the “world-famous surveyor,” the “world-famous census taker,” and Blackjack Snoopy, the riverboat gambler.
In other extended stories, Snoopy launches an ill-fated airline (with Lucy as the agent, Linus as the luggage handler, and Marcie as what it was still OK then to call the stewardess)… Peppermint Patty responds to being leaked upon by a ceiling by hiring a lawyer (unfortunately, she again picks Snoopy)… plus one of the great, forgotten romances of Peanuts that will startle even long-time Peanuts connoisseurs: Peppermint Patty and…“Pig-Pen”?!
Download an EXCLUSIVE 15-page PDF excerpt (651 KB) containing all the strips from January, 1979!
• Review: "Like WWI itself, it's difficult to summarize It Was the War of the Trenches — each moment and story is precise and poignant and devastating, and they add up to far more than the sum of their parts, but they add up as a mosaic does, with each shard forming a point of color that only makes sense from a distant perspective. [...] Tardi is one of the giants of world comics, and this is one of his strongest works, a rare combination of ability, ambition, and subject. ...It Was the War of the Trenches is immediate and moving and deeply involving from page to page, showing once again the power that comics has to both illuminate dark corners of the world and to turn them into a compelling narrative accessible to nearly everyone." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Feature: At The SF Site: Nexus Graphica, Rick Klaw dubs Jacques Tardi "the Martin Scorsese of European comics" and runs down his reactions to all of our recent English reprints of Tardi's work: "Before my discovery of the French artist Jacques Tardi, how did I enjoy comics?"
• Interview (Audio): Guests Jean Schulz, Nat Gertler (The Peanuts Collection) and Kevin Fagan (Drabble) discuss the legacy of Charles M. Schulz on yesterday's episode of Southern California Public Radio's AirTalk (via Spurge)
• List:David Wolkin names some memorable comics he read this year:
"It hurts to read [It Was the War of the Trenches], but Jacques Tardi’s renderings are still quite beautiful as far as I’m concerned, which makes the whole thing that much more painful."
"Blazing Combat blew my mind. [...] The only thing this book has to say is that war is always terrible and people always die... Most of the stories are written by Archie Goodwin, but are duties are handled by a whole mess of the greats, including John Severin, Gene Colan, Wally Wood and Alex Toth, Goddamn Alex Toth. This book is worth buying just for the 3-4 Toth stories."
• List/Review: "Notable shoujo mention: A Drunken Dream and Other Stories by Moto Hagio... There is fantastic imagery, and fantastic stories. [...] As a translation and publishing choice, I commend Fantagraphics. For anyone who wants to read what is considered to be a classic gem of shojo then this is it." – Anime Diet (see also their review)
• List: Melinda Beasi of Manga Bookshelf names A Drunken Dream and Other Stories one of the two Best Classic Manga of 2010: "...Moto Hagio’s collection of short manga... focus[es] particularly on issues of family, delving deep into some of the ugliest impulses of our biological tribes and the damage they can do to their least valued members..."
• List: Patrick Markfort of Articulate Nerd counts down his top 10 Favorite Comics of 2010:
"7. The Complete Peanuts 1975-1976, The Complete Peanuts 1977-1978, by Charles M. Schulz... After the fascinating early years of the strip in the 50's and its evolution and refinement into one of the all-time great strips in the 60's, it was a delight to rediscover these wonderful 70's strips, which to my mind strike a perfect balance between the ever present serious and silly sensibilities of Peanuts. Schulz's life's work is all things to all people, with a cuteness and sweetness on the surface, a razor sharp wit just underneath, and depths of poetry and sadness at its heart. The Platonic ideal of a comic strip."
"5. A Drunken Dream and Other Stories, by Moto Hagio – I've been waiting years for someone to publish something by Moto Hagio, and I was not disappointed in the slightest by this book. In fact, I loved everything about it, from the drop-dead gorgeous design work by Adam Grano, to the fine selection of stories by editor Matt Thorn, to the reprint of Thorn's definitive interview with Moto Hagio... None of this would mean much if the stories weren't any good, of course. Fortunately, they're exceptional. These exquisitely drawn short narratives across a variety of genres spanning Hagio's decades-long career are terrific reads in and of themselves, and provide a fascinating glimpse into a tradition of comics-making we've still seen very little of. More like this, please."
"1. 'Browntown' and 'The Love Bunglers, Parts One and Two,' by Jaime Hernandez, from Love and Rockets: New Stories #3 - Jaime Hernandez is my favorite living cartoonist, and these short stories, which MUST be read in conjunction with each other, are my favorite thing he's ever done. What a thrill to witness first hand the publication of a certain All Time Great Comics Work from an artist whose place in the canon is secured ten times over. [...] Read my full review of Love and Rockets: New Stories #3 here."
