Reserve your tickets on-line now for "Building Comix" with Chris Ware, Charles Burns, and Chip Kidd at Town Hall in Seattle on Monday, October 22, co-sponsored by Fantagraphics Bookstore & Gallery. Only $5! This modest admission fee can be redeemed on the purchase of any book by these amazing artists at the signing following the presentations. (One discount per customer.) It promises to be an entertaining and enlightening discussion with three of the most compelling figures in contemporary comix.
Excellent! Mr. Charles Burns will be at Fantagraphics Bookstore & Gallery on Saturday, October 20. Doh! Not that Charles Burns. Or are they one in the same? Cartoonist Charles Burns was an Evergreen State College classmate of Simpsons creator Matt Groening, after all.
And on Monday, October 22 Mr. Burns will be joined by Bart and Homer...ay, caramba! We mean Charles Burns will appear at 7:30 with incomparable cartoonist Chris Ware and book designer Chip Kidd at Town Hall, 1119 8th Avenue in Seattle. Cowabunga!
Enjoy "Good Grief: The Story of Peanuts", a half-hour BBC Radio 4 audio documentary on Charles M. Schulz and Peanuts, hosted by Pete Paphides, who talks to Jean Schulz and members of Schulz's family as well as fans like Chris Ware, Chip Kidd and Russell T. Davies, interspersed with vintage clips of Schulz himself and audio from the Peanuts TV specials. (Via Bleeding Cool.)
• List: We published 3 of "The 6 Most Underrated Comics of 2009" according to Robot 6's Chris Mautner, including Giraffes in My Hair: A Rock 'n' Roll Life by Bruce Paley & Carol Swain ("Swain's low-key, nonchalant art fits perfectly with Paley's tales of hippie wanderings and punk-era decadence, stripping the stories of any rock glamor and tinging them with a genuine sadness. Really, this book just underscores how talented and sharp an artist Swain really is") From Wonderland with Love: Danish Comics in the Third Millennium ("...Nikoline Wedelin's haunting, chilling Because I Love You So Much... still resonates with me months after I wrote this review. The unflinching regard for its subject matter is not going to have people beating a path to its door, but the sheer daring artistry on display deserved much more attention than it got") and Gahan Wilson: Fifty Years of Playboy Cartoons ("It's a testament, not only to Wilson's genius (the material never flags or gets rote, no matter what the decade) but also to Fantagraphics skill in presenting this material in such a stellar fashion. Really, it was the best retrospective collection of the year, and I wish more people had noticed it.")
• Panel: The concluding installment of The Comics Journal's presentation of a never-before-published panel discussion between Charles Burns, Chip Kidd, Seth and Chris Ware, moderated by Jeet Heer, that occurred October 29, 2005 at the International Festival of Authors in Toronto, Canada, turns things over to audience Q&A
• Review: "There are two types of war stories: war as the great human drama, man accomplishing amazing feats in the most horrible of circumstances, or war as the great human tragedy, the ultimate loss of life without any rhyme or reason. Tardi’s book fits very firmly into the latter category. ... Ink-soaked and gory, Tardi’s detailed renderings drive home the grotesquery of the war and the ordeal of the young men fighting in it. ...It Was the War of the Trenches creates an aura of loss, regret and terror." – Michael C. Lorah, Newsarama
• Review: "The quality of [Gilbert] Hernandez's cartooning is unassailable. Part of the reason [High Soft Lisp] is so hard to quantify is his uncanny ability to shift focus on a moment's notice, effortlessly jumping from one character to another, suggesting whole thought processes and histories with just a handful of images." – Jason Michelitch, Comics Alliance
• Review: "The sort of horror Columbia presents in Pim & Francieworks even better without the trappings of recitation and the cause and effect on which they depend. This sort of dread-inducing fright functions without regard to the recognizable comforts of logic and the niceties of narration. This is visceral, elemental terror that generally festers below — or alongside invisibly — human reckoning. ... Frontwards, backways, sneak-a-peek sideways, it all packs a monumentally disturbing wallop." – Rich Kreiner, "Yearlong Best of the Year," The Comics Journal
• Plugs: The Gosh! Comics Blog highlights recent arrivals Penny Century by Jaime Hernandez ("This volume picks up right after Perla La Loca left off, beginning with the now out-of-print graphic novel Whoa Nellie! which is probably the best female wrestling comic in town") and It Was the War of the Trenches by Jacques Tardi ("Since only a fraction ofTrenches was ever available to us English-speaking folk it’s a nice to see the whole lot of it in one place.")
• Panel:The Comics Journal presents the first part (of three) of a never-before-published panel discussion between Charles Burns , Chip Kidd, Seth and Chris Ware, moderated by Jeet Heer, that occurred October 29, 2005 at the International Festival of Authors in Toronto, Canada
• Interview:The Daily Cross Hatch 's Brian Heater, who says "Released late last month, Fantagraphics’ massive collection, Newave, has already made a strong case for its place on 2010’s list of most essential reissues," talks to the book's editor Michael Dowers: "I’ve always been into art and stuff, so I thought that [minicomics] would be fun to do. I used to do paintings, I did a bunch of wood carving, I built a few stringed instruments. I was always doing things with my hands. It wasn’t until I discovered minicomics that it just all came together. I never dreamed that, 30 years later, I would be writing a book about this stuff."