• List: "Love and Rockets New Stories #3 – [...] Jaime has this wonderful gift to make his characters seem real and natural. It’s been almost 30 years that he’s been writing and drawing the stories of Maggie and Hopey but they feel more like old friends now than ever before." – Scott Cederlund, Wednesday's Haul, "The Best of 2010"
• List: "A giant, two volume hardcover edition with a solid slipcase, this excellent collection [Usagi Yojimbo: The Special Edition] features the first seven volumes of the series and a ton of extra content. Probably the most beautiful book on this list." – Aaron Colter, Fearing Americans, "The Best Comics of 2010"
• List: "Best Pop Culture Satire: [...] An award winning comic that made me laugh out loud a little too much while reading at the local cafe. [...] Full of shamans, reanimated pirate skeletons and hysterical pop culture nods, Dungeon Quest Book Oneis one of my favorite pieces of comic satire to come out in a long time." – Ian Gonzales, Unwinnable, "The Best Comic Books of 2010"
• List: At The Forbidden Planet International Blog Log, the contributor identified only as Michael places Jason's Werewolves of Montpellier on his top 3 Best of the Year: "...[A]s usual Jason’s art is beautiful in its very unusual style with super thick line work and flat and bright colouring. The story is more of a drama, which again is a change from the usual comedy route and the addition of a romance sub-plot makes this book one of Jason’s most complex and best."
• Review: "Jacques Tardi's Adèle Blanc-Sec is a longtime favorite French anti-heroine... The over-the-top parody of the monster-hunting adventurer, combined with a whiff of innate French superiority to the source material, ...may appeal to the extremely casual reader of comics, or one with deep knowledge and interest, but probably not to a reader who enjoys picking up the latest zombie comic." – Mike Rhode, Washington City Paper
• Survey:The Beat's year-end/looking-forward survey of comics pros (part three) includes incisive commentary from our own Eric Reynolds
• Coming Attractions: More reporting & commentary on our Carl Barks news from MTV Geek and Ambrosia (in Portuguese)
#87:Prison Pit Book 2 by Johnny Ryan: "Absurd, crude, lewd, funny, entertaining, twelve kinds of wrong, one of the most effed-up books I've ever read. It's burned into my brain and I can't get it out. And I love it." – Chad Nevett
#99:A Drunken Dream and Other Stories by Moto Hagio: "I'd never heard of Moto Hagio until Fantagraphics published this best-of collection of her stories, and it's easy to see why Hagio is one of the queens of shojo manga in Japan. The short story 'Iguana Girl' (about a girl who grows up with her mother treating her like she is an iguana) is strong enough to make you feel like you've gotten your money's worth, but the remaining nine stories are also all excellent to boot." – Greg McElhatton
• List: Dave Ferraro of Comics-and-More ranks Moto Hagio's A Drunken Dream and Other Stories at #6 on his 10 Best Manga of 2010: "Moto Hagio's artwork is stunning. Her storytelling is fluid, her characters expressive, and her drawings in general are beautifully arranged and look effortless. Each and every one of the ten stories in this 'best of' collection of short stories... are enchanting, full of warmth and wonderful characters, and brimming with emotion. [...] A very necessary project, done right."
• Review: "Uptight #4 is an example of that increasingly-rare animal: a satisfying alt-comic book. [...] It speaks to Crane’s versatility that he can pull off a slice-of-life relationship story and a fable in the same comic book." – Rob Clough, The Comics Journal
• Review: "...[J]ust about the sweetest graphic novel imaginable... it's a lovely, positive collection, with fine drawing and characters that are well worth spending some time with. ...[T]his is a story about people and how they live together and support each other. That kind of story is so vanishingly rare in comics that it should be treasured when we do find it — particularly when it's as lovely and engaging as Castle Waiting." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Review: "Deitch's mad brew of semi-psychedelic farce and skewed reality takes the actual (and factual) short-lived tenure of an obscure 1950s-era kiddie-show host as source material and extrapolates a fantastical set of circumstances with humans, demons, not-so-funny animals and other characters — including Deitch himself. Reading this book [The Search for Smilin' Ed] is a wild ride; Deitch's prodigious storytelling talents and graphic craftsmanship keep things moving — and compelling." – Richard Pachter, The Miami Herald
• Plugs: At Comics Comics, Jeet Heer singles out The Artist Himself: A Rand Holmes Retrospective and The Search for Smilin' Ed by Kim Deitch as two recent books deserving of more attention from critics and readers, calling the latter book "a delight not just because it gives us one of Deitch’s most deranged meandering tall tales but also because the whole handsome package was designed to highlight the cohesiveness of Deitch’s world-making project, the way his fictional universe and its large cast make up a single unfolding story."
• Opinion: At TIME.com – Techland, Douglas Wolk's "What I'm Grateful For in Comics, 2010" includes "Lots of long-gone creators have been returning to the new-comics trenches, and many of them are as limber and powerful as ever. [...] I... wouldn't have imagined that Joyce Farmer would be doing the best work of her career in 2010, but Special Exits knocked me flat," and "The fact that Jason puts out a book every nine months or so and has a substantical, enthusiastic readership makes me proud of the entire economic structure that makes that possible."
• Coming Attractions: More Douglas Wolk at TIME.com – Techland, this time listing "What We're Looking Forward To in 2011," including Love from the Shadows by Gilbert Hernandez ("the most twisted, perverse book he's ever created, which is saying something. It's lurid, hypersexual, violent, incredibly disturbing, and totally fun") and The Armed Garden and Other Stories by David B. ("gorgeous work, and unlike anything else in contemporary comics")
• List: Emily Pullen of fave L.A. bookstore Skylight Books names Stephen Dixon's What Is All This? as one of her Favorites from 2010: "I have a crush on this book: the cover, the paper, the heavy ink. Touch it. Read two stories. Try not to bring it home with you. Fail."
• Review: "The Complete Peanuts 1977-1978 showcases an era when Schulz's drawing was still at its peak, and his story-making skills were perhaps greater than ever before — there are many long continuities, and Schulz had developed a pleasing knack of segueing from one storyline to another, in the vein of the great adventure strips of his youth." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Review: "In The Troublemakers, Hernandez plays with notions of trust and betrayal, naïveté and suspicion. [...] Ultimately, The Troublemakers is a con-movie in comic-book form, well aware of itself, and quite enjoyable in its context. [...] If it were a film, it would be a schlocky guilty pleasure; but in Hernandez’s hands, The Troublemakers ascends to become a stylized and quirky mindtrip, a mishmash of betrayals and surprises, with many more twists than you’ll see coming." – Michael C. Lorah, Newsarama
• Review: "Everything Burns draws seems molded from the same dark and shiny matter. [...] The climate of horror creeps in from the beginning of the narrative, but the author knows the exact time to surprise the reader. Violence is used in a measured way, unlike the majority of comics and films of the genre. Through works such as Skin Deep, Big Baby and Black Hole, Charles Burns is already regarded as one of the principal authors of horror comics of all time." – Gustavo Guimaraes, Ambrosia (translated from Portuguese)
• Profile: "Joyce Farmer is a surprise. The gentle, white-haired 71-year-old, whom you’d half expect to greet you at the door with a pan of steaming muffins, recently has emerged as one of the most provocative voices in the comics and graphic-literature landscape. Her debut book, the 208-page illustrated memoir Special Exits, chronicling the slow, freaky decline and ultimate death of her elderly parents, comes out next week from Fantagraphicscarrying the enthusiastic endorsement of no less than R. Crumb. 'It’s a completely unique work,' he says. 'Nobody else will ever do anything like that again.' [...] The book... is an almost uncomfortably honest memoir that’s dense with details. It’s also layered with meaning and sub-themes. [...] Like many memoirists, Farmer wrestled with guilt over airing her family’s stories; she even changed all the names in the book, including her own. 'I felt like I was really invading their privacy.' But she’s since come to terms with it. 'I just worked through it. I know what I did, and I take responsibility for it.'" – Deborah Vankin, The Los Angeles Times
• Review: "Destroy All Movies!!!is that very rare thing in publishing, a book you didn’t know you needed until someone wrote it. I certainly didn’t, and now I’m finding it indispensable. It’s an absolute must-have for cult-movie fans, movie trivia buffs, aspiring filmmakers and everyone who feels that punk never got its fair due for revolutionizing music and shaking up the status quo." – John G. Nettles, Flagpole
• Plug: "Destroy All Movies is a book on cult cinema... that is kind of the end all be all of ridiculous B-movies involving punks in any way, shape or form. It's at once a collection of titles, a love letter and a historical document. [...] It's a hell of an off beat and quite brilliant gift for the movie nerd or punk in your family!" – Quint, Ain't It Cool News
• Review: "...[Fire & Water,] Blake Bell's biography of Bill Everett (among other things the father of the Sub-Mariner but also the co-creator of Daredevil) helps to rectify an injustice by shining a spotlight on a cartoonist those importance and personality have never been properly recognized. A book which, without going into excessive detail, begins to clear the ground and, in particular, focuses heavily on the human element..." – Xavier Fournier, Comic Box (this is an improved translation by Kim Thompson of a previously-posted link)
• Review: "So, does it all mean anything? Who knows? But [Weathercraft] is certainly a fascinating read, full of arresting images that seem like they are triggering some deep impulse in our lizard brains, and that’s a pretty significant achievement in itself. If nothing else, it’s often quite funny... If you can accept that as something entertaining and play along with its dreamlike logic, you should be able to enjoy the book at the very least, and maybe you’ll even feel like you get something out of it. I know I did, and even if it was just confusion, it was worth it." – Matthew J. Brady, Warren Peace Sings the Blues
• Review: "The absence of words is matched by the most crazy drawings that depict surreal, unbelievable moments that make us stop to look again — and again. It's all so wacky and unusual that not infrequently we find ourselves laughing, reflecting on the silliness that we keep inside us all. For large and small, Weathercraft is sure to [bring] multiple pleasures." – Gilberto Custódio Junior, Soma (translated from Portuguese)
• Review: "Peanuts wasn't in its first flowering in the mid-70s... but it was still a smart, perceptive, deeply funny and humanistic strip. [...] The Complete Peanuts: 1975-1976 is the lucky thirteenth volume in Fantagraphics' reprinting of the entirely of Schulz's great strip; it's also the halfway point between 1950 and 2000. And the more interesting question about Peanuts circa 1975 isn't 'How come it wasn't as good then as in 1952 or 1967,' but instead 'How come Peanuts was still this good after twenty-five years?'" – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Review: "Gilbert and Jaime Hernandez are not just two of the best and most consistent comics creators of their generation, they're so far out in front that the only question is which of the two is preeminent. [...] Year after year, they keep expanding and deepening their worlds, telling new stories as powerful as they've ever done — they're our Balzacs, our Trollopes. Besides their various sidebar projects... they're still providing a yearly dose of the mothership, in the annual Love and Rockets: New Stories trade paperback." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Review: "I originally posted this review on January 18, 2008. This was before I’d read much, if any, of Gilbert’s Fritz material from Love and Rockets. I think the review holds up, which is why I’m re-running it; but with all of Beto’s post-Palomar Palomar-verse work under my belt now, if anything I find Chance in Hell, both its content and its very existence, even more disturbing." – Sean T. Collins, Attentiondeficitdisorderly
• Interview:Robot 6's Tim O'Shea talks to Nate Neal: "Even in the conceptual stage, I knew The Sanctuary didn’t need any words to get the story across. With a made up language the words would take on a symbolic stance that they otherwise wouldn’t have. That helps get across one of the important ideas of the book: how things get fucked up when a society thinks too symbolically. Or at least thinks too symbolically without being aware that that’s what they’re doing. As far as I’m concerned, that’s the world we live in now!"
• Plug: "I finally cracked What Is All This?, Stephen Dixon’s mammoth collection of previously unpublished stories — and it’s terrific stuff. The book itself is also quite pleasing. Dixon still composes his stories on a typewriter (a Hermes Standard, the same brand Douglas Adams used), and Fantagraphics’ whiz art director, Jacob Covey, has mimicked the unevenness and smudges of typewritten text on the cover and section pages. It’s great design porn." – Nicole Rudick, The Paris Review
• Plug: "Thanks to the arrival this week of Castle Waiting 2, Linda Medley's second subversive collection of fairy tales, I'm on yet another kick of traditional fairy tales retold." – Nathalie Atkinson, National Post
• Plug: "...Mark Kalesniko’s Freeway is still a book I’m really, really looking forward to. It’s the continuing adventures of Kalesniko’s semi-autobiographical character Alex. I loved that book, I reckon I’m going to love Freeway just as much." – Richard Cowdry, The Forbidden Planet International Blog Log
• List:The New York Times's George Gene Gustines recommends Moto Hagio's A Drunken Dream and Other Stories in their "Graphic Books Roundup — Holiday Gift Guide 2010": "This 10-story anthology shifts from young romance to supernatural mystery to kitchen-sink drama, so there will probably be a touchstone tale for everyone."
• List:New York Magazine presents "Dan Kois's Great New Autobio Graphic Novels," including Joyce Farmer's Special Exits at #4: "The final four years in the lives of underground cartoonist Farmer’s father and stepmother, told with honesty and humor. A book that will resonate for anyone facing the loss of a loved one."
• List: At Robot 6, Chris Mautner compiles "Six x-rated comics you can read without shame," half of which are old (mostly out of print) Eros gems: Birdland by Gilbert Hernandez, Small Favors by Colleen Coover, and Nipplez 'n' Tum Tum by Mary Fleener.
• Review: "Authors Zack Carlson and Bryan Connolly spare no one in Destroy All Movies!!! from the moment the introduction starts. Yes, there are swear words in the book. If you appreciated your time during the 1980s this cultural reference goes beyond just scenes in movies that have punks in them. [...] The short reviews of each flick give an honest and hilarious appraisal of each piece. I wish every movie review would be as succinct as these two authors because it would save a lot of reading and muck to wade through in a film review. [...] If you are a punk film buff, Destroy All Movies!!! is definitely worth the purchase." – William Browning, Yahoo! Movies/Associated Content
• Review: "Zack Carlson and Bryan Connolly got the wild notion to write a guide to every movie that ever contained a punk in it, and the result of their labors is the loveably cumbersome Destroy All Movies!!! The Complete Guide to Punks on Film. ...[I]t's a treat that it exists, and we're lucky to reap the benefits from Carlson and Connolly's obsession." – Ned Lannamann, The Portland Mercury
• Review: "Among the 1,100 titles cataloged, mocked and celebrated by [Zack] Carlson and co-editor Bryan Connolly in this future coffee-table classic [Destroy All Movies!!!] are Hack-O-Lantern,Rock and Roll Mobster Girls,Revenge of the Nerds IV and Invasion of the Mindbenders, none of which you have seen, of course, but all of which you will desperately want to experience after dipping into Connolly and Carlson’s obsessive-compulsive masterwork. If you ever wondered what it would be like if the 'Psychotronic' section of sleazebag anti-classics at Movie Madness grew a brain and then threw up on you, well, here’s your chance." – Chris Stamm, Willamette Week
• Plug: "There's no shortage of scholarship about every conceivable genre of film, from film noir to Westerns to crazy-disturbing B-movie schlock. But admit it: when was the last time you found a comprehensive study of punks on film? Well, that appallingly underrepresented genre can boast its own volume: Destroy All Movies!!!: The Complete Guide to Punks on Film, published by our Seattle friends, Fantagraphics Books." – Kristi Turnquist, The Oregonian
• Review: "Being free of logical constraint and internal consistency, Zippy’s daily and Sunday forays against The Norm can encompass everything from time travel, talking objects, shopping lists, radical philosophy, caricature, packaging ingredients, political and social ponderings and even purely visual or calligraphic episodes. It is weird and wonderful and not to everybody’s tastes… The collected musings of America’s most engaging Idiot-Savant have all the trappings of the perfect cult-strip and this latest volume [Ding Dong Daddy from Dingburg] finds cretin and creator on absolute top form. If you like this sort of stuff you’ll adore this enticing slice of it. Yow!" – Win Wiacek, Now Read This!
• Review: "Fear of Comics is a wonderful book, one of the finest short-story collections the medium has ever produced. It’s laugh-out-loud funny at times, filthy at others, disgusting and poetic and black as midnight at still others. And it’s a showcase for comics’ premier naturalist to abandon that style altogether, to take his distinctive and exaggerated figurework to their absolute extremes, to tell stories that feel like neither the magic realism nor the science fiction for which he is best known but rather like fairy tales, or even myths of some creepy nihilistic religion." – Sean T. Collins, Attentiondeficitdisorderly
• Review: "Richard Sala... knows how to skillfully mix humor with horror and the grotesque. [Peculia] is a collection of short stories whose protagonist is a mysterious girl who lives in a world populated by monsters and strange creatures... Dreams are mixed with reality and the stories could go on forever, and even if the book has a conclusion, this does not answer the questions and doubts of the reader. Never mind, because the stories are still entertaining and illustrated with an original style that combines influences from gothic expressionist cinema and even a purely pop style and very fun." – Valerio Stive, Lo Spazio Bianco (translated from Italian)
• Plug: Our pals at Tiny Showcase are excited for Ray Fenwick's new book Mascots and hint that they're scheming something up for the launch
(not final cover)
• Coming Attractions: Bleeding Cool's Rich Johnston notes our May 2011 publication of Lou Reed and Lorenzo Mattotti's adaptation of Edgar Allen Poe's The Raven
Enjoy "Good Grief: The Story of Peanuts", a half-hour BBC Radio 4 audio documentary on Charles M. Schulz and Peanuts, hosted by Pete Paphides, who talks to Jean Schulz and members of Schulz's family as well as fans like Chris Ware, Chip Kidd and Russell T. Davies, interspersed with vintage clips of Schulz himself and audio from the Peanuts TV specials. (Via Bleeding Cool.